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in control of an inferno
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The following morning, Bell hears what sounds like a fire alarm. It's not in their building - it's at least a block away. From her window, she can clearly see the house that's caught, near the train station, and just as clearly see that there isn't any bucket brigade handling it yet.

She seizes her wand from the nightstand and assumes control over the fire; if there's anyone in the unburnt part of the house they'll be able to get out. "SHERLOCK! TONY!" she calls.

Bell wants a second opinion before she snakes this fire down the corner of the house and over the grass to destroy the train station.
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Sherlock is at her bedroom door in three seconds.

"Yes?"
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"House caught fire all by itself; I'm keeping the damage confined in case there's anybody in there. Good or bad idea to snake it down the trellis and across the grass and torch the train station? Capitol, not District, pays to rebuild those, and I don't have any practical experience on targets yet." She keeps her eyes focused fixedly on the fire. "I think I can make it look natural."

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Sherlock considers this question for a short moment.

Then: "Do."
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The fire spits and crackles and lurches down the trellis, spreading along it in a very unpurposeful-looking way. It picks up speed at the base, racing along dry winter grass and sending the whole empty lawn up in smoke, but encountering the natural firebreak of the surrounding paths -

And the train station.

There's a bucket brigade at the house now, passing water up a ladder leaning on the unburning part of the original building and pouring it on the smoldering corner. They make perhaps more progress than they should - but this might be visible only from a distance, as Bell shrinks that fragment of the conflagration to focus on - and warm - the part that's currently eating away at columns and twisting tracks into useless wrecks. (And leaving the station attendant a clear path to flee, which he does, right before his booth is swallowed up.)

The fire brigade is permitted to succeed completely at putting out the house fire. Bell lets the lawn go out, too, now that she doesn't need the connection to minimize house damage and manage train damage; it smokes.

She lets the flames heat up, now that they're only touching things she wishes to destroy. The color changes. The spread speeds up. The station is burning brightly, and the fire brigade can't even get close enough to it to throw water on it, not that Bell would let it do any good.

When she has reduced the train station to a ruined hulk pouring black particulates into the air and collapsing onto itself, she gradually shrinks the fire to a smaller, cooler piece in the middle, releases control so it will behave as naturally at the end as it did at the beginning, and watches it burn itself out on what used to be the sign reading WELCOME TO DISTRICT THREE.
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Sherlock watches.

She is not fully aware of her own fascination until the spectacle is over and she turns that same fascination on Bell instead of her handiwork with the fire.

"That was—masterful," she says, a little breathlessly.
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Bell licks her lips and wipes a thin sheen of sweat from her forehead. "Thanks," she says, breathing a little hard herself. Using the wand isn't directly tiring, but concentration is, and she has to concentrate to keep any significant amount of fire hers. "Okay. So now I know I'm as good with this thing as I think I am." She twists her hair up and sticks her stick through it. "That's good."

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"I have become attracted to you again," Sherlock observes.
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Bell looks at her. "...Because of the fire?" Beat. "Um, do you want me to do anything about that? I..." She hesitates awkwardly. "Probably could now, I think, if I tried. Because darts. Supplied an example. Of how to arrange my brain in the relevant way."

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"I believe the relevant question is, do you want to do anything about that?"

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Bell thinks.

"I have no idea how long it's going to take to complete the revolution," she observes. "If we manage it at all." Pause. "The whole I-don't-dare-risk-having-children thing has to be the least romantic reason to consider adjusting my sexual orientation for a specific person, ever. But I mean, I do also like you."
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"I also like you too," says Sherlock. "And I am not a particularly romantic person."

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Bell sits on her bed. "I've never been with anyone of either gender. So all my concepts are influenced by the media, which is mostly dominated by depictions of romantic people. What is dating a not-romantic person like?"

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"I do not know," says Sherlock. "I have never tried."

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"Huh." Bell looks at her hands, folded in her lap. "I think I need at least a few hours alone with my recorder to come to a decision. It would help if you were less neutral about it, though."

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"...I am... not neutral," says Sherlock.
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"Can you tell me anything else about your feelings on the matter, though?" Bell asks.

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She shuts her eyes.



"Despite evidence to the contrary, I do not believe I am a worthwhile partner. I expect you to decide as much and then I expect to be very upset."
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Bell blinks.

And then she hugs Sherlock. (Platonically.)

"I'm kind of selfish," Bell says. "I'll wind up deciding to do whatever I think I'd like to do overall. And I don't know what I'll decide yet. But why would you expect it to go that way?"
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Sherlock hugs back.

"Because I don't like myself very much," she says softly.
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"Why?" Bell says. Her face is right near Sherlock's ear. She whispers.

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A momentary quiet, and then,

"I don't know."
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Bell lets her go and sits back, making eye contact. "You are a perfectly likeable person," she says. "I suppose it doesn't help that much for me to tell you that, though? Since I've said equivalent things before."

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"I may need some time to get used to the idea."

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Bell nods.

She pulls out her recorder and looks at it. "It often helps me make decisions when I have a good picture of what it'll look like after I make them. I don't know what it looks like when you're upset about being turned down - and I don't know what it looks like if I tell you 'well, I have hacked my brain with regards to the template supplied by holiday darts' - so that would also help if you could tell me that."
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"...I am not sure, in either case, what kind of answer you are looking for."

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"What will you do? What will happen? What states of the world do I now have it in my power to cause with this choice?"

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"I think me being upset is fairly self-explanatory," says Sherlock. "I will be upset. Experience indicates that no one besides Tony can tell the difference unless I mention it to them, but I have already mentioned it to you. As for the other, I do not know."

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"Oh." Bell resumes her prior sitting-on-the-bed position and bites her lip a bit. "Well, I guess I can work around some informational limitations."

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"Should I leave you to it, then?"

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"Unless there's anything else you can tell me."

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"I don't believe so."

She goes.
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Bell closes the door.

She sets up a locked entry.

And she talks to herself.

At length, she marks the end of the locked section, pockets the recorder, and goes looking for Tony.
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In the basement, continuing to make friends with that generator, where else?

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"Hey. Are you interruptable?"

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"Yeah, what's up?"

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"I burned down the train station. The original fire started all by itself, on a house, I made it look like a natural spread. And Sherlock was there when I did it and now she says she's attracted to me again. And I think that since the holiday drugs thing, I know enough about what it's like to be attracted to her that I could do it again purpose? And if I don't she'll be upset. And I don't know anything much about what will happen if I do. So I thought I'd ask for your advice. I hope that isn't weird."

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"...okay," he says, "as much as I love Sherry, if 'she'll be upset if I don't' is your only reason it's probably a pretty bad reason. And I'm not sure that me thinking you guys would be cute together is a much better one, but for the record, I totally think you'd be cute together."

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"That's not the only reason I have, just the only thing I know about the results," Bell says. "She wasn't a lot of help with making detailed predictions about either possibility."

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"Well, yeah, of course not," says Tony. "She's terrified of thinking about it."

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"A significant factor in the con column is that she seems like she'd be emotionally high-maintenance," confesses Bell.

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"She... is and she isn't," says Tony. "Depends what you mean."

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"What do you mean?"

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"It can be pretty rough, caring about somebody who's so... not okay with herself," says Tony. "But she knows that, and she tries not to make it any harder than it has to be."

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"Good to know." Pause. "Oh, um, I've been recording this, is that okay? I usually don't ask, but I'm usually not trying to form long-term working relationships."

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"Yeah, that's fine," he says agreeably.

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"Thanks." She smiles faintly. "You think we'd be cute together, huh?"

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"Adorable."

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Bell sits and leans on the wall. "I'm not sure what to do. I've been talking to myself for a few hours now and I'm still not sure. It doesn't really help that I don't think I can just will myself back into holiday-drugs-mode, I think I'd have to playact at it a bit to start, and there's a chance that it wouldn't work and that would probably be hurtful."

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"...Well, I'd tell her that part first," he says. "But I dunno. How's the talking to yourself been going?"

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"Except for the fact that it trailed off without coming to a clear conclusion, about like normal. Why?"

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"Because maybe I missed it, but I don't think you've mentioned an actual reason yet."

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"A reason to, you mean?"

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"Yeah, that."

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The recording is locked. It will not get any less locked if Bell summarizes some highlights from memory. Okay.

"I like her. When I was darted I thought she was - pretty, I mean of course she's pretty but relevantly pretty - and finding people pretty is nice. I don't think the dart gave me enough material to hack myself about anyone else, and even if it did, there are no other relevant girl prospects around. Girl is relevant because any risk of having children under the current government is intolerable to me. And I don't want to be alone for - as long as it could conceivably take to overthrow the Capitol, or to decisively fail and decide to flee the world." Pause. "And that was really good risotto. Although I imagine she'll go on cooking regardless of whether I date her."
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"...It's, uh, it's possible to date a guy and not have kids with the guy," says Tony. "I mean. I'm just saying. There are options."

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"When I say any risk I mean any risk. I'm not trusting that nasty-smelling tea the - well, I don't know what you have around here, but in Four it was nasty-smelling tea, and I have observed women who habitually smelled of it to fall pregnant. I don't mean to denigrate your entire gender or anything, I just don't think most people-in-general feel as strongly as I do, so agreeing on which precautions are necessary would be hard."

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"Uh, okay," says Tony.

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"Awkward topic," observes Bell. "Anyway. Reasons. They exist."

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"They're pretty good reasons," he says.

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"Yeah. I'm just unfamiliar with decisions of this form and don't know how to weigh them against the others."

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"Well. Anything else you wanna know?"

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"No. Thanks." She gets up. "Bye."

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"See ya," he says. "Good luck."

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Bell goes and sits in her room. She listens to her locked-up musings and her conversation with Tony over again, at 3x speed. She thinks.

She goes looking for Sherlock.
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Living room. Book.

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Bell sits. She's not sure if Sherlock's interruptable. She will wait for Sherlock to notice her.

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"Hello," says Sherlock.

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"Hi. I have what could be called a contingent decision."

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"...Yes?"

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"I have never tried to edit my brain in quite this way before, but any change on this scale usually requires what I am going to call pretending, to start with. I had to pretend not to care about my grades before I could really stop; just knowing that passing the wrong test would get me effectively kidnapped and stuck in a different District didn't do it. I had to pretend to be way more obsessed with shells than I actually am before it came readily to me to throw a tantrum if someone moved a bag of them that I'd been keeping near a door in case of Milliways. And I think that in order to slip back into what I'm calling holiday-drugs-mode I will have to first pretend. And it might not work. And that could easily be unpleasant on your end."

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"Describe pretending," Sherlock requests.
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"More snuggling, probably. Kissing you while still pretending might or might not be necessary but wouldn't hurt. Generally acting and talking like I am your girlfriend."

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"I am thoroughly in favour of more snuggling," says Sherlock. "Independently of other concerns."

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"Snuggling independently of other concerns would be nice," agrees Bell, squirming a little in her chair.

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"...Would you like to snuggle?" says Sherlock.

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Bell transfers herself to Sherlock's sofa and leans her head on her shoulder.

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Sherlock closes her book and snuggles up.

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"You don't have to decide on what you want me to do about the pretending right away," Bell says.

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"I do not know what to decide or how to decide it," says Sherlock.

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"Then it's good that you don't have to figure that out in a hurry, isn't it?" Bell maneuvers through the snuggle to wrap her arms around Sherlock's middle and press her face into the back of her shoulder.

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"Yes."

Also, snuggles.
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"Can I help?"

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"Possibly," she says.

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"What do the gaps in knowing-what-to-do look like?"

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"I am not very good at wanting things," she says. "I don't have much practice."

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"You don't? Want things? What, in general?"

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"Not easily," she says. "I have priorities but they largely revolve around making sure Tony is alive and happy. I enjoy things but I don't often make significant decisions based on what I anticipate enjoying."

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"Why don't you make significant decisions based on what you think you'd enjoy?" asks Bell, puzzled. And snuggled. "...What's the threshold for significance you're using?"

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"Decisions on the level of what to read or make for lunch are not significant. Decisions on the level of whether to take over the world are. I am not always sure about the range in between."

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"That reminds me. If we manage world takeover, do I get to be Empress? Like the other mes?"

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"I see no reason why not," says Sherlock. "Provided you are a good one."

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"The people I've talked to seem to think that other mes are. I don't know how much like them to expect to be. Do you not... I don't know. This is probably an ill-advised example, but you wanted the surgeries from the Capitol, didn't you, even if they were inflated by your terrible ex-friend? That doesn't seem very much about keeping Tony alive and happy." Pause. "...I don't suppose that's why you have hangups about wanting medium-sized things? Because your terrible ex-friend used that one to do terrible ex-friend things?"

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"...yes," she says. "That seems likely. And I was a child at the time. I was able to articulate what I wanted but not to measure its cost."

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"Is your terrible ex-friend still around in some capacity such that you still actually need to worry about him?"

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"My terrible ex-friend is President Snow."
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"...Kraken."

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"Yes," says Sherlock. "Quite."

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"That is terrible. Wow. Okay, so he's worth worrying about - do you think he's still motivated to be terrible at you? Is he still occasionally terrible at you?"

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"He is frequently terrible at Tony."

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"Eegh. Do I want to know? Can it be helped on net by the cunning application of fire?"

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"You probably don't. I would have killed him already, but he made sure to let me know that he has made arrangements for Tony to be killed if I do. I am not sure whether setting him on fire in a cunning way would qualify."

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"Internal burns would look very strange on an autopsy report, but they would not look like a stab wound or a broken neck," says Bell. "I'll try it if at any time you determine it's a good idea and you can get me in range."

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"Thank you," says Sherlock.

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"You're welcome." Nuzzle. (Platonic nuzzle.) "Can you think of other reasons to have hangups about medium-sized wants?"

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"If there are any, they are not so obvious nor of such magnitude."

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"Do you think... President Snow..." It's weird talking about him like he's just a person, who has ex-friends and so on - "cares who you date?"

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"Not particularly."

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"Can you convince your brain of that enough that it will try figuring out how to want stuff on that subject, then?" Pause. "This is hard to talk about, everything I know about it is in note-to-self format."

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"I am not sure the causality is so direct."

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"No? Tell me about it?" (Nuzzle. This is comfy.)

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"Despite obvious evidence, I am on some level convinced that wanting things inevitably leads to calamity."

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"That almost sounds like some kind of anxiety disorder." (Bell has read introductory-level books on psychology, at Milliways.)

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"I am not sure that's the best fit, but it is a reasonable analogy."

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"Would it be preferable if - I don't know, if I flipped a coin? No, that would be silly, the reason my results are contingent is because I don't want to hurt you, if you wanted me to flip a coin that would just amount to saying you're up for the risk..."

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"...When you put it like that..." says Sherlock,

"I think I am up for the risk."
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Bell nuzzles.

Less platonically.

"Pretendy-style cuddles," she announces comfortably.
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"I am fond of these cuddles," Sherlock observes.
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Bell laughs. "That's good! I am too."

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"How convenient."

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"It is." Pause. "We are adorable. Tony is smart."

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Sherlock laughs.
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"I asked for his advice when just a few hours with the recorder didn't get me to a decision. Pretty much his input boiled down to 'you'd be cute together,'" Bell says, sort of speaking into the side of Sherlock's neck.

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"He is correct," says Sherlock.

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"Mm-hm. Hey, do you bake, or just cook?" Bell wonders.

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"Yes I do. Why, did you want something baked?"

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"Yeah, I've gone and become self-indulgent over four and a half months of Milliways with access to money and appear to be in the mood for cake."

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"I will bake you a cake," Sherlock says gravely.

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"You're so serious about it," laughs Bell. And she kisses a tiny little kiss right on the side of Sherlock's neck where her face happens to be.

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Sherlock blushes.
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Bell is not in a position to notice. "How long do cakes take?"

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"Just short of an hour, generally speaking."

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"Hmm. I do not require cake urgently." Bell makes no move to let Sherlock go.

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"There is some waiting involved in the last stage of the cake process," Sherlock observes.

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"That's truuuue," muses Bell. "Do you want to get up right now?"

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"I would like to bake you a cake," says Sherlock.

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"Okay." One more itty-bitty neck-kiss and Bell lets her go, smiling.

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Sherlock's blush becomes more obvious after they have disentangled.

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"You're blushing, that's adorable," says Bell, clapping her hands over her mouth.

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...She grins, ducking her head slightly.

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"What kind of cake do I get?" Bell asks, getting up to follow Sherlock into the kitchen.

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"There are many options," says Sherlock. "What are your opinions on the relative merits of chocolate and lemon?"

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"Chocolate is better," says Bell contently, sitting at the kitchen table.

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"Then there will be chocolate," says Sherlock.

And there is chocolate.
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"Mmm." Bell inhales the scent of nascent cake. "You are good to have around."

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"I create cake," Sherlock agrees. "Cake is good."

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"So good," agrees Bell. And when it goes in the oven, she says, "This must be the waiting period I've heard so much about!" and she trots sofaward.

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Laughing, Sherlock follows her to the couch and resumes snuggles there.

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The snuggles, they are snuggly.

Bell wonders what will happen if Tony is lured upstairs by the smell of cake and spots them. Probably he will go awwww.
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Bell is correct!
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Bell giggles.

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"We are cute," Sherlock decrees.

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"You are cute," says Tony. "What'd I say?"

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"You said we'd be cute!" chirps Bell. "You are smart." (Nuzzle.)

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"Awwwwwwwwwwwwwwwwwwwwwwwwwwwww," says Tony.

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"And she baked me a cake," Bell says. "I will let you have some."

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...For some reason, that makes him giggle uncontrollably.

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Bell grins impishly at him, then readjusts her snuggling position to compensate for any drifting that may have occurred.

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Snugggggggggle.

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"You are even cuter than I thought," says Tony. "I did not know that was possible."

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"I'm possibly overdoing it during this part," Bell confesses. "It may settle down after I'm no longer continually polling my brain for 'what would Drugged Shell Bell do?' and then doing that."

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"Well, it'll be fun while it lasts, then," he says. "I want to hug you guys. Can I hug you guys?"

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"I don't see why not," says Shell Bell.

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In that case, Tony hugs them!

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Bell is pleased with this arrangement.

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So is Sherlock.

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Hugs for everyone!

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Presently cake becomes available. Shell Bell shares. Parts of it cease to exist, quite enjoyably. Sherlock gets a kiss on the cheek for her trouble.

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This event produces a blush.



And as she is leaving the kitchen, Milliways appears.
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"Ooh," says Bell. "We can go see if anyone we were hoping to see again is there."

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"Let's," says Sherlock.

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"Yeah!" says Tony.

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And in they go. Bell takes her usual first-walking-into-the-bar inventory. Any familiar faces...?

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Yes!

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A

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few.

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Four.
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Bell smiles when she sees Libby, and then she looks amusedly at the other Tony and Sherlock -

And then she screams and draws her wand on the fourth of the party.
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"What did I tell you," says Elizabeth.

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"You could have mentioned your reasons," Obadiah says mildly.

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"I didn't have specifics, I just know a bad idea when I see one."

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Meanwhile, Sherlock has shifted posture just enough to emphasize to the other Sherlock which side he is on.

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And Tony is giving Obie a look of semi-affectionate despair, 'I can't take you anywhere' flavour.

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Sherlock is in full-on bodyguard mode.

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And Tony is... pretty much frozen.

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Bell has now slowly begun to realize that this is not their version of this man. While he could easily be bad news, the fact that he has seen their recognizable selves, in Milliways, does not mean that they are all now going to die unless they can kill him and run off to another world to escape deadman-switch reprisals. She lowers her wand arm.

(But her wand doesn't leave her hand. It doesn't actually need to point at her target. It just needs to be in her hand.)
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"I'm pretty sure I can handle this," she adds.

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Obadiah looks from his fiancee to the other Tony (and that must be another Sherlock, what an interesting design choice) and accompanying terrified stranger.

Then he says dryly, "Have fun, dear," and heads out his door, which thanks to the convenience of Milliways topology is on the other side of the room.
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"Aargh," says Tony.

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Sherlock pats his arm.

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With him gone, Bell is content to put her hair back up again.

"So," she says to Elizabeth. "That's your fiancé, huh?"

And her voice shakes only a little bit.
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"That's my fiancé," Elizabeth agrees.

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Sherlock looks at Sherlock, then both Tonies, then Sherlock again.

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She nods.

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He raises his eyebrows slightly.

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She shakes her head.

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Bell peers between the Sherlocks. "I suppose you don't want to share with those of us who aren't observant enough to pretend we're telepathic."

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"He offered to help me assassinate Snow. I declined."

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"Oh." She turns to the other Sherlock. "That's very kind of you, though."

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"It seems necessary."

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Bell turns to her version of Tony. "Are you okay?"

Because Sherlock mentioned Snow is regularly horrible to Tony. And freezing isn't necessarily a less terrified reaction than screaming and drawing a weapon.
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"...Let's go with yes," he says uncomfortably.

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The other Tony raises his hand and waggles it a little.

"Does... anybody want to tell me what the fuck is going on?"
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"What all did Elizabeth tell you about our world and how it's shitty?" asks Bell.

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"That it's shitty. And we should talk to you about how shitty it is."

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"Yeah. Well. That guy's alt is President of our shitty world. If our actual President showed up here he would need to be made dead, consequences of outside grudges brought into Milliways be damned, because we're all three of us recognizable to every person in our country and it would not be smart to take a chance on him deciding that people with reason to hate him having access to Milliways is fine and dandy."

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"Ooh boy," he mutters.

He looks at Bell's Tony.
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"If you can't guess the rest, you don't wanna know it," he says. "Maybe yours is different."

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"Not by much," says Sherlock.

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"...I'm pretty sure Obie isn't an evil dictator?"

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"They could easily be different in any number of ways. I happen to know that I come in vampire, for instance. But frankly I'd rather not involve your - his name is Obie? There's a difference, ours is called Coriolanus Snow - in anything that would put us in the same room again. At all." Pause. "Unless he's good enough and a good enough actor that assassinating ours and replacing him with yours to avoid triggering deadman switches would make any sort of sense? Probably not, but it's worth floating...?"

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"No," says Tony.

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"No," says Elizabeth.

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"Definitely not," says Sherlock.

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"Didn't think so."

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"...Also, back up, vampire? Good vampire or bad vampire?"

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"I haven't met her," says Bell, blinking. "I haven't met any of me. Milliways and I have this inconvenient relationship where it's willing for me to come here sometimes but it's not nearly as convenient to my wants as other people seem to find it. But I met a friendly werewolf who lives in the world that vampire-me sort of secretly rules. And he seemed to think she was fine, or at least an obvious improvement over the previous secret vampire rulers of that world."

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"Huh, okay," says Tony. "We have vampires in our world but they are, like, all assholes. Pretty sure they don't secretly rule anything, either."

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"I think my vampire alt was notable for not having eaten any humans, but she still had not eaten any," Bell says. "According to the werewolf I met. If the ruling things is secret how would you know if yours do?"

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He points at Sherlock.

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Sherlock smiles faintly.

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Bell shrugs. "Reasonable answer, I guess, I don't have a lot of detail about how secret the secret is. So. You wanna help us?"

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"Yes," says Sherlock.

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"I think I'll leave you guys to it and go placate my future husband," says Elizabeth.

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"You didn't want your entertaining advice first?" Bell says.

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"Later," she says cheerfully.

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"Okay. Thank you for bringing help," says Bell earnestly.

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"You're welcome."

She goes.
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Bell pulls out her recorder. "I have the explanation of Panem I gave Elizabeth recorded, if you don't have specific questions lined up and she didn't tell you much," she offers.

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"By all means," says Sherlock.

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Bell maneuvers through her record.


""Let me put it this way: the government we're planning to overthrow hasn't encountered a hiccup of significant-scale resistance from the parts of the country where we live in the last seventy-two years despite routinely kidnapping kids our age and younger and killing most of them for the entertainment of the viewers back home."

"Harsh."

"Yes. Rather. And of course there are the other effects of malicious totalitarianism - the only reason I'm reasonably confident about the lack of rebellion is that Bar will loan me archives of Capitol newspapers, not just the District Four Gazette, and there aren't any prolonged, suspicious 'resource shortages' that I'd expect the media to cover for unrest with even there. You can see why we'd like the Capitol in question to go away."


Bell then decides that this isn't actually her best summary and skips backwards to the one she gave Darcy.


"I... live in a pretty shitty world."

"...What kind of shitty are we talking, here?"

"The part that gets most people's attention is the fact that, annually, two dozen disadvantaged teenagers are forced into an arena with some combination of environmental hazards, genetically engineered animals, and other variously lethal props to fight to the death on national television," says Bell. "But more people - including more kids - tend to die of various other problems related to economic inequality and the side effects of totalitarianism. The only reason I look reasonably well-nourished is because I have been coming to Milliways since I was six and trading byproducts from the job I've been working since age eight for nonperishables to bring home with me. The only reason I didn't have to try my luck on the TV show is because my District has a system to train selected kids for the games and arranges for them to volunteer and spare whoever gets picked in the lottery."
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"Oh, do let's fix that," says Sherlock.

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"Do let's," agrees Bell, pausing the recording. "We don't have a plan yet. We're working at enough of a resource disadvantage that we have to plan around what resources we can get. So far we have what you see, and Tony's got a fancy generator I snagged for him at home, and some progressively less useful things."

("What you see" includes the stick in Bell's hair, and the amulets - since she never leaves the house, she's traded for the flashier one, and Tony's got the less obtrusively girly-looking lump of glass.)
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"What manner of deadly weapon have you got in your hair?"

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"It is my stick," says Bell. "It does fire. It takes practice, don't try it, I'm alive because my practice location happened to be a beach."

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"I was not planning to," he says mildly.

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"Yes, I just disclaim that whenever I explain what it is."

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"Reasonable," he acknowledges.

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"Have you figured out what the necklaces do?" she asks curiously. (It doesn't seem like a significant possibility to her that he doesn't know that the necklaces do something.)

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"I'd give good odds that they are protective in some way," he says.

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"Nicely done," smirks Bell. "They're not heavy-duty. Mine is mostly to minimize the damage when I inevitably trip over something imaginary and fall down the stairs. But yeah, magic protection amulets. Fire wand. Fancy generator and whatever Tony can put together out of parts we can get. Versus the Capitol. What're you guys bringing to the party?"

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"Me," says Tony. "And whatever Stark Industries stuff I can fit through a door." He looks at Tony. "You and me should go have a serious technical conversation," he says. And then, because he is Tony, adds: "And probably also make out a little."

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"Good plan," says Tony. "Let's go."

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Bell blinks. She was not really expecting that. She tilts her head as they depart.

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Sherlock looks at Bell, then at Sherlock.

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Sherlock looks at Sherlock, then at Bell.

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"Well, I guess he's not the first person I've heard of who - oh." Bell puts her hand over her eyes. "Oh. Is it time for a quick are-we-monogamous conversation, Sherlock?" She's addressing hers.

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"Apparently so," says Sherlock.

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"It's like you're telepathic," remarks Bell. "Okay, normally I'd say I wanted some time to think about it, but I'm pretty sure I know what the answer after my thinking about it is, because the other person I've heard of in this situation, who I mentioned, said he slept with his alt who was my alt's boyfriend. So I'm pretty confident I'm equipped to come down on the side of 'okay' and there's no strong reason I have to do all the steps of that beforehand. Have fun. If you can get pregnant, please don't do that."

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"I cannot get pregnant without significant medical intervention," says Sherlock. "Thank you, we will."

She leads the other Sherlock... out to the lake, for some reason.
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Well.

Bell knows how to occupy herself unaccompanied in Milliways.

She starts talking, systematically, purposefully, to each person in the bar.
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How about this girl? Sitting in an armchair by the fire which she has turned to face the Window, manipulating what appears to be a laptop computer with a holographic projector instead of a screen. The image it currently projects into the air above her lap is of a complex and very spiky-looking three-dimensional shape.

Also, there might be something slightly familiar about her.
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"...Do... I know you...?" Bell asks the girl. It's not her usual introduction. She launches into that. "I'm Shell Bell. I'm from Panem, Earth, year 72 by our reckoning and something I don't know by everyone else's."

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"...Um. I'm Matilda," she says. "I think we've met. About twelve years ago, my time."

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"That... sounds right, yes, are you the one who can float things and who I lost in my panic about the squid in the lake outside?"

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"That's me!" agrees Matilda. "Is your world still horrible? It turns out mine does have magic."

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"My world is still horrible! I am collecting magic so me and my girlfriend and her brother can make it not-horrible. What kind do you have?"

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"The contagious kind!" says Matilda. "Or, sort of contagious. Sometimes, if I use a bunch of magic on somebody, or even a little, they end up able to do magic themselves. Sometimes nothing happens. And since I started doing magic, of which the floating things was some, more and more people in my world have been able to do it too even though I've never met most of them. It's a fascinating system. I wrote three papers on it and now I have the world's first PhD in thaumatology."

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Bell stares at her. "Contagious magic? Can I have some? And my girlfriend and her brother too when they finish what they're doing?

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"Ye-es," says Matilda. "But I'd rather give you the operating manual before I give you the magic. Or try to, because again, sometimes it doesn't work and I don't know why. Um, one sec."

She closes out of the file she was viewing and brings up what seems to be a kind of directory structure, with labelled folders and files as nodes in a three-dimensional graph. At dizzying speed, she navigates this maze until she finds a folder labelled HOW TO MAGIC.

"Do you have a computer on you?" she asks, selecting the folder. It sprouts a forest of subdirectories and text and video files.
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"No. Nor at home."

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"Would you like one?" she inquires.

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"There is not enough yes in my vocabulary for this question."

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Matilda snaps her fingers. A duplicate of her laptop appears, hovering in the air in front of Bell.

"I designed these myself," she explains. "One of the limiting factors of my world's magic is that it's harder to conjure an object the more complicated it is, unless you know its underlying structures really, really well."
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"...If you can just appear them out of nowhere, any chance I can get one for the girlfriend and one for her brother too? And maybe one for said brother to take apart and turn into nifty things? He's an engineer."

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"Sure!" she says. Another snap of her fingers, and five more laptops appear stacked neatly under the first one. Then she does something to hers that causes the top three on the stack to blink small blue lights in their upper left corners. "And now you've all got a copy of the magic manual."

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"You're awesome," declares Bell. She finds a place to sit. "Should I just start reading it now? In case I don't run into you again for another twelve years and since it's a contagion prerequisite?"

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"Good idea!" says Matilda. "Let me know if you need help figuring out the interface."

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Bell is not mystified by computers. She's borrowed them from Bar. This one is unfamiliar, but nicely designed, and Bell only has a couple questions on her way through the directory tree to the manual. She reads it with a ferocity normally reserved for starving people presented with food or drowning people presented with air.

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And in fact, two of the listed common spells are 'conjure food' and 'breathe water'.

All in all, it's a very tidy system, although it has a few quirks once you move away from the basics. And the document on how to get magic is not terribly promising.
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Bell looks grimly at Helpful Graphs.

"If it takes days," she says, "to get to the might-as-well-give-up point... can I get you to spend days on us? I cannot overstate how much this would be amazing for de-horribling the world."
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"Sure!" says Matilda.

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"Thanks! The statistics are at least encouraging that one of the three of us will get something workable. I hope it's me, but I could work with it being Sherlock or Tony."

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"Want me to give you a first try before you go and find your friends?"

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"They're busy now anyway," Bell says, nodding. "They met some alternates of theirs. Sherlock's is a boy, which is kind of weird."

(She doesn't specify what they and their alternates are doing.)
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"Okay. Mind if I levitate you a few inches? It's easiest."

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"That's fine," chirps Bell. "More than fine. I'm so glad I found you."

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Bell levitates a few inches off the ground. Matilda opens up the thing she was looking at earlier again.

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Bell reads more of the manual, after the part with the helpful graphs. She's a little less manic about it now that she is floating.

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There is a lot of technical detail available, including descriptions of every common spell. With variants.

When Matilda said she wrote three papers on it, she apparently meant more like thirty. Unless only a few of these count as papers the way she meant. She's credited as an author in every single document that credits authors.

Also, for some reason a disproportionate focus has been given to the subject of conjuring food.
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Bell is very much in favor of the subject of conjuring food.

She reads all of it.

If it seems like Matilda is open to being talked to, she makes remarks about it as she goes, but she is also open to just... reading. About magic. This is the most technical magic description she's ever gotten her hands on. (Reading about any other system has always seemed needlessly tortuous. She couldn't have them.)
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Matilda is very open to being talked to! Don't tell anybody, but she's kind of a nerd.

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Bell is not a nerd about most things.

She is absolutely a magic nerd.
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Then she has found the right person to talk to.

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After Bell is finished with the entire manual - and has reread the interesting sections - she says, "I think it's probably a good idea for me to go find Sherlock and Tony now. You won't go anywhere, will you?"

(And she's going to stash the new computers in her room, just in case, because sometimes fucking Milliways earns its name.)
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"I will not go anywhere," Matilda affirms. "Unless you're gone for six hours and I really need to pee."

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"Well, if that happens, we can leave each other notes at the bar and try to catch each other again? I'll be here more frequently than I used to. Tony can sometimes summon the door and Sherlock runs across it more often than I do. Anyway, I'll try not to take six hours!" She scoops up the laptops, stashes them, and goes Stark-hunting.

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All four of them are in Bell's pair's room, to which Bell has a key.

They are all snuggling. The Tonies are discussing technology.
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"I found someone with contagious magic," Bell says loudly and without preamble.

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"Where?"
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"Downstairs. She's called Matilda. I met her when I was six and then never found her again. She has to do magic to whoever she's trying to be contagious at. Come on, come on!" Bell can't contain herself; she races down the hallway to the stairs again.

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Sherlock follows immediately.

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Tony takes a minute, because first he has to put on pants.

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Bell finds Matilda again, and on the way down the stairs, she chatters: "And she can conjure stuff out of thin air - I got us laptop computers, and extras for Tony to take apart - and her magic system can do just about anything if you understand it well enough and the contagiousness thing doesn't work perfectly but the odds are good it'll work on at least one of us, and," breath, "there she is! Matilda, this is Sherlock! Sherlock, Matilda!"

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"Hello," says Sherlock.

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"Hi!" says Matilda. "Would you like to be levitated?"

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"Yes, please."

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"And me again too, please."

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Floating ensues.

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Bell giggles uncontrollably and plants a delighted kiss on Sherlock's forehead.

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Giggling right back, Sherlock hugs her.

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Matilda awwwwwwwws.

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When Tony comes down the stairs, Bell waves him over, hopping up and down as effectively as she can when suspended in midair.

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Tony beams at all of them.

"Hi! You are floating," he says to Bell and Sherlock; to Matilda, "Hi! You are magic."
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"I am magic! Would you like to be floating too?"

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"Yes I would!"

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Now he is floating.

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"I'm floating," he declares.

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"She made us computers! I solicited extras to take apart!" Bell repeats for Tony's benefit. "Eeeeeeeeeeeeeee." Sherlock gets another forehead-kiss.

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"You are adorable," says Tony.

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"We've established that," laughs Bell. "Matilda, how do you tell if we're getting magicked? Does it perchance involve magic?"

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"I can tell," she says. "It's a specialized skill; not a lot of people have it. If I see any sticking, I'll let you know."

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"Excellent."

Bell decides that the waiting period is best spent having levitationy snuggles with Sherlock. "Was talking engineering with the other one of you educational?" she asks over Sherlock's shoulder to Tony.
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"Extremely!" says Tony. "Some of the stuff he's working with is kinda primitive by Capitol standards, but not all of it is."

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Snuggles!

On close inspection, Bell may notice that Sherlock has a few scratches and bruises that she didn't last time they spoke.
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"...What happened to you?" Bell asks, picking up Sherlock's hand an examining a little cut over one of her knuckles.

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"Sherlock and I wanted to know which one of us would win in a fight," she says serenely. "The answer is me. Damn close, though."

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"...It was close? Damn."

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"It was fun," she adds.

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"Well, I did tell you to have fun, I guess. Do you decide to see who would win a fight between you and sufficiently interesting-looking people in Milliways on a regular basis, or just Sherlocks?"

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"This has been the first such instance."

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"First of maybe-several?" asks Bell, raising an eyebrow. "Since it was such fun, and all."

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"Hmm, potentially."

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"Good to know." And she plops her head onto Sherlock's shoulder.

Hmm. Matilda said she'd let them know if any magic was sticking.

It's still worth trying even if it takes days, but there is a sharp drop in expected magicalness if it takes even as long as an hour...

She decides not to worry about it for the time being. "So what all cool stuff can you build or get hold of now that you couldn't before?" she asks Tony.
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"Lots!" he says excitedly. "He doesn't just have gadgets, he has money. And he says he'll take me through sometime to check out his workshop and meet his house."

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"Meet... his house...?"

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"Yeah, his house has an artificial intelligence named Jarvis. He sounds pretty cool."

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"Wow. Okay, that is pretty cool," says Bell.

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"And apparently Jarvis can open a door to Milliways anytime he wants, so I'm not gonna get stuck or anything."

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"Can I come along, then?" is Bell's next question. "And meet the house and see the cool stuff and - I've never been in a world that wasn't Panem before. Only as far as here. I've always been afraid I'd get stuck. But I really want to."

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"Sure!" says Tony. "I mean, I'll ask him, but the answer is totally sure."

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Bell laughs.

She wants to meet one of her, and be nigh-telepathic...
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Speak of the devil.

Someone who looks like Bell, only with a sleeker build, windblown hair, a weird ripped black outfit, and a branch of some kind in her fist, walks into the bar.

And immediately says, "Yambe Akka take the stars, they're zombies!"
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"Oh my," exclaims Shell Bell, releasing Sherlock on hearing her own voice - not as it sounds in her head, but certainly as it sounds on her recorder - and realizing that she doesn't know how to run across the room while she's levitated several inches into the air. "Uh, Matilda, can you let me down - I have to go talk to her!"

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"Sure!" says Matilda. Bell settles onto the floor.

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And she's off, running and tripping and catching herself and making it to stand in front of Isabella. "Hi," she says breathlessly.

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Isabella opens her mouth.

She closes it.

"What's going on?" she asks, finally. "Why is there a skinny zombie double of me in a magic bar?"
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"I'm... not a zombie?" tries Bell. "I'm just a - human." She was about to say person but that doesn't seem politic in Milliways. "And we're doubles because we're from different worlds but based on the same... template... thing! I'm from Panem. I'm called Shell Bell."

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"Why do you keep saying zombie?" wonders Kas. "I mean, I don't see any daemons, but—" he gestures at Isabella.

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"Can't you tell? They're not just separated. There's a difference. You really can't tell? Look. Shell Bell." Isabella reaches up to her shoulder; Path steps onto it. "Have you got one of these hiding somewhere? If you're not a witch maybe he's not an owl. Firefly? Tiny dragon? Any sort of creature - do you have a daemon?"

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"No?" says Shell Bell nervously. "I... don't know anybody who does. He's very cute, though?"

(It's fortunate that she keeps her hands to herself.)
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Kas shrugs. "Maybe we're looking at different things," he says. "I just see a bunch of people being people."

The king cobra wrapped loosely around his shoulders changes into a fennec fox and nibbles on his ear.
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Bell startles. "So... daemons are... shapeshifting... pets...? That people who aren't zombies have where you come from?"

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"I'm not a pet," protests Path.

"He's not," agrees Isabella sharply. "And yeah. But... okay, Kas is right, you aren't acting like a zombie. Maybe your equivalent of Pathalan doesn't... have his own body. Or something. Sorry about that." She sighs. "I'm Isabella Amariah."
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"I'm Kas," adds Kas, because why not.

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"Okay. Well, this place is Milliways. It's a restaurant-slash-bar at the end of the universe." Bell waves at the window. "If you go out the door, you'll be right where and when you were when you came in, so you can stay as long as you want and it doesn't matter. Doors appear according to different patterns for different people - I find one only about once or twice a year, but my girlfriend runs into one twice a month, her brother can summon it one in three tries, and his alt's house can open one at will. Speaking of which, can I get you to come meet some people?" she pleads. "And tell us about yourselves and your world?"

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"Okay," says Isabella slowly.

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"Sure!" says Kas.

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"This way," says Shell Bell, glowing with excitement. "Sherlock! Tony! Matilda! Look who I found! This is Isabella Amariah, and her friend Kas, and I have reassured her that we aren't zombies just because we don't have owls or snakes or anything following us around."

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"Hello," says Isabella reservedly.

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Petaal waves a paw.

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"Hi!" says Matilda. "You're very magically interesting, has anyone ever told you that?"

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"Aww, you found another you, Bell! Congrats!"

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"I am a witch," Isabella tells Matilda. "...Are you? You're not dressed like one, but clearly the usual patterns don't apply here."

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"Arguably I am, but I don't think I'm a witch like your world does witches," says Matilda. "You're all... glowy. And so are your little friends."

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"We're daemons," says Path indignantly.

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"I don't think that word means the same thing to you that it does to me," Matilda says placidly.

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"He's my soul?" tries Isabella.

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"Yes, that sounds about right."

To Bell, she says, "Want to be floaty again?"
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"Yes, please!" says Bell. "So, what's your world like? It has witches, apparently?"

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"And daemons," says Isabella insistently. "I don't know how you do without your own Pathalan. How do you get honest information about what's going on in your head without a daemon who can look at it from the inside and outside at the same time? And... do you only have humans where you're from? We also have panserbjorne," she shrugs. "Armored bears."

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Bell resumes floatiness. Matilda listens in fascination.

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"I have to do it myself," Bell says. "I guess having a daemon does sound useful, but I think I get good results just talking to myself. I have an audio recorder I talk to - what's technology like in your world?"

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"It's 2013?" says Isabella. "Um, I have a phone?" She pulls out her phone from the little bag that always sits between her shoulderblades. "It's fairly new, so, this is where we're at. Why is Matilda floating you three?"

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"Her form of magic is contagious," explains Bell. "Our world doesn't have any, so we're trying to get some here. Can you teach yours?"

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"You don't have any magic?" exclaims Isabella. "That's terrible! But - I can only teach witch spells to witches. Even if Kas's daemon turns into a witch shape she can't cast them; we tried it. Although she can fly cloud-pine and feel celestial light just fine."

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"Celestial light is sexy," says Petaal.

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Bell looks quizzically at Kas, and says to her alt, "But you can still do magic. What kinds?"

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"All kinds, as long as it's okay if it takes me a couple tries to work out the kinks in a spell," shrugs Isabella. "Witchcraft is better at natural things - people, daemons, plants, animals, weather - than at anything to do with machines or whatever, although I can work with those - it's more fun to spend an afternoon figuring out a verse to make my phone behave than to fly to the store and get them to do it. Uh, specifics. I can heal, and call animals, and find out things about anything that'll sit in a divination circle for me, and my teacher keeps bothering me to curse somebody but I don't know of anyone who really deserves to be cursed, and besides, I think as soon as she talks me into that she'll be bothering me to try killing somebody because she thinks I can get away with it because my dad's a cop. Some older witches are kind of cavalier about that kind of thing."

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"From what I've heard about your dad, I'm pretty sure that makes you less likely to get away with it," comments Kas.

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"Yeah, I know, right? Part of my apprenticeship agreement is that I don't have to do anything I sincerely consider unethical. So that's nice. Even if she's always going on about how the fulness of witchcraft requires trying everything."

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"...Can you curse and/or kill people from a distance?" Bell asks.

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"Well, I don't know if I could do it between worlds, but within one, distance isn't a factor. I just need a focus - something the target owned, or someone they met, or someplace they've been or ideally all of those. Why?"

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"Do you want a deserving target?"

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Isabella blinks.

"Your world doesn't have witches. No one will have any idea what's happening, will they?"
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Sherlock smiles.
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Kas blinks at her. Petaal's enormous ears perk up.

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"Yeah. I'll take a deserving target. Really deserving, I mean, but in a world with no witches there probably are some - I mean, in my world, anyone who's publicly awful doesn't last long without an allied clan casting protections, but in yours..."

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"Excellent," crows Bell. "And Sherlock, Tony, you guys have met Snow and probably any number of other unpleasant people we'd like to die of - what will it look like, Isabella Amariah?"

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"A long-distance death curse? Easiest is probably to just amp up the non-death one that causes the flulike symptoms until they die of dehydration, or maybe suffocate from congestion, or cook themselves in fever," shrugs Isabella. "I can layer it as much as you want so it takes a satisfactory amount of time regardless of whatever medical care is involved. You do have to convince me that the person is bad news, though."

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"We can provide something he has owned, somewhere he has been, and someone he has met," says Sherlock. "As for how bad he is, would you like the personal reasons or the political ones? He is both an old family friend guilty of a litany of betrayals and the president of our viciously unpleasant totalitarian government."

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"If I'm going to kill this guy I need the whole story. If you just want him to be hospitalized for a couple of months either will do."

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"Bell, perhaps this would be a good moment for your summary of the Hunger Games."

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Bell produces her summary of the Hunger Games.

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"And you want me to kill your... king? dictator? the guy who invented this sadistic excuse for entertainment except it's apparently been going on long enough that a human would already be dead?" asks Isabella.

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"President," Sherlock reiterates. "He did not invent it, no, but he does take a significant personal interest."

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"And when you win, he puts you up for auction to all his rich friends and threatens to kill your family if you don't fuck the winner," says Tony.

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"Well, I think you should kill him," says Kas.

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Isabella looks like she's considering asking Tony a question, possibly how do you know that, but instead she says, "If the Hunger Games part is all on TV I assume you'll be able to produce more evidence than your word, and if it corroborates, I will be happy to present you with a dead president deceased of a mysteriously infection-free flu. Over any time period you like. I'm not philosophically opposed to well-targeted revenge."

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"There is plenty of evidence, yes."

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"All right then. And I hear that one of you can open a door to this place to send me home with reasonable reliability?" she asks. "I can wait around a bit for you to see about magic contagion, if it'll really be the same time when I go home again."

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"It's not perfect about that, but it's close," Bell assures her. "So, have you taken over your world yet?"

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"How did you know I'm going to do that? I haven't yet. I need something that I have not yet found, but I was in the middle of a spell to locate it when Kas found the door."

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"She's you," Kas points out. "Why wouldn't she know?"

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"Well, I don't think I'd be doing it any time soon if it weren't for the existence of alethiometers," says Isabella. "It'd certainly take me a few decades, maybe even centuries - witches have specialized in magic before and not wound up accumulating the kind of power I'd want before I'd be comfortable making an open bid for world domination, you know?"

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"You're the first one of our template I've met," says Bell, "but I've been recognized in here before, and we frequently take over the world."

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"That's awesome," says Kas.

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"As far as I can tell we do need a magical edge of some kind to do it, which is why Matilda's floating us," Bell explains. She then peers at Kas. "...I might have met one of you. But I'm not sure. He was older and had a lot of scars and my recorder only does audio."

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"Well, tell me about him," says Kas. (Petaal nibbles his ear again.)

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Bell shrugs and directs her recorder to the relevant conversation.

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Kas closes his eyes and listens; Petaal does the same.

It's Petaal who first says, "Yeah, that's us."
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"Well, he didn't have a daemon," Bell says. "So I don't know if he's you both. I'm not sure how that works."

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"You've either got a Pathalan curled up asleep inside you somewhere, or you're not one of me," says Isabella. "That's how it works."

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Kas shrugs. He isn't sure his take on the matter is exactly the same as Isabella's, but he's not sure what his take on the matter exactly is, so he's not going to get into it.

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Bell quits the playback. "You're good with natural things, right?" she asks Isabella. "One thing I'm worried about is the population of the Districts being able to feed themselves if the Capitol attacks that way - and it's likely, controlling us with hunger is their style, they named the Games after it. I'm wondering if you can do some sort of magic to various crops that will let them spring right back up if they're bombed or burned or something? Can you do that from a distance too?"

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"That sounds... large-scale. Given enough time and a few tries and a whole hell of a lot of honey, I could definitely do that to a farm. Learning how to scale up spells in general is still on my to-do list," says Isabella regretfully. "I'm sorry. I mean, once I figure it out, if you still need it, I'll totally make another trip."

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"If you need a large supply of food," says Matilda, "I can do that. I mean, assuming I see you again before another twelve years have gone by."

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"I don't think we have a place to put a large supply of food - correct me if I'm wrong," she adds to the Stark twins. "Can you make a..." She gestures vaguely. "If we don't get magic so we can conjure our own food for everyone, can you make some kind of cornucopia?"

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Tony shakes his head. "We've got nowhere near the storage space."

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"Well, I'd have to invent one first," says Matilda, "but I'm good at inventing."

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"I know! I read your papers," says Bell delightedly. "...There should really be some more effective way to network through Milliways. I wonder if Bar can tell who's an alt of who? Hand out keys to a shared room based on that? There should totally be a..." She snickers. "A Bell-tower. With a guestbook that asks for species and unique nickname and stuff."

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"That's adorable."

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"That is adorable."

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Kas cracks up.

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"Since you're occupied with floating, I can go ask, if there's... someone to ask?"

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"Oh! The bar herself is sapient. Just go up to it and talk and you'll get napkins with her reply written on it," says Bell.

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"Oh...kay," says Isabella, and to the bar she goes.

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"Hey," says Kas, "can I hear some more of you talking to other-me?"

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"Uh, some more, sure, I'm not sure if you want the... whole thing."

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"...Why wouldn't I?"

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Bell sighs. "Well. A ways in he handed me a shotgun and asked me to shoot him with it. It was pretty weird."

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"...Are you kidding," Kas says disbelievingly, "why the hell would I not wanna hear that?"

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"Right, what could I possibly have been thinking," says Bell, rolling her eyes, and she presses play again for his benefit.

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He listens, gleefully enraptured, nodding along to the part about jelly beans.

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And right at the shotgun part of the recording, Isabella returns to the group, a stack of napkins in her hand.

She listens.

"This place is strange," she observes. "And full of strange people. Who may not be zombies but are, I reiterate, strange."
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Kas hugs himself and beams some more.

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"That was more of the alt of Kas who our alt put on the asteroid?" Isabella clarifies.

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"Yep," says Bell, pausing her recorder again. "What did Bar say?"

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Isabella reads from the series of napkins. "Why yes, I can distinguish between you as well as anyone else. Would you like something to drink? The first is on the house." Next napkin: "Your cranberry soda. I see no reason why you couldn't share a room and distribute keys that way, if you'd like. I won't settle your arguments about who is obliged to pay the rent on it." Next napkin: "I don't think you want to leave up to me the determination of which allies of Isabellas are to be permitted entrance. But I can give any of you as many keys as you ask for to hand out to anyone you like."

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(Kas practically bounces, waiting for Bell to unpause. Petaal, sitting on his shoulder, actually does bounce.)

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"Awesome!" says Bell. "Er, my finances are currently not my own, though."

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"Don't look at me. Witches don't have money. I don't even have that credit card I was borrowing, anymore."

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"...Can you unfloat me for a sec?" says Tony to Matilda.

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"Sure!"

She does.
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"Other Tony is loaded," he explains. "If you guys want, I can go ask him if he minds covering your room until you find a rich alt."

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"Yes please!"

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"I can chip in a favor for him, too," says Isabella, "if he wants - that's what we do instead of money, is favors."

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"Cool," says Tony. Off he zooms.

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"I'm so glad I met you," Bell tells Isabella. She glances at Kas. "Oh, you want to hear the rest of this? He doesn't have a whole lot more to say at this point. I'm not actually sure if he's alive, the gun was loaded with something weird." She presses play.

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"Yes please," he beams.

The recording continues. Kas's alt gets shot.

Kas sighs dreamily. Petaal becomes a linsang and curls around his neck, nuzzling under his chin.
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"You can express your gratitude for meeting me by not shooting this one. He has a skill I will be very inconvenienced without," Isabella says.

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"By default I do not shoot people," says Bell agreeably.

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"You're nice," Kas says to Bell. "That was nice."

He leaves it quite open whether the nice thing he's referring to is shooting his alt or letting him hear it.
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"...Thanks."

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Tony comes trotting down the stairs with Tony following close behind.

"Float me please," he says to Matilda.
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"Sure."

Ker-float!
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"So hi!" says Tony. "What's this about favours?"

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"I am a witch, as opposed to a z- as opposed to being not a witch, like my alt who assures me she's not a zombie," says Isabella. "I can do magic. Witches trade favors, instead of currency, so I don't have any currency, and neither has Shell Bell for what I imagine are different reasons. If you want to fund a Bell-Tower until we locate an alt with deep pockets -" She glances at Bell's wader pants, which have no pockets. "With pockets at all, to take over the payments, I will be happy to do you a favor. Nothing too unethical, please."

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"Sure, okay," says Tony. "What kind of magic, though?"

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"...Witch magic. Shell Bell, can your cunning device repeat my description so I don't have to?"

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"Yes, it can."

It does.
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"Huh," says Tony. "Okay. I will think of something not-too-unethical for you to do, and in the meantime, you can have your Bell Tower. Which is an adorable name, by the way."

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"Well, 'Bell' seems to be the consistent part of the name. I'm just Bell, and I think most of the alts I've heard about go by Bella which is short for Isabella, and they share my surname but I don't think this one does. So, Bell-Tower. Besides, it was my idea."

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"Witches don't do surnames. If you have the same parents - except for not a witch mother - you'd be a Swan?" guesses Isabella.

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"Bell Swan, that's me," confirms Shell Bell. "The shell part is just a nickname."

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"An adorable nickname," says Kas.

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"Thanks?" says Shell Bell, shrugging. She's not really clear on why two of her seem to have wound up with versions of Mr. Here's A Shotgun Shoot Me Please. Even if Isabella and Kas seem to be just friends.

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"It'll probably serve as a suitable unique nickname for when there are half a dozen of us all together and we're trying to keep each other straight, anyway," says Isabella. "I'll go with Amariah, I suppose. Or everyone could just address Path instead of me if they're all z- persons with interior daemons."

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Kas snickers. "You and your fuckin' zombies," he says affectionately.

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"I am missing something," Tony observes. "Buuuut that's not news."

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"The small animals are their souls," Bell says. "Isabella is creeped out that we don't have them and says that I must have a version of her owl 'curled up asleep inside me somewhere' or we cannot actually be alts."

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"Yeah, um, some worlds have souls, some don't," says Tony. "Mine does! And if you take somebody's soul away, creepy unpleasant things happen. But I know there's a bunch of worlds where there is not even a thing like that at all and people get along fine."

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"How can you take someone's soul away if it's not outside of them, being a daemon?" asks Isabella quizzically. "Does it involve surgery?"

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"Noooo," he says. "Souls aren't physical, they're just—um okay, so my world has vampires, and if you get turned into a vampire, you become a selfish people-eating asshole version of you. But the soul is still around in some kind of weird metaphysical way, and apparently there are a few spells that'll put it back, and then the vampire starts paying attention to stuff like 'eating people is bad' again."

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Isabella shudders. Pathalan hops from her shoulder to her hand and she holds him to her chest.

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"Sorry," he adds.

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"I've heard of a vampire version of us, but I think she must be a different kind. At least, she doesn't eat people. I don't think she has an external Pathalan."

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"Am I the only one with an external Pathalan?" says Isabella incredulously. "A handful of worlds with people who have no daemons is one thing, but it's another to find that daemons are the exception. Haven't any of you ever seen someone with a daemon in here before? You've been here before, many times, right?"

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"I've been coming here for twelve years," says Matilda. "I've seen a few people who might've had daemons—they were glowy in almost the same way—but I never talked to any of them, so I don't know for sure."

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"Weird," says Isabella, shaking her head. "I wonder if your souls would come out and be daemons if they went to my world, that being how my world works?"

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"Doesn't having your soul on the outside make it - him - vulnerable? What happens if something happens to him?" asks Shell Bell. "I'm not sure I'd want to risk it, even though having a daemon to talk to does sound useful."

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"Me and Path are the same person," says Isabella. "If something happens to one of us, it happens to the other. And of course nobody except other daemons can touch him, outside of extremely special circumstances that do not obtain. But - well. I guess if you didn't grow up with a Path of your own it might not seem worth it."

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"If you live in a world with no other daemons, it's not worth it," says Kas.

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"You might want to mention the no-touching rule earlier when you talk to us zombie-types," says Shell Bell. "I didn't reach out and pet Path because it seemed like it would be rude, not because I was aware of any metaphysical reason not to."

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"...I will bring that up first the next time me and Path are introduced to someone without a daemon or with an internal daemon. Thank you," says Isabella. "Maybe I'll just leave him home. Only I'm not sure if separation will stretch safely across worlds, so perhaps I oughtn't dare... and of course Kas doesn't have that option at all."

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Petaal shifts from linsang to snake.

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"Why would it not be worth it?" asks Sherlock.
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"Being a daemon in a world with no other daemons would be lonely," says Petaal. "And nobody would know not to touch you."

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"A lot of daemons don't even like to talk to non-daemons," Path says. "I don't mind, but Capasyllin does. That's our teacher's daemon."

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"Yeah, I don't really understand that," says Petaal. "But it's true."

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"So I guess we won't go to your world and see if it externalizes our souls?" says Bell.

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"That seems best, yeah. If we're waiting however long for magic to... infect?... you... is there a way I can go back and get my notebook or something so I can continue drafting my spell?"

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"Just get Kas to hold the door for you," Bell says. "And then you can come right back with whatever you grab."

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"Sure," says Kas. And, teasingly: "Try not to write on the tables."

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"I'm not going to write on the tables." Isabella heads for the door, cloud-pine sweeping behind her and Path back in his place on her shoulder. She opens the door, confirms that it leads to her room, and makes the handoff to Kas.

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Kas holds the door cheerfully enough.

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Isabella goes and scoops up her notes, and jots down what she had on the wall that isn't duplicated in the book, too, and then back to the bar she goes.

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A man in a pale pink shirt appears out of thin air very close by, just as Isabella reaches the door.

He focuses on Kas immediately.

"Well aren't you precious," he exclaims, grinning a wide, irrevocably crooked grin.
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Kas grins right back.
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"Uh, hi," says Isabella, reaching for the door to close it again. (Someone wandering to her world and getting a daemon who didn't want one would be problematic.)

"Don't touch me," Pathalan pipes up, in light of Bell's advice, "in case you didn't know."

"...Are you an alt of Kas?" Isabella asks, gesturing at Kas and peering at the newcomer's face.
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"Is that what they call you?" he inquires of Kas.

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"It's what she calls me," he says, smiling. "I like it okay. Are you the guy Bell shot? You must be the guy Bell shot."

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"I am the guy Bell shot," the Joker agrees. "C'mere, sweetie, let me look at you." He reaches out and puts his hands on Kas's elbows to draw him closer, avoiding contact with Petaal either by luck or by design, it's not clear which.

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"Why did you want Shell Bell to shoot you?" asks Isabella.

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"Mm," he says, "I figured if I was gonna give her all my guns she'd better know what to do with 'em."

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Petaal becomes a tiny, tiny dog and perches higher up on Kas's shoulder. Kas rests his hands against the Joker's chest and gazes in absolute fascination at his scars.

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"Should I leave you guys alone?" asks Isabella, amused.

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"Yeah, uh, you don't need me for anything else, right? 'Cause I'm gonna go fuck this guy," says Kas, glancing back at her.

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"Yeah, I'm good. I don't have an alethiometer yet and the next time I leave for our world I'll be intending to stay put for a bit. I wanna know if he counts, if he touches Petaal, though?" she says. "Lemme know if you don't mind."

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"Sure," he says agreeably.

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The Joker slides his arms around Kas's waist and, as he turns back around, kisses him firmly on the mouth.

"I bet she left me my knives," he murmurs. "Wanna go check?"
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"You betcha."

And he follows the Joker toward the stairs.
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"If you need me to heal you lemme know," Isabella calls after them, remembering what they said about sharp things in the context of Path's talons and extrapolating.

She goes to rejoin the group.
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"Where's Kas?"

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"Met his alt, the one you shot, he's surprisingly ambulatory for a guy you shot. They're going to have sex and see if you left any knives behind," shrugs Isabella.

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"I left most of them," says Bell. "Are we the only template that doesn't instantly jump each other on sight?"

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Isabella glances between Tonies and says, "You'd know better than I would. Personally, I'm pretty sure I'm straight."

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"I was. Then stuff happened," Shell Bell says, and she kisses Sherlock's cheek, "and now I have an exception."

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Sherlock blushes.

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"We didn't do it instantly," Tony protests. "We talked about some other stuff first!"

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"So: boy you," Tony says to Isabella. "Yes or no?"

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"I... do not know until I meet such a creature," Isabella says. "Frankly I think I'd be disturbed by the idea of sex with anyone who didn't have a daemon. I mean, what would Path do?"

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"That is nnnnot a question I am prepared to answer," says Tony.

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"Well, neither am I," says Isabella.

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"Apparently your buddy's got a clue, though," he adds.

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"Kas's opinions about how interactions with his daemon should go are distinctly nonstandard, and I do not expect that she'll be bored," says Isabella dryly.

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"She turns human, too, right?"
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"She can, yeah."

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"And hey, Bell. What about you and your imaginary boy alt?"

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"I think I'd have to meet him first," Bell says. "It would hardly be automatic, let alone instantaneous."

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"Huh," says Tony.

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"Anyway," says Tony.

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"I don't know if we have male alts. I suppose it's the kind of thing I could have missed. People wouldn't recognize me or be all 'excuse me, Your Majesty' on that basis."

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"I find the other Sherlock perfectly recognizable."

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"Yeah, but the Bells don't have handy twins."

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"Exactly," says Bell. "I imagine he'd look similar, but there are loads of people who look similar and aren't even related, let alone alts. I'd probably have to talk to such a guy for a while, or notice him wearing a tastefully designed crown, or something, before I'd guess."

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"I'm thinking permanent ice, for my tastefully designed crown," says Isabella cheerfully. "I've been thinking that since I was little and my crown-related musings were all in the form of what if I were made clan queen one day even though I'm not anywhere close to the line of succession and don't really want that many clan sisters to die."

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"Coral, abalone, and pearls," says Shell Bell, grinning back.

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"...Permanent ice?" says Tony.

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"Oh, witches aren't harmed by the cold," says Isabella, completely misunderstanding his interest.

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"I mean, permanent ice is a thing?"

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"...Yes? Permanent ice is easy, it's a pure verse spell, I learned it when I was eight?"

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"Okay, so I found your favour. That was easy."

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"Cool," says Isabella. "Do you want me to do it now, then? I won't even need any materials. I was worried you were going to have me drawing honey runes all afternoon," she laughs.

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"First I have to figure out where I'm going to put it," he says. "If you were gonna make a crown, you can probably do shapes, right?"

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"I was going to sculpt the crown in, you know, the ordinary way, with sharp objects, and maybe warmth here and there for smooth parts," says Isabella, producing and twirling her dagger. (She was obliged to sit through enough dagger lessons to Not Be A Complete Embarrassment To The Olympic Clan; this is one of the few physical tricks she can do that doesn't give away her clumsiness.) "Then permanent-ify it. If you want relatively simple shapes, like spheres or something, I can probably invent a spell for that, but it's not easy as pie like the permanentification."

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Tony hmmmmms.

"Okay," he says, "I'll get back to you."
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Isabella tucks her dagger away. "I can also freeze water, so if you have some water that you would like to be cold, I could probably work out out a way to freeze any given fraction of it in an easily defined shape," she says.

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"First I'm gonna figure out exactly what I wanna use it for, and how," he says.

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"Oh, I thought you knew. If you don't have an application in mind how do you know that's what you want?"

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"There's a difference between knowing you're looking at the solution to a problem and knowing how to implement that solution," he explains. "The problem is cooling systems for equipment that generates a lot of waste heat, the connection is obvious, the trick is figuring out where and how it'll do the most good."

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"You don't want me to just... you know... make a room cold, without involving actual ice?"

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"How specifically can you control temperature?"

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"If you loan me a thermometer, then I don't see any reason I can't do it as specifically as the thermometer can read it."

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"Okay, but how specifically in terms of area, and against how much resistance?"

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"The area has to have borders already, like a room or a group of rooms, or be an easily defined shape, and if by resistance you mean things trying to be warm, I... doubt I'd be effective against a volcano?"

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"Does it have to have solid borders like a room, or can it just be a frame? Like... an open cabinet."

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Isabella thinks. "I can work with an open cabinet," she determines finally.

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"In that case, do you wanna cast cooling spells on some server racks?"

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"Sure. I can probably do without, but if you happen to have a live seedling of any sort of evergreen - potted is fine - that you won't need back, it'd help," Isabella says.

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"I could get one," he says.

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"It'll save me about half an hour. If it'll take longer than that don't bother," Isabella shrugs.

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"If it can be a teeny tiny one, I can just get it from Bar," he points out. "Which definitely won't take half an hour."

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"She does live plants?" Isabella says. "Yeah, arbitrarily teeny tiny as long as it is alive and it's not a problem if I kill it."

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"I've definitely heard she won't give out live animals but I've never tested whether she'll give out live plants," he says. "Let's find out!"

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"Okay!"

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Off they go.

"Hi, Bar!" says Tony. "I would like to order a potted plant, can I do that?"
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The replying napkin reads, No living things are distributed except the typical components of yogurt and so on. My apologies. I can't imagine why there would be any suspicion about how our patrons would care for them.

It is a sarcastic napkin.

"Oh well," shrugs Isabella.
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Tony snorts.

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"Dried rosemary on his dime?" Isabella asks the bar.

A little bottle of it appears.

"This'll do," she says, picking it up and tossing it and catching it.
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"Okay!"

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"Shall we?"

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"Let's!"

And out the front door they go.

"Hi Jarvis," he says as they step out into his living room. "This iiiiiiis... I totally forgot your name, I do that, I'm sorry."
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"Isabella Amariah," says Isabella patiently. "Just Isabella if you don't want to be quite that formal." She peers around the house with fascination.

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"Pleased to meet you," says a sourceless, pleasantly English voice.

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"...Likewise!" says Isabella, not entirely sure what to make of the talking house but gamely polite to it anyway. Path hoots. "Oh, and this is Pathalan."

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"Pleased to meet you as well," Jarvis says gravely.

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"Isabella's a witch, she's gonna cast cooling spells on the server racks," Tony explains. "Which ones do you want?"

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"C through F, please," says Jarvis.

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"Okay," says Tony. "This way!"

He leads Isabella through the house.

There is a lot of house.

It's a fairly short trip to the relevant room, though: large for a closet, small for anything else, and populated with metal racks labeled C1, C2, D1, and so on. Each rack houses several computers, individually labeled with names like C1_CANIS and E2_ERITHACUS.
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"Just C through F? Okay." Isabella walks by each of the C through F racks, sprinkling a small handful of rosemary on each one and composing a poem in her head. "The rosemary will disappear after casting. This might take me a couple of tries, because machines are involved so I have to get the verse exactly right," she cautions.

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"Okay," says Tony.

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"How cold do you want them?"

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"Does 'exactly as cold as the rest of the room is right now' work for you?"

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"Yeah, that's fine. You're sure you don't want me to just get the whole room, though?"

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"The racks are where I actually want it," he points out. "If you put it on the room, I can't move 'em."

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"Oh, I see. Okay." Isabella paces, and sets down her cloud-pine, and closes her eyes, and then takes out her notebook and starts scribbling poem-feet and drawing arrows for proposed arrangements thereof.

At length, she spreads her arms so her hands are as far apart as they'll go, stares intently at the servers, and tries a verse six lines long that doesn't rhyme and contains several non-English words.

The rosemary persists.

"Damn."

She returns to scribbling, and finally turns the page and copies down several more promising snatches and otherwise starts over.
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...It's kind of cool! Even though it doesn't work the first time. And she did say.

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It doesn't work the second time, either. Path starts helping, murmuring quietly in Isabella's ear. Probably too quiet for Tony to hear, but not for Jarvis.

"Cut the part referring directly to the racks. You only need to use them to define the corners."

"Then I have to fill that line with something else..."

"I think it's not getting that you want a uniform temperature, that the spell's not directly about the machines; add another foot about that. Call for autumn, maybe."

"Okay." Scribble scribble.

She tries again.

And the rosemary disappears.

"There," she says, sounding pleased with herself.
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"Awesome!" says Tony.

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"I'm glad you think so," says Isabella smugly.

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"Would you like to return to Milliways now?"

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"I dunno, is there anything else worth doing while I'm here? Cool stuff to see? Interesting zombies to meet?"

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"I'm sorry," says Jarvis, "as far as I am aware there are no zombies available. Tony could show off his toys, if you're fond of cars, pretty lights, or things that go boom."

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"Bite me if I accidentally say zombies when I don't mean it again," Isabella tells Path.

"I'll bite you before you say it," he offers.

"Even better. Anyway. I am potentially fond of those things, if you wanna show them off?" she continues to Tony.
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"Sure!" says Tony. "This way!"

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Isabella follows after him. After tripping on something that does not exist, she sets her cloud-pine to floating and drifts after him a couple of feet off the ground instead.

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"You okay?" he asks, glancing back when she stumbles.

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"Clumsy. On the ground, anyway. Flying's easier to the point where it's a wonder my legs haven't atrophied to sticks."

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"Hey, whatever works. You could always tack an exercise bike onto your flying tree branch," he suggests whimsically.

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"I'd be laughed out of the sky," snorts Isabella.

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"Probably yes," Tony agrees.

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"So I don't think that will be happening. I do walk sometimes, I just give up on it when I trip," she shrugs. "What kinds of fancy toys do I get to see?"

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"You get to see my garage! It has integrated holographic projection, all my cars, and a buncha shit I'm working on. Jarvis was kidding about boom, by the way, I do not work on anything more naturally explosive than a V12 engine in my own house, that would just be asking for trouble."

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"Neat," says Isabella. "I have been in a car before. Like... twice. When I was... five."

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"...Why not since then? I mean, flying, but you didn't learn to fly when you were five, did you?"

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"No, I was almost seven, but even when I was little I went places with my mom more than my dad, and when she didn't have me it was just as often my grandmother or my great-grandmother or an aunt or one of my mom's clan friends, and they fly. I've been in a bus, more than that," she adds. "I went to human school sometimes until I was partway through tenth grade, and before I knew how to fly there I took the bus."

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"Huh," says Tony. "That's pretty weird. I mean, it's not actually all that weird, I just have trouble wrapping my head around the idea of growing up on no cars."

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"I can take a passenger on this thing," Isabella says, "if you wanna see why witches don't spend much time in ground vehicles."

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"...Tempted," says Tony. "Veeeeery tempted."

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"Only tempted?" laughs Isabella.

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"Well, flying is intrinsically awesome, but the thought of going up there with nothing between me and the ground but your goodwill and a tree branch makes my inner control freak scream like a five-year-old watching Jurassic Park for the first time."

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"Well, I'd want to tuck a few bayleaves into your collar and say a verse first."

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He cocks his head as though listening for a change.

"Stiiill screaming," he reports.
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"Suit yourself." She continues to drift along the corridor.

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"But I mean, if I could fly, I'd drive way less," he says. "Not never. But less."

And at last, down a flight of stairs: the garage.

It's big enough to make the row of cars at the other end look small.
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"Cool," says Isabella.

She opens up the cloud-pine a bit, zooms and turns and flies over the cars peering at them curiously.
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...Tony laughs.

The cars are pretty, and when not pretty, interesting! Many are brightly coloured. There's the obligatory bright red Dodge Viper, the equally obligatory silver Audi, something attractively sleek with three front seats instead of the usual two... quite the selection for someone this young.
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"They're pretty," says Isabella, flying back to within easy hearing distance. "Why does this one have three front seats?"

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"'Cause that way the driver's seat goes in the middle, I guess? Better symmetry?"

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"Huh. Neat." She does a bit of a loop, idly, snugly in the small space.

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"Hey Jarvis, where are my pretty lights?"

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"How remiss of me," Jarvis says dryly.

The air fills with complex geometric patterns of multicoloured glowing lines that twirl and interweave and collapse into one another and fan out again a moment later.
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"Ooh," says Isabella, dropping a few feet and tilting backwards to get a good look. "Nifty."

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"Tony is very proud of his pretty lights," says Jarvis.

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"Are they for something, or just decoration?"

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The lightshow folds in on itself until all that's left is a blue wireframe of the car with the three front seats, which splits apart into all its component pieces and then slowly reassembles.

"He finds it very convenient for working on schematics," says Jarvis.
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"Oh, nifty. If I had one of these things I'd use it for working out runes instead of writing on the walls and stuff," says Isabella. "It's always easier to work life-sized, fond as I am of notebooks..."

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"You could have one of these," says Tony. "I mean, technically. You'd need some serious scratch just to get all the parts together, though, never mind installing 'em. And it wouldn't work nearly as well without Jarvis behind the scenes."

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"And I'd need a permanent residence, I imagine. I live in my teacher's house for now, and it's a rental of sorts, we'll move when the owner no longer wants to trade a house for magical diabetes treatments instead of the standard injecty kind. Or when he dies."

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"Yeah, that too," Tony agrees. "Of course, I could always stick one in the Bell Tower, if Bar lets me..."

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"That'd be really cool, although I don't know how often I can expect to be spending time there. I'm more likely to have Shell Bell's rare visits than Jarvis's perfect door-opening control."

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"Yes, because you are not a house," Tony says agreeably.

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Isabella raises an eyebrow. "Yes. My failure to be a house is exactly why I am likely to resemble Shell Bell in any given respect."

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"My ability to summon Milliways is a statistical rarity," says Jarvis, "especially since, of course, I have never been there myself. The fact that I am a house is the most obvious explanation."

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"I understand. It just sounded like Shell Bell finds doors less often than most non-houses, even."

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"I'm not sure door habits correlate across alts that well," says Tony. "Other Tony can summon it and I totally can't."

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"Oh. Huh. Good to know," says Isabella, peering at the pretty lights.

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The pretty lights form a row of tiny geometric ballerinas and do a pretty little dance, angular skirts rippling.

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Meanwhile, in Milliways, Shell Bell bites down the urge to ask Matilda how they're coming along. Again. Matilda said she'd tell them if she saw any sticking, it could take days...

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Matilda is fiddling with some kind of diagram on her laptop, but she does look up at her floaty people every so often.

On one such occasion, she blinks, then lowers Tony to the floor.

"You've got magic now, but not enough to do you any good," she says. "Sorry."
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Tony sighs.

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"Rats," says Bell.

There's still hope for her and Sherlock. There's still hope for her and Sherlock. There's...
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Time passes.



"On the bright side," says Matilda, "I'm starting to figure out cornucopias. On the not so bright..." Shell Bell descends floorward. "You're not going to be casting any spells, I'm afraid."
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This rates a:

"Shit."

Bell kicks the floor.

She stares into space, somewhere near Sherlock's shoulder.
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Sherlock hugs her.
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Bell hugs back hard. "Luck," she says ruefully. "Heh. May the odds be ever in your favor."

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"We will find other resources," says Sherlock.

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"This was a really good one, though, and it took me so long to find it. I've probably spent almost a year solid here, all told, by now. And what I have to show for it is a stick and two amulets and contagious magic that doesn't like me."

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"More than that, I think."

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"And a witch alt who will assassinate Snow for us," Bell amends. "She's useful. She's very useful but I don't think she can win an entire war for us."

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"Perhaps we will find things that are not directly magical but are nevertheless of some use."

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"Like other-Tony's tech? Yeah. I guess that will help," sighs Bell. "I just... really... wanted... magic. Like every single other me I've ever heard of who I get mistaken for who ever accomplished anything. I wanted magic."

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"I am sorry."

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"It's not your fault." She's being rather clingy at this point.

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That is okay. Sherlock is well supplied with snuggles.

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That is good. Bell needs them.

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The door opens again to reveal Isabella. She takes in the scene. "No luck?" she asks the group in general.

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"Indeed not," says Sherlock. "Although I am not yet officially disqualified."

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"No way to tell this sort of thing in advance?" Isabella asks Matilda. "None at all?"

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"Not that I've been able to find," she says. "Yet."

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"D'you want me to try? If you tell me a little about what I'd be looking for, I can see if the bar has celery seed and stuff, whip up a versed divination, see if I can at least save you some time."

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"It'd be nice to know how long it'll take to get magic to stick to her, but what we really need to know is what it'll look like when it does," she says. "You can use me as an example of a strong connection and Tony and Bell as examples of weak ones, if you work that way."

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"Yeah, I can work with that. Anybody want to buy me the herbs, though? Have not acquired money since last time."

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"What herbs do you need, exactly?"

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"Celery seed, oregano, belladonna would be nice but I'm not sure if the bar distributes poisons, I can do with dried apple peel instead."

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"Hmm," says Matilda.

She snaps her fingers. Three objects appear floating in the air in front of Isabella, at about her shoulder level: a small glass jar containing celery seed, a small glass jar containing oregano, and...

...a quite tasty-looking green apple.

"No," she tells it sternly, "that is not what I wanted, try again."

The apple peels itself in one long spiral from bottom to top and vanishes, leaving only the peel, which coughs out a fine spray of apple-scented mist in all directions. Result: one entire apple peel, dried.
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"Very cool," says Isabella approvingly. "You and me should talk magic theory sometime." (She is briefly chastened by Bell's sob into Sherlock's shoulder.) "Just the two of us," she amends. "Okay." Thinking of verses, she starts tearing the peel into little pieces. "Can I have a bowl, too?"

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Matilda snaps her fingers again.

Bowl!
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Careful handfuls of herbs and peel go into the bowl and get tossed together. "Okay. The spell template I have in mind involves throwing these at you, so, don't be surprised. I suppose since belladonna's not involved it's not important for you to keep your mouth and eyes closed particularly."

She tosses a handful of herbs at Matilda and says,

"Show me, herbs, what magic lies
In this girl, and in what guise."

Her vision refocuses. "Shiny," she comments.
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"I am literally the most magical person in the world," she says. "That I've met or heard of, anyway."

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"Shiny," repeats Isabella. Sparing Bell's feelings, the next handful is aimed at Tony, with "girl" changed for "boy".

"Not so shiny," she says.

And then she walks behind Sherlock, since Bell is in the way of her front, and tries again.

"This is never going to happen," she announces. "At all. Even as much as it happened with Tony."
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Sherlock sighs.

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"And before you ask, Shell Bell, yes, I'm really, really sure. You may as well put her down," Isabella adds to Matilda.

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Matilda puts her down.

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"Uh," says Isabella. "...D'you want to work on the Belltower, Shell Bell?"

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"In a minute," sniffles Shell Bell.

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Sherlock snuggles her some more.

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"Maybe Matilda could just go with you to your world and blow up bad guys' cities for you?" Isabella suggests, glancing between Bell and Matilda. "Since she has plenty of the magic you wanted already?"

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"I am not going to blow up any cities," says Matilda. "I'll conjure arbitrary amounts of food, though. But you have to watch out; if I start throwing big magic around in your world, somebody will probably catch it by accident, and it might not be somebody you want to have any."

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"Our side and the Capitol both having magic is worse than neither of us having any, I think," says Bell, who is gradually recovering her composure. "So yeah. Probably we should avoid that. Cornucopias and other object-type stuff we can bring home would be great, though."

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"Yeah. And magical artifacts don't glom magic onto people, so that's perfectly safe. Is there any other object-type stuff you might want?"

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Bell thinks.

"Water can also be a problem. What we have is only modestly sanitary and could be cut off. It doesn't sound like you'd be too willing to make us weapons, but what about shields? So that they can't blow us up, or send tracker-jackers into town at night, or whatever."
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"I can make you unicorns!" she says. "They're not in the official manual yet; one of my grad students came up with them."

She doesn't snap her fingers this time; she makes a circle in the air with her hands and then brings them away sharply. A small pearly figurine appears: a unicorn, one hoof raised, bending its head so the blunt point of its horn is on a level with the other three.

"If you put it in water, or even something that's mostly water, it purifies it and then makes more."
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"Why is it a unicorn?" asks Isabella quizzically. "I mean, does it have to be, or could you make it a little sphere or a cup or something?"

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"It's easier to invent artifacts that do complicated things if their form has a symbolic resonance that the person making them will understand," she explains. "Hence, unicorns for water purification. And when I make you cornucopias, they'll probably be little golden... cornucopias."

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"Cute," says Isabella.

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"It is," agrees Bell, wiping tears off her face. "So shields would look like... shields? Or more like our protection amulets?"

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"That depends what kind of shield, I think," she says. An absent wave of her hand sends the unicorn drifting Bellward. "And I want to get the cornucopias working for sure before I start on shields."

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Bell catches the unicorn and runs it to her room. Just to be safe.

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When she gets back, Matilda has another small decorative statue for her: a golden cornucopia, as promised. She hands it over.

"Name a food," she says. "Something you want to eat, and not too complicated or specific."
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"...Apple?" says Bell.

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An apple appears, hovering in the air in front of her.

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Bell snatches it out of the air as though afraid it'll fall, and then bites into it. "It's good," she says, more happily than she was a moment ago.

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"I made sure it'll only make things that the person doing the summoning can safely and enjoyably eat," she says.

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"So if Isabella asked it for belladonna it wouldn't work," Bell says.

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"Correct," she says. "It probably wouldn't do dried apple peel, either."

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"But it's not for spell components, it's for food. And it does food. Thank you," says Bell sincerely.

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"You're welcome!" says Matilda.

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"I think I'm composed enough to go set up a Belltower, now," Bell says to Isabella. "Let's go get some keys. And see what furniture we have to start out. Tony, do we get a furniture budget too, in exchange for whatever Isabella wound up doing for your cooling system?"

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"Sure," he says. "I mean, don't start installing diamond chandeliers, but I'll cover some furniture and general prettying-up."

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"If we want a shiny chandelier we'll buy a bucket of ice and have Isabella cast at it," says Bell, smirking slightly.

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"Permanent ice is very pretty," says Isabella.

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"Efficient solutions are everybody's friend! Have fun, guys."

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"Will do!"

And off go the doubles. And Path.
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They each collect a key to "a room of suitable size" and the room number from Bar, and head for the stairs.

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And who should be coming down the stairs but Kas and the Joker, leaning cuddlishly on each other, with Petaal as a medium-sized snake draped across both sets of shoulders.

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When he spots the pair of Bells, and more specifically Shell Bell, he beams and waves.

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"Oh, you're alive," says Shell Bell. "I wasn't sure."

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Path peers at Petaal. "Does that count?" he asks on Isabella's behalf.

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"Mmmhmmmmmm," Petaal says happily.

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The Joker runs his hand lovingly along Petaal's scaly tail.

"I am alive," he says. "Of course you weren't sure, that's the point. I wasn't sure either," he admits cheerfully. "Never been killed here before. But apparently, it doesn't stick."
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"Huh. Good to know. Have you seen the one of us who put you on the asteroid recently? Or any similar person. We're trying to start a club of alts of ours," says Shell Bell.

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"She wants to call it 'the Belltower'," puts in Isabella. "Hand out keys to uses and their friends and have a base in Milliways for meeting up and trading and whatever."

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"Nope," he says serenely. "But if I run into any, I'll let 'em know."

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"I wonder if the bar will let us leave notes for alts we've only heard of, like 'the vampire one' and 'the one who put him on an asteroid'," muses Shell Bell. "Or maybe that's redundant, since she's going to notify any alts who come in anyway."

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"We may as well ask. Personalizing the messages probably can't hurt. But let's go see the place and talk décor," says Isabella.

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"I bet you I could leave a note for the one who put me on an asteroid," says the Joker. "If you want."

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"Can I come see it too?" asks Kas.

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"Sure you can, Kas," says Isabella.

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"For some reason," Shell Bell tells the Joker, "I'm not sure that would have the desired effect. Not that I can stop you, though."

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Kas giggles and claps his hands.

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The Joker giggles, too, hugging him.

"Have fun, sweetie," he says, and kisses the top of Petaal's head. "You too."

He disentangles himself from both of them and wanders off into the bar.
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"Okay. This room number starts with a four, so we climb four flights of stairs, even though it is five digits long, because," Bell shrugs, "Millways." She leads the way.

Presently convenient space-warping sees them arrive at a room with their number on it. It even says "THE BELLTOWER" on the door.

Bell has something of a despairing love-hate relationship with Milliways sometimes.
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Isabella fumbles with her key - places she goes usually aren't locked - but eventually gets the door open.

It's more like an apartment than a single room. A good-sized apartment intended for parties. Two bedrooms, two bathrooms, a large partially-divided living room, a kitchenette. (A full-sized kitchen would be nice, but Milliways has room service, and at least it has a fridge.) The existing furniture isn't fancy, but the place is chaired and tabled.

"Well, this looks nice enough to me," says Isabella, who sleeps in a hammock over a pad just thick enough to leave her bones unbroken if it dumps her out in the middle of the night. "The bedrooms are convenient, too, if you and your people are going to stay here for a while before taking me home to assassinate people, since I can't pay for one on my own."
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The mention of assassination makes Kas giggle.

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"It is pretty decent as it stands. We could put in and fill our pages on the guestbook and leave it otherwise completely alone, and it would be... okay," Bell agrees. "I just don't think I want it to look brand-new or half-worked-on to other people who come here. Ideally it'll impress empresses with heaps of magic - more than you, some of them. We have a budget; we can hang some pictures and put down some rugs and have spare sheets and towels in the closet."

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"I wonder to what extent we have similar taste," muses Isabella. "I mean, we aren't dressed at all the same, but my entire species dresses this sort of way, and I don't have the impression that you've had the luxury to choose your clothes."

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"I should probably actually get at least a couple outfits I actually like, while I'm here," says Shell Bell. "I live with the Starks now, and I don't leave the house except to come here; no one's going to inconveniently wonder where I got pants other than clam waders and a shirt that isn't made of patches in various shades of blue. Maybe Milliways can provide some sort of catalog for inspiration and we can compare opinions on its contents."

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"Ooh," says Kas, "I wanna help decorate. Can I help decorate?"

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Bell considers him.

"You can suggest things and break ties," she offers.
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"That sounds good to me," says Isabella.

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"Okay!"

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"Catalog?" says Isabella, and at Shell Bell's nod they depart the room, lock the door behind them, and go down to ask Bar if she can produce anything even vaguely resembling the forbidden class of items: menus.

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Kas awaits.

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At the bar, the following exchange between spoken words and napkins occurs:

"Can you do a clothes catalog? I don't have enough of a background in what exists to know what I want; I don't want Capitol fashion and I don't have to settle for what people in Districts can afford and if Isabella knows anything about clothes it's how to tie those black torn bits."

Well. It would have to be substantially abridged.

"Mes have been here before, right? If you have to abridge it anyway it might as well be oriented around the sorts of things they wear?"

I do suppose that is true. But you know why there are no menus - it's because the options are limitless. I do hope you won't feel constrained by whatever is in such a catalog.

"Inspired," says Bell. "Not constrained."

Very well. If you promise. And the bar spits out a catalog about six times the size of a telephone book.
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"That looks heavy," says Isabella. "Can we get some string? We can tie it up and hang it from the cloud-pine and not have to carry it up four flights of stairs."

Bar produces a length of twine. Isabella ties the massive catalog and dangles it from her branch, on which she sits and floats back up with Bell following.
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When Kas spots the catalog, he cracks up.
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"Bar is philosophically opposed to menus. I think anything smaller than this would have made her figure out a way for a restaurant to cry, if the conversation she had with Bell about it was anything to go by," says Isabella, setting down the catalog and producing her dagger to cut the twine off.

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Shell Bell flicks the cover open. There's a table of contents, that's good. "Why do you carry a dagger with you?"

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"Witches do," shrugs Isabella. "I'm better with a bow, but those aren't so easy to have on your person everywhere, and I am officially Not A Clan Embarrassment with the dagger. Are you as clumsy as I am?"

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"Probably," says Shell Bell. "And I can't switch to flying, either. I mostly try to avoid stairs and carrying sharp objects."

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"Oh, there's a sheath tucked in here, but I don't take that out with the dagger," shrugs Isabella, peering over Bell's shoulder at jeans.

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"Can I help you pick out clothes, too?" asks Kas. "I like clothes, they're fun."

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"You can suggest things, but I don't think you get to break any ties on the subject of Bell's wardrobe, since she's the one who'll wear it," says Isabella.

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"Well, yeah," he says. "What kind of clothes do you want, anyway? Stuff that looks nice, or stuff that feels nice?"

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"I want... practical stuff," says Bell. "I trip and knock things over enough without any help. I think District Three gets pretty cold in the winter, but I'm staying indoors and won't need a coat, just maybe something a little heavier... I think it can probably manage to look nice at the same time, though. I like these," she says, running a finger over a pair of jeans that fade from dark blue at the hips and ankles to nearly white at the knees. She frowns. "There are no prices in this book. Thanks ever so, Bar..."

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Kas hmms.

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"Of the things on this page spread, those are my favorites too, which bodes well," says Isabella. "Not that I spend much time thinking about clothes. I like witch silks because I don't have to think about them." She pulls out her notebook and writes down the page number and position and fadey jeans, then turns the page.

The pair of them continue to have roughly matching opinions about everything, and after they've been looking long enough that this seems like a consistent phenomenon, they divide the book in half - Isabella looks at pages on the right, Shell Bell at pages on the left - and go twice as quickly, with Isabella note-taking when they find something that might be worth going back to.
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Kas mainly watches all this.

Partway through, Petaal becomes a maned lioness and they snuggle up a short distance away.
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Shell Bell doesn't really want to look through the entire catalog. She does investigate a decent fraction of the jean selection, and continues through the shirts until Isabella finds a fitted t-shirt in black stretch cotton with silver "wrinkle" marks and she finds a warmer, long-sleeved flannel in solid burgundy. But she stops at the first page of socks and jots down the most pleasing option on the page without continuing into the world of soft footwear, and completely wastes Bar's kindness in finding her a selection of hats.

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Apparently, watching people pick out clothes is nearly as fun as helping.

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"I thought you were going to have more to say," Isabella remarks over her shoulder, between looking at sturdy practical boots in pretty colors and murmuring agreement with Shell Bell's selection of short black ones with functional silver-colored buckles.

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"Yeah, me too!" he says. "Guess not."

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"We have fantastic taste and nothing needed to be added," says Shell Bell smugly, while Isabella writes down the boots.

She's even more perfunctory about underwear than she was about the socks. And while a few months in Milliways added a little bit of substance to her frame, it hasn't done so enough that she considers it necessary to pick out a bra with a guy she doesn't know very well in the room. She can go on doing without for a while. She can keep the catalog and try again later. (There'll be a later; Tony and Sherlock find the door so often.)
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"Sure," Kas says agreeably.

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Ultimately clothes-shopping is finished. "Do you want to think about rugs and prints and stuff, while I go check with Sherlock and ask if it's okay to get the outfits? There are no prices in this thing, I can't guess if they're in a reasonable buy-without-asking price range," says Bell.

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"Yeah, sure," says Isabella, turning the page and starting to draw rug designs with swirls and blocks of labeled color.

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"Thanks," says Shell Bell warmly. She takes the page with her choices written on it, and she lets herself out of the room and (carefully) down the stairs to find (her) Starks.

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Sherlock is over there!

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"Hi!" says Bell, hugging Sherlock. "Um, it occurred to me that Bar sells all kinds of things, including clothes, and mine are terrible and I won't have to explain to my parents where new ones came from anymore. We got Bar to give us a catalog and Isabella helped me find a couple things, but the catalog had no prices in it, so I can't just be 'oh, that's about as much as a reasonable lunch, I can probably just get it', so I need to ask, as I'm on your tab."

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"Let's go and find out, then."

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Bell nods, smoothing out the paper with the choices on it, and goes with Sherlock towards the Bar again. "Excuse me," she says. "The catalog didn't have any prices in it. Can you tell me how much these things would cost? In Panem money, not in shells anymore."

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Bar produces a list.

Sherlock looks it over, then nods.
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"Thank you," says Bell, pecking Sherlock on the cheek. "These then, please."

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Bell receives a rather large stack of clothes, and also a hug.

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Bell hugs back, grinning, and then scoops up the clothes and runs up to the Belltower again.

After a brief wave to Isabella and Kas, she ducks into one of the bedrooms, and emerges in the fadey jeans, the black shirt, and the boots. Presumably there are socks and underwear involved somewhere, too.

"Let's see what you've thought up," says Bell, plopping into the chair next to Isabella and peering at the notebook.
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Isabella has designed a matching set of abstract rugs to put hither and thither. "Kas helped," she adds. "He was helpful. I'm not sure what to put on the walls, though. I'm not enough of an art connoisseur to have any particularly Isabella-ish paintings or whatever that I'd like to see on the walls."

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Kas sprawls out on the floor with linsang-shaped Petaal curled up on his stomach and looks up at the walls consideringly.

"Betcha I could find something," he offers.
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"There's plenty of walls. We can look at your ideas if you have some," Bell says. "Maybe a photo of me and you? Bar will loan us a camera. And then the others can add themselves as they come in and we can have a wall of Bells. Did I hear something about you drawing on walls?"

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"Not decorations. Rune designs. I guess I could put some up if part of the idea is for it to look lived-in."

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"Do you know what kind of stuff you might wanna put up?"

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"In the rune design department, or in general? I might as well do some work on the alethiometer-finding here if I'm doing runes, since that's what I'm in the middle of," says Isabella. "Otherwise - pretty pictures? Bookshelves maybe, although I don't know if our budget stretches to filling them. My dad has some of Mom's embroidery on the walls of his house, from when she did embroidery, even though it's not very good. There's more in a box somewhere, I could swipe it."

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Bell smiles a small, quiet smile.

"My parents think I'm dead," she says.
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"Aww," says Kas. "Do you like 'em? If you like 'em then that's really sad."

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"I do like them. I couldn't leave my District without disappearing, and if they looked for me, they'd draw attention. I've been pretending to be slightly crazy for years, so. I think it was believable when I left them a note saying I'd gone looking for Atlantis, and they'll notice that even if I had supernaturally good luck with weather and other hazards I didn't take enough food or water to get anywhere. Really I walked overnight to the next town and stowed away on the train to where Sherlock and Tony live."

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"'S a good plan," he says. "I'm sorry about your parents, though."

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"Me too."

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Path gets out of the way.

Isabella hugs her double.
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Petaal turns into an enormous boa and cuddles with Kas.

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"If yours are like mine they'll forgive you when everything's over and you can be alive again," Isabella says in Bell's ear. Softly. Like she's trying to be Path for Bell. "Your Ranata will cry and your Charlie will rant but they'll forgive you and they'll find a way to understand."

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"Ranae and Shark," sniffles Bell. "Thanks."

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Isabella is sweet.

Kas would offer to hug Bell, too, if she seemed like she'd like that, but she doesn't.
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"I'm so glad I met you," says Bell, not for the first time, when the hug ends and she's removed most of the liquid evidence for tears.

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"I'm glad I met you too."

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"Awww," murmurs Petaal, soft enough that probably only Kas can hear her.

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"C'mon, double-check these rugs," says Isabella, pushing her notebook over.

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Shell Bell double-checks rugs.

She approves of rugs.

She elects to turn the decoration of the walls over to Isabella and Kas, while she goes and gets a large empty notebook for various Bells to fill up with their personal profiles and puts a template on the first page and herself as the first entry.
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"So what are your ideas?" Isabella asks Kas.

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"Mmm... not sure yet," he says. "Do you know if that bar gives out art? Seems like she gives out everything else."

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"I guess we can ask and get one of those charming napkins in reply," says Isabella. "And maybe wheedle her into producing another catalog."

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"We don't need one," says Kas. "If she can do art, she can do pretty much any art I ask for, right?"

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"Yeah, if you have something in mind," says Isabella. "It didn't sound like you did."

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"I'm thinking lots of pretty landscapes," he says. "All different places and seasons. Big ones and little ones."

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"That sounds nice," says Isabella, tilting her head. "I wonder how specific Bar can get. I don't think anyone has ever photographed the Nunavut cloud-pine stand, but isn't it beautiful? And we could get a nice beach for Shell Bell, and maybe the wilderness around Forks..."

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"Let's go ask!"

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"Let's!"

They meet Bell on the way down the stairs; she's got the guestbook. There's a quick swap of notions - landscapes! format of profile pages - and then Isabella continues down.

"I like having an alt," she remarks to Kas as they approach the bar.
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"Me too!" says Kas. "Mine's fun, I love him."

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"One of the Tonies made a point of asking me if Petaal could turn human when I told everyone where you'd run off to," Isabella snorts. "Hello, Bar! Can you get us photos of locations that may not have technically been photographed before? And how much do prints of those cost? In Tony's dollars, and maybe can you tell me how much an apple costs in Tony's dollars so I can compare if the rates are different from dollars I'm familiar with?"

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"One of the Tonies is a smart cookie," says Petaal.

Bar's response to Isabella's query is generally positive. The currencies are comparable, and photographs of locations unlikely to have been photographed are quite cheap.
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"Beautiful," says Isabella. "Um, can you see me? Somehow? I'd like a picture yea big of the spot in Nunavut where I cut my cloud-pine. Midwinter, cloudy but not actively snowing." She holds her hands to form corners, several feet apart. "And one of a forested beachy section of Forks, same size, panorama-style, trees on the left and ocean on the right? Summertime on a sunny day."

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Bar produces the requested items, not framed but on a stiff backing that looks reasonably durable.

Kas beams.
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"And something to hang them up with?" Isabella asks.

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Sticky wall stickers for sticking things to walls!

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"Thanks, Bar!" says Isabella. She goes back up the stairs

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In the Belltower, Bell is writing her profile in the book. "Oh, those are pretty," she says when she sees the pictures. "Are those places on your world?"

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"Yep!" says Kas. "I've been to this one, I haven't been to that one."

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"That looks like the kind of tree you have the branch from," observes Bell.

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"It is. Cloud-pine," says Isabella.

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"I've got one too," says Petaal, "but it's not here."

"We left it in Isabella's room."
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"Can anybody fly on one of those?" Bell asks.

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"No! I would've mentioned that ages ago. Only witches. Petaal can turn into a witch. She doesn't count to the point of spellcasting, but she can fly."

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"I'd demonstrate," says Petaal, "but I dunno how you feel about naked people."

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"Generally in favor of them having a wall between me and them?" says Bell uncertainly.

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"She could change in one of the bedrooms and I could give her my silks and then I'd be the only person naked," says Isabella. "I don't care - witch thing - and while I don't fully understand what makes you care, maybe it's different if it's me?"

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"If there were more point to the demonstration than I'm aware of there being, then that would work," says Bell, "but is there?"

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"Not really," says Petaal. "Just me showing off. There aren't a lot of daemons who turn into any shape that usually talks."

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"Aren't there? What governs that? Why's Pathalan an owl?"

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"I wanted to be a dragon, or maybe a firefly," says Path. "But witches' daemons have to be birds. I didn't feel like we were a witch until I settled as a bird, and this is the best bird for us. This is the kind of bird we are if we're going to be any bird. Children's daemons can be anything, but most of them aren't very creative," he adds dismissively.

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"You're supposed to settle into a shape that suits your person when they stop being a kid," says Petaal, "but there isn't any one shape that's right for us, so I didn't."

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"How's the profiling coming along?" asks Isabella, peering at the guestbook in Bell's lap.

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"I think I have the template down," says Bell, "but you should look it over." She hands the book to Isabella.

The first page now reads, in tidy and very familiar handwriting:

FULL NAME
Picture
Unique nickname
Species (if something other than garden-variety human, include a name for your variant, in case there are multiple kinds)
Birthplace, including a unique name for your world that you make up
Birth date
Parents' names
Siblings?
The story of your life
Notable friends, allies, non-uses with keys to here
Enemies we should watch out for?
Interesting resources
Current project
Needs/wants?
What else should your alts know about you?
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Kas looks at it over Isabella's shoulder.

"Do you wanna know who your alts are dating and/or fucking?" he wonders. "There's one who's got a me for a boyfriend."
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"I think that would go under notable allies?" says Bell uncertainly. "But if some of us are encountering the same people... I mean, Sherlock comes in boy, if any other mes have met boy Sherlocks then they wouldn't need my particular circumstantial leadup, so that's possible too." She peers between Isabella and Kas. "You aren't dating, are you?" She makes the necessary erasures to add a bit to the allies line about significant other(s); attach a picture so we can check for alts who may not share identical names.

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Kas grins at Isabella and doesn't answer.

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"No, we're friends," says Isabella placidly.

(Path nuzzles her face.)
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"Mhm," he agrees.

Petaal becomes a small fluffy owl of a familiar sort, and he absently gives her scritches.
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Path peers inscrutably at Petaal.

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"What kind of owl is that, anyway? It's so cute," says Bell.

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"Eastern screech, gray morph," says Path.

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Petaal fluffs out her wings and hoots contentedly.

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"Why that particular kind? I mean, that's really specific - if there's an Eastern there must be a Northern or a Western or a Southern, and if there's a gray morph of that extremely specific owl there must be other colors, and why a screech owl, and why an owl at all and not a - seagull?"

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"There's tons of theorizing about this," says Isabella. "And daemons correlate with personality - we don't like anybody with a stinging bug like a scorpion or a wasp, although spiders are sometimes fine, and we get along pretty well with rodent and rabbit daemon types in spite of the obvious fact that Path settled as something that can eat small mammals. Witches are flying birds - not bats, not flying bugs, not flying squirrels, not ostriches or kiwis, only flying birds. But no one really knows exactly why daemons settle the way they do or how they know what's right."

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Petaal decides to cease being an owl. She shifts into a bee hummingbird instead and zooms up to Path to give him tiny peck-kisses.

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Path is amused.

Not that anyone but Isabella and Petaal can readily tell. Can't smile with a beak.
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"Huh."

Bell is finished writing the profile template and is ready to write her actual profile. BELL SWAN, she writes neatly at the top of the page.
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"Do you want to be dating us?" whispers Petaal. Kas sprawls on the floor close by and looks at the walls some more.

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Path hops off Isabella's shoulder to have the conversation in more privacy, daemon to daemon. Isabella looks askance at this behavior but doesn't object, trusting.

"We don't want to be a crazy witch. We don't know what makes some people do what they do, so we don't know how to avoid it," he confesses softly to Petaal.
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Petaal decides to be a dragon, so Path can perch on her scaly back and she can curl her neck all the way around to talk to him up close.

"He meant what he said about thinking the daggerpoint thing was hot," she murmurs. "But if she did it for real we'd fuck her once or twice and then run for the hills. What are crazy witches like? What are you worried you'll do?"
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"A crazy witch would find him and kill him if that happened. We don't want you guys to die," says Path, perching where he's meant to perch and hunkering down into a ball of feathers. "Or want to want it."

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Petaal nuzzles him gently.

"I know, sweetie," she says. "Are you afraid you'll want to kill us?"
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"We're afraid there's something we don't know about how witch brains work. About how we work. That we haven't been able to find no matter how hard we've looked. That'll come out and make us stick a knife in someone we ought to love, if we let it."

Path can talk so, so quietly. Years of practice.
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Her forked black tongue flickers out to touch his feathers.

"We love you," she says. "She's pretty and you're fluffy and you're both sweethearts. And we don't want you to do things you're scared of if you don't want to, but we'll risk it if you will." She grins a dragony grin. "And not just 'cause we like thinking about her and knives."
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Path is silent, briefly.

Then he says, "As far as we know, crazy witches always kill the people who scorn them in person. You don't need to worry about a long-distance death spell but you might have to worry about an enchanted arrow. She's better with the bow than with the dagger. I wouldn't be there. I don't think she could get so far gone as to do it in front of me and I'd be a point of vulnerability anyway. She'd have me hiding or flying somewhere far away. But if you don't mind touching her even if she's trying to kill you, if you can be fast and armored and flying, I think you could stop her. And if she thinks so too, I think she's less likely to try. We're as far from suicidal as it gets and we've never heard of that changing when a witch goes nuts over a mortal."
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"...I could," says Petaal. "I could kill her first. I might even do it. But I might not."

She licks Path's feathers again.

"I've killed people before," she murmurs. "That's not the problem. The problem is, if you wanted to kill us, we might want to let you."
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"Why?" Path murmurs back. "There's so much to do."

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"I know!" she says. "We know. But everyone dies sometime. Everyone human, anyway. How is more important than when, to us. And if it's someone we love, that's way better."

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"In this scenario," says Path, "if you loved her, loved us, why would you leave in the first place? She's not going to claim him at daggerpoint as a first move. She's already decided that. She's been very steady about that. The worry is if we all get together some other way, some sane way, and then he leaves - something we haven't been able to find in ourselves might turn out to live there."

(This conversation is too grave for him to say it, but he's thinking, Like Cthulu.)
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Petaal nuzzles him some more.

"Even if there weren't any threats," she says, "if we got the idea she'd kill us for leaving, we'd go. We couldn't do anything else and still be us."
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"I don't know what to do, then," says Path. "Except be only friends. We can do that."

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"Well, we don't think she'd kill us for leaving," says Petaal, "or I wouldn't be talking to you about this."

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"Why don't you think so? We're a witch," Path says. "It's a thing witches do. Her grandmother did it. Twice."

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"You're a you," says Petaal. "You don't want anyone to die, and you extra don't want us to die because you like us, and you're so worried you might murder us anyway that you won't even ask us out, of course you're not going to kill us." She bumps her nose playfully against Path's fluffy tummy.

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"I don't think Shell Bell would kill her girlfriend if she got dumped, and she's an us. We're also a witch in addition to being an us. We might contain undiagnosed witch crazy," says Path uncertainly.

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"We could try it," Petaal suggests. "If you did want to ask us out. You haven't exactly said. We could try breaking up and see if it makes you feel like killing us. And we could go stay with Augustine while you figured it out—she wouldn't care if we wanted to let you, she'd still fuck you up if you tried anything. And then at least you'd know, right?"

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"Try breaking up without dating first?" asks Path uncertainly. "I'm not sure if Augustine would help. Bears can't fly."

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"Would you believe me if I said that wouldn't really stop her?"

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"Not really. Unless you say she has a jetpack or something." Pause. "That would be cool. I wonder if Tony wants to build bear jetpacks."

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Petaal gigglesnorts.

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"I'm starting to wonder what you're talking about, there," Isabella remarks, as Shell Bell finishes writing up her profile and Isabella takes the book to add her own.

"I'll tell you later," Path promises. "We just need to have this conversation directly."
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"Really, though," Petaal says when she's calmed down a little, "if we went to Augustine and said you might kill us, she wouldn't let you. She lives in an old fortified tower. It's hard to shoot anybody through a stone wall."

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"Hard, yes," Path concedes, back at his soft volume. "And just like I doubt she'd get far gone enough to do it in front of me I doubt she'd get far gone enough to besiege you for any length of time. Maybe. I'm not sure. It's so hard to be sure."

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"I don't think she'd do it at all," says Petaal. "And I do think you want to know for sure, either way. And this might be the best chance you get to find out. Well, until you find an alethiometer, I guess."

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"We are going to find an alethiometer. Soon," says Path. "You're smart. You're so smart!" Nuzzles!

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Snuggly nuzzles!

"I'm so smart," Petaal agrees happily.
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"Are you going to tell me what smart thing you two cooked up?" Isabella asks dryly.

"Yes yes yes," chatters Path, flying to her shoulder and whispering rapid-fire into her ear.
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Petaal turns liger-shaped and pounces on Kas for vigorous snuggles.

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"Iiii'm going to go get keys and give one each to my Sherlock and Tony and to Matilda," says Bell. "And maybe to the other Sherlock and Tony too if they want them."

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"Sounds good," says Isabella, distracted by her daemon's summary.

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"Bye," calls Kas from underneath Petaal.

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Bell is beginning to be tired of all these stairs. But she did go and put "tower" in the name of her little club.

She seeks out Sherlox and Tonies and a Matilda to inquire after whether they may desire keys.
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Matilda is easily identifiable by the pile of cornucopias in her lap. All that gold draws the eye pretty well.

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"Ooh. Many cornucopias," says Bell. "Hi. D'you want a key to the Belltower?"

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"...Sure!" says Matilda. "And yes. They're for you."

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"Trade you," Bell says, holding out the key, and she starts scooping cornucopias into her jeans pockets. (They're decorative, but she was going for practical, and that means pockets.) "How many of these are you going to make? Are you going to make dozens of the unicorns too?"

And she looks around for anything shieldy or amulety.
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Matilda accepts the key.

"I can make more unicorns too," she says. "But I was trying to improve the cornucopias. That's why they have release versions on them," she adds, showing Bell the tiny digits engraved on the rim of one curling golden horn. "I'm just about done with the improvements; to get them any better I'd have to brush up ony my biochemistry."
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"What are the differences?" Bell asks, picking up one that won't fit in her pockets and looking for the release version. It says 2.3.

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"1.x aren't as good at complicated things," she explains. "2.0 and above can do cake! And maybe more importantly, they can do things like 'bag of flour'. And I made them better and better at paying attention to nutrition and taste."

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"What counts as a complicated thing, besides cake?" Bell asks.

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"As a general rule, the more steps it would take to make it yourself, the more complicated it is," she says. "Bread, cake, all that."

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"Okay. But a bag of flour is also complicated? Because it's processed? The early one could do - a stalk of wheat, right?"

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"Yep!" she says. "Oh, and 2.2 and above can recognize containers, more or less - if you hold a clean bowl and say "ice cream", it'll put ice cream in the bowl. Otherwise you'd just have a floating ball of ice cream," she giggles.

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"Well, as long as it floated, you could eat it out of the air, right?" giggles Bell. "How does the floating work, anyway? Does it stay until someone touches it, or until someone tries to move it, or what?"

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"It stays until someone takes it," she says. "Bumping into it by accident won't make it fall, but if you weren't looking where you were going and you put your hand on it like you were going to pick it up, that might."

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"So could you eat a ball of ice cream out of the air, or not?"

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"...I'd have a bowl underneath if you were going to try it," she says. "And you might just end up driving it around with the spoon, depending how much the levitation wanted to say in one place. There's some variance in these things."

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"I had actually failed to add a spoon to my mental picture," admits Bell. "Okay. Can I get, like, a list of cornucopia specifications by version number, so we can explain those if we wind up passing these things out en masse?"

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"Yeah!" she says. "Do you have your computer with you? I guess not."

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"I can get it."

She can! Her room is closer than the Belltower, and that's where it is. She's back a minute later, less cornucopia-laden.
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Matilda transfers a new subfolder into the magic manual. It's labeled 'Experimental', and it contains the version notes on cornucopias and a draft of someone's paper on unicorns.

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"Thanks," says Bell. "Oh, by the way, I made a brief note about you in the Belltower guestbook. If you run into other Bells who don't have their own magic like Isabella does they might ask you to be contagious at them. In case it doesn't work the same way for everyone." She shrugs and looks away.

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"Okay," she says.

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"I'm going to go find the Sherlocks and Tonies in case they want keys," Bell says. "Bye again! Thanks again!"

And she goes looking. They don't seem to be in the main bar, so she starts checking their rooms, starting with the one where she found them last time.
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Success! They are cuddlepiling again. The other Sherlock is braiding Sherlock's hair.

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"Okay, that's preposterously cute," Bell says of the hair braiding. "Who wants a key to the Belltower?" She's got enough in her pocket; she can give any extras back, or just keep them in her room.

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"I would like one, please," says Sherlock.

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"Me too," says Tony. "Why not, right?"

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Bell distributes keys. "Other Sherlock? Original Tony?"

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"No, thank you," says Other Sherlock.

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"Nah, I'm good," says Original Tony.

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"Okay." Bell eyes the cuddlepile speculatively.

It looks very cuddly.

But maybe it's only for genetically identical people?

(Isabella doesn't project a particularly cuddly look, for some reason, however affectionate her owl was being with Kas's critter.)
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"You are invited," says Sherlock, without looking up from his hair-braiding.

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Now she has to figure out logistics. This would be easier if her Sherlock were on an end. Hmm.

Eventually she determines dignified cuddling to be, if not an oxymoron, at least a non-priority, and worms her way in between her Sherlock and the nearest Tony.
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Sherlock tucks her arm around Bell's waist and kisses the end of her nose.

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Eeeeee.

Isabella and Kas looked like they had some unfinished business, and there's also the rest of Isabella's profile for her to write. Isabella will not start thinking Bell's run off without a final agreement on the Belltower's completion for the next while.

Snuggle.
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Meanwhile, Isabella is still listening to Path.

Until he finishes explaining.

"That's a good idea," she says, sounding almost faint.

"We were thinking about global problems, but the alethiometer will know things about us, too," says Path brightly.

"Unless," says Isabella, frowning, "the birth blessing throws it off somehow. But it's at least worth a try."
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"Yeah, we have good ideas once in a while," says Kas, wrapping his arms around Petaal's furry neck and hugging her.

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"Very good. Um, was anyone in the chain of information exaggerating about the part where you love us, though, because I didn't... previously... know that."

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"We love you," Kas confirms agreeably. "You're sweet and you're a good friend and we miss you when you're not around."

"And I like snuggling you," Petaal chimes in.
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"Oh."

Isabella refrains from letting that information go much of anywhere. She doesn't have an alethiometer yet. She could still have a loose gear somewhere waiting to send her spiraling out of control.
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Petaal turns linsang and jumps up and down on Kas's stomach, because sometimes it is just time to be needlessly adorable.

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That's pretty cute. Isabella giggles.

She goes back to writing her profile in the guestbook.
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Kas scoops Petaal off his stomach and hugs her, then lets go.

She turns hummingbird and investigates said guestbook.
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So far, Isabella has written:

ISABELLA AMARIAH and my daemon PATHALAN
"Amariah", "Path"
Witch (let's call my variety "cloudpine witches" if there are more); Path's shape is an Eastern screech owl, gray morph
Olympic Clan Enclave (near Forks, WA, United States, Earth)
September 13, 1994
Ranata Ekamma, Charles "Charlie" Swan
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Petaal is little enough to perch on the edge of the notebook without getting in the way. She does.

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She goes on:

No siblings so far
Grew up about 1/3 in the clan enclave, 1/3 with my dad in Forks (incl. attending some human school), and 1/3 tearing around the world with Ranata and miscellaneous friends. Age 15, got formal apprenticeship with a ritual magic specialist in Rockland, Maine, where I live now.

And she asks, "Do you want a key to here?"
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"Sure!" says Kas.

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"Okay then." She writes him down.

She completes the entry thus:

"Kas" and his daemon "Petaal" (latter may take any shape, incl. human or witch, either sex)
As of writing, unattached but tentatively considering Kas the aforementioned, contingent on success of project below
No enemies from home yet, but I need to practice nastier magic, give me deserving targets and I'll take 'em for you
Ritual magic (it's better at working with natural things, and doesn't scale up well, but I can do lots of stuff)
Finding and acquiring an alethiometer (device that produces absolute truth from my world)
An alethiometer! But I think I have that under control
DO NOT TOUCH PATH EVER EVER EVER
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"I wanna snuggle you some," Petaal declares. "Can I?"

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Isabella sets the book aside. "All right," she says.

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For this snuggle, Petaal turns into a... rabbity... creature.

She is conveniently lap-sized, and also fuzzy!
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"Oh wow, fluffy," says Isabella, wrapping her arms around Petaal and feeling barely at all strange about the weird knowingness she feels when she does it. "Lookit you. What are you? You look like a cross between a chinchilla and a rabbit and the concept of huggableness."

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"I'm a viscacha!" she says smugly. "Aren't I cuddly?"

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"So cuddly," agrees Isabella, taking full advantage.

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Kas scoots across the floor until he can curl up right next to them, sighing happily.

"I like it when you do that," he says. "It's nice."
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Path climbs Isabella's silks to sit on the shoulder opposite from Kas.

"It gets less weird over time," she says. "And look at all this fluff. If Path was one of these I don't think I'd dare leave the house with him, some three-year-old who didn't get it yet would grab him."

(Isabella never grabbed anyone's daemon when she was little; lots of people don't. But she's seen it happen, and it usually results in the kid getting shouted at until he or she cries.

She suddenly suspects that Kas may have had a daemon-grabbing problem as a child. If you wouldn't mind all that much if it happened to you...)
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"My sweetie is the cuddliest," Kas agrees. "It's so awful when kids do that—they don't know any better, but it still hurts."

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Isabella readjusts her expectations and is glad she didn't voice them. "Path has always been too quick for handsy little cousins and whatnot," says Isabella. "I've actually made it this long without anyone so much as accidentally brushing a wingtip. But it sounds like the worst thing that could possibly be."

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"It's not the worst when it's just some kid in a park," he says. "Pretty bad, though."

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"I mean in general. Not kids in particular."

The fact that Kas can even make the comparison hurts her somewhere near the heart.
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He reaches up and rests his hand on her knee.

"I'm glad you don't know what it's like the bad way," he says softly.
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"Me too. I can live without knowing."

She snuggles Petaal a little closer in lieu of having to react in some way to the hand on the knee. She wants an alethiometer - but going back to finish her spell and cast it and get the thing means leaving Milliways means maybe not being able to find Bell or one of her crowd again and assassinate that extremely deserving president of theirs.
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After a moment, he takes his hand away and curls up again. Petaal nuzzles Isabella contentedly.