She seizes her wand from the nightstand and assumes control over the fire; if there's anyone in the unburnt part of the house they'll be able to get out. "SHERLOCK! TONY!" she calls.
Bell wants a second opinion before she snakes this fire down the corner of the house and over the grass to destroy the train station.
"House caught fire all by itself; I'm keeping the damage confined in case there's anybody in there. Good or bad idea to snake it down the trellis and across the grass and torch the train station? Capitol, not District, pays to rebuild those, and I don't have any practical experience on targets yet." She keeps her eyes focused fixedly on the fire. "I think I can make it look natural."
And the train station.
There's a bucket brigade at the house now, passing water up a ladder leaning on the unburning part of the original building and pouring it on the smoldering corner. They make perhaps more progress than they should - but this might be visible only from a distance, as Bell shrinks that fragment of the conflagration to focus on - and warm - the part that's currently eating away at columns and twisting tracks into useless wrecks. (And leaving the station attendant a clear path to flee, which he does, right before his booth is swallowed up.)
The fire brigade is permitted to succeed completely at putting out the house fire. Bell lets the lawn go out, too, now that she doesn't need the connection to minimize house damage and manage train damage; it smokes.
She lets the flames heat up, now that they're only touching things she wishes to destroy. The color changes. The spread speeds up. The station is burning brightly, and the fire brigade can't even get close enough to it to throw water on it, not that Bell would let it do any good.
When she has reduced the train station to a ruined hulk pouring black particulates into the air and collapsing onto itself, she gradually shrinks the fire to a smaller, cooler piece in the middle, releases control so it will behave as naturally at the end as it did at the beginning, and watches it burn itself out on what used to be the sign reading WELCOME TO DISTRICT THREE.
Bell licks her lips and wipes a thin sheen of sweat from her forehead. "Thanks," she says, breathing a little hard herself. Using the wand isn't directly tiring, but concentration is, and she has to concentrate to keep any significant amount of fire hers. "Okay. So now I know I'm as good with this thing as I think I am." She twists her hair up and sticks her stick through it. "That's good."
"I have no idea how long it's going to take to complete the revolution," she observes. "If we manage it at all." Pause. "The whole I-don't-dare-risk-having-children thing has to be the least romantic reason to consider adjusting my sexual orientation for a specific person, ever. But I mean, I do also like you."
She pulls out her recorder and looks at it. "It often helps me make decisions when I have a good picture of what it'll look like after I make them. I don't know what it looks like when you're upset about being turned down - and I don't know what it looks like if I tell you 'well, I have hacked my brain with regards to the template supplied by holiday darts' - so that would also help if you could tell me that."
"I burned down the train station. The original fire started all by itself, on a house, I made it look like a natural spread. And Sherlock was there when I did it and now she says she's attracted to me again. And I think that since the holiday drugs thing, I know enough about what it's like to be attracted to her that I could do it again purpose? And if I don't she'll be upset. And I don't know anything much about what will happen if I do. So I thought I'd ask for your advice. I hope that isn't weird."
"...okay," he says, "as much as I love Sherry, if 'she'll be upset if I don't' is your only reason it's probably a pretty bad reason. And I'm not sure that me thinking you guys would be cute together is a much better one, but for the record, I totally think you'd be cute together."
Bell sits and leans on the wall. "I'm not sure what to do. I've been talking to myself for a few hours now and I'm still not sure. It doesn't really help that I don't think I can just will myself back into holiday-drugs-mode, I think I'd have to playact at it a bit to start, and there's a chance that it wouldn't work and that would probably be hurtful."
"I like her. When I was darted I thought she was - pretty, I mean of course she's pretty but relevantly pretty - and finding people pretty is nice. I don't think the dart gave me enough material to hack myself about anyone else, and even if it did, there are no other relevant girl prospects around. Girl is relevant because any risk of having children under the current government is intolerable to me. And I don't want to be alone for - as long as it could conceivably take to overthrow the Capitol, or to decisively fail and decide to flee the world." Pause. "And that was really good risotto. Although I imagine she'll go on cooking regardless of whether I date her."
"When I say any risk I mean any risk. I'm not trusting that nasty-smelling tea the - well, I don't know what you have around here, but in Four it was nasty-smelling tea, and I have observed women who habitually smelled of it to fall pregnant. I don't mean to denigrate your entire gender or anything, I just don't think most people-in-general feel as strongly as I do, so agreeing on which precautions are necessary would be hard."
"I have never tried to edit my brain in quite this way before, but any change on this scale usually requires what I am going to call pretending, to start with. I had to pretend not to care about my grades before I could really stop; just knowing that passing the wrong test would get me effectively kidnapped and stuck in a different District didn't do it. I had to pretend to be way more obsessed with shells than I actually am before it came readily to me to throw a tantrum if someone moved a bag of them that I'd been keeping near a door in case of Milliways. And I think that in order to slip back into what I'm calling holiday-drugs-mode I will have to first pretend. And it might not work. And that could easily be unpleasant on your end."
"The people I've talked to seem to think that other mes are. I don't know how much like them to expect to be. Do you not... I don't know. This is probably an ill-advised example, but you wanted the surgeries from the Capitol, didn't you, even if they were inflated by your terrible ex-friend? That doesn't seem very much about keeping Tony alive and happy." Pause. "...I don't suppose that's why you have hangups about wanting medium-sized things? Because your terrible ex-friend used that one to do terrible ex-friend things?"
(But her wand doesn't leave her hand. It doesn't actually need to point at her target. It just needs to be in her hand.)
Then he says dryly, "Have fun, dear," and heads out his door, which thanks to the convenience of Milliways topology is on the other side of the room.
"Yeah. Well. That guy's alt is President of our shitty world. If our actual President showed up here he would need to be made dead, consequences of outside grudges brought into Milliways be damned, because we're all three of us recognizable to every person in our country and it would not be smart to take a chance on him deciding that people with reason to hate him having access to Milliways is fine and dandy."
"They could easily be different in any number of ways. I happen to know that I come in vampire, for instance. But frankly I'd rather not involve your - his name is Obie? There's a difference, ours is called Coriolanus Snow - in anything that would put us in the same room again. At all." Pause. "Unless he's good enough and a good enough actor that assassinating ours and replacing him with yours to avoid triggering deadman switches would make any sort of sense? Probably not, but it's worth floating...?"
"I haven't met her," says Bell, blinking. "I haven't met any of me. Milliways and I have this inconvenient relationship where it's willing for me to come here sometimes but it's not nearly as convenient to my wants as other people seem to find it. But I met a friendly werewolf who lives in the world that vampire-me sort of secretly rules. And he seemed to think she was fine, or at least an obvious improvement over the previous secret vampire rulers of that world."
""Let me put it this way: the government we're planning to overthrow hasn't encountered a hiccup of significant-scale resistance from the parts of the country where we live in the last seventy-two years despite routinely kidnapping kids our age and younger and killing most of them for the entertainment of the viewers back home."
"Harsh."
"Yes. Rather. And of course there are the other effects of malicious totalitarianism - the only reason I'm reasonably confident about the lack of rebellion is that Bar will loan me archives of Capitol newspapers, not just the District Four Gazette, and there aren't any prolonged, suspicious 'resource shortages' that I'd expect the media to cover for unrest with even there. You can see why we'd like the Capitol in question to go away."
Bell then decides that this isn't actually her best summary and skips backwards to the one she gave Darcy.
"I... live in a pretty shitty world."
"...What kind of shitty are we talking, here?"
"The part that gets most people's attention is the fact that, annually, two dozen disadvantaged teenagers are forced into an arena with some combination of environmental hazards, genetically engineered animals, and other variously lethal props to fight to the death on national television," says Bell. "But more people - including more kids - tend to die of various other problems related to economic inequality and the side effects of totalitarianism. The only reason I look reasonably well-nourished is because I have been coming to Milliways since I was six and trading byproducts from the job I've been working since age eight for nonperishables to bring home with me. The only reason I didn't have to try my luck on the TV show is because my District has a system to train selected kids for the games and arranges for them to volunteer and spare whoever gets picked in the lottery."
("What you see" includes the stick in Bell's hair, and the amulets - since she never leaves the house, she's traded for the flashier one, and Tony's got the less obtrusively girly-looking lump of glass.)
"Nicely done," smirks Bell. "They're not heavy-duty. Mine is mostly to minimize the damage when I inevitably trip over something imaginary and fall down the stairs. But yeah, magic protection amulets. Fire wand. Fancy generator and whatever Tony can put together out of parts we can get. Versus the Capitol. What're you guys bringing to the party?"
"It's like you're telepathic," remarks Bell. "Okay, normally I'd say I wanted some time to think about it, but I'm pretty sure I know what the answer after my thinking about it is, because the other person I've heard of in this situation, who I mentioned, said he slept with his alt who was my alt's boyfriend. So I'm pretty confident I'm equipped to come down on the side of 'okay' and there's no strong reason I have to do all the steps of that beforehand. Have fun. If you can get pregnant, please don't do that."
Also, there might be something slightly familiar about her.
"The contagious kind!" says Matilda. "Or, sort of contagious. Sometimes, if I use a bunch of magic on somebody, or even a little, they end up able to do magic themselves. Sometimes nothing happens. And since I started doing magic, of which the floating things was some, more and more people in my world have been able to do it too even though I've never met most of them. It's a fascinating system. I wrote three papers on it and now I have the world's first PhD in thaumatology."
She closes out of the file she was viewing and brings up what seems to be a kind of directory structure, with labelled folders and files as nodes in a three-dimensional graph. At dizzying speed, she navigates this maze until she finds a folder labelled HOW TO MAGIC.
"Do you have a computer on you?" she asks, selecting the folder. It sprouts a forest of subdirectories and text and video files.
"I designed these myself," she explains. "One of the limiting factors of my world's magic is that it's harder to conjure an object the more complicated it is, unless you know its underlying structures really, really well."
Bell is not mystified by computers. She's borrowed them from Bar. This one is unfamiliar, but nicely designed, and Bell only has a couple questions on her way through the directory tree to the manual. She reads it with a ferocity normally reserved for starving people presented with food or drowning people presented with air.
When Matilda said she wrote three papers on it, she apparently meant more like thirty. Unless only a few of these count as papers the way she meant. She's credited as an author in every single document that credits authors.
Also, for some reason a disproportionate focus has been given to the subject of conjuring food.
She reads all of it.
If it seems like Matilda is open to being talked to, she makes remarks about it as she goes, but she is also open to just... reading. About magic. This is the most technical magic description she's ever gotten her hands on. (Reading about any other system has always seemed needlessly tortuous. She couldn't have them.)
(And she's going to stash the new computers in her room, just in case, because sometimes fucking Milliways earns its name.)
"Well, if that happens, we can leave each other notes at the bar and try to catch each other again? I'll be here more frequently than I used to. Tony can sometimes summon the door and Sherlock runs across it more often than I do. Anyway, I'll try not to take six hours!" She scoops up the laptops, stashes them, and goes Stark-hunting.
Bell finds Matilda again, and on the way down the stairs, she chatters: "And she can conjure stuff out of thin air - I got us laptop computers, and extras for Tony to take apart - and her magic system can do just about anything if you understand it well enough and the contagiousness thing doesn't work perfectly but the odds are good it'll work on at least one of us, and," breath, "there she is! Matilda, this is Sherlock! Sherlock, Matilda!"
Hmm. Matilda said she'd let them know if any magic was sticking.
It's still worth trying even if it takes days, but there is a sharp drop in expected magicalness if it takes even as long as an hour...
She decides not to worry about it for the time being. "So what all cool stuff can you build or get hold of now that you couldn't before?" she asks Tony.
"Oh my," exclaims Shell Bell, releasing Sherlock on hearing her own voice - not as it sounds in her head, but certainly as it sounds on her recorder - and realizing that she doesn't know how to run across the room while she's levitated several inches into the air. "Uh, Matilda, can you let me down - I have to go talk to her!"
"Can't you tell? They're not just separated. There's a difference. You really can't tell? Look. Shell Bell." Isabella reaches up to her shoulder; Path steps onto it. "Have you got one of these hiding somewhere? If you're not a witch maybe he's not an owl. Firefly? Tiny dragon? Any sort of creature - do you have a daemon?"
"He's not," agrees Isabella sharply. "And yeah. But... okay, Kas is right, you aren't acting like a zombie. Maybe your equivalent of Pathalan doesn't... have his own body. Or something. Sorry about that." She sighs. "I'm Isabella Amariah."
"Okay. Well, this place is Milliways. It's a restaurant-slash-bar at the end of the universe." Bell waves at the window. "If you go out the door, you'll be right where and when you were when you came in, so you can stay as long as you want and it doesn't matter. Doors appear according to different patterns for different people - I find one only about once or twice a year, but my girlfriend runs into one twice a month, her brother can summon it one in three tries, and his alt's house can open one at will. Speaking of which, can I get you to come meet some people?" she pleads. "And tell us about yourselves and your world?"
"And daemons," says Isabella insistently. "I don't know how you do without your own Pathalan. How do you get honest information about what's going on in your head without a daemon who can look at it from the inside and outside at the same time? And... do you only have humans where you're from? We also have panserbjorne," she shrugs. "Armored bears."
"You don't have any magic?" exclaims Isabella. "That's terrible! But - I can only teach witch spells to witches. Even if Kas's daemon turns into a witch shape she can't cast them; we tried it. Although she can fly cloud-pine and feel celestial light just fine."
"All kinds, as long as it's okay if it takes me a couple tries to work out the kinks in a spell," shrugs Isabella. "Witchcraft is better at natural things - people, daemons, plants, animals, weather - than at anything to do with machines or whatever, although I can work with those - it's more fun to spend an afternoon figuring out a verse to make my phone behave than to fly to the store and get them to do it. Uh, specifics. I can heal, and call animals, and find out things about anything that'll sit in a divination circle for me, and my teacher keeps bothering me to curse somebody but I don't know of anyone who really deserves to be cursed, and besides, I think as soon as she talks me into that she'll be bothering me to try killing somebody because she thinks I can get away with it because my dad's a cop. Some older witches are kind of cavalier about that kind of thing."
"A long-distance death curse? Easiest is probably to just amp up the non-death one that causes the flulike symptoms until they die of dehydration, or maybe suffocate from congestion, or cook themselves in fever," shrugs Isabella. "I can layer it as much as you want so it takes a satisfactory amount of time regardless of whatever medical care is involved. You do have to convince me that the person is bad news, though."
"We can provide something he has owned, somewhere he has been, and someone he has met," says Sherlock. "As for how bad he is, would you like the personal reasons or the political ones? He is both an old family friend guilty of a litany of betrayals and the president of our viciously unpleasant totalitarian government."
Isabella looks like she's considering asking Tony a question, possibly how do you know that, but instead she says, "If the Hunger Games part is all on TV I assume you'll be able to produce more evidence than your word, and if it corroborates, I will be happy to present you with a dead president deceased of a mysteriously infection-free flu. Over any time period you like. I'm not philosophically opposed to well-targeted revenge."
"Well, I don't think I'd be doing it any time soon if it weren't for the existence of alethiometers," says Isabella. "It'd certainly take me a few decades, maybe even centuries - witches have specialized in magic before and not wound up accumulating the kind of power I'd want before I'd be comfortable making an open bid for world domination, you know?"
It's Petaal who first says, "Yeah, that's us."
Bell quits the playback. "You're good with natural things, right?" she asks Isabella. "One thing I'm worried about is the population of the Districts being able to feed themselves if the Capitol attacks that way - and it's likely, controlling us with hunger is their style, they named the Games after it. I'm wondering if you can do some sort of magic to various crops that will let them spring right back up if they're bombed or burned or something? Can you do that from a distance too?"
"That sounds... large-scale. Given enough time and a few tries and a whole hell of a lot of honey, I could definitely do that to a farm. Learning how to scale up spells in general is still on my to-do list," says Isabella regretfully. "I'm sorry. I mean, once I figure it out, if you still need it, I'll totally make another trip."
"I know! I read your papers," says Bell delightedly. "...There should really be some more effective way to network through Milliways. I wonder if Bar can tell who's an alt of who? Hand out keys to a shared room based on that? There should totally be a..." She snickers. "A Bell-tower. With a guestbook that asks for species and unique nickname and stuff."
Isabella reads from the series of napkins. "Why yes, I can distinguish between you as well as anyone else. Would you like something to drink? The first is on the house." Next napkin: "Your cranberry soda. I see no reason why you couldn't share a room and distribute keys that way, if you'd like. I won't settle your arguments about who is obliged to pay the rent on it." Next napkin: "I don't think you want to leave up to me the determination of which allies of Isabellas are to be permitted entrance. But I can give any of you as many keys as you ask for to hand out to anyone you like."
"I am a witch, as opposed to a z- as opposed to being not a witch, like my alt who assures me she's not a zombie," says Isabella. "I can do magic. Witches trade favors, instead of currency, so I don't have any currency, and neither has Shell Bell for what I imagine are different reasons. If you want to fund a Bell-Tower until we locate an alt with deep pockets -" She glances at Bell's wader pants, which have no pockets. "With pockets at all, to take over the payments, I will be happy to do you a favor. Nothing too unethical, please."
"It'll probably serve as a suitable unique nickname for when there are half a dozen of us all together and we're trying to keep each other straight, anyway," says Isabella. "I'll go with Amariah, I suppose. Or everyone could just address Path instead of me if they're all z- persons with interior daemons."
"Noooo," he says. "Souls aren't physical, they're just—um okay, so my world has vampires, and if you get turned into a vampire, you become a selfish people-eating asshole version of you. But the soul is still around in some kind of weird metaphysical way, and apparently there are a few spells that'll put it back, and then the vampire starts paying attention to stuff like 'eating people is bad' again."
"Am I the only one with an external Pathalan?" says Isabella incredulously. "A handful of worlds with people who have no daemons is one thing, but it's another to find that daemons are the exception. Haven't any of you ever seen someone with a daemon in here before? You've been here before, many times, right?"
"Me and Path are the same person," says Isabella. "If something happens to one of us, it happens to the other. And of course nobody except other daemons can touch him, outside of extremely special circumstances that do not obtain. But - well. I guess if you didn't grow up with a Path of your own it might not seem worth it."
"...I will bring that up first the next time me and Path are introduced to someone without a daemon or with an internal daemon. Thank you," says Isabella. "Maybe I'll just leave him home. Only I'm not sure if separation will stretch safely across worlds, so perhaps I oughtn't dare... and of course Kas doesn't have that option at all."
"Don't touch me," Pathalan pipes up, in light of Bell's advice, "in case you didn't know."
"...Are you an alt of Kas?" Isabella asks, gesturing at Kas and peering at the newcomer's face.
Petaal becomes a tiny, tiny dog and perches higher up on Kas's shoulder. Kas rests his hands against the Joker's chest and gazes in absolute fascination at his scars.
"Exactly," says Bell. "I imagine he'd look similar, but there are loads of people who look similar and aren't even related, let alone alts. I'd probably have to talk to such a guy for a while, or notice him wearing a tastefully designed crown, or something, before I'd guess."
"I'm thinking permanent ice, for my tastefully designed crown," says Isabella cheerfully. "I've been thinking that since I was little and my crown-related musings were all in the form of what if I were made clan queen one day even though I'm not anywhere close to the line of succession and don't really want that many clan sisters to die."
"I was going to sculpt the crown in, you know, the ordinary way, with sharp objects, and maybe warmth here and there for smooth parts," says Isabella, producing and twirling her dagger. (She was obliged to sit through enough dagger lessons to Not Be A Complete Embarrassment To The Olympic Clan; this is one of the few physical tricks she can do that doesn't give away her clumsiness.) "Then permanent-ify it. If you want relatively simple shapes, like spheres or something, I can probably invent a spell for that, but it's not easy as pie like the permanentification."
"There's a difference between knowing you're looking at the solution to a problem and knowing how to implement that solution," he explains. "The problem is cooling systems for equipment that generates a lot of waste heat, the connection is obvious, the trick is figuring out where and how it'll do the most good."
It is a sarcastic napkin.
"Oh well," shrugs Isabella.
He leads Isabella through the house.
There is a lot of house.
It's a fairly short trip to the relevant room, though: large for a closet, small for anything else, and populated with metal racks labeled C1, C2, D1, and so on. Each rack houses several computers, individually labeled with names like C1_CANIS and E2_ERITHACUS.
"Just C through F? Okay." Isabella walks by each of the C through F racks, sprinkling a small handful of rosemary on each one and composing a poem in her head. "The rosemary will disappear after casting. This might take me a couple of tries, because machines are involved so I have to get the verse exactly right," she cautions.
At length, she spreads her arms so her hands are as far apart as they'll go, stares intently at the servers, and tries a verse six lines long that doesn't rhyme and contains several non-English words.
The rosemary persists.
"Damn."
She returns to scribbling, and finally turns the page and copies down several more promising snatches and otherwise starts over.
"Cut the part referring directly to the racks. You only need to use them to define the corners."
"Then I have to fill that line with something else..."
"I think it's not getting that you want a uniform temperature, that the spell's not directly about the machines; add another foot about that. Call for autumn, maybe."
"Okay." Scribble scribble.
She tries again.
And the rosemary disappears.
"There," she says, sounding pleased with herself.
"You get to see my garage! It has integrated holographic projection, all my cars, and a buncha shit I'm working on. Jarvis was kidding about boom, by the way, I do not work on anything more naturally explosive than a V12 engine in my own house, that would just be asking for trouble."
"No, I was almost seven, but even when I was little I went places with my mom more than my dad, and when she didn't have me it was just as often my grandmother or my great-grandmother or an aunt or one of my mom's clan friends, and they fly. I've been in a bus, more than that," she adds. "I went to human school sometimes until I was partway through tenth grade, and before I knew how to fly there I took the bus."
The cars are pretty, and when not pretty, interesting! Many are brightly coloured. There's the obligatory bright red Dodge Viper, the equally obligatory silver Audi, something attractively sleek with three front seats instead of the usual two... quite the selection for someone this young.
"And I'd need a permanent residence, I imagine. I live in my teacher's house for now, and it's a rental of sorts, we'll move when the owner no longer wants to trade a house for magical diabetes treatments instead of the standard injecty kind. Or when he dies."
She snaps her fingers. Three objects appear floating in the air in front of Isabella, at about her shoulder level: a small glass jar containing celery seed, a small glass jar containing oregano, and...
...a quite tasty-looking green apple.
"No," she tells it sternly, "that is not what I wanted, try again."
The apple peels itself in one long spiral from bottom to top and vanishes, leaving only the peel, which coughs out a fine spray of apple-scented mist in all directions. Result: one entire apple peel, dried.
"Very cool," says Isabella approvingly. "You and me should talk magic theory sometime." (She is briefly chastened by Bell's sob into Sherlock's shoulder.) "Just the two of us," she amends. "Okay." Thinking of verses, she starts tearing the peel into little pieces. "Can I have a bowl, too?"
She tosses a handful of herbs at Matilda and says,
"Show me, herbs, what magic lies
In this girl, and in what guise."
Her vision refocuses. "Shiny," she comments.
"Not so shiny," she says.
And then she walks behind Sherlock, since Bell is in the way of her front, and tries again.
"This is never going to happen," she announces. "At all. Even as much as it happened with Tony."
"Our side and the Capitol both having magic is worse than neither of us having any, I think," says Bell, who is gradually recovering her composure. "So yeah. Probably we should avoid that. Cornucopias and other object-type stuff we can bring home would be great, though."
"Water can also be a problem. What we have is only modestly sanitary and could be cut off. It doesn't sound like you'd be too willing to make us weapons, but what about shields? So that they can't blow us up, or send tracker-jackers into town at night, or whatever."
She doesn't snap her fingers this time; she makes a circle in the air with her hands and then brings them away sharply. A small pearly figurine appears: a unicorn, one hoof raised, bending its head so the blunt point of its horn is on a level with the other three.
"If you put it in water, or even something that's mostly water, it purifies it and then makes more."
"I think I'm composed enough to go set up a Belltower, now," Bell says to Isabella. "Let's go get some keys. And see what furniture we have to start out. Tony, do we get a furniture budget too, in exchange for whatever Isabella wound up doing for your cooling system?"
Presently convenient space-warping sees them arrive at a room with their number on it. It even says "THE BELLTOWER" on the door.
Bell has something of a despairing love-hate relationship with Milliways sometimes.
It's more like an apartment than a single room. A good-sized apartment intended for parties. Two bedrooms, two bathrooms, a large partially-divided living room, a kitchenette. (A full-sized kitchen would be nice, but Milliways has room service, and at least it has a fridge.) The existing furniture isn't fancy, but the place is chaired and tabled.
"Well, this looks nice enough to me," says Isabella, who sleeps in a hammock over a pad just thick enough to leave her bones unbroken if it dumps her out in the middle of the night. "The bedrooms are convenient, too, if you and your people are going to stay here for a while before taking me home to assassinate people, since I can't pay for one on my own."
"It is pretty decent as it stands. We could put in and fill our pages on the guestbook and leave it otherwise completely alone, and it would be... okay," Bell agrees. "I just don't think I want it to look brand-new or half-worked-on to other people who come here. Ideally it'll impress empresses with heaps of magic - more than you, some of them. We have a budget; we can hang some pictures and put down some rugs and have spare sheets and towels in the closet."
"I should probably actually get at least a couple outfits I actually like, while I'm here," says Shell Bell. "I live with the Starks now, and I don't leave the house except to come here; no one's going to inconveniently wonder where I got pants other than clam waders and a shirt that isn't made of patches in various shades of blue. Maybe Milliways can provide some sort of catalog for inspiration and we can compare opinions on its contents."
"Can you do a clothes catalog? I don't have enough of a background in what exists to know what I want; I don't want Capitol fashion and I don't have to settle for what people in Districts can afford and if Isabella knows anything about clothes it's how to tie those black torn bits."
Well. It would have to be substantially abridged.
"Mes have been here before, right? If you have to abridge it anyway it might as well be oriented around the sorts of things they wear?"
I do suppose that is true. But you know why there are no menus - it's because the options are limitless. I do hope you won't feel constrained by whatever is in such a catalog.
"Inspired," says Bell. "Not constrained."
Very well. If you promise. And the bar spits out a catalog about six times the size of a telephone book.
Bar produces a length of twine. Isabella ties the massive catalog and dangles it from her branch, on which she sits and floats back up with Bell following.
"Bar is philosophically opposed to menus. I think anything smaller than this would have made her figure out a way for a restaurant to cry, if the conversation she had with Bell about it was anything to go by," says Isabella, setting down the catalog and producing her dagger to cut the twine off.
"I want... practical stuff," says Bell. "I trip and knock things over enough without any help. I think District Three gets pretty cold in the winter, but I'm staying indoors and won't need a coat, just maybe something a little heavier... I think it can probably manage to look nice at the same time, though. I like these," she says, running a finger over a pair of jeans that fade from dark blue at the hips and ankles to nearly white at the knees. She frowns. "There are no prices in this book. Thanks ever so, Bar..."
The pair of them continue to have roughly matching opinions about everything, and after they've been looking long enough that this seems like a consistent phenomenon, they divide the book in half - Isabella looks at pages on the right, Shell Bell at pages on the left - and go twice as quickly, with Isabella note-taking when they find something that might be worth going back to.
Shell Bell doesn't really want to look through the entire catalog. She does investigate a decent fraction of the jean selection, and continues through the shirts until Isabella finds a fitted t-shirt in black stretch cotton with silver "wrinkle" marks and she finds a warmer, long-sleeved flannel in solid burgundy. But she stops at the first page of socks and jots down the most pleasing option on the page without continuing into the world of soft footwear, and completely wastes Bar's kindness in finding her a selection of hats.
She's even more perfunctory about underwear than she was about the socks. And while a few months in Milliways added a little bit of substance to her frame, it hasn't done so enough that she considers it necessary to pick out a bra with a guy she doesn't know very well in the room. She can go on doing without for a while. She can keep the catalog and try again later. (There'll be a later; Tony and Sherlock find the door so often.)
Ultimately clothes-shopping is finished. "Do you want to think about rugs and prints and stuff, while I go check with Sherlock and ask if it's okay to get the outfits? There are no prices in this thing, I can't guess if they're in a reasonable buy-without-asking price range," says Bell.
"Hi!" says Bell, hugging Sherlock. "Um, it occurred to me that Bar sells all kinds of things, including clothes, and mine are terrible and I won't have to explain to my parents where new ones came from anymore. We got Bar to give us a catalog and Isabella helped me find a couple things, but the catalog had no prices in it, so I can't just be 'oh, that's about as much as a reasonable lunch, I can probably just get it', so I need to ask, as I'm on your tab."
After a brief wave to Isabella and Kas, she ducks into one of the bedrooms, and emerges in the fadey jeans, the black shirt, and the boots. Presumably there are socks and underwear involved somewhere, too.
"Let's see what you've thought up," says Bell, plopping into the chair next to Isabella and peering at the notebook.
Isabella has designed a matching set of abstract rugs to put hither and thither. "Kas helped," she adds. "He was helpful. I'm not sure what to put on the walls, though. I'm not enough of an art connoisseur to have any particularly Isabella-ish paintings or whatever that I'd like to see on the walls."
"There's plenty of walls. We can look at your ideas if you have some," Bell says. "Maybe a photo of me and you? Bar will loan us a camera. And then the others can add themselves as they come in and we can have a wall of Bells. Did I hear something about you drawing on walls?"
"In the rune design department, or in general? I might as well do some work on the alethiometer-finding here if I'm doing runes, since that's what I'm in the middle of," says Isabella. "Otherwise - pretty pictures? Bookshelves maybe, although I don't know if our budget stretches to filling them. My dad has some of Mom's embroidery on the walls of his house, from when she did embroidery, even though it's not very good. There's more in a box somewhere, I could swipe it."
"I do like them. I couldn't leave my District without disappearing, and if they looked for me, they'd draw attention. I've been pretending to be slightly crazy for years, so. I think it was believable when I left them a note saying I'd gone looking for Atlantis, and they'll notice that even if I had supernaturally good luck with weather and other hazards I didn't take enough food or water to get anywhere. Really I walked overnight to the next town and stowed away on the train to where Sherlock and Tony live."
"If yours are like mine they'll forgive you when everything's over and you can be alive again," Isabella says in Bell's ear. Softly. Like she's trying to be Path for Bell. "Your Ranata will cry and your Charlie will rant but they'll forgive you and they'll find a way to understand."
She approves of rugs.
She elects to turn the decoration of the walls over to Isabella and Kas, while she goes and gets a large empty notebook for various Bells to fill up with their personal profiles and puts a template on the first page and herself as the first entry.
"That sounds nice," says Isabella, tilting her head. "I wonder how specific Bar can get. I don't think anyone has ever photographed the Nunavut cloud-pine stand, but isn't it beautiful? And we could get a nice beach for Shell Bell, and maybe the wilderness around Forks..."
"One of the Tonies made a point of asking me if Petaal could turn human when I told everyone where you'd run off to," Isabella snorts. "Hello, Bar! Can you get us photos of locations that may not have technically been photographed before? And how much do prints of those cost? In Tony's dollars, and maybe can you tell me how much an apple costs in Tony's dollars so I can compare if the rates are different from dollars I'm familiar with?"
"Beautiful," says Isabella. "Um, can you see me? Somehow? I'd like a picture yea big of the spot in Nunavut where I cut my cloud-pine. Midwinter, cloudy but not actively snowing." She holds her hands to form corners, several feet apart. "And one of a forested beachy section of Forks, same size, panorama-style, trees on the left and ocean on the right? Summertime on a sunny day."
"I wanted to be a dragon, or maybe a firefly," says Path. "But witches' daemons have to be birds. I didn't feel like we were a witch until I settled as a bird, and this is the best bird for us. This is the kind of bird we are if we're going to be any bird. Children's daemons can be anything, but most of them aren't very creative," he adds dismissively.
The first page now reads, in tidy and very familiar handwriting:
FULL NAME
Picture
Unique nickname
Species (if something other than garden-variety human, include a name for your variant, in case there are multiple kinds)
Birthplace, including a unique name for your world that you make up
Birth date
Parents' names
Siblings?
The story of your life
Notable friends, allies, non-uses with keys to here
Enemies we should watch out for?
Interesting resources
Current project
Needs/wants?
What else should your alts know about you?
"I think that would go under notable allies?" says Bell uncertainly. "But if some of us are encountering the same people... I mean, Sherlock comes in boy, if any other mes have met boy Sherlocks then they wouldn't need my particular circumstantial leadup, so that's possible too." She peers between Isabella and Kas. "You aren't dating, are you?" She makes the necessary erasures to add a bit to the allies line about significant other(s); attach a picture so we can check for alts who may not share identical names.
"Why that particular kind? I mean, that's really specific - if there's an Eastern there must be a Northern or a Western or a Southern, and if there's a gray morph of that extremely specific owl there must be other colors, and why a screech owl, and why an owl at all and not a - seagull?"
"There's tons of theorizing about this," says Isabella. "And daemons correlate with personality - we don't like anybody with a stinging bug like a scorpion or a wasp, although spiders are sometimes fine, and we get along pretty well with rodent and rabbit daemon types in spite of the obvious fact that Path settled as something that can eat small mammals. Witches are flying birds - not bats, not flying bugs, not flying squirrels, not ostriches or kiwis, only flying birds. But no one really knows exactly why daemons settle the way they do or how they know what's right."
"We don't want to be a crazy witch. We don't know what makes some people do what they do, so we don't know how to avoid it," he confesses softly to Petaal.
"He meant what he said about thinking the daggerpoint thing was hot," she murmurs. "But if she did it for real we'd fuck her once or twice and then run for the hills. What are crazy witches like? What are you worried you'll do?"
Path can talk so, so quietly. Years of practice.
"We love you," she says. "She's pretty and you're fluffy and you're both sweethearts. And we don't want you to do things you're scared of if you don't want to, but we'll risk it if you will." She grins a dragony grin. "And not just 'cause we like thinking about her and knives."
Then he says, "As far as we know, crazy witches always kill the people who scorn them in person. You don't need to worry about a long-distance death spell but you might have to worry about an enchanted arrow. She's better with the bow than with the dagger. I wouldn't be there. I don't think she could get so far gone as to do it in front of me and I'd be a point of vulnerability anyway. She'd have me hiding or flying somewhere far away. But if you don't mind touching her even if she's trying to kill you, if you can be fast and armored and flying, I think you could stop her. And if she thinks so too, I think she's less likely to try. We're as far from suicidal as it gets and we've never heard of that changing when a witch goes nuts over a mortal."
(This conversation is too grave for him to say it, but he's thinking, Like Cthulu.)
"You're a you," says Petaal. "You don't want anyone to die, and you extra don't want us to die because you like us, and you're so worried you might murder us anyway that you won't even ask us out, of course you're not going to kill us." She bumps her nose playfully against Path's fluffy tummy.
"We could try it," Petaal suggests. "If you did want to ask us out. You haven't exactly said. We could try breaking up and see if it makes you feel like killing us. And we could go stay with Augustine while you figured it out—she wouldn't care if we wanted to let you, she'd still fuck you up if you tried anything. And then at least you'd know, right?"
And she looks around for anything shieldy or amulety.
"I can make more unicorns too," she says. "But I was trying to improve the cornucopias. That's why they have release versions on them," she adds, showing Bell the tiny digits engraved on the rim of one curling golden horn. "I'm just about done with the improvements; to get them any better I'd have to brush up ony my biochemistry."
"Thanks," says Bell. "Oh, by the way, I made a brief note about you in the Belltower guestbook. If you run into other Bells who don't have their own magic like Isabella does they might ask you to be contagious at them. In case it doesn't work the same way for everyone." She shrugs and looks away.
Isabella and Kas looked like they had some unfinished business, and there's also the rest of Isabella's profile for her to write. Isabella will not start thinking Bell's run off without a final agreement on the Belltower's completion for the next while.
Snuggle.
Until he finishes explaining.
"That's a good idea," she says, sounding almost faint.
"We were thinking about global problems, but the alethiometer will know things about us, too," says Path brightly.
"Unless," says Isabella, frowning, "the birth blessing throws it off somehow. But it's at least worth a try."
ISABELLA AMARIAH and my daemon PATHALAN
"Amariah", "Path"
Witch (let's call my variety "cloudpine witches" if there are more); Path's shape is an Eastern screech owl, gray morph
Olympic Clan Enclave (near Forks, WA, United States, Earth)
September 13, 1994
Ranata Ekamma, Charles "Charlie" Swan
No siblings so far
Grew up about 1/3 in the clan enclave, 1/3 with my dad in Forks (incl. attending some human school), and 1/3 tearing around the world with Ranata and miscellaneous friends. Age 15, got formal apprenticeship with a ritual magic specialist in Rockland, Maine, where I live now.
And she asks, "Do you want a key to here?"
She completes the entry thus:
"Kas" and his daemon "Petaal" (latter may take any shape, incl. human or witch, either sex)
As of writing, unattached but tentatively considering Kas the aforementioned, contingent on success of project below
No enemies from home yet, but I need to practice nastier magic, give me deserving targets and I'll take 'em for you
Ritual magic (it's better at working with natural things, and doesn't scale up well, but I can do lots of stuff)
Finding and acquiring an alethiometer (device that produces absolute truth from my world)
An alethiometer! But I think I have that under control
DO NOT TOUCH PATH EVER EVER EVER
She is conveniently lap-sized, and also fuzzy!
"Oh wow, fluffy," says Isabella, wrapping her arms around Petaal and feeling barely at all strange about the weird knowingness she feels when she does it. "Lookit you. What are you? You look like a cross between a chinchilla and a rabbit and the concept of huggableness."
"It gets less weird over time," she says. "And look at all this fluff. If Path was one of these I don't think I'd dare leave the house with him, some three-year-old who didn't get it yet would grab him."
(Isabella never grabbed anyone's daemon when she was little; lots of people don't. But she's seen it happen, and it usually results in the kid getting shouted at until he or she cries.
She suddenly suspects that Kas may have had a daemon-grabbing problem as a child. If you wouldn't mind all that much if it happened to you...)
Isabella readjusts her expectations and is glad she didn't voice them. "Path has always been too quick for handsy little cousins and whatnot," says Isabella. "I've actually made it this long without anyone so much as accidentally brushing a wingtip. But it sounds like the worst thing that could possibly be."
She snuggles Petaal a little closer in lieu of having to react in some way to the hand on the knee. She wants an alethiometer - but going back to finish her spell and cast it and get the thing means leaving Milliways means maybe not being able to find Bell or one of her crowd again and assassinate that extremely deserving president of theirs.