Angels in general are a breed apart. Of course they've all got lovely voices, they've all got classical music training and know the masses and prayers, they're all blessed winged creatures -
But that doesn't mean they're all smart, or all good, even (Isabella was taken to see Windy Point, once, or what's left of it, and of course she sees the scars on Galo Mountain every year at the Gloria; there stood angels who were not good). And Isabella is smart and good.
Isabella is always the first to volunteer for an intercession. She likes them. She'll call down weather, plead for seeds, pray a shower of medicine to fall from the sky, and she will get what she asks for, and she loves nothing more than to dive from hours aloft in prayer and clasp the hands of the people she helped and go home to the Eyrie to take on her next assignment. When there are none - when there is the right amount of rain and sun in the province, when there is no plague and no famine - she studies. She studies a bit of everything, but she fancies herself particularly a historian, investigating the accounts of Archangels' reigns past. From books, mostly, although once she wrangled herself a year in Cedar Hills to assist the Archangel Linus, and when she is in the Eyrie she closely follows the leader of the host there, the former term-lapsed Archangel Delilah.
She tried to get in with the other living former Archangel, too, Alleluia the oracle who served as Delilah's interim while the latter's wing recovered from an injury, but after a few hours' conversation Alleluia said that she could not accept Isabella as even a temporary acolyte and sent her to Peninnah instead. Isabella learned a lot from Peninnah, but she's confused about why Alleluia turned her down personally only to send her to another oracle, after such a prolonged interview. Particularly since Sinai is in her own province; what was the point in sending her all the way to Gaza?
But the instruction came from an oracle, and oracles' words more often than not come from Jovah. She went to Gaza, learned from Peninnah, and went home.
Now she is back at the Eyrie, and the first thing she wants to do is let Delilah know that she's back. Her wings aren't so tired that she can't immediately fly to the Corinnis or the outskirts of Semorrah or anywhere and accomplish something. Failing that, she'd love to sign up for harmonies again now that she's home and wants to know what she ought to schedule around.
Delilah is with her husband Noah, and a visitor. He doesn't seem like a petitioner, and he doesn't look like an Edori, although the fact that he and Noah are talking in Edori suggests that he might be an adopted one. (There are hardly any Edori of either sort left; most of them live in Ysral, now.) Isabella waits patiently outside the door for the host leader's attention.
The stranger is about Isabella's age, with curly brown hair down to his shoulders. He pushes it back from his face as he talks, between grand, expansive gestures. He is, as it happens, telling Noah a funny story about a man who mistook a goat's horns for a tree branch and hung his hat from them for a moment, to the surprise and dismay of all involved. His comic timing is exquisite, as is his imitation of a startled goat.
Delilah knows more Edori than that, Isabella knows, but she's not really participating in the exchange either. She sees Isabella's wingtip. "Come in, whoever you are," she calls, "all I'm getting here is that goats are involved and it's making me hungry and there's hours before dinner."
Isabella steps into the room. "Hello, Delilah, I just wanted to let you know that I'm back from Gaza and I'm wondering if there's anything you'd like me to do."
"...Hello," says Isabella. "It's nice to meet you. And it's good to see you again, too, Noah," she adds politely to the former angelico.
"Isabella," says Delilah. "Look at your arm."
Isabella looks.
There are such colors. She doesn't feel any pain, but there are such colors.
"Oh my," she murmurs.
Delilah gets to her feet, wings swishing along the floor as they follow her up. "Isabella, your time is your own for at least the next week, but I for one want to wake up to your rendition of the Sunrise Chorus with a decent tenor of your choice at least once in that time, and I wouldn't dream of prohibiting you from answering any petitions you happen to hear. Noah, shall we go see about those Manadavvi I've left poor Mark entertaining for the past hour?"
And with that Delilah and Noah are gone.
Elisha opens his door. He's an angel, too, blond and with tawny wings to Isabella's white-flecked-grey, and on seeing her he instantly gives her a hug. "You're home! For good this time?"
"Until something else comes up," laughs Isabella. "I wouldn't turn down another stint with the Archangel, but right now I have no plans to set up anywhere but here. Will you duet the Sunrise Chorus with me in two days? Delilah asked for it specially."
"Always," says Elisha, producing a fountain pen and scratching their names and the song onto the sheet. "It's good to have you back. Do you want to practice this before then?"
"Couldn't hurt," she says, and then she notices that there is someone it could hurt, and belatedly says, "Oh, Elisha, this is Micaiah. Micaiah, Elisha."
"Hello," says Elisha genially.
"Do you want to practice now, or are you busy?" Isabella asks.
"Now works. Serah's down in Velora with Zipporah, won't be back for hours. Micaiah, are you coming?" Elisha asks.
The three travel to the practice rooms, and find an unoccupied one. "You have this memorized still, right? You don't want to listen to the disc through once?" Elisha teases Isabella.
"I have it memorized backwards, forwards, and, impossibly enough, sideways," laughs Isabella. "On my mark. One - two - and -"
They begin at the same moment, a perfect fourth apart, and then she skips up and he skips down. There's a reason Elisha was her first choice: her soprano and his tenor are well-matched in timbre and there's a supportive, uplifting cast to his notes that keeps her more firmly on pitch. He doesn't overpower her, either, - which is good, because while her occasionally timid volume is probably her voice's worst feature, she's worth leaning in close to hear.
The chorus lasts just shy of one hour. They sing it straight through.
"Isabella," says Elisha pointedly, when the song ends and he's caught his breath, "you didn't tell me that Jovah already named you Archangel and picked you an angelico."
"Elisha!" exclaims Isabella. "No such thing happened!"
"Well, your Kisses are both glowing like little suns," Elisha says defensively. "I've never seen anything like it."
"It is supposed to mean that," says Elisha, eyes dancing with amusement. "Isabella never even takes a handsome angel-seeker with her. Doesn't want to be attached until she knows who's succeeding Linus because Jovah wants to pick angelicos for Archangels. I guess Jovah got impatient."
"Elisha!" exclaims Isabella, blushing hard.
Elisha taps his finger to Isabella's nose. "I know what you're going to ask," he says.
"You have known me my entire life. I know you know what I'm going to ask," Isabella says.
"Micaiah doesn't!" Elisha turns to Micaiah and explains for his benefit, "She's not going to even think about angel babies with you until she at least knows if you would be angelico if she were Archangel. She's an ambitious one. In a good way," Elisha amends hastily at Isabella's halfhearted glare. "In the being-sincerely-smart-and-good-so-Jovah-
"Have fun," says Elisha in insinuating tones, and Isabella sighs at him and leads Micaiah away from the practice room.
"I carry people now and then - Serah most often, she's mortal. I have never dropped anyone. I didn't even drop that one fellow who was delirious with fever and was trying to make me - angels are very strong." She picks up a large snack tray from the kitchens and leads Micaiah away to where Eyrie residents take their meals. She finds them a table with one angel chair and one mortal chair, sets down the tray, and picks up a little cucumber cup filled with beans and spices.
"If I had a way to hold you and - two, maybe three other people your size, without any of you slipping out of my grip just from sheer bulkiness - I could still carry you through the air, although I'd be much slower and clumsier," says Isabella. She tries one of everything on the platter and then monopolizes the ham and the rosemary crackers. "If I didn't have to fly, maybe twice that."
"Well, Edori go everywhere, I'm told, you might have run into some," she shrugs; it makes her feathers flutter. "You don't go around touching people's wings, at least by default. It's... approximately the equivalent of grabbing someone's rear, only less potentially playful, does that make sense?"
"Very warm," she agrees, taking another one of the cucumber cups. "That you'll notice as soon as I pick you up. And a good thing too, or you would be very uncomfortable at cruising altitude." She's wearing unremarkable flying leathers, a wing-cut vest and pants and boots, and her bracelets with the curlicue gem pattern of her mother's family, and that's all.
"Well, there is a not inconsiderable chance that I'll go ask Alleluia my question, and she'll say yes, and then in eight or ten years someone will ask an oracle who the next Archangel to be and he'll tell them, "Isabella, daughter of the angel Rinnah and the mortal man Charles," says Isabella. "And if all that happens then you'd be obliged to lead the Gloria for twenty years."
"I'm not as set as Elisha makes me out to be," demurs Isabella. "But I think I'd be a good Archangel, and I think the job wouldn't make me tear my hair out like it would if someone handed Elisha - for example - all that responsibility, and while I think Linus is doing a perfectly competent job, I do have some ideas."
Their snack platter has been demolished. Isabella picks up the dish and returns it, thanking the employee who takes it from her, and rejoins Micaiah. "Shall we? I can take off from out there." She gestures to where the harmonics are being sung - currently a trio of women, two mortals and one angel, all older.
"Let me know if I go too high and you're cold or have trouble breathing," she says above the wind as she gets up to speed.
"Okay. I wonder if that's why yours hurts and mine doesn't. I wouldn't like it," Bella muses. "But I think it's fairly typical for them to hurt, and I don't think everyone likes it... perhaps it's also got to do with how hard Jovah has to work to get the person's attention," she concludes.
"I like the holds. I don't think I would have been half so happy anywhere else. I don't exactly go wherever I want - I go where I'm needed, where I can be useful - but wherever I go I'm accomplishing something. Even if it's a political goal, attending someone's party, instead of fixing a drought, although I much prefer the latter."
"Some of them are, I'm sure, fine parties," says Isabella diplomatically. "Although things outside the holds aren't usually designed to accommodate angels - they keep the rooms so warm, and there's dancing, and none of the chairs work with our wings. Things aren't designed for angels in the places that have problems with drought, either, but we're not obliged to stay long after singing the prayers."
"We can," she says slowly, "but our wings get in the way - people bump into them or step on them, and we don't really have quite the same gait as mortals either, because of the weight of them. So dancing is awkward and most of us don't like it. I'm particularly inept at it and usually manage to beg off if someone wants me to try."
That makes a twisted sort of sense, but Isabella can't claim to be happy with it, and it still shows on her face. She can't come up with a sufficiently diplomatic reply, given that it seems reasonably likely she will eventually be divinely commanded to marry this person.
"I - that isn't a fair test," she says. "Serah carries her money in a little bag that her mother gave her before she died. If someone took the bag from her I'm sure she'd fly into a rage. That wouldn't mean it's okay to take the bag, or to judge her based on what she does when it's taken and punish her by keeping it."
"Just a moment, angela," says the acolyte, dipping his head and running inside.
"Micaiah, do you have a preference?" Isabella asks. "The foot of the mountain has Alleluia's husband's workshop; he and one of their children are there most of the time. Up here there are acolytes. I'm fine either way."
The workshop is a warehouse-like building, all over electric lighting and with a couple of generators out back, one of them puffing away. In addition to the oracle's husband and their kid, there must be a number of students, because there are more than two people present swarming about the place with their arms full of parts and wires and clockwork.
"Hello, angela!" says a girl about twelve years old. "What brings you and your friend here?"
"We're waiting for Alleluia, and thought we'd look around while she's finishing up what she's doing, if that's all right," says Isabella.
"That's fine! Want to see the clock I'm making? I'm making a clock!"
"Sure," says Isabella.
Isabella refrains from complimenting her on it, though she does smile kindly. People are always giving angels gifts, and this only becomes more likely if they compliment relevant objects.
The acolyte who greeted them earlier escorts them in, and there is the interface room: a glowing screen with arcane symbols dancing across it and a butter-blonde angel sitting before it with her hands on rows of buttons. "Hello again, Isabella," she says, swiveling in her chair. "I hear that you have a question for me."
Isabella swallows and nods. "Er, yes. I'm not sure if Jovah will choose to answer it. I know he hasn't chosen Linus's successor yet, and I'm sorry to be so presumptuous, but - can you tell me, if I were to be the next Archangel, who would be my angelico?"
Alleluia raises an eyebrow. "That's your question?"
"Yes."
"I will consult the god," Alleluia says ritually, and she turns back to the screen and taps away at the symbols inscrutably. Isabella can't make out the words. She has no particular talent for languages, and the oracles are said to comprehend the words by grace anyway.
After a minute, Alleluia turns back. "In the event - Jovah did not remark on its likelihood - that you were to be Archangel, he would name as your angelico Azaziah, son of Canaan and Judith."
"I can ask. I think so. Micaiah?" Alleluia confirms. "Just that?"
"Of the Manderras," supplies Isabella. "Right? Sia a Manderra?" She does know the Edori words for "of the" as they go in names; Peninnah was asked to update records of undedicated Edori often enough during the year she spent there.
"Okay?" says Isabella. "But - it is him?"
"Yes, as if there could be any doubt, Isabella, look at your arms," says Alleluia, half-fondly. "Jovah does not say one thing for love and another for politics. You have your answer."
Isabella decides that there is no reason for this to be going on in Alleluia's oracular chamber. "Thank you very much for your help," she tells the other angel. "I'm sorry about this." And she picks up Micaiah, carries him out to the cliff, and flies down - not to the workshop, some hundred yards away on a grassy foothill, and sets Micaiah down to wait for him to be done crying.
"Jovah's ears are good but he still needs to be told things the right way. The priest who dedicated you told the god that name and he was never formally updated," murmurs Isabella. "It's the same for everything we want to tell him. If I want rain or sun, I can't only sit in my room asking in plain language, I have to go aloft and pray for it. But now Alleluia's told Jovah your name and he's fixed it."
"There's only one bed. I can get another, if you want, but the one there is huge - most angels sleep on their fronts with their wings out all the way, and so there's room for that, but I'm just as comfortable on my side with one wing stacked on the other," she says.
"Okay. It'll be late when we land, but I think the laundry should still be open and I can get you a blanket - I know mortals are often cold in the Eyrie, everyone going around in sleeves all the time and shivering, I don't actually know what it's like but it sounds unpleasant - and what else do you need?"
"My quarters are near Elisha's," she says softly, leading him through the corridors. "Not right next to them, but the same general area - you might find it easy to get lost in here at first." They find the kitchens again and Isabella gets two plates of potatoes, greens, and venison from the cook; apparently the meeting with the Manadavvi went on for long enough that they're still eating now.
The walk to her room is through most of the same hallways as the walk to Elisha's, but with a veer off to the right at the end. She pulls a key from where she keeps it on her boot fastenings and lets them in. "I don't have a copy of this, but I can get one," she says. "But - please don't steal my stuff, even if you mean to give it back after; if you need anything you can just ask me. Please don't look at my notebooks either. They're private."
The notebooks are an obvious stack in the corner. Isabella turns out to have one tucked in the back of her vest, which she adds to the pile. The room is a bit dusty with disuse, but not a year's worth of it - she's been visiting for the odd week here and there even during her two years of the Eyrie not being her primary residence. And the bed is indeed twelve feet wide to comfortably accommodate even the most sprawling, impressive wingspan.
"Okay." It wouldn't be a disaster if he did read them, but it would certainly discomfit her. "...Please don't pick the locks to anyone else's room. I'm going to give you a key to this one so I suppose it doesn't matter if you also want to pick the lock recreationally."
Isabella smiles, then ducks into her closet for a nightgown, and into the bathroom to change out of flying leathers into same. It ties behind her neck and has no back, to accommodate the wings, but it falls all the way to the floor when she steps out barefoot and carrying her boots and vest and pants.
"Thanks," says Bella. "I forgot that when I'm not around to tell them not to the maids always make up the bed with the blanket to... look pretty or something, so I don't have to run down to the laundry after all. It's all yours." She unpeels it from the right side and folds it over in the middle. "I'm tired, are you tired?"
She changes into her leathers again - she might be called on to fly somewhere at a moment's notice, after all - and heads for the kitchens, letting Micaiah choose whether to follow or remain abed.
"You're really very cute," she observes, almost as though surprised, and then she finishes her bread and returns the dishes to the kitchen. "My parents' quarters is off that way." She leads them out of the dining hall through a different door, and through more corridors, humming along to the soprano part of the current harmonics. "Don't bother calling Rinnah 'angela', if you were at all likely to do that; she'll only laugh at you and tell you to call her by her name."
"Just a minute!" calls a warm alto voice, half-singing, and Isabella smiles automatically at hearing her mother speak.
The door opens to reveal an angel who looks like an older version of Isabella, with paler hair and a grayer background behind the flecks on her wings. "Isabella!" she cries, flinging her arms around her daughter. "I knew you were coming back around now - and here you are! And -" She notices the eternal dance of color in Isabella's arm, catches the relevant limb by the wrist and peers at the Kiss in it, then makes a comparable assessment of Micaiah and hugs him too.
"Mom," says Isabella. "I met him yesterday."
"Yes, and it's a wonder either of you can stand, remember when this happened to Jerusha and -"
"And Jerusha couldn't sleep for the first four days, I know, but mine doesn't hurt," says Isabella. "It just does the light and the colors. Anyway, there isn't a wedding planned. Is Dad in?"
"He'll be back any minute, but right now he's still with Nehemiah, talking about -" She waves a hand. "Security arrangements of some kind. I scarcely understand your father's job, you know, why would anyone commit crimes in an angel hold where Jovah watches so closely...?"
"Micaiah," says Isabella slowly, "my father handles the hold's security measures. It'd be... troubling if he had to encounter you in that capacity."
"I think tenors show off Isabella's voice best, but of course you're whatever Jovah made you," says Rinnah, tilting her head. "Are the other Edoris here?" she adds with the ungrammatical inquisitiveness of someone who knows perhaps three things about Edori, one of which is false.
The lyrics are in Edori. The tune is not that complex, but it's fast and it's cheerful and he brings it all the way up and down his incredibly extensive range over the course of several repetitive verses.
Whatever the song is, it seems to make Micaiah very happy.
"You could probably manage half of Uriel's masses. Pity I'm not Hagar," laughs Isabella.
"Oh, Isabella, you sound just as pretty as her," soothes Rinnah.
"Opinion's divided on that and I don't have her range, objective fact," blushes Isabella.
"Oh goodness," laughs Rinnah. "I suppose I should hope Noah or even Delilah wasn't walking down the hall just then, or -" She starts rattling off more names; children of the former Archangel and other members of the hold who might know enough Edori to detect a less than genteel lyric line.
The door swings open, and in comes a gruff-looking mortal man in practical clothes. There's a trace of Isabella in his face, although not nearly as much as there is to Rinnah. "Bells!" he says when he sees his daughter. "You're back! Visiting again or for good?"
Isabella gets up to hug him. "No plans to leave. No promises, though, I wouldn't turn down another invitation to Monteverde to help Linus."
"He was visiting Noah - he's an Edori - I mean Micaiah, you already know Noah's an Edori - and I'd just come back from Gaza," says Isabella. "And - well, he noticed first, his hurts and mine doesn't, but it's been like this since then."
"Hrm," says Charles. He scrutinizes Micaiah. "So. Micaiah. What do you do with yourself when you're not... visiting here?"
"Apart from the pronunciation, yes," Isabella says, who knows more about Edori religious beliefs than either of her parents and doesn't want to get deeply into that subject today.
"Mind you remember he's watching, then," Charles tells Micaiah, sitting down in the other non-angel chair. "Whether or not anybody else is."
"You never miss a pitch," says Charles loyally. "Bells, catch us up on what all else has happened - how were your last two months in Gaza?"
Isabella agreeably relates the more interesting questions people asked of Peninnah, and about her frustrating efforts to make the oracular language click, and about the events in the lives of the Gaza acolytes who her parents have come to be interested in through previous stories on previous visits.
Partway through a story about Tobiah's pet bird and his attempts to convince Isabella to catch it for him after it escaped, Rinnah picks up Isabella's hand from the table and puts it on top of Micaiah's, smiling impishly and wordlessly. Isabella blushes but doesn't move her hand away, and resumes the story after only a little stuttering.
Isabella's reunion conversation with her parents continues to range over miscellaneous topics and continues to incorporate handholding. When Isabella mentions that she ought to see Serah today, Rinnah ushers her and Micaiah out the door, laughing. And Isabella doesn't seem disposed to let go of Micaiah's hand.
"Yes, Serah," says Isabella patiently. "This is Micaiah. Micaiah, this is Serah."
"Serah."
"No, no, you're too modest, you really don't need to be you know, many Archangels have been famously pompous - anyway, I'd say I ought to be friends with you so I can get special favors when you and her rule Samaria together but I'm already her best friend so you can be sure I will like or dislike you solely on your own merits," Serah says cheerily.
"Tell me about your merits," urges Serah, grabbing Isabella and Micaiah each by a hand and pulling them with awkward simultaneity through her door. One of Isabella's wings winds up buffeting Micaiah, all soft and warm; she doesn't seem discomfited by the accidental contact. "Elisha only knew a handful of things!"
"I... would have to take his word for it?" Isabella manages awkwardly.
"Your Kisses are like stars come to earth and you have not sampled any less capitalized kisses?" exclaims Serah, completely scandalized.
"...Yes."
"Well," snorts Serah. "I suddenly need the water room. I'm sure I'll be at least five minutes." And she flounces off to her adjoining water room.
Serah gives them a bit longer than five minutes, and still comes out to a scene of kissing. "Goodness gracious," she deadpans. "I am astonished to find this going on. Whatever shall I do."
Isabella breaks off to roll her eyes at her friend. "So what did you do in Velora yesterday?" she asks.
"Shopping!" crows Serah, clapping her hands. "Do you want to see what I got?"
"Why not?" Isabella laughs.
Serah got several pretty dresses. She shows them off each in turn with loving and elaborate descriptions in spite of the fact that her visitors can plainly see them for themselves.
"Do you want to go shopping?" Isabella asks Micaiah mildly.
Serah winds up leading the way to the nearest takeoff spot, and once they are there, Isabella picks up Micaiah and throws them both off the mountain, only to catch them and spiral down for a landing.
She sets him on the ground. "I'll be right back with Serah," she says, and, impulsively, she gives him a little kiss before she runs and leaps into the sky again.
And presently there are sandwiches. Isabella's bracelets pay for these too; if Serah has her own set she didn't bring them. Isabella catches Serah up with what she's been doing in the months intervening her last visit to the Eyrie, and Serah catches Isabella up right back. Serah's time has apparently been consumed with preparing with the Eyrie choir group she belongs to for the next Gloria.
"Ow!"
"...You told me you didn't find anything else you wanted," she says slowly.
Isabella kisses his forehead. "I'm sure you can get used to being law-abiding. I'll help you, okay?" she says as she goes over the top of the mountain and descends to the plateau where harmonics are sung. Serah's and her friends' are already underway; they're doing a folk song harmonized at snug intervals, and Serah and one of the other women is swaying to the beat.
Serah and company finish the song and turn over the responsibility to the next group, a mortal woman and what appear to be her two angel children. Serah bounces over to them. "What's got you so solemn?" she asks, ushering them away from the music so they won't compete with the soaring voices.
"It's - minor," says Isabella. "Micaiah put something in his pocket without remembering to ask me to flash my bracelets for it, and it was embarrassing to go back about it."
"Oh. What'd you get?" Serah asks Micaiah.
She pops the disc in. Prisca opens with a high, crystalline note that Isabella matches.
It's a long song, nearly two hours start to finish - a mass intended for the Gloria, sung one year when Hagar's voice was ruined from a cough - and Isabella has the entirety memorized.
She sings like she's crooning directly into Jovah's ear.
"Um, slightly less than that," says Isabella. "Wings are big - them accidentally touching people happens pretty often, and sometimes the most comfortable way to occupy a space involves less accidental contact. It's more like hand-holding than like rear-grabbing if you're not actually reaching out and petting my feathers."
Serah, Elisha, and their small full brother and smaller half-brother (the full a mortal, the half an angel) whom they are babysitting join them at the table, and the little angel boy has approximately nine million questions about the Edori, many of them requests for verification of insulting rumors of one sort or another.
Ultimately dinner is concluded, the small children are escorted away by their elder siblings to their respective evening music lessons, and Micaiah and Isabella are left alone.
"I think you've seen what there is to see in the Eyrie. There's stuff to do in Velora, but except for a few standbys that I've checked in on during visits home, I'm not sure how much of what I remember is still there - it's been two years, I went to Monteverde to assist Linus when I was only sixteen. I might go hang around the petitioners' rooms and see who wants weather or who's dealing with plague, but if I go anywhere now I might not be home in time for my harmonics in the morning and that would be irresponsible unless it was a dire emergency and no one else could handle it. So. What do you want to do?"
Eventually she yawns and trips off to change into her nightgown for the night. She takes the blanket off the bed - waving one wing by way of explanation; it's more than big enough to cover a person, especially one as cuddle-inclined as Micaiah - and flops facedown thereonto, inside wing lifted for him to slip under.
And then - just before she's about to fall asleep and start babbling - she opens them again.
"Is it possible that you have siblings?" she asks in a dismayed murmur.
(Not wanting to know a thing is alien to her - especially a thing that could be about someone she might care about being hurt - but if he doesn't want to know, she can fly to Sinai herself, ask Alleluia, and go investigate herself, perhaps bringing Elisha or another angel as backup. Angels are still the law where they choose to operate as such. Delilah won't contradict her - nor Linus, if Micaiah is from one of the other provinces.)
Bella puts the blanket over him as soon as she's withdrawn her wing. She changes into her leathers and meets up with Elisha for a quick warmup. But Micaiah did say he wanted to be sure he was listening when she performed. So on their way to the harmonics she ducks back into her room to wake him up. "Micaiah? We're going to sing the Sunrise Chorus now," she says in his ear.
The Sunrise Chorus is a pretty song, the sort that it is reasonable that Delilah would like to wake up to. Unlike when practicing, Isabella and Elisha prefer to do public performances facing each other from a few feet away; the acoustics make that the best way to hear and react to one another's timing and dynamics.
Their timeslot ends; they conclude the song with an improvised handoff to the next group, and Isabella trots over towards Micaiah. Elisha calls, "See you around, I promised to go visit Abel," and takes off. (Visiting Abel does not sound like a source of joy in his life.)
"I think things will improve in a few years. Elisha just doesn't seem to... see the point of babies, when they can't talk yet, let alone sing," Isabella says apologetically. "It was the same with his brothers when they were babies, and he likes them both very much now. And Abel's mother is nice as angel-seekers go."
"There used to be much more of a problem in that department before the angelica Rachel. She and Gabriel set up a sort of a school system that now has branches near each angel hold and it absorbs... strays," says Isabella. "I think about it sometimes, but I'm not sure what else to do. The angel population is a real problem. Gabriel started his tenure with barely a hundred angels flying around Samaria, because the entire contingent of Windy Point died - some of poison when they wouldn't follow Raphael, some by thunderbolt when they did and he challenged Jovah - and we still haven't gotten back up to the numbers we had before that in all the intervening generations. The angel-seekers are willing, angels like Elisha are willing - and the mortal children are - not an easily avoidable consequence of all this willingness," she shrugs helplessly. "If the mothers of angels weren't honored and welcomed into the holds, I'm sure fewer would try to join their ranks, but then there would be fewer angels."
("We" here means "angels" - but it would be easy to interpret it as meaning "Isabella and Micaiah".)
"I have... mixed feelings about... timing. I have a lot that I want to do. And really, the hold is set up so that having the baby is all anyone expects a mother of a winged child to do. If I make a little angel and for some reason I then want to spend all my time tearing around doing this and that and don't feel like parenting, no one's going to say a word against me, there's no shortage of people intensely concerned with the future of angelkind who'll take over. But that doesn't feel right to me. And I don't know when I'll ever have less to do."
"Yes, but - I don't know. If Charles had had to raise me half by himself, with Rinnah - doing - whatever? I wouldn't have liked that. I mean, of course she travels, all angels travel, but she didn't neglect me, she often took me along. And sometimes I think I'm so busy, that I arrange to be so busy as a matter of habit, that I would wind up being neglectful." She sighs. "Histories can tell me all kinds of things about politics. They can't tell me much about how all the movers and shakers handled their children, privately."
"While I'm still promised several days of no assignments I'm going to - fly to Sinai and see where Alleluia sends me," Isabella says obliquely. "After grabbing some breakfast. Are you going to be bored? Do you want me to fly you to Velora - and leave you one of my bracelets - so you have someplace less repetitive to wander around in? You'll be able to climb back up the stairs if you're bored before I return," she adds, "it'll just take longer than flying."
Breakfast is had, pastries and loaded omelettes and bowls of fruit. And then Isabella gives him one very thorough kiss and heads for the nearest takeoff point.
Alleluia is surprised to see her again, but understands when asked the question, and provides what Jovah can tell her about Micaiah's birthplace.
It's not too far. It's in Semorrah. (Why does he keep reminding her of the angelica Rachel?)
She flies to Semorrah, and finds the records hall, and inquires after Canaan and Judith.
And she is sure to act sufficiently aloof that no one asks why.
She finds this address, and she sits on the roof of the stack of apartments across the street from it to see what she can see.
Introducing herself would let Micaiah's parents find her - and hence Micaiah. If she can determine that Nathaniel is no longer at this house, or that he's happy, she can just go.
If she determines that Nathaniel is present and unhappy, things are more complicated, but she can tell her father not to let anyone of Canaan's description into the Eyrie.
"Hello! The Eyrie children's choir director is hoping to add some voices from a little farther afield than the Eyrie itself and Velora at the Gloria this year." (This is actually true.) "I'm helping him look." (This is true in the sense that if she picks up Nathaniel and carries him away she may as well try slotting him into the children's choir.) "I noticed a little boy the right age through the window. Is there any chance I can meet him?"
She doesn't like it, but her cover story doesn't have an opening for pushiness.
(She's going to declare him, at a minimum, "trainable", regardless of whether he sounds more like a frog than like an angel. But she has to hear him sing for that declaration to make sense.)
"Beautiful!" applauds Isabella. "You're a little quiet, but that's okay, so am I. I can tell you like to sing. You know that if I take you to join the choir you'll need to live in or near the Eyrie - in a room with one of the other boys or possibly in the Gabriel School. You can send letters, of course, but it would be a few months without coming back here to see your parents."
For that matter, now she's not even sure if he likes singing. But she didn't have any other ideas for legitimate ways to get him out of the house and directly under Delilah's purview, and she would really need to check with Delilah first before pulling even a small-scale equivalent of the Archangel Gabriel's Exodus of the Jansai Women at the behest of the angel Obadiah, barging in and commanding the release of the abused member of the household on pain of Jovah's thunderbolts.
"Well, you could probably locate a teacher, if you looked, but you could easily find yourself too busy to have time to work on piano," she says. Carelessly. This is not an angel who cares whether Nathaniel plays the piano, certainly not.
She can't ask this kid point-blank if his father hits him. She can't. There's no way he doesn't, but Nathaniel would assuredly lie to her.
So she'll just have to get him set up and then use the months before the Gloria to get Micaiah to talk to him, that's all. Micaiah will have a better shot if he's willing to try.
And failing that she can always just tell Delilah everything.
She lands at the Eyrie when it's almost dusk. "Let's go introduce you to the choir director," she says, setting Nathaniel down and offering him her hand.
"Hello, Isabella. I didn't know you were back. Who's this?"
"I remembered hearing you say the last time I was visiting that you wanted to find more children for the choir from farther away than Velora but could never find the time to get away," Isabella says. "This is Nathaniel. He's got a very pretty voice and he's even been trained most of the way up for you. I found him in Semorrah and his mother thought putting him in the choir would be a lovely idea."
"Hello Nathaniel," says Baruch, squatting with some awkward re-angling of his great tan wings to make level eye contact. "I'm Baruch."
Isabella notes the prospective roommate's name, and she pats Nathaniel on the head and tells him that he can ask anyone in the Eyrie to help him find her if he needs to, and she goes to grab something portable from the kitchens and take it back to her room, hoping to find Micaiah.
Isabella is, by the time she tries the music rooms and is informed by a passing mortal that Micaiah's in that one, halfway through her chicken salad wrap. She hesitates - you don't walk in on people in practice rooms! - but she opens the door anyway and closes it as soon as her wings have followed her through. She doesn't interrupt the singing - she joins in on Prisca's part at the next phrase.
"He's nine. He's adorable. He's got a lovely voice. And he's so, so quiet... I put him in the children's choir and he'll be here at least until the Gloria. Before then I need something to take to Delilah. I think if I asked him directly, he'd lie. He might not lie to you, if you got to know him."
Isabella pulls an old standard from her childhood music lessons - gestures to correct flats or sharps or overlong rests. He hasn't learned the library of signs, but she's only drawing on a handful and he seems conscious enough of what he's doing that he should be able to pick them up.
And, after its runtime, they are done. "There's a bunch of those signs. You want to know the rest? They're really handy. Also, you can use them as rude gestures if you want to insult someone who's singing, although I don't recommend doing that to anyone sensitive or humorless. Or anyone who'd take you seriously. Serah sharped Moriah so much one time that poor Moriah wound up transposed, a full step down."
She doesn't have to go - she still has several days of the assignment-free week - but no one else is jumping on it. She gets a number of miles and an exact compass heading and then she hunts up Micaiah to see if he wants to come along. He doesn't know the prayers, but she could hold him and he could listen.
She sings. The air around them changes. She climbs higher, and clouds form below them. She sings, and the clouds open up and they rain.
She descends through the rain and lands in a patch of ground rocky enough to not yet be turning into mud. She accepts thanks and a quick lunch from the farmers, gives them a few days' worth of weather forecast, and then takes her leave, flies above the clouds again with Micaiah in her arms, and heads home.
Isabella goes back to her quarters, picks up one of her history books and a notebook in which to write musings, and reads, flopped on her stomach with one wing over Micaiah.
There's some chance that Nathaniel will notice the family resemblance, but it's not all that likely, and she's getting the impression that Micaiah is only up for small steps, if anything, towards being able to meet his brother outright.
These notes aren't secret; she doesn't orient them so he can't read them. They're commentaries on how the Archangel and angelica in question handled various issues during their tenure, whether Isabella thinks that was the best idea and why, and comparisons to other situations at other times.
She listens. She likes children's choirs. Less polished but with a certain sweetness to their voices.
She knows the prayer for thunderbolts.
She's sung it. Not straight through, but if you do even the first stanza outside, high up, you can feel the air crackle a little...
(This is almost entirely true, and she considers the simplification forgivable. It's possible that Canaan is such a clever arguer or - unbeknownst to Isabella despite her immersion in Samarian events - such an influential figure, that he could sway authority figures against her or make her life difficult. But in the way that he scares Nathaniel, she is not afraid at all. She is stronger than any man without wings on his back. She can funnel the power of Jovah. She is a divine being and she does not need to fear some mortal who terrorizes children.)
"The choir disbands after the Gloria and only operates six months of the year, to prepare for it, with new auditions every time. But after the Gloria, there are places you could go - places where no one will mind if I want to put one little boy there and say to bill the Eyrie for his keep," Isabella says. "There's the Gabriel school. I have friends who might let you stay with them. I could ask Alleluia or Peninnah to take you on as an acolyte, once you're a little older. The only problem," she says, "is that your parents currently expect to have you back after the Gloria. If you don't want to go back to them, then someone who can tell them no has to have a reason to do that. And I can't do that by myself. I have to answer to Delilah, who leads the host, who's in charge of Bethel. But you could stay here or somewhere just as nice, for as long as you needed, if you would explain to Delilah with me why."
(No. There are servants there. They might not even know. That music room was soundproofed. Nathaniel still has the full use of all his limbs. And Judith leapt at the chance to send her son away and pressed a sandwich into his hand without so much as asking for Isabella's name.)
Delilah is busy, but Noah, who is not, says that she'll be available in another ten minutes. Isabella thanks the former angelico and heads back to fetch Micaiah and Nathaniel and see how they're doing.
"Delilah will be able to see us in a few minutes," she says.
"Hi, Isabella, Micaiah - who's this?" Delilah asks.
"This is Nathaniel. It turns out," Isabella says carefully, "that he's Micaiah's brother."
"Isabella, the historical references aren't actually helpful."
"Sorry. But, Micaiah ran away. And he had reasons. And it occurred to me just the other day that he might have siblings - and I found that he did. I've put Nathaniel in Baruch's children's choir for now but that will only hold until the Gloria, and it doesn't give me an excuse to bar visitation if they take it into their heads to visit."
Delilah glances gravely between Micaiah and Nathaniel, clearly expecting elaboration.
"And he wasn't... reformed by the disappearance of his firstborn, or by time," Delilah asks, looking at Nathaniel.
"Nathaniel grew up thinking that his father had killed Micaiah," Isabella puts in. "That seemed plausible to him."
"Nathaniel?" Delilah says.
"Where are you going to put him?" she asks.
"There's options. If nothing else, the Gabriel School in Velora, maybe one of the oracles when he's older, but there's only one of him and I think there will be room somewhere in the Eyrie for one little boy if I look," says Isabella gratefully. "What are you going to do?"
"Well," says Delilah. "You can tell your father what this man looks like and have him barred from entry; if he has legitimate petitions I can send someone unrelated to this situation to meet him in Velora and hear them, but he won't be in my Eyrie. If he escalates - then we can also escalate. What about your mother?" she asks, addressing the boys. "Is she also at fault? Is she safe herself?"
"That's only half an answer to the question I was asking. Does she, too, need protection? If she does, we can whisk her away instead of checking with Alleya a couple of times a year to see if a new child has been dedicated as the son or daughter of Canaan."
"Yes, Delilah," says Isabella.
"Yes, Delilah," repeats Isabella, smiling and getting up to usher the hugging boys out of the room.
Isabella does not know what to do with that soft, compliant voice. She can imagine him saying "yes, angela" if she announced she was going to hurl him off the top of the mountain. "If you want to move away from where you are sooner than the Gloria, you can talk to me, or ask Micaiah to talk to me, or ask Baruch," she says. "You aren't stuck there. It's not the only place you can go, not even within the Eyrie."
She does have hugs. She has an ample supply of hugs.
And: "I'm really glad I met you."
Because she is. It's the first tangible sign that anything she's done short of typical prayers for intercession are reaching Jovah's attention. It enabled her to remove a child from a toxic home. If he's not the best kisser in his tribe she'd like to know what numb-lipped person was judging. She is really glad she met him.