There is an announcement of a rules change: you are not allowed to perform the victory ritual without freezing or disabling all of the enemy.
This rule change is generally attributed to the antics of a Thomas "Sue" Sanderson, who coordinated his toon across the room without commander authorization and won the game before more than four soldiers, total, had been taken out.
It's a month shy of Bella's ninth birthday when Flame and Meerkat once again meet in the battle room.
"Freeze their mutie," Flame's commander tells everyone. "Don't look at me like that, Aegis." (People have occasionally started calling her this; she always picks it as her username or her space station name or whatever she's allowed to christen, and it's started to stick.) "You're not that kind of mutie, but theirs is. He can't do his hivemind shit once he's froze or he'll get iced. That's everyone's priority, clear?"
"Yessir," says each toon leader in unison.
They form up in the corridor.
Needless to say, the Meerkat mutie is almost certainly among them. But they're all small, and they're moving fast; individuals are hard to pick out.
The rest of Meerkat pours out after them in a more normal order.
"I can," says Aegis, "might get flashed first but I can."
"Go," says the commander, and Aegis leaps in one bound from the hall into her element and grabs the corner of a star and pushes off.
She can't, actually, hit anyone in the wheel while it's spinning, there's too much of a lag between hit and freeze, but she can dive through the center of it and kick someone's helmet and shove someone's shoulder, and when the formation explodes, then she can hit them. She twists in the air, pushes off a wall and flies and shoots. And she recognizes a familiar face and shoots him too and his suit goes still.
But she expected them to engage the other Flame formations, and they're not. Everyone in the wheel is specifically after her. A moment after she freezes Sue, two boys come at her from perpendicular angles behind her; one gets her shooting arm and the other hugs her thighs. And - though she often neglects to tell anyone this - it doesn't make her stronger; she can't force them off. A flick of her wrist gets her gun into her other hand - she's effectively ambidextrous in the exo - and she shoots the one who's got her arm before she sees a third Meerkat incoming and gets frozen herself.
She spends the rest of the game floating around, frozen soldier clinging to frozen arm.
She shouldn't be able to tell he's there. She's supposed to be all locked up in her brain safe from telepaths of every stripe.
They'll take her exo.
She looks at him with unadulterated terror.
The nudge was momentary, gone before she even started trying. But he got in once, and maybe there's some muscle she can flex, some exercise she can do, that will keep him out, that will keep her safe, that will let her limbs go on belonging to her.
They're going to have to talk, and not in mime, either.
"It's not supposed to. They could only let me have it because I sat there wondering what was going on while telepaths threw everything they had at me. If you can touch my brain then it's not working and they might take it away and I'll get iced and I'll feel like I'm made of bricks all the time."
But she doesn't smile for the rest of the day, and when she has to take a shower in the deserted girls' bathroom, she shivers under the hot water.
She paints colored dots on the ground in the antelopes' village. She points at herself, and then at the orange red red that signifies where she is, and then she draws a bird (not a bird person, a bird like Sue's avatar) and gestures more broadly at the dots.
The antelopes look at her. She repeats the sequence.
An antelope points at dots, and they aren't Meerkat's brown yellow yellow.
She signs out again and paints a path to there.
"Okay," he says. "I call it 'pushing' because it feels like," he lets go of one handhold and reaches out and puts a gentle pressure on her arm, "that, but with my mind. What I was trying in that battle, I wasn't pushing anything at you, I was just... pushing, like high-fiving somebody in the corridor when you walk by. Most people, when I push like that, they feel it, and they can push back if they want. You, it's like I try to push and there's a glass wall—I don't see it until I try, but I can't touch you, I just touch the wall instead."
His free hand describes a back-and-forth line in the air, connecting two imaginary points.
"I can push stuff—I hit that one guy with pain, mostly, but I don't just yell what I'm feeling at my toon, that'd be stupid. I link them all, and I show them what I'm seeing and how I'm moving, and they show me the same stuff back," his hand now draws the spokes of a wheel, always returning to the same hub, "and then I tell them what I want us to do, and we do it."
"It's basically talking, but faster," he says with a shrug. "And there's some stuff that doesn't do too good in words—I can have my toon halfway across the room before somebody else would've been done saying 'split, bounce off the north wall, and form up on the east face of that star', because I just push the trajectory and they get it right away."
"Sure," he says. "I can push whatever I want at anybody who isn't a wall like you. And if I want I can get up in your face and scream nasty things about your mother with my own two lungs." He grins. "Except you'd kick my ass right across the battleroom. That was great, the way you shut me down in that battle."
"Got froze for it, though," she snickers. "Did you just send the whole toon on an Aegis-hunt or something?" She shakes her head. "But the guy didn't act like you just screamed at him. Him and his friends started it, I don't blame you, but it didn't sound like you were just shouting at him."
"Well, yeah," he says. "Shouting senses is different from shouting words. I've had some of my guys push it to me when they got a bump in practice, just to see, and it's like... I don't feel it like my own body is hurting where they hurt, same as I don't see it like my own eyes are getting what they see, but it still feels like hurt, or looks like seeing. It's just separate from what I'm getting as me."
"The problem with the exo is it doesn't need proper mind control for somebody to possess it. Somebody with proper mind control could be just as dangerous using anybody without an exo. They'd still be controlling the body at the speed of thought," says Aegis. "The point of the exo is to be suggestible, that's how it works, that's how that one guy killed sixteen people with someone who had a prototype on. If you could shout at the part of my brain that works it you could move me. But you can't."
"I've had a telepath talk to me," he says, "when they were figuring out about my power, and it's nothing like getting words pushed to me. It's not even like getting thoughts pushed to me. It's like he just stepped into my head and made the words appear there. The way I do it... like I said, it's separate. What's in my head is still in my head, what's in their head is still in theirs, I'm just linking us up so they're getting some stuff from my head, and if they want they can show me some of their stuff back."
"It makes me alive. I almost died before I had it. You can see the scars a couple places -" She traces a line on her cheek, and another along her wrist. "If the exo goes, I get iced, I go to planetside school someplace, I walk around with a cane maybe or try to do without anything at all, feeling like my arms and legs and hands are cheap rentals, and if I live to to be fifteen it's because I never climb a flight of stairs and I definitely don't fly."
"They close personal friends of the commander? He let his religious ones turn down battles on whatever Sabbath too?" she snorts. "If you could link me up and I didn't think the teachers'd ice me for it I'd go in a link if I had you in an army that was all mine. Doesn't matter if it's comfy unless uncomfy makes you worse, matters if it wins."
She doesn't shiver. (She never shivers except on purpose. These muscles belong to her, except that there's no contact points on her face and her teeth will chatter if she's chilly enough.) But she thinks she'd shiver if she'd gotten this news in the shower.
There is a silence, and she says: "Sir, I wrote in English because I was not aware anyone was spending their time deciphering my notes to myself and the - I thought - minor risk that someone would decide to was worth the increased referenceability. If I start writing in English again, my diary will be less useful to me and less useful to you, because I'll know it's being read and I won't be able to work uncensored. But I am happy to take the standard psych tests or whatever the other students are doing, unless what the other students are doing something involving telepathy and that's why it hasn't been used for me before."
"It's more interesting than what it was doing before," says Aegis. "I stopped playing before because it seemed like - space-filler. Reading was more fun, sir. And then when I found out you could bypass the giant - or at least me and Sue could, it didn't work for anyone else I helped - it got interesting again. Stuff I do lasts now. I know my birds and stuff aren't real people but I like them and I want them to have a nice place to not be real in." She pauses. "But I have no idea how the game knew I'd like that, so maybe it just guessed right on the first try."
"Me and Sue are also the only people with the same environment, I think," volunteers Aegis, "even though he doesn't want to do nearly as much with the animal-people, and that makes it more interesting too. And the game showed me where to find him when he was getting bullied a couple years ago. It must be very smart, sir."
"You didn't already know? It wasn't long after he showed up near my first village. Sue's avatar went idle and then the colors on its feathers changed, and it showed a path, and when I went there, he was there, getting beat on by a bunch of twelve-year-olds. There must be a report on this incident somewhere, sir, I took Sue straight to the infirmary and some of the twelve-year-olds probably went there eventually too."