Shell doesn't know how long it's been. She doesn't know where she is. She doesn't know how to get home, or if she has one.
She stands on Voice's doorstep. She blinks slowly at the brightness.
She walks in a random direction.
Downsiders aren't big on charity. It's not like it's going to kill her if she doesn't get help. It's not like she's unfamiliar with the effects of dehydration and hunger; Voice didn't always remember to take good care of the pet in the basement. Shell walks, and when she's tired she lies down on the ground and sleeps, and when she wakes up she walks, and every few days she curls up on the ground, waits to torch from thirst, and then gets up and goes on.
She doesn't count the number of times this happens. It doesn't matter.
She walks. She has nightmares. She walks.
On an unremarkable day on an unremarkable street after unremarkable stretches of years, she feels herself cross a telltale threshold of dizziness and headache: she cannot make significant forward progress towards Not Where She Is Currently Located until she torches or (less likely) someone gives her a lot of water. It's possible she'll be able to sleep through this torch. She sits. She leans on a wall. She should probably pick up the next sharp object she finds. Maybe a piece of broken glass will present itself. Then she can skip these parts.
She sits, and she closes her eyes, and she waits. If the buildings around her would ever have seemed familiar, they don't now.
(This is the part where he walks away, or wants to hear her life story and walks away when it's what it is, or takes her home with him and hurts her for a few hours and then lets her go because most people aren't Voice. She is almost curious which it is.)
"Someone loved me once," Shell says automatically. (She repeats this to herself in her thoughts, constantly. It is the only thing before Voice. It is the only important thing.) "I died, I guess, but that's not something I remember, only something that must have happened. I must have been going from somewhere to somewhere else. And then a torturer who I never got a look at and never introduced themselves but I called them Voice in my head found me. And I don't know how long Voice had me. It was a long time. And then they let me go. And I don't know where I reside anymore. So I just walk."
It doesn't look exactly like her handwriting, but maybe if her hands didn't shake so much -
"Is it?" she asks. "Was I here once?" Pause. "A residence. Residences accumulate food - and have running water - and I have one. That's - good."
It has been a long time since anything unambiguously good has happened to her. Even Voice releasing her required that Voice catch her in the first place.
But that's all.
"Did I say anything else? I remember - I wanted paper - and eventually Voice gave me paper, after they were sure I wouldn't be able to look at them if they set me up in a way where I'd be able to write - but by then I didn't have anything to put."
Sip. Sip.
"I wonder if I could get anywhere at remembering things by finding out what other things seem like things that can happen. I wonder if that's reliable or if I'd just wind up believing the silly stories I made up to make myself feel better when Voice had me. There were a lot. They all contradict each other."
Eventually tea is consumed, and Shell has reread her residential code enough times to commit to memory as long as nothing traumatic happens in the meantime.
Shell gets up to go.
And stops.
"I am very, very afraid now and I don't know why," she murmurs, "but I don't want to leave here alone."
Shell passed the station on her way through this neighborhood, and goes back that way now. She can't remember ever using one before, though she's sure she has, but the interface isn't too complicated.
She feels it is very important to be exacting in typing in her res code.
She starts over twice, to make sure.
When she's sure she has it right, and she's memorized the path from station to her residence, they travel.
"I guess stuff just keeps accumulating if no one's home," observes Shell, tilting her head.
She nudges things aside to make a path across the little apartment to her bed and starts sorting through the heap of fabric, holding things up against herself to see if they'll fit her or not.
She has not eaten anything in a few years, and, conveniently enough, Downside is not a place in which spoilage occurs. Once her recent torch is far enough in the past for her to be noticeably hungry, and once there are paths between all key locations in her little apartment, she walks through the path leading to the kitchenette and looks for something edible in its current form. She finds a ham sandwich, which she wolfs down, and goes back to the accumulated items. She sorts through the books that have appeared on her shelf, and divides them between "keep" and "read once, then trade away" - the latter form a group of stacks just beside her bed.
Eventually, for a change of pace, she opens the door to the bathroom to see just how much shampoo she has now.
This door reveals no shampoo at all.
"- Oh," she breathes, because she can't remember the name of the place, can't remember what it is, did not until this moment remember that there was such a thing to have been forgotten, but this feels like a thing that can happen, and now it has. "Oh, oh, oh."
And the thing that has happened means: go inside. It is safe. It is better than where you are.
When she doesn't have to hold it anymore to let him by, she does go further into the bar.
But she can't remember what she used to do here - cannot actually call up a memory of being here at all. She only knows that it's safe here.
She turns in place, once she's far enough in to have a view, and drinks in the surroundings.
No one looks familiar, but they all look like people-who-can-be, even the people who don't look like anyone in Downside.
She must have been here before.
She's had decades to process Voice, and while she would be very alarmed if anything about her situation suggested that Voice or anyone Voicelike was about to capture her again, she is not particularly alarmed to be merely describing the history. Not here, where it's safe; not when the door will lead back to her cluttered apartment, also relatively safe.
"I think so, anyway. I have an apartment. In Downside your house is how much you were mourned when you died. My apartment is little, so it's probably just one person, but it's - nice, so I think they must've loved me a lot. It's got a lot of clutter because I wasn't there to clear it out for, I think Strat said sixty or seventy years, but it's got pretty wallpaper and furniture and stuff. And anyway it's the only thing I remember from before for sure."
"Not a vampire anymore," Nathan points out. "Bond was toast. I'm fine, this place isn't so bad, for me. Not overwhelmingly popular among some audiences, I guess, but me, I'm a Timer. But babe, I died a hundred years ago. I figured you never knew this place existed, how'd you find it?"
"I don't think so fast anymore," shrugs Nathan. "D'you want to hang around for a bit while I think about it? See the sights? I avoid torturers but you might like some of Eights's friends. There's a decent restaurant in my neighborhood, I eat food now."
"I - well - I don't remember dying, but I must have, because I'm from Downside and everyone there is dead - and I've forgotten everything else before Voice, and I don't even know if that's what they're called or anything about them because I never saw them and Voice isn't even their name probably, I made it up, but anyway I don't remember this part but before Voice I met Strat, because just a few hours ago I ran into him and he torched me because I was out of water again and he knew where I resided because before Voice I told him, before I forgot - so he took me back there - but that's not the beginning anymore. I'm so sorry."
She hesitates, still staring at Sherlock.
Sherlock is terribly important.
There is one other terribly important thing in Shell's head but she doesn't know if they're connected or not.
"I thought so!" says Shell. "Anyway, Voice had me for a long time, and then they let me go, I don't know why it was when it was, and - I couldn't remember my residence code or anything - so I just - walked. I torched every few days because I couldn't usually find water."
And she sits on the bed, and crosses her ankles, and uncrosses them, and finally she sits on her feet and her hands both, to hold them still, because they're shaking and it's annoying.
"Oh," says Shell. She's not about to question the Important Person's judgment. "...Should I say more things? I think you have the, the broad shape of everything, but there are details, here and there, if you want them, except I don't think you'd necessarily like them -" Shell has no idea how she can read this into motionlessness and stoic calm expression, but she can, she's very sure. "- I remember this morning perfectly well and it's much nicer than the rest," she adds, "Strat torched me and then invited me home for tea, that was unusual, most often even if someone mercy-torched me they'd just walk away after."
She meanders, but she tries to keep her transitions as clear as possible: here is something Voice did (here is a digression on how torturer's control works, the finer points), here is how that is different from this one who caught here there or that one who caught her the next neighborhood over, here is her rueful description of how she tried tried tried to fall away from caring, any of the thousand times she's been tortured, because all she'd have to do to have a fair shot at escaping would be to bear one person's sentence - even a piddling single hour - without trying to change her mind. She never could; she is not whatever stronger-willed person took her original sentence (because she remembers the first time Voice hurt her; she'd remember if there was an occasion before that; if only she hadn't contracted it out her assigned torturer would have found her in Voice's basement and taken her away and tortured her for some much shorter period of time and then she'd have been free, she admires contractors but wishes she'd procrastinated on getting one). She never even made her way to the Crescent to try to sit the exam. She's desensitized, to dehydration (here is how she learned when it was time to sit down and wait to torch), to all manner of injury, but she has never gotten to the point of not wanting it to stop, and that forbids her the contractor's blessings. She certainly wasn't going to become a torturer, not even to turn it into a contest whenever someone took a liking to her. Here is something else Voice did. Here are the fragments of unbelievable fantasy stories she invented to console herself, stories in which she could do magic just like the Important Person and could get out and put Voice somewhere where they'd never be able to catch and harm another pet.
Here is a tangent about her apartment, and about how it is small so probably only one person mourned her, but it's nice, it's not a ramshackle hovel, and that means that this one person must have loved her very much. She is sure someone loved her, and she was sure even before the Important Person said it was true (though she does not know how the Important Person came to have this information, she does not think the Important Person would lie to her.) Her psychology does not make sense without it. And since no one has loved her since she died, and because her apartment confirms it, she is sure that this happened when she was alive.
She hopes they are okay.
"Oh, shit," she murmurs. "Oh shit oh shit oh shit."
And she drops her hand and she takes five long steps in Shell's direction and she cups Shell's face in her hands. "Hi, Shell," she says softly. "Do you want to remember?"
She finds the mental equivalent of wordless screaming.
[It's okay. It'll be okay. We'll figure out what to do with her, she'll be fine, it'll be okay, she doesn't blame you - I didn't think to look for anything like this either, it's not your fault.]
She does not uncling. She clingsclingsclingsclings.
"I used to wish you were there, it was terrible and I did it anyway, if you were there it would've meant you were dead, I'm sorry, I love you I love you."
Bell moves to sit at the table Shell and Sherlock are both sitting on. [It is not your fault. I didn't think of this either, I was in just as good a position to do so as you were, I could have scanned the memory of the wish for loopholes and I didn't, I could have wondered about the details of how resurrection works and I didn't, you and I did the same thing, we looked at me being alive and never hypothesized that somewhere Shell was being dead, is it my fault?]
"No, no, you're alive, it's good that you're alive, I'm glad you're alive, and I found you, I found you, you're here, I love you," says Shell, crying again. "I figured out what happened right away before everything - my guide took one look at my apartment and thought you'd be a suicide but I knew better - I knew you'd bring me back and that was why it was little and I knew you'd be okay and Tony would be okay and Atlantis would be okay and that was all good but I'm just so selfish -"
"I -" Shell hiccups between sobs - "I never would've imagined me either. There's no way but through here to do anything to communicate with livelings - before I forgot everything I was going to see if there was a - a biography of you or something in the library - but I never did - and now I'm here and - and now what?"
And she can remember home, now, the palace (it was real), the world, the - heh, that crown she found in the nightstand was originally hers, wasn't it? - and she can remember Tony, and -
"But - but there are two of us."
She realizes only after she says it how that sounds, or how she guesses it would sound, to Bell-the-live-one. "I mean you are obviously the sane one you're in charge I'm not going to do anything you don't want but -"
"We should - should subdue my share of memories a little. I don't think we want some of mine as easy to call up as - as standard," says Shell, not unhugging from Tony one little bit to participate in this conversation. "...We probably want to torch. If we could've torched to begin with then the - was it a nuke? I thought it was a nuke - wouldn't've done anything worth caring about except ruined some Europe."
"I love you," says Shell, again with that sigh that makes it sound like loving Sherlock is an enormous comfy pillow for her to sink into. "...We might want my pain tolerance? It's not even magical. It won't go away if something happens to our magic again. I don't know how easy that will be to separate from the memories, though."
"Since we were the first to try resurrection - although Golden's done it once now too and we should notify her of the glitch - we will also be the first to try merging and I don't want to miss anything," says Bell. "Are we okay to have two of us around for a couple days - Shell, do you mind sticking to the palace? - while we make sure we haven't neglected anything?"
She goes up in heatless flames and reappears.
"It works," she says comfortably.
"Good. You need to understand that. You never did. I wouldn't even be half sane if it wasn't for you, if I hadn't had - the fact that you existed to hold onto." Shell switches to addressing Bell. "You're thinking the sanity cut was only because it was a long time, and you're right that it didn't help, but I didn't even hold up very well through the very first time, you're thinking Golden hurt worse when she turned and Amariah more invasively when Path was kidnapped and that's true but they both had people who loved them, there, holding them the entire time. We need that. We need to tell all of them that they need that, I don't think anybody but Golden understands and she thinks it's only because of the mate bond."
"Is it the kind of moment where you don't believe me that you're very important, even though it is literally the only thing that is so true that I could still remember it after Voice when I thought I'd invented all our alts and that there was ever such a thing as magic and my own name? That kind of moment? Will it go away if I cry on you again?"
"I had all these elaborate fantasies of you rescuing me when Voice had me," murmurs Shell. "You'd take somebody's sentence for the contractor immunity - on the first try, I bet, even without the magic, just because you're - you're good at not letting things be in your way when something needs getting - and you would find me no matter how long you had to look - and you'd knock Voice down till they were scared of their own shadow, and take me away from there and hold me and never let me go..."
Bit by bit accumulated tension melts and she sinks into the snuggles.
Someone's footsteps in the next room fall in a too-familiar way and undo all of that and wind her up into a clingy shivering mess again, but she quickly assesses where she is and who's got her and slowly slowly slowly relaxes again.
She succeeds. Eventually.
She still talks in her sleep. The words still come without grammar, without correlation to any visible emotional state pervading her unconsciousness, without rhyme or reason.
The word selection is a bit different than Bell's.
"Dark. No - Voice. Someone. Hurts."
She doesn't wake up during the nightmares. This has not been an effective strategy to make her experiences less nightmarish for many years.
Shell will only know this if Sherlock tells her. Shell cannot read Sherlock's mind right now. In fact, despite having asked for coins, the only one she's used is the one that torched her. She is simply no longer accustomed to being able to do anything worth doing at all besides progress through various stages between torch and next torch, let alone with magic.
It is the highest priority. Shell has no idea how she managed to neglect this as an instant, first, essential step in Having Sherlock Again, but she is making up for lost time. Decades of it. She's sitting on the counter, so she can wrap her legs around Sherlock's middle, too.
And this muffin is the most delicious thing Shell has eaten since the last time she had Sherlock's cooking and it is much appreciated.