Well, no, that's not fair. She'd flinch too if she were unprotected and a subtle artist walked by. Just because most don't, in fact, casually or unintentionally read thoughts, doesn't mean that none of them do. Her tutor back home thought that her aversion to having her mind read was why her arts were set up so defensively and everything else was secondary for her.
She doesn't like the flinching, but it is fair. Maybe she'll go to the lab and scribe off a few copies of a mini fact sheet so she can hand them out when she meets people. No, that would be obnoxious.
She'll wait for it to wear off. Eventually she'll make some friends who'll know how she works. Or who are other subtle artists; she's probably more likely to make friends in classes than in the dorm, anyway.
She's not sure how she feels about the mixed-sex dorms. The rooms are singles, at least - that's why she's in Thatcher Hall, automatic single rooms for no extra charge at the price of having to maybe live next door to somebody who's not all human. There's a short list of species who qualify to be out of Harlowe and in predominantly-human Thatcher. None of them scare Bella. The orientation guide called Thatcher a "salad bowl". The junior who was wandering by at the time called it a pit.
The building looks nice. Bella's room looks nice. She unpacks her stuff and then goes back out to explore a little and encounters a stark naked man.
"Dude!" she exclaims. "Put some clothes on! This is a mixed sex hall!"
Then she abruptly turns right and strides briskly down the hallway.
He's either telling the truth or lying, and neither result leaves her wanting close proximity.
She's in sockfeet. She forgot to put her boots back on when making up her mind to leave her room. She catches a toe on a loop of carpet fiber, pitches diagonally into somebody's doorknob, and comes to a graceless heap on the floor, with what would untended become a massive bruise. Godsdammit, those boots were expensive and she can't even remember to wear them. "Ow, ow, ow..."
"You are kind of stopping me. You're between me and my boots of dexterity that I obviously need to get anywhere without getting myself killed, and you're either a dude who hangs around naked in semi-public for no obvious reason, or you're the world's only male nymph and you can therefore discern creepy things about me just by standing close enough and I do not think subtle arts shields will block that."
"Okay," he says, and he walks past the door of her room to stand between it and the next room down the hall, giving her a clear path. "Just so you know, I was going to read you off to make the point that I actually am a fucking nymph, but I'm not feeling anything specific enough that you'd even be able to tell I wasn't just making it up. So congratulations on your boring fantasy life."
Bella gets up and goes to her room for her boots. "I'm so proud," she seethes, jamming her foot into one and doing up the laces. "You know, I'm not the kind of subtle artist who inadvertently reads people, those are actually very rare, but the ones who do are generally expected to work on controlling it and not casually invading everyone's privacy. I knew there were nymphs sometimes in this building. I did not know it about the hall." She gets the other boot on.
The aggressive tone fades out of his voice over the course of these few sentences.
"I know you're not a subtle artist, a subtle artist would be asking about my unfriendly brain by now whether they autoread or not. My point was about learning things about people's minds without permission. Not about the subtle arts as a specific way to do it." She shifts uncomfortably. "How close do you have to get to heal me?"
"Are you uncomfortable about me getting close because I'm naked or because I can read your sexuality? Not that I can do much about either. I'm still feeling you from here, I'd still be feeling you from the other end of the hall, I could feel you from inside my room with the door closed if you were having sex in yours but I'd bet my title deed you're not gonna be getting any this month, especially not after I said that. And I have to touch you to work a healing."
He takes half a step closer, holding out his hand. "I can heal and argue at the same time," he adds.
Bella strikes up a herbalism major. His name is Joe. She introduces herself to him too; the nymph could have read her door but that wouldn't tell him that she prefers the shortened version. Joe does flinch when he learns that Bella is -
"Majoring in subtle arts. I'm not reading your mind, it doesn't happen automatically for most of us. And a minor in public policy."
"That's a weird combination," says Joe.
"The minor is just for personal interest," shrugs Bella. "Some of the classes I'll take for it will count towards gen ed anyway."
"Guess again," he says. "I'm a nymph."
She giggles softly and asks him something else.
"Yeah, but you can't pronounce it," he says. "Call me Celo."
If that turns into anything, then Bella's going to react either negatively - in which case she'd rather not be in the room - or positively - in which case she'd rather not be near Celo. She doesn't think she knows how to pull off indifference. She'll work on that. She gets up and heads out of the lounge.
Bella goes back to her room. She shelves her books. She goes exploring a bit around the campus around Thatcher: there is the nearest dining hall and there's the food court, there's the subtle arts building, there's the building her WP will meet in, there's where she'll go to her Imperial History class.
It's started to get dark and Bella has just realized that she's not wearing her dagger when she slips back into the dorm. Luckily, no one weapon-checked her.
She has to pass it to get to her room. She glances at the door. It says Celosia. Probably his kind of plant. She goes back into her own room and gets her knife and heads back out; she wants to grab dinner at the food court. She's back again forty-five minutes later. (There's a line.)
Bella is third. "I'm Bella," she says, "and I'm a subtle arts major. I don't automatically read minds, you don't have to police your thoughts around me or anything. I'm minoring in public policy. And, um. I like to read," she adds lamely.
"O-o-kay then!" says Zack, and he signals the next person. Presently everyone has introduced themselves. The RAs talk about hall policies and how to get in touch with them, reiterate a few rules from the orientation packet like the weapon policy and the ins and outs of the meal plan. They advise everyone to leave their doors open during the day when they're not busy and get to know their hallmates, and to check out some clubs. And Thea points out a bulletin board on the far end of the lounge where everyone is welcome to post notices about things of general interest. The students are then dismissed with a reminder that "Oh, almost forgot, everybody, DRY CAMPUS!"
Of course, then there's her Subtle Arts Tutorial Lab.
"Oh," she says, and she bites down on "you have got to be kidding me", when she sees who they paid to have his brain poked at by student psions.
Bella doesn't even have to look at her personalized assignment sheet. "My native affinities are defensively and introspectively oriented. I will be working on paying sustained attention to your surface thoughts and emotions; ideally I'll be able to do it for five minutes at a time by the end of the lab. If you happen to think about something that you've had signposted, I'll have plenty of warning to drop out of your head before I see it, but I'll find it most useful if you think about things you don't mind me watching."
He has a deeply involved sensory experience of the world, from considerably more angles than the human one. His body, sitting comfortably in his chair and experiencing the textures of air and wood, is only a small part of it; in a slightly different direction, and almost closer to the centre, is the landscape of sexuality around him. Bella's closest, and his attention is on her more than anyone else in the room, so he feels her the most clearly. He's not getting any more from her than he alluded to earlier, but he's getting it in depth. Her sexuality is kind of vague. His perception of it is not.
And along yet another dimension, different again from the embodied self and the metaphysical/sexual self, there's his field. Or something like a field. It's a patch of ground with plants growing in it, but it's surrounded by a gated stone wall, adjoining a small house and surrounded on three sides by larger buildings. Apparently Celosia is the fertility spirit of an urban garden. It's doing pretty well; he feels contentment and restful growth from it.
After all of this comes conscious thought. But he's not really having any at the moment. The totality of his experience is enough for him; it doesn't also need a running commentary.
So far her notes say extra sensory tracks (nymph); minimal verbal loop (individual/species? unknown).
He doesn't really need that shit. He gets a kind of vicious satisfaction from the fact that anyone who looked at things he didn't want them to see would probably regret it, and that's enough for him.
But he doesn't feel that way about Bella. (He thinks of her mostly by sexuality, somewhat by face, a little by the memory of their first conversation, and barely at all by name.) Her, he would rather protect from his worst memories. He doesn't know why, and it doesn't bother him not to; he just goes with how he feels.
She checks her timer. It's been a minute and a half. She's doing better than she usually has, but she's not at her goal for the lab yet.
Bella tries to think of a genteel way to describe him as having a one-track mind. This, unlike timer-checking or reporting on lab consent arrangements, is too complicated for her to maintain concentration. She loses it, puts her hand at her temple down, and writes 2:03.
"I show up to skirmish games sometimes like everyone else. If you weren't a nymph I'd think it was sketchy to react like you do to something ostensibly for a non-sexual purpose, in public, and I'm reserving judgment given that you are a nymph." She almost, but doesn't quite, lose concentration.
Cooking! Cooking is not sex. (It can be combined with sex, but he'll leave that alone for now.) Cooking is fun. Eating is fun. Bodily skills and bodily sensory experiences are fun even when they're not the ones nymphs are known for. He thinks about domestic arts - baking muffins and cookies and cakes, making pancakes or hot chocolate. He has an extremely vivid memory for taste and smell. Also, his muffins are fucking delicious.
Sewing is also among the domestic arts. Celo is fond of handcrafts. (Despite her efforts, he notices her relief.) He thinks he'd like to be a clothing designer when he graduates. A nymph in fashion should get people's attention nicely, and he bets it'll be fun, not to mention the wicked little thrill he gets when he imagines wearing his own creations.
The parts that aren't heavily signposted are not especially comprehensible or articulable.
He consciously chooses to go back to thinking about muffins.
Well, now Celo's kind of hungry. He wonders if he has time to find a kitchen he can use and whip up another batch of those before his next class with Coach Sadist. Probably not.
Bella sustains five minutes, and is so surprised by having managed to do so that she loses her concentration right then. She writes 5:01 and positive attention easy to focus on; part of the importance of telepath/client rapport? and then picks up again to see if she can repeat the feat.
"Not the direction I meant," he says, and illustratively renders a sense memory of drinking rich creamy bittersweet hot chocolate at a not-quite-scalding temperature. (It's impressive how he almost manages not to consciously entertain any sexual associations to the act of swallowing.) "Put that in words, I dare you."
He called her boring, when they first met, but it's a shallow descriptor. Sex doesn't have to be kinky to be fun, and sexuality doesn't have to be unusual to be interesting. He would happily fuck her, if she wanted to, and he bets it would not be even a little bit boring.
There are a lot of signposted memories clustered around that thought, but he's doing his best to stay away from them. Some bad stuff happened. The fact that he ejaculates some kind of healing potion/elixir of youth combo was involved. He's trying not to go into the details.
This seems like an extremely reasonable allocation of resources to him. One person wants to cook new interesting food but not necessarily eat it all; one person wants to eat new interesting food but doesn't want to cook it.
"Psionically unfriendly. I can send deliberately, like I did your name -" She does it again. "But apart from that I can't be detected by any but the most sensitive, reception-oriented, well-trained subtle artists. Most of them can't even tell I'm there, except by looking. My tutor in high school thinks that it's related to the fact that I really wouldn't want anyone reading my mind."
He supposes 'd) go fuck yourself' is also a valid answer, but he doesn't assume she'll give it. Actually, he's pretty sure that telling him to go fuck himself is not something she's likely to do.
I bet you RAs are not in favor of burning cookies in the shared kitchen? offers Bella dubiously. ...If you want the path of least resistance you could go off with him and I could take them out when the timer dings.
He grabs a cookie off the tray and pops it in his mouth, closing his eyes and doing a little wriggle of happiness while he chews.
"Perfect," he announces, wiping a smear of chocolate from the corner of his mouth and licking it off his fingers, then collecting the rest of the cookies onto a plate. "Help yourself."
Bella stares intently at a cookie for a moment, then gives up and picks it up. "I have," she sighs, "no talent to speak of at telekinesis. Professor Winters thinks I might be able to get a little bit, but I sure don't have any now." She bites her untelekinetically retrieved cookie.
She's up a bit later, reading ahead in Intro to Psychology for Subtle Artists, and Miki, the other nice girl from the end of the hall, drops by to chat. She wants to know if Bella wants to go to the elementalism club with her, on the grounds that Bella was in AP magic classes in high school.
"I have a six-course load this semester," Bella apologizes. "Even if my lab is only once a week and Basic Knife doesn't exactly give homework, I don't think I want to commit to any clubs while I'm still settling in. Maybe in the spring."
"I'm not kidding about needing the boots," Bella says. "I was exempted from high school melee because I was a lawsuit liability. My knife is enchanted not to cut me, but that won't stop me from getting a serious bruise when I fall on it or accidentally fling it into my forehead. Basic Knife is a joke, but I'm not equipped to do anything with a sharp object other than standup comedy, you know?"
"The first thing she ever said to me was - well, no," he amends, "the first thing she said to me was 'Fucktoy! Catch!' The second thing was 'And here I thought you'd be a solution to all those regulations against killing students for effect.' She's been doing her damnedest to send me back to my garden ever since."
"Okay, that would be inconvenient, I imagine, but it wouldn't be killing you in the ways that most matter. Isn't it a rule that teachers have to use formal address? I've been called Ms. Swan so many times in the last couple of days that I keep expecting to sprout wings and fly."