Traveling in packs is quite effective, she decides.
Except she doesn't do it in her own dorm.
It's pouring rain outside Tuesday afternoon and Bella doesn't want to go to the dining hall. She has some stuff in her room - not serious groceries, but enough that she can heat up some broth and noodles, liven it up with a handful of miscellaneous dried herbs, and call it soup. She is hanging out in the kitchen doing this when Brad from down the hall, the same fellow who attempted to interrupt Celo at his baking, chooses to bother her.
"Hey, Isabella."
"It's Bella."
"But your full name's so pretty," says Brad. "You should go by that instead. So Isabella, let's go out tomorrow, I'll show you a good time in town, we'll have some fun."
"No," says Bella, "thank you, and it's still Bella."
"Isabella's prettier. Like you, you're pretty. It's not like I asked you to make like a nymph or something, I just want to take you out," says Brad. "Is it the money, I bet it's that, I can cover it, we can go someplace nice and you can get whatever you want."
"It's still no. It's still Bella."
"Don't be such a bitch, you never have plans," snaps Brad, "what are you going to do, eat at the dining hall and re-read your textbooks, you can come out with me."
Brad processes this, then wrenches Celo's head backwards suddenly; Celo's likely to wind up in a heap on the floor. "You're throwing me over for the freaky nymph? Are you fucking kidding me? He's not an excuse either, nymphs are sluts and think everybody else is too, you don't owe him any fucking thing."
Someone else once called him a freak.
He killed that person. It was messy and bloody and nasty and violent. He keeps remembering it in detail, over and over again, along with everything that led up to it—the years of torture and starvation, locked up underground where the only light that reached him came when his owner wanted to play.
She gathers him up into a hug. [Name, name]. She doesn't know what else to tell him, but she knows his name.
(Perhaps a little surprisingly, given his species, it is not primarily a sexual kind of love. He feels about her the way he feels about - sunlight. He doesn't want to fuck sunlight, but it's warm and bright and good and he likes to bask in it.)
At about the same gradual pace, the crying stops.
The essential discovery is that, while there's no way to stop him from perceiving sexuality, he doesn't always have to interpret it. Actually doing so is a little like walking around with your eyes slightly unfocused all the time - difficult, kind of uncomfortable, easy to forget about and end up stopping by accident, but possible.
"...Because we have to know we're doing it right," he says. "And, I mean - you're getting all hung up on the information part, which I guess is fair because that's the part that worries you, but it's not just about what we know, you know? It's about what we are, what we're made of. I don't think nymphs could be nymphs if we weren't the way we are. It's as much a part of me as my garden or my body. I don't just do sex, I am sex."