She also has her Jane back, less sort of, and right now that's way less complicated and way less sad and Aegis doesn't, actually, have anything to do apart from reading to catch up, which she can only do so many hours in a row.
So she's dug up her old save file and she's playing with her animal-people. With Jane, although Jane says she's mostly running the original software, not inserting her mature personality. (She does commentate, for color.)
Clearing the jellyfish for the seahorses.
She remembers it like it was yesterday.
Her bird stopped playing before she did, so she doesn't even slightly expect him to show up all candleflame and join her, when she's doing this.
What he wants is to separately be both the person he is now, with all his age and experience and responsibilities, and the person he was when he was sixteen and still extremely keen on the idea of making out with Aegis.
Magic exists. He can do that. There is no reason Aegis has to wait some unspecified amount of time to get her boyfriend back, not when Sue can just pull him out of the past and hand him to her.
A moment later: [Juliet's done it to get access to memories about her sister but didn't stay separate for long. Shell Bell's done it and hopes you are not experiencing similar circumstances. Minus has advice that only applies to a subset of Sherlocks. Nathan says it's a perfectly elegant solution to a certain sort of problem he'd be surprised if you had. You wanna be more specific?]
Sue is not going to do this; he has his own solution. The point is to fork a double who isn't up to date on his life in full depth, after all. But arbitrary amounts of linked rapid summarizing have yet to turn Sue into Aianon or Ghosty or Brilliance or Corona.
He thinks.
He decides to pull his copy from the exact moment that would make him the same age relative to Aegis that he was when Jane went down - the moment of discontinuity, plus the amount of subjective time Aegis spent out of the world, plus the amount of time it has been since she got back. He doesn't have an exact count of how long that is, but there is no time in that ballpark he could pull from that won't be a busy moment. So he leaves Ivy floating in space as an anchor - can't be too careful - and freecasts to the Gentle Cave in case Past Sue is startled.
'Sue' and 'Past Sue' is going to get confusing fast. The past version can keep 'Sue'; the older one decides he will be Admiral War.
He spends an evil.
It's not clear who links who first, and for a few seconds thoughts are roaring back and forth, but Sue stabilizes fast. He hugs War hard; his Ivy instantiates to join the cuddle. It's like she's wrapping her coils around two of Sue, appropriately enough.
Still linked, Sue does a brief freecasted tour of all known worlds just to make sure his skills there are as up-to-date as War's.
He ends this tour standing in front of Aegis with Ivy perched on his shoulder as a candleflame bird.
"I can wish I had escaped certain things that never happened to them in the first place, but that doesn't make me angry with them. And in the other direction - I'm sure every Sherlock has spent an idle moment or two wishing to hate themselves just a little bit less, but they wouldn't take it at the price I paid. I remember."
"In theory I should remember what it was like not to want to show up to a party going, 'Look at what I did! Look at what cool stuff I have! Look at how totally together my personal life is! Look at what clever ideas I have had! Am I not an excellent example of this thing we all are? Beat that!', but the things I did before this kicked in were relatively less interesting."
"And at the same time we copy off each other a lot, because, one, we actually care about achieving the ends of our various projects and not nearly as much about doing them in original ways so tested solutions are good, and two, because there would be way less point in trying to impress each other if we did not in fact flatter each other with imitation when we do cool stuff, so we are being cooperative."
"Interesting," he says. "When Tonies get competitive, they try to outdo the results without directly copying the methods. But not for some particular end as much as just to say that they could. I'm sure if one day we found an urgent reason why every Tony has to have a suit of flying armour by approximately yesterday, they'd jump to it just like they did for installing a Jarvis in Chronicle. But until then, they're each fiddling with it separately for the bragging rights."
"It also allows us to sort of skip ahead for more interesting challenges that haven't been done yet. I'm not doing this so much since nobell else has my particular cornucopia of population segments to handle, but, like, Pattern's got farther than anyone else now on the 'colonize space, be a Good Samaritan to a basically standard Earth' strategy, so I bet Stella and Aurora and Cam crib her notes, see if they can do it faster and tidier and with niftier stylistic curlicues, and then when they're caught up they're on a level playing field."