The news doesn't speculate. Chali, however, does; Beila brings it up with him once he's home, and he says that out in a little town called Hirakyo there was a graverobbing incident - missing bones. They don't have hard evidence on it yet, but they think the same person may have escalated to taking his trophies from living victims, that this could be a serial.
Disquieting. To say the least. But Chali has no reason to believe that it's Avatar business - no spirits, no geopolitics, no heavy-duty bending. So Beila reads another chapter in the autobiography of Avatar Meixing and goes to her firebending lesson.
He throws a flat fire blast that comes out to an impressively precise triangle given the medium; then several more in rapid succession, each a different shape. One that forks into two flat streamers; another that curves up from horizontal to nearly vertical at the end; and finally a thin spiraling ribbon.
"You don't necessarily have to get that fancy, but pick a shape, keep trying it until you're satisfied with how it comes out, then try a different one. Expect to screw it up a few times at first if you try something complicated, but don't let that stop you if you're feeling ambitious. Curves like the last two are harder than anything that stays flat."
"Okay, good shaping," he says. "You're picking it up quicker than I did, although that's less impressive than it sounds because I was inventing a lot of it from scratch and didn't have a teacher handy. Unfortunately, that was the easy part. The hard part is placement. You could shape wings just fine right now, but you'd still be throwing them as classical fire strikes, and not a lot of flying creatures have giant wings coming out of their hands and feet. So. Pick a movement, something that feels appropriate to producing wings with, something you won't mind practicing a lot in different variations. Don't try actually throwing wings with it yet, but try it, see how it feels, think about how you'd shape the wings to fit in the space around you. I do my wings like this," he gives his signature sweeping bow with flaring wings of flame, "but almost purely for showmanship, there's nothing inherent in the movement that makes fire like to do wings with it, and you might feel like picking something else."
"I wouldn't recommend it to start with," he says. "I'm pretty confident that you can make it work once you've got the wings part going, but we've already seen that combining air and fire can lead to unpredictable results. If you want to pick a movement that's flying-compatible, though, go for it."
"Looks good to me," he says. "So practice that a few times, don't try to firebend with it, but pay attention like you're trying to read the energy flow in a strike you're throwing. See if you pick anything up, fire-wise - any sense of how the element reacts to what you're doing. You might not, for a while, and if you get frustrated I have a few tricks to try to get at that skill a different way, but first let's see if you need them or not."
"In theory - and being the Avatar might interfere with this for you, sorry about that - you can learn how to read what fire thinks of any movement you make, and from there learn how to create fire with any movement. Limited only by your imagination and how many hours of practice you're willing to put in. But making the leap from reading fire energy in an actual fire strike to reading it in whatever else you happen to be doing is tough. Practicing with a similar movement over and over makes it a little easier, and means you can start figuring out how to add fire to it as soon as you've got the perception part down; another way to bridge the gap is to first practice throwing classical fire strikes without the fire, and keep doing that until you can feel what the fire would be doing if you were using it even though you aren't."
"I've heard of people doing all kinds of bending with any movement. I wonder if I could learn what any element thinks of all the ways I can move. ...I wonder if Shifu Riko has anything to say about that, come to think of it, she likes to talk about listening to the earth. Anyway. Let's give this another few flaps..." Flap flap flap flap flap.
"I encourage you to go talk to her and see if she has anything to contribute. In my experience with firebending, any-movement bending can come from either an intuitive or a conscious understanding of what you're doing with the element, and the conscious kind is easier to explain and easier to design deliberately. I've never talked to benders from other disciplines to see if they've noticed the same thing. Come to think of it, you seem to do intuitive any-movement airbending pretty much constantly. That's... probably going to either help or hinder you learning the conscious kind with fire, but I'm not sure which."
Jun shrugs. "I like to talk about fire as though it has opinions, but you might find you understand it better a different way. Or maybe you just don't have a conscious sense of the way air's energy reacts to how you move, or maybe air and fire work differently in that sense. I could tell you if I was an airbender, but unfortunately nobody seems to have invented a magic charm to grant dual bending. Anyway, if I could have my pick of second elements I'd want water. Healing."
"Interesting idea," he says. "Coming at it from the production angle first instead of the sensing angle. I could definitely see that being easier than trying to get arbitrary fire out of arbitrary movements. It might help, it might get you nowhere, it probably won't actively set you back. Try it and see."
"Eee."
"I might have to steal that trick for a show. Okay. Can you sense fire energy while you're doing that? Although if you're more interested in achieving the wings than learning the underlying theory, you might be able to just twist what you've got into a wing shape with practice."
"Sensing it while it isn't there is how you get the generally applicable ability to decide you want to make a certain kind of fire with a certain movement and then immediately figure out how to do it," he says. "Otherwise known as how I invented half my repertoire. But the silhouette trick is a clever way around the hard part, and I bet you can get pretty far with it. Try seeing how the fire follows you naturally, and seeing how you can vary the shape, and pay attention to how the energy feels both ways."
He smiles.
"If you want to do extra practice between lessons, I recommend the fire-following trick to practice reading energy flows, and I recommend not getting too big or fancy with it until you've had a chance to practice the wings in front of a mirror. It doesn't take much uncertainty about where exactly your fire is going to produce some pretty spectacular accidents, and the thing about these fancy fire-shaping tricks is that unlike conventional fire blasts, a lot of it is happening outside your field of view."
"I've got a mirror at home. I can take it outside someplace good for fire practice. I feel like the obvious thing to do with fire-following is to run through katas, not bending anything else, just going through the forms? I could also go dancing but I might alarm someone at a dance place."
"It takes a pretty big mirror to see the big stuff like wings clearly enough, but you can use it to watch the smaller stuff, yeah, good thinking. Unless you have a wall-sized mirror at home which you can conveniently haul out to the beach for some firebending practice, I guess I shouldn't assume. Katas are a fine idea, not alarming your fellow dancers is very kind of you, it is as always a pleasure to teach someone who is both clever and methodical."
That evening, she has a date with Dao - hiking to some deserted wilderness out in the country courtesy of Liqing, looking at the stars, toasting toastable foods, and experimenting with toasting each other, because she's pretty sure she has the control now for that to be safe to play with even while highly distracted.
He looks up at her, and manages a smile.
"Oh. Hi, Beila. Um. I was just. You know what, actually, let's talk about it in the deserted wilderness, I bet you found us some really nice deserted wilderness and I'd hate to miss it because we got distracted talking about my weird problems."
"Ooh. How about: Ever since that one Earth King with a pet bear in Avatar Aang's time, there have been periodic bear sightings all over the Earth Kingdom, but nobody's ever verified one as definitely not a platypus bear or gopher bear or whatever, and the origin of Bosco the Bear is a mystery to this day?"
"I'm not sure about that, and neither are some of the experts! I mean you'd expect him to be weird somehow if he was an awkward crossbreed, like he'd have anatomical problems or something, or even just have some features that weren't strictly bearish from one of his parents, but they've got his skeleton in a museum and he's surprisingly well put together, it really looks like somebody did some kind of cosmic math and factored out the 'bear' part from platypus bears and skunk bears and gopher bears and armadillo bears and lynx bears and hyena bears and so on. I've seen the pictures."
"Yeah, there's a bunch of - I forget the real biology word, I just think of them as factored-out. Cats, hawks, spiders - there's polar bears at the south pole, but they're different from bears like Bosco, I don't think there are any regular animals that have a plain-bear and a polar-bear kind, like there's polar bear dogs but no bear dogs and lynx bears but no polar lynx bears. But Bosco was a one-off as far as anybody can tell, and cats and hawks and spiders and polar bears are all real established species."
"I dunno. It's hard to describe what kind of thing a factored-out creature is. Like, it's not a spider snake or a spider wasp or a - a dragonfly spider, I guess, or a goat spider or a monkey spider or a spider cat or a spider rat or a spiderfly. Actually there's a whole bunch of different kinds of factored-out spider, apparently, but I didn't read about them all because the pictures of Bosco's skeleton were way cooler."
"Like... I can think about it, and - I can see why somebody might feel like tearing somebody's bones out? In an 'I kind of want to try it' way? And I—I don't—I don't want to be a serial killer, but like. It really seems like I could, if I just stopped caring that most people don't want to be horribly murdered. And that's creepy and upsetting."
"I think most people with obvious deficits like 'do not care that most people don't want to be horribly murdered' would show signs of that before your age. I mean, I'm not a psychologist, but I don't believe you can just come down with sociopathy the way you can come down with a cold."
"I mean... there are things I have slow down and remind myself I don't want. I don't want to, say, violently take over the world, because that would be dangerous and there would be casualties and even if I pulled it off it would probably be hard to hire good help after a stunt like that. That doesn't mean I never think about taking over the world, it means I, like, pause, and go, 'the actual details of this would be unpalatable'."
"Okay, so you don't want to take over the world, you just want to have already taken over the world. Well, I don't want to go around ripping people's bones out for the results, the results are a bunch of murdered people with their bones missing, that's exactly what I don't want. It's the, like," he blushes, "process."
"I'm worried because I don't think most people have to deal with thinking about stealing people's bones, like, at all, and I don't know what would have to happen before it'd start looking like a good idea, and - I wish I didn't have to deal with this stuff! I wish my first thought when somebody starts ripping people's bones out wasn't 'man, I wanna see that'!"
"I don't wanna talk to a therapist about my murder problems. Especially not when there is an actual murderer around? Like if they think you're a danger to people they have to tell the cops, right? So now is a really bad time to be telling a professional that I think about ripping people's bones out."
"I really do not want to trust that. Like. I don't want to start stealing anybody's bones but I think I even less than that want to go to jail for stealing people's bones when I didn't do it and the actual bone-stealing guy is still out there somewhere probably going to steal more bones."
"Sort of. I mean, the fact that I didn't master it at age twelve already puts me firmly below Aang on the list of prodigy Avatars so it's not like I have to push to make the record or something. I wish I'd tried bending other things as a kid but I was never a precocious enough airbender to strongly suspect it. I mean, I was fine, but in retrospect I must have been constantly distracted just keeping myself upright, and I don't think any of my predecessors already learned that for me."
"That makes sense. I kind of get why they don't tell people earlier, though. Maybe all the people who are the Avatar are also the kind of people who are really responsible and stuff as kids, but maybe not, and it'd be tough on whoever had to say 'yes, you're the Avatar, but no, the spirits didn't tell you that your dad should buy you more candy'. You know? And if I'd - like, assuming it were even possible, which it's not, but, if I'd found out I was the Avatar when I was a kid I would've gone crazy over it way before I turned sixteen. I mean I'd probably still go a little crazy over it now, but, 'hey, the person whose job it is to deal with all the most weird and terrible stuff in the world like angry spirits and huge wars and things, that's you' - I feel like that's the kind of thing that a lot of people would rather find out when they're sixteen than nine."
"Although that's another thing, the huge-wars-and-stuff - there haven't been any huge wars since I was named, but if there were, it's actually really ambiguous what I'm authorized to do. Not only on the level of 'will somebody try to kill me if I go encase all their soldiers in ice to make them stop doing whatever they're doing', but on the level of 'is it, in fact, legal within the scope of international law for me to intervene there, or would somebody be technically obligated to arrest me for it, or what'. The test cases for the last few Avatars always wound up getting resolved in ways that didn't set firm precedents."
"...That's... well... I sort of get that but I sort of don't. Because nobody thinks their country is going to be the one that needs the Avatar to hit it with a rolled-up newspaper, and if they do, it might be because they're planning something terrible and don't want the Avatar to stop them. And it would be kind of bad if the Avatar, like, actually went and took over the world. But then when stuff happens like somebody else trying to take over the world and the Avatar stopping them, you'd think the people who were coming up with the international laws would be like 'yeah, that's a thing that happens, we should decide what that means for us'. Like you shouldn't be allowed to take over the world but you also shouldn't get arrested for stopping somebody else from doing it."
"In practice probably no one is going to arrest me if I'm out fighting the good fight. In terms of what legitimate authorities I am not actually assailing at that moment are likely to do, I can play vigilante hero to my heart's content as long as there are targets I can justify in the court of public opinion. But it's peculiar to have so little actual legislation down about it."