Bella is careful to go to the magic shop during lunch - not at night, not when her parents might notice her leaving home, not when her teachers might notice her skipping classes. She is careful to wear her crucifix, carry her holy water gun, keep her demon whistle ready to hand. She is careful to wrap her occult purchases in disguising packaging: chip bags, gym clothes, grocery totes. She is careful to restrict herself to spells that are necessary - whether "necessary" means for the result or for managing her mercifully limited dependence on the damn things is always carefully recorded in opaque code in her notebook, and if the ratio gets too low, she goes cold turkey outside dire emergencies for at least three days. This is uncomfortable, and it kills her class performance and her temper for those days, but she has to be careful. Her parents don't want her doing magic. They're afraid she'll get addicted. (Done.) They're afraid she'll get snapped up by the USADI, drafted into casting more than she can handle or things that shouldn't be cast at all. (Not done; and another reason to be careful.) They're afraid she'll get a spell wrong and hurt herself. (Not done; yet another reason to be... careful.)
She is confident that witchery has saved her life at least twice, possibly as many as four times; she's sure it's saved others more than that. A month ago she located the hiding place of the Gem of Amara, determined it ludicrously easy to find, and conjured it to her for safekeeping in Forks under considerably more sophisticated wards placed gradually over the course of weeks. (Not in the house; any vampire with a non-vampire demon friend could bypass that protection and she doesn't want to put her parents in harm's way. But in a house, because the protection is non-negligible; USADI experimental reports say that squatters count as living human residents, and she can get into the basement section of a consistently occupied old Victorian close to the city walls without bothering - or alerting - those who make it their hangout.) With this gem more securely stowed, it will at least take longer for some vampire or other to come across it, render themselves invincible, and slaughter an entire metropolitan area before USADI calls in something sufficiently heavy-duty to get around the damn thing.
She's looking into how to destroy it, but while Forks has the advantage of safety, it also has the disadvantage of a relatively cruddy magic shop. The Witchnook is capable of special-ordering things, albeit with a lag time of weeks or months, but Bella's not sure how far to trust the proprietor. She supposes her parents don't know she's a witch yet, so it can't be "not at all", but, well. She'll come up with some other books to order in the same batch, as cover.
Bella is careful when she goes out at night. She wears her cross, she carries her holy water gun and her demon whistle. She sets her alarm clock at maximum volume for fifteen minutes after she expects to be back, with a note taped to it for her parents, in case she runs into trouble. And usually she doesn't go out at night at all.
Tonight she needs a spell ingredient that cannot be out of doors during the daylight without losing its potency, though, so if she wants to get it home at all, she is going to have to spend ten minutes walking to the Witchnook, pay for her twilight powder, and spend ten minutes walking back.
Forks has walls.
She'll be okay.
She'll be careful.
He's young, about her age or a little older, and wearing a black leather coat with an excess of zippers and a feminine cut over dark grey jeans and a pink button-down shirt with a faint floral pattern. His boots are the kind that lace to just below the knee, also black leather, and have roses embroidered up the sides. The result is definitely... memorable.
"Hello," he says. His voice is pleasant and vaguely English. "I'm looking for the Gem of Amara."
Nope. There is not.
"How did you get in here?"
Because if she survives this encounter, it will be worth all the grief she'll get over going out at night to tell Charlie how the hell that happened.
"Easily," he says, grinning. "Your security is good, but I am better. Now, your options: you can come with me and fetch the gem out of its clever little hidey hole for me, or you can come with me and watch me get it myself. I promise you'll like the first one better. Fewer casualties."
"None of that," he says. "When I was alive I once beat a vampire in unarmed single combat, and whatever else you are, you are not a comparable martial prodigy. You are not going to solve this with violence."
"Scintillate away, just as long as you do so while walking. I can also bribe you," he adds offhandedly. "You may recall Tony Stark's infamous laser pointers, if you were following the news a year or so back. The six remaining specimens and only copy of the plans are all in my possession. Once I have the gem, of course, it's all the same to me whether someone starts making them in bulk."
He leads her along. Apparently he will not be relying on her to tell him where the Gem of Amara is.
"After the vampire alliance killed Tony and turned me, I killed what was left of them, waited for the man who let them into our house so I could kill him too, and fucked off into the night. Surely that much at least is public record. If I can manage to get the plans to someone who is capable of putting them into production, that will be a lovely little grace note to the whole business."
They have arrived at the right house.
She steps away from him, shaking. "I've never taken the wards off before. I think I can do it in under ten minutes but I am not sure." And she lets herself into the squat's basement by the back door.
She waits till she's in before she checks for her phone and finds that she has been relieved of it.
"Fucker," she hisses under her breath.
What do I have -
The Gem of Amara, under wards that she can probably bypass in five minutes if that. Her crucifix. A USB key which may or may not contain plans for laser pointers. A staircase leading to a bunch of sleeping squatters, probably alcoholic, probably not possessed of phones - is it worth checking? - he'll hear if she wakes them; if she does that or takes too long he'll torch the building, of course. He can't know exactly where in the house she put it. She goes up the staircase, carefully, pressing herself to the wall to minimize creaking, and finds no phones lying around charging or blinking lights, and goes back down.
She has the alarm, set, ready to bring Charlie running. If she waits - he has a lighter but he wasn't carrying a can of gasoline; how fast will a house like this catch and burn without extra help? Or maybe he stashed lighter fluid here; he did know where it was already. She doesn't know.
She has paper and pen. (Always.) She tears out a sheet of paper, and writes, This USB stick may or may not contain the plans for anti-vampire laser pointers as developed by Tony Stark, PLEASE CHECK. She murmurs an anti-fire spell over the paper and the flash drive and the miniature cereal box she brought with her to disguise the twilight powder, then wraps the note around the box and tucks the USB into it. The key will not leave the house, not till he's gone, on the off-chance it's actually valuable.
She should've done that spell after deciding what else to do. She's a little keyed up now, magic is yummy, she doesn't have great data on how much having recently done spells affects her judgment. But she can still think, right, what does she have -
She's pretty sure if she wants to get out of this alive she has to bring him the gem. His argument about the laser pointers makes sense, he does look like Tony Stark's eccentric twin, he really might just hand them over, and then even if the plans are worthless maybe they can be reverse-engineered.
Fuck.
She picks through her wards, methodically, shivering with magic and fear.
She undoes the combination lock that sat under all those wards, and she opens the box, and she takes out the ring with the Gem set into it.
She opens the door again, but doesn't leave the building, yet.
She puts them all in her bag.
And she looks at the Gem in her hand.
She does not know any spells to sabotage the fucking thing.
"What are you going to do?" she asks softly.
"I don't know," he says dryly. "Would you like to try it and see? It seems to me that in that situation each outcome is the opposite of how you'd like it: a murderous vampire will set the building on fire and get the ring, and a nice friendly one will wait patiently for a few hours and then go away and leave you to the mercy of the next fellow."
"Being Sherlock Holmes is how I found you first. I don't claim that I am the only vampire on this entire planet smart enough to make the same connections. Although I might be. Regardless, the other vampire is mostly rhetorical; the point is still that by staying inside you are arranging things so that I will get the Gem of Amara if and only if I shouldn't."
With the battery out of her phone she can't check the time on it, and she doesn't want to ask him if he has the time. But she thinks she could make it home before the alarm if she concludes here quickly.
"On the premise that I'm going to get out of this alive," she says suddenly, "do you want to offer any incentives for me not to report your description, last known location, and gem possession to the USADI as soon as I can?"
"Should I not be? I don't have a better destination in mind," he says. "There's a certain appeal to the nomadic unlife, but mostly what I'm looking for is something interesting enough to keep me away from sunrises. You're reasonably interesting. And the deer in these parts are very tasty."
"Your sunrise-related behavior will be irrelevant with this thing." She holds up the ring. And with her other hand she pinches the bridge of her nose. "So I give you this, you leave, I take my batteries and go home, and I keep my mouth shut as long as I see you around too routinely for you to be nipping off to Port Angeles for snacks and Forks goes on with its lovely safety record. Yes?"
She resets the alarm with a minute and a half to spare.
She updates her in the event of my death file on her laptop.
She will have to go get her twilight powder some other night.
It's for destroying the Gem of Amara, and she sees no strong reason she won't be able to perform the final act of will that constitutes the spell while the ring's on a vampire.
She'll quietly go about getting her materials and then if he doesn't behave she'll have her ace in the hole.
She goes to sleep.
The next day, the school is abuzz: there is a new student. His name is John Escott and he was orphaned by vampires; he believes one or both of his parents might have turned, and he wants to live somewhere safe and out of the way where they won't think to look for him and couldn't get in if they did.
He tolerates being the focus of everyone's attention reasonably well, although it is clearly wearing on him. Yes, he is from England. London specifically. Yes, his parents were murdered by vampires, thank you for fucking well reminding him, he had almost forgotten, don't you have a class to pretend to pay attention to?
Bella goes on with the assignment. She hasn't had time to check the USB key yet; she's going to have to go back to the house and fetch it after school. She does not know what to make of "John Escott" or "Sherlock Holmes" at all.
One of the laser pointers is tucked up her sleeve, clipped by its pen-cap-like protruberance to a rubber band there; the others are at home waiting for her to find new homes for them for reverse-engineering in case the plans are bust.
Mike is being annoyingly solicitous to Bella today. She deflects him, gently, as though oblivious; she's known him since kindergarten and she's accustomed to him, but that doesn't mean she wants to go to dinner and a movie without at least four of their other friends along to make it clearly a group thing.
Presently lunch is over and it's time for World History.
Then gym.
Bella doesn't have to swing through the locker room. She does gentle mat-related exercises in the corner; Ms. Finch knows better than to demand that she learn floor hockey.
Ms. Finch takes one look at his outfit - the same rather flamboyant one from last night - and says, "You don't have gym clothes yet, do you."
"Correct," says 'John'.
Ms. Finch sighs. "Fine. You can go sit with Bella." She points. "And please get some gym clothes."
"As soon as I can," he assures her, and goes to sit with Bella.
Bella peers at the crucifix around her own neck. Everyone wears one. The worldwide adherence to Catholicism just about tripled over the course of the few years it took for vampires to be truly common knowledge, but the crosses and holy water work for everyone. "How'd you do that?"
"'Obvious' is a word that rapidly begins to lose meaning around me," he says. "It's obvious to me, but then it's also obvious to me that Eric Yorkie fancies himself your secret admirer. People attempting to be casual around things that inspire strong reactions in them is - like flashing neon. You can't miss it. Well, I can't miss it. You see?"
"You're everyone's favorite antisocial tragic orphan who complains about the cafeteria food. If anyone starts making noise about sending you home with me because we're managing to have a civil conversation right now you'd better find a way to put them off before I blurt out to my parents that they mustn't invite you into our house."
"It's easier to keep up the cover if I'm not trying to mimic a fundamentally alien personality, and I assure you, if I had just lost my parents in a vampire attack two weeks ago I would be reasonably likely to punch the second person who asked me to tell them all about it. There have been five."
The next day, Bella wakes up with Angela's cold. It's quite sufficient to keep her in bed all morning - her parents go off to work - she feels better around midday, and starts making relatively unproductive phone calls to various companies that could do with the laser plans.
"My family actually lives right within walking distance of the school, next door to the church around the corner," says Angie, "and we have a spare room - I'll need to ask, but it might work out." She mentions the church with the gentleness of someone who has been made aware that her new classmate might have a particular fear of vampires but doesn't want to poke at it directly.
In bio, she tells "John": "My parents say it will be all right for you to stay with us at least to see if it will work out, and you don't have to come up with rent either, if you'll do a few things around the house and maybe look after my brothers occasionally. They're eight."
"Hi, guys," Angie calls. "This is John. John, this is my mom, Mrs. Webber, and my brothers Isaac, and Joshua." She points; the boys are fraternal and easily distinguished.
"Isn't it just? Now, we aren't going to ask you for rent - goodness knows no one needs to be sent a bill after what I've heard happened to you, poor thing - but we can always use another pair of hands if you don't mind and it doesn't interfere with your schoolwork. Do you know how to drive? I know you're from England and won't have a local license, but if you know how I imagine you could figure out how to drive on the right side of the road quick enough."
"You can have as long as you need to settle in and familiarize yourself with the place, but if you do cook, please make enough to share. You can add things to the grocery list, of course," says Mrs. Webber. "Be specific about things like brand and amounts if you're not going to pick them up yourself - and what are we still standing on the porch for, it's chilly." She goes in.
It's a cute little house, lousy with crosses; if Sherlock cannot determine by decor alone that Angela's father is a priest he would do better to adopt "John Escott" as a permanent name. Mrs. Webber shows him each room on the ground floor, and then up to the spare room at the end of the hall on the second. It is painted pastel green and smells like potpourri.
Bella acts perfectly normal throughout the day, including during Bio, when she and Sherlock and Angela all wind up tripled because they've all been working together in various combinations and the remainder of the class constitutes an even number. Including during lunch.
It's during Gym, which she and Sherlock do not have with Angie, that she says:
"So I haven't decided whether to warn her or not. Do you have any input?"
"I have noticed the lack of missing or dead people; you've presumably noticed the corresponding lack of a USADI team assaulting you. And now if you decide to alter anything about the status quo you have as a readily available hostage my best friend from since we were five."
"I already know the answer," he points out. "It makes it somewhat harder to investigate from a position of ignorance. But to get a little more abstract - I'm sure you can tell for yourself which are the things about me that don't fit. Those are always a good place to start."
"I'm not confident your standards for hints are such that I'll recognize them as such while I'm in the 101 class," Bella says after a minute's thought. "I can think of things that are similar to hints, but nothing that's - obvious in retrospect when armed with the conclusion, like hints typically are."
"I beat up vampires while I was still human. There could be several explanations for that, but the one that's true is that I was better at fighting than they were, and one of the specific things I was better at was analyzing and responding to situations quickly." He shrugs. "And now I am a vampire who is as much better at that than most vampires as I used to be better than most humans."
Bella has the weekend, for her research project. She calls Angie at home; Angie obligingly mentions offhand that "John" is around, cooking more meals than not, so he's not taking the time away from school to sneak off to Port Angeles for dinner, it's a trip of a few hours and the Webbers would notice if he borrowed their car. Other than that, Bella mostly spends time trying to figure him out.
She searches the Internet for old news postings; she writes a lot. She draws little diagrams. She enumerates her assumptions, in ever-greater detail, and crosses them out when she decides she's not sure of them, and then from pruned lists she works forward again.
On Monday, she is perfectly friendly to Angie and Angie's new friend John both during bio and lunch.
At gym, she says, "The details are written down, and Ms. Finch will disapprove if I pull out a notebook now, but I could supply a verbal summary."
"Most interestingly," Bella says, "I think you are either a rapid-grown clone or some form of magical construct. Magical construct would explain more by itself - it explains almost too much; if you can make one at all you can make one with nearly arbitrary properties - but clone is more plausible given who you appeared attached to, and your characteristics aren't necessarily inexplicable even if there is not magic in operation to explain them."
"Tony's birth announcement is about ninety percent of it. There's no motive to hide a twin, no motive to do it for fourteen years, no realistic chance of successfully doing it for fourteen years with such a high-profile family, and then when you showed up in public you behaved eccentrically, neither you nor Tony explained where you came from, and while there are plenty of theories about that you were only able to appear in the same place at the same time via sophisticated holograms I don't buy it, in large part because he left a body and you're talking to me. I don't have enough information to determine when you were either cloned or conjured up, though."
"I think," she says, "that what I know about you is consistent with you being, perhaps not one of those legendary vampires with souls, but one who is atypically motivated even given vampiric sociopathy. I'm not clear on what does motivate you, but I have no significant evidence against it being the avoidance of inconvenience and boredom plus some other features to round you out that I don't have information on."
"I could attempt to correlate your irregularities with each other. But I don't know how you were cloned, why you present yourself as Sherlock Holmes when you are not disguised as John Escott, or what led you to kill the vampires who turned you - I could tell myself a story about the last, but only at the risk of anthropomorphizing you more than I'm confident about doing."
"That I would need to know something about your unconventional and not-public-record upbringing to complete the puzzle," says Bella. "I gather that your education was accelerated and abnormally effective at rendering you able to act like you're sixteen when you're actually however old you are; I surmise that you were secluded until you caught up with Tony, or maybe only went out places you wouldn't be recognized; none of this spells 'fictional British detective' to me. Haven't you ever heard of the illusion of transparency? You obviously have an above-average ability to piece together clues about the world around you, but do note that you've never had to, in complete ignorance, figure out the history of your own life."
"I chose the name Sherlock Holmes and everything that went with it, and then I learned it all. My personal hypothesis - and granted I have only the one case to study - is that my identity survived the turning process so well because I built it myself from scratch. Not completely, of course, but nearly so."
"He was twelve," says Sherlock. "He cloned himself because he was bored and lonely and wanted to see if he could. And then he defaulted to the reflex that afflicts so many geniuses - when confronted with a problem whose solution is not immediately obvious, give up completely." He shrugs.
"I'm failing to come up with a mental picture here." She's been neglecting to do her crunches for too long; she starts up again before Ms. Finch comes over to investigate. "One person knew about your existence, did not manage to name you, and yet presumably however fast you grew you spent some time roughly child-sized and some possibly different amount of time child-competent and this means he managed to keep you, at minimum fed. And you randomly have a British accent, which could be a later affectation, I guess, and I'm not an expert at identifying fake accents, but my first guess wouldn't be that you developed it watching television. My next attempt at deduction is that he had some kind of help."
"It's really a pity that your charming personality has the little problem of being attached to a sociopath. At any rate, I don't think you could have torched the building and not risked killing me. You had me very frightened and if I'd decided to inconvenience you I might have expected a fate worse than incineration."
"My best guess is some combination of the following: I'd temporarily or permanently incapacitated eight of them already and they wanted me on their side; and they knew I wouldn't like it. I can't imagine why none of them thought about how those two things might interact unfavourably."
"In the event that I ever turn into a vampire - I don't think it's too likely, but you got in, I might eventually get caught doing magic by somebody from USADI and drafted, maybe Forks will get overrun, I don't know - you would notice, whereas I could probably fool a lot of my friends and family, and you could stop me from hurting anybody. If you were so inclined."