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Rockeye's first glowfic. Loki (a Bell) falls on Nick in Cloudbank.
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One moment Loki is trying to kill the snake-monster before it gets any closer to civilization, and then next -

She jabs at its face, but with momentum intended to meet resistance, and there is none. With momentum intended to compensate for a dodge on the part of the creature, but it surges forward. She's engulfed, and then there is no snake, and there is no ground, and she's falling.

She gasps. The air is clean; she doesn't need to heal poison out of herself with each breath. She sees - floating land, of sorts, there, some kind of oddly geology-themed ship maybe. She could, potentially, turn Lævateinn into something with enough surface area to steer herself onto it rather than fall farther and suffer worse from the fall, but she just recently perfected a new...

She's a bird, a swift, and she catches the wind, and her spear is a twig clutched in her feet, and she wings her way to the land.
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As she flies closer, it becomes clear that the particular bit of land she was aiming for is actually two separate objects. One is a craggy, floating rock the size of a village, covered with a surprising amount of plant life.

The other floats off to the side, tied to the larger object by no less than a dozen thick ropes. It is closer to the size of a house than a village, and it seems made rather than natural - smoothed sides, windows, canvas wings that would be comically small on a bird.

On the larger sky-island, someone is chopping down a tree.
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She lands near the someone, still bird-shaped, and observes this activity. He doesn't seem to have a daemon, so that means he's probably not Midgardian...

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He continues to cut down the tree. When it falls, he starts chopping off branches and carrying them to a large scale sitting in the grass near the flying house. He makes careful note of their weight, marking it down on a piece of paper.

He ties them together with more rope, and uses some sort of wheeled mechanism to lift them to the top of the house-ship. The ropes holding it down relax visibly. Then he clambers up the ropes and into the ship himself. A small bird could easily follow him if it wished.
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Well, it beats staying here on this otherwise uninhabited tree-farm-thing, but she doesn't know how long he'll be traveling; swifts can fly a long time, even if need be asleep, but she'd still rather not be discovered and kicked off his ship to wander indefinitely if he took exception to a stowaway.

Hidden behind other foliage, she emanates sound from elsewhere than she is:

"Excuse me. Can you tell me where I am?"
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He spins around suddenly, eyes going quite close to where the sound came from. "What the hell? Um, you're on a medium-sized island about 70 klicks up, close to the equator. Is this place yours? If so, sorry about your tree, I didn't see any claim marks."

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"The tree isn't mine. I'm very lost," continues the voice from the same place. "Where is this planet, approximately?"

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"If you're asking what planet this is, I don't think I can unlose you. This planet is called Cloudbank, and if I remember my astronomy lessons right it's about nine hundred light-years away from Earth. Of course, nobody's been back to Earth since the stargate broke, so we can't be sure."

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"...Well, I know how to get home from there. What's the stargate? Where is it?"

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"The stargate is... Some sort of massive ship orbiting the planet. It used to be a portal you could walk through and end up next to an identical portal that orbits Earth. It's hundreds of miles straight up, higher than anything can float, past the hydrogen layer. Nobody really understands the more complex parts of lost technology, sorry to say, so I haven't the first clue why it broke or how to fix it."

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"Well, I don't have a way to get into orbit on me, more's the pity, even if we assumed I could fix the thing. This is very inconvenient. If the bridge doesn't reach here I may be stranded for centuries. Can I trouble you for some advice on where to spend them?"

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"That depends on what you want to do, I suppose. I don't know what you can do. I'm headed down to the equatorial towns, which is probably a better starting point than here. If you don't weigh more than two hundred kilos you can come along, I'm descending anyway so extra weight isn't as much of a problem as it usually is."

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"I don't weigh that much, no." She turns invisible, shapeshifts back into her normal form, and walks an illusion of herself from behind a shrub to where she's standing and merges it with her no-longer-invisible self seamlessly. She speaks with her own voice, no longer thrown: "I'd appreciate the passage. I don't know what tasks there usually are to do on a ship like yours but I may be passable at some of them."

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"I've got regular flight pretty well automated. You could tend the garden, I suppose. I need to retune the engines for high pressure and finish loading that tree, and I prefer to set down on something sturdy at night so I don't collide with anything. But we can be off tomorrow morning at the earliest."

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"I can help you carry the tree, if you like. My name is Loki, what is yours?"

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"I'm Nick, and the help is appreciated. Nice armor, by the way, good metal is very rare, lucky you. Alright, let's drag the trunk over so I can weigh it."

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"Is it that rare, here? It isn't so where the armor was made, so I wouldn't call it particular luck." She drags the tree. It doesn't seem to give her any trouble.

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"Uh. Wow, that's some strength. Yes, metal's rare here. All we get are these islands and whatever the winds blow up from the surface. They're mostly made of silica and hydrogen, not so much ore. Alright."

Nick has to exert considerably more effort to get the tree onto his scale. "...Two hundred forty three kilos. More than I expected, but within tolerance." He sets to trying the tree to the same set of wheels that hauled up the bundle of branches. The knots are fairly obvious, if Loki wants to help.
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She helps. "So if this planet was settled from Earth, you're a human, aren't you?"

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"Uh, yes? What, do aliens exist after all? Are you one?"

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"I'm an Asgardian. Where is your little soul-creature, if you're a human, or do they only have those if born on Midgard?"

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"I don't know anybody who has a soul-creature, apart from some people who think they really should have been born as jellywings or something. I've never heard of Asgard, what star does it orbit?"

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"If you have star charts I could see if I could find it," she says. "When I was on Earth, everyone had an animal that accompanied them wherever they went, and could speak, and was their soul."

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"You probably won't recognize my star charts, I know they're supposed to be pretty different from Earth's. Oh well. The souls thing is very strange. I'm not even sure souls actually exist, for all our doctors can tell the brain does our thinking and feeling and remembering, so what would a soul do?"

He pauses. "Well, you just appeared here out of nowhere. I don't know about anything that could do that. Maybe the rules are just different on Asgard and Midgard and whatever other gards you have."
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"On Midgard their souls seem to mostly talk to their persons and each other. Occasionally the conveniently shaped ones perform useful tasks. I have never had one myself, although I had to let them think I did lest they be upset about my incompleteness."

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"I guess it could be useful to always have someone to talk to. I'm perfectly fine being all alone for four-day ascents and descents as long as I spend a few days in civilization in between, but I know some people who wouldn't be. Anyway, let's get this tree loaded and I can show you the garden."

The mechanism moves as he pulls steadily on a rope. When it reaches the top, he picks up his scale and climbs up the most substantial rope into a person-sized hole in the ship, waving for Loki to join him.

"I have couple of rules, though. If you're not from Cloudbank you probably don't know how to handle a ship, so don't mess with the gas sacs, or the water tanks, or the flight controls. Here's my bedroom - I'll set up a hammock for you somewhere. Don't throw anything overboard if you can help it, I can recycle most stuff. This is the kitchen, bathroom's over there. Up these stairs - these are the gas sacs, let's keep going up - And if it starts to rain, I'll need your help to put out tarps and buckets as fast as possible. Here's the garden."

Yep, that's a garden alright. It consists almost entirely of food-producing plants, most of which are similar to ones found on Earth. The plants are growing from shallow tubs full of dirt, and the whole roof is enclosed with a mostly-glass structure that lets sunlight in. It's very warm up here.
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"All right, I'll leave your mechanisms be," says Loki agreeably. "I appreciate the hammock, although I'm not sure why you have one if you're typically alone."

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"It's basically just a rope-bag. Useful for hanging things outside the ship if my cargo hold is full. Have you worked with plants before?"

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"Not extensively. But I believe I will be able to water them for you. If you also want me to prune them into dwarf versions of themselves I will have more trouble."

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He gives a little smile. "That won't be necessary. The strawberries are about ripe, though, so you could pick some of those. And I need to repot some potato sprouts soon. But that can wait. Would you mind coming to the cargo hold and helping me rearrange a few things? You're pretty strong, and we're listing to the right because of that tree."

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"I can rearrange your cargo," agrees Loki.

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The cargo-rearranging only takes a few minutes. As she's hauling the tree trunk to the other side, he retrieves his rope-bag and strings it up as a hammock in an uninhabited corner of the cargo hold.

"So. It must be pretty strange - I can't imagine what it would be like to walk in a straight line for dozens of klicks and just always have more land to walk on, like Earth is supposed to have. You probably have a lot of questions about how this place works."
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"I think I have the gist. Floating islands, of which that one was apparently medium-sized, and ships between them, and some Midgardian living things but apparently also some native, and I imagine this causes all sorts of logistical problems especially with collecting raw materials, as you mentioned. One doesn't usually walk long distances on one's own feet; that's what horses are for."

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"I've never heard of horses before. And yes, that's about the gist of it. There's also the danger of falling, especially children falling - my jacket has a glider built in, so even if I fall I'll probably be able to glide onto another island. And bad weather - if you go too low the air fills with sulfur, and if you go too high it fills with hydrogen. I lost half my glass when I suddenly flew into a crosswind, once. Is there anything you need other than the hammock and maybe something to eat?"

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"I'd expect the islands with children on them, and perhaps even those with adults, to be fenced, but perhaps the children can get around such precautions and dare one another to do it? Food and the opportunity to sleep are my most immediate needs - I may be used to eating more than you're expecting me to, but I can go on short rations for a few days if supplies are limited. In the medium-term I would like paper."

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"I have plenty of food. The heights export food and water and hydrogen and import everything else, so that's most of what's in those boxes you were moving around."

"Paper is actually kind of expensive - hmm. Well, if you're going to water my plants, I suppose I can pay you with food and paper and charcoal sticks. I want the paper back when you're done if possible, though, I can turn it into pulp and make soft fabric with it. I still have to retune the engines before bed. And I should probably explain the basics of flying, but that might wait until tomorrow."
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"I want the paper for long-term information storge. Anything short-term I have alternatives for that won't use up a scarce resource."

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"How would I know what you want the paper for? Well, like I said, paper is expensive. You already helped with the tree and the cargo and you're going to help with the plants, so I'll feed you and give you two charcoal sticks and... Let's say twenty sheets of wetmill paper. It's already been remade a few times, so it's a bit flimsier than you might be used to, but it'll work."

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"I can make do with that for the time being," Loki nods. "Thank you."

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"Alright. You can find your paper in the box labelled 37 on the right shelf. Charcoal sticks are in the narrow box next to it. There's food in the kitchen, eat what you like. Please only take what I said you could. I've got to go work on the engines, and unless you're secretly a mechanic I don't think you can help with that."

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"I'm not a mechanic. I might understand how things worked if I investigated them closely, but likely not quickly enough not to get in your way. And you do not need to fear for the contents of your boxes on my account."

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"Great. See ya later."

About an hour later, he comes back in different clothes.

"Engine two is having compression issues, which is less than ideal. And I think my last batch of hydrogen was impure. Ah well, I've had worse things happen. You pretty much know what there is to know about me already - wandering trader and tinker on the up and down run. I'm curious about you, though, you're from another planet! So, what's Asgard like?"
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"Well, it has land, and seas, and a fairly consistent variety of air above them. Asgardians live on it. We are ruled by Odin, who has been queen for a very long time. What else do you want to know?"

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"What do people do with their time? Most people here fly ships, or work farms, or make crafts. We don't really have queens - it's hard to rule lots of islands when they can just float away if they don't like you ruling them. I visited a few towns that had kings, but they only ruled the one town. How are asgardians different from humans?"

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"We're stronger - you noticed - and tougher, and longer-lived, but I believe those are all the genuinely inherent differences, and some of them may be deliberate enhancements from long ago, since lapsed from memory."

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"I noticed you seem to be heavier, too. I don't suppose I can become asgardian? I would very much like to be longer-lived."

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"We're denser - I was categorizing that under 'tougher'. I don't have a way to turn you into an Asgardian, I'm afraid, and I've never heard of it being done either, and by the time I could even potentially make any useful progress on it via independent development you would probably already be dead."

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"Shouldn't have gotten my hopes up. How would you - develop a way to turn people asgardian? Are you a doctor?"

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"I've never been taught any medicine, but I tend not to think of anything as out of my reach if I spend enough time on it."

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"I suppose if you have hundreds and hundreds of years, then your perspective on that kind of thing is pretty different."

He yawns. "Bedtime, I think. I need to actually be awake tomorrow to pilot us down. Goodnight."
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"I could sleep now, but if it's useful to have someone up monitoring things on a night shift I can do that too," she mentions.

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"If you knew more about the ship that could be useful, but any significant problems will set of an alarm in my room and any minor problems you wouldn't know how to deal with, so for now you might as well sleep."

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"All right." She looks for a good place to put her armor and gets all the clunky bits off, leaving something only slightly laughable as nightclothes under it.

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There are some empty shelves - her armor could go there.

Sunset is rapidly approaching, and there isn't an obvious way to make artificial light. Nick goes to his room and goes to sleep.
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Loki shelves her armor and flops into the hammock.

She stays up a little, making illusory lights in lieu of a notebook to draw out the shape of her thoughts regarding the planet-transiting snake monster. Presumably Heimdall will have already said something, and maybe she'll be collected as soon as she wanders close enough to somewhere the Bifrost can connect - but it's possible the planet is inaccessible that way; she's never heard of it before - well. She can't get home on her own unless she finishes her teleportation spell, which will certainly take decades. And more than twenty sheets of paper, but if she writes very small and densely she can probably make some progress like that.

Eventually she lets all her illusions wink out and she sleeps.
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The next morning, Nick prepares a simple breakfast, yells into the cargo hold about the availability of food, and starts untying the ropes holding his houseship to the island. If Loki is nearby, he will start pointing out useful objects and what they do, or talking about the operation of an airship more or less at random.

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Loki gets up, has no change of clothes so eats breakfast in what she's already wearing, and listens attentively to the monologue about the functions of the ship.

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Nick isn't trained as a teacher, but he obviously knows what he's talking about. Flying an airship seems to be mostly about managing one's weight, speed, and the winds around one's ship, but there is plenty of fine detail to be had. The 'engines' he was talking about yesterday burn things and somehow turn the heat into motion.

At one point he pauses and asks, "How did you end up here anyway? Were you just walking along and, boom, island?"
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"No. I'm not at all sure of the underlying mechanism, but an unfamiliar monster I was fighting somehow managed to drop me in midair on another planet. I'm nearly as confused as you are, I assure you."

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"Some sort of big predator dropped you here? That sounds... Well, if I accept you appearing out of nowhere, a monster putting you here isn't that much further out there. And you were fighting this monster because it was trying to kill you, I suppose?"

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"Well, it wasn't after me in particular until I went out to meet it, but I didn't want it loose in a city. I'm not sure if it was a predator. It was aggressive, but herbivores can be that too."

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"Keeping it away from a city seems reasonable, good job, very noble of you. I don't understand what you mean about predators and herbivores though." The allspeak seems to be using the same word for 'predator' and 'monster,' if loki notices that kind of thing.

"How do you know Anglish, anyway? I don't imagine it's a common language on Asgard."
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"It's not. That's something called Allspeak. Which may or may not contain awkward translation glitches - once I went for quite a long time without noticing that it was switching the genders of all gendered words on me - but serves for most purposes. I'm using different terms for 'something that eats other creatures' and 'something that is dangerous to people'. A ladybug eats other creatures; a bilgesnipe is dangerous but only eats plants."

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"So you have some sort of universal language, and whatever sent you here was 'something that is dangerous to people.' Alright."

That seems to be about enough strangeness for him, at least right now. He consciously decides to go back to explaining the ship. Next up: Ballast and lift! The ship floats partially by being made of the same rock as the floating islands, and partly because of those gas sacs - they're filled with hydrogen, and can float on air much the same way a boat floats on water. They also have a tendency to catch fire, which is why there are no torches or lanterns here.

His preparations for flight are apparently complete. The engines sputter into motion with a loud roar, and he goes to a little room at the front of the ship with good views of the surroundings and lots of strange looking mechanisms, which he starts operating and explaining.
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It's all very cunning. Once she has enough information to form questions, Loki asks some.

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He attempts to answer them! It's fairly clear what each thing does and how to operate them - that thing will drop some water, making the ship lighter. That one speeds up or slows down the engines - but his explanations of how they actually work seem to be assuming a level of education Loki does not have.

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Well, she's pretty bright, she can follow along for the most part and fill in with clarifying inquiries. "Using water as ballast is clever," she opines. "If everything else is hard to come by."

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"Water and air are pretty much the only things we have plenty of, yes. It's also conveniently liquid, which makes it easier to handle."

He uses a compass to point the ship south, activates a panel that's supposed to keep it pointed the same direction, and lets the engines settle into a low rumble. They're descending steadily, but not particularly quickly.

"I could just vent some hydrogen and go down that way, but I prefer to have some speed under me. Something this big can't maneuver easily from a dead stop, so if I fell towards something it would be hard to get out of its way. Let's go show you what plants need how much water." He proceeds to the rooftop garden.
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She follows and learns how to water the plants correctly.

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Watering the plants takes not quite all of the rest of the morning. The ship is fairly small - When she's done, she could easily find Nick near one of the engines if she looks for him.

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"All done," she tells him. "How else does one occupy one's time here?"

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"Well, I tinker or read or update my wind charts. You could read my books, I guess, but they're mostly technical and boring. Star charts, engineering manuals, that kind of thing."

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"Well, they'll do for a few days. Where do you keep them?"

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"In my workshop. I'll show you." He shows her. She probably recognizes some of the tools and devices in here, but the books are on shelves along one wall. There is a single wooden chair.

"Enjoy. I'll be working on the water tanks."
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"Thank you."

Books are a lovely way to pass the time, especially when she doesn't want to get down to serious work on spell invention with only a little paper to hand and when she may be fetched home by more conventional means at any moment. What are her choices?
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Several books about navigation and handling lighter-than-air objects, a weather almanac, a long row of handwritten volumes consisting of detailed notes, charts, and calculations. A book filled with lists of usual weights and prices for various objects and substances. Books on farming and how one should grow plants. Lots of books that detail how the sort of mechanical devices all over the ship work and the best ways to build or fix them - though again, these seem to assume the reader has some amount of background education.

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Well, she flips through the pricing books to get a sense of how much the common currency is worth, first, and then reads a navigational book which may after all continue to be useful if she gets around by turning into a bird. She's very well-educated, just not locally.

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The navigation book tells her how to determine her approximate latitude by the stars (the star charts are, indeed, completely unrecognizable). It tells her how to estimate her altitude based on the kind of clouds around her. It also lists the warning signs and effects and how to avoid various dangerous weather patterns.

There seems to be a lot of dangerous weather. In addition to regular thunderstorms, firestorms occur when strong updrafts mix the oxygen layer and the hydrogen layer. The result burns, making heat, which feeds the updraft, and also spawning rain clouds. There are also down-plumes and up-plumes, which can suck you into the lethal lower atmosphere or spit hazardous air up into the middle layer, respectively.
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...Good to know. She is very glad she learned to turn into a bird before being snake-monstered to this planet. And that she has her healing spells.

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The navigation book also makes general statements about what kind of animals and people live at what kind of altitude and longitude. In general, most people live near the equator because it's the calmest and safest. High altitudes produce food, low altitudes perform crafts and manufacturing.

Neither the navigation book nor the farming book (if she reads it) make any mention whatsoever of seasons.
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This isn't an especially conspicuous omission, especially with everyone living near the equator.

She does read the farming book. This place is sparsely populated enough that making a living is probably difficult for a wandering storyteller, or even if she cares to reveal her magic a wandering healer and illusionist, and she'll probably have to leverage her strength towards their manual labor industries at least to start out.
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The farming book is very useful and describes how plants grow, what they need to thrive, what plants are best for people to eat, how to deal with plant diseases and pests, and many other things plant-related.

The world isn't that sparsely populated. They pass near several floating islands with houses or villages built on them, and two other ships. As they go lower islands get more common, common enough that a swift could easily fly island-to-island and rest in between.

About halfway through the book, Nick comes in and reminds her that some of the plants on the rooftop garden need more water in the afternoon, which is now.
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Up she goes to take care of that then.

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As she is watering the plants, a large, mostly translucent tentacled thing suddenly slams into the ship from above. It opens a circular mouth full of lots of sharp teeth, smashes a few panes of glass, and starts trying to eat the ship's mostly-for-maneuvering wings.

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Well, that's inconvenient.

What's the best way to get a clear line of stab between her and it?
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Jumping through the holes left by the broken glass would work, they're large enough to be safely exitable if she's not worried about falling afterward. She could also run through the ship to the cargo hold, which opens to the outside.

The ship lets out a loud rushing noise, and suddenly lurches back up. One might assume Nick is trying to shake the thing off. The thing stays put and continues to eat the wing.
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Cargo hold it is. She doesn't want to pull out all her tricks on her second day on the planet or have to worry about one of those tentacles hitting her as a bird.

She runs, pulling Lævateinn from her belt where it's been unobtrusively clipped into her hand but not expanding it yet.

And when she gets there she grows her spear in its direction, quite a long way.

You want reach, versus tentacles.

She doesn't want to puncture anything that's generating it lift, because it's currently attached to their vessel, but she does want it to decide that this meal is more painful than it bargained for.
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As soon as the spear clips a tentacle, it screams and flings all available tentacles in her general direction. Rather slowly and clumsily, compared to the things she's used to fighting.

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Well, that'll make it easier to start scything them all off.

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After it loses three of at least two dozen tentacles, the thing seems to decide this is more trouble than it's worth. It shoves off from the ship violently enough that Loki would fall if she didn't have grace, and flees upward as fast as it can.

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She shrinks her weapon again, puts it back on her belt, and goes looking for Nick.

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Nick is in the control room, attempting to regain the ship's original balance despite the loss of most of a wing and whatever else the creature broke.

When Loki comes in, he asks, "Are you hurt? You were in the greenhouse, right? And squids attack from above, so it must have come right at you. Did I manage to scare it off?"

Presently no further alarms are going off. Evidently satisfied with the ship's airworthiness, Nick steps back from the controls.
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"It's scared off, anyway. It left a few tentacles behind. Are those useful for anything?"

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"Squidmeat is rare enough to be valuable as a delicacy. How the hell did it manage to lose tentacles, did the propellor clip it? Fuck, that probably means my propeller's busted."

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"Your propeller's fine."

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"Which I will check for myself to be sure. Let's go see these tentacles, I have to put them in the coldroom or they'll just rot. And then I want to find a village to set down on. I could probably still get where I was going, but I don't want to risk finding a thunderstorm with only one wing and probably holes in my greenhouse."

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"All right. The tentacles are up in the cargo hold."

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He groans a bit at the splatter of squid-fluid all over his nice, neat cargo bay. Then he starts coiling the tentacles into a pile. The pile gets dragged over to a nondescript metal door. On the other side of it is a room, which is very cold. Ice is on the walls. The shelves mostly hold various kinds of meat. The tentacles go in a corner, filling most of the remaining free space.

"Make sure the door shuts behind you if you go in here, heat will get back in. This tentacle looks like it was cut by a sharp blade. Did you use my sword? Thank you for scaring it off, if you did."
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"I did not use your sword. I didn't know you had a sword."

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"Well, I have a sword. It's in a drawer in the workshop. You have every permission to use it if another predator attacks my ship."

He climbs the ladder to the cavernous room that holds the gas sacs, and investigates each one. He gives the air a good sniff, too. "I don't smell rotten eggs, which means there's probably no leaks in the gas sacs, so we won't suffocate on sulfur in the near future. Never have I been more glad I decided to build this thing with a hard shell."

"How did you cut off its tentacles, by the way? I'd rather know if you secretly brought a weapon onto my ship. Not that I have much chance of out-fighting you, strong and fast as you are."
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"I did arrive on your planet in the middle of a fight," she reminds him. "I do not intend to attack you. Why would I?"

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"So you did. I thought you had lost your weapon, since you weren't carrying anything obviously weaponlike. Should I reevaluate the potential threat of that little stick on your belt? And it's not that I think you're going to hurt me, it's that you being able to hurt me makes me slightly nervous whether or not you're going to."

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"Well, then you may have to be slightly nervous." She pulls the stick off her belt, turns it into a little knife in a way that could look like it's a switchblade if one weren't paying close attention. "My mother gave it to me and I could never replace it."

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"Thank you for telling me. I can deal with being a little nervous. Do you think you've learned enough about the ship to help me set her down somewhere inhabited? It'll be tricky, with just one wing."

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Loki puts Lævateinn back on her belt. On the opposite side of where it looks like she's putting it. When she's back in alignment with her visible outline: "I'll do what I can, of course."

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He looks strangely at the motion. He seems fairly observant, and he noticed exactly where the sound was coming from when she threw her voice the other day...

"Well, better get to work."

Getting the ship to an inhabited island involves communicating from a distance, something Loki hasn't observed yet. He has a set of forty flags, and he raises them out the top of the ship in particular patterns. The village responds with its own flags.

Nick explains the meanings as he goes, the entire conversation is:
My vessel is damaged. Request permission to land.
Are you capable of maneuvering?
Capable of limited maneuvering. No danger of loss of lift.
Permission to land granted.

Then they carefully line up, letting off little spurts of water and gas and turning the engines up and down and using the control surfaces on the one remaining wing. In a little more than two hours, Nick's ship is securely tied to a wooden pole sticking out over a farming village of eight houses and some twenty people.

"Alright. Thanks for helping me set down. You could get off here if you want, but my offer to ferry you to a good-size town still stands, after I make at least a crude replacement for that wing." He slides down the ship's ropes and starts trying to trade with the farmers.
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"Do you need me to decide quickly?" she asks.

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"Not particularly."

In fact, she can have two entire days as he carves down some of the tree branches into moving parts and structural components, trades some pork for glue and cotton fabric made from the farmers' own crops, replaces the broken glass in his greenhouse with some spares from a box in the cargo bay, and assembles a smaller and rather crude-looking facsimile of the wing that was torn off by that squid-thing. He is available for conversation between these activities, as are the farmers.
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So Loki talks to some farmers and Nick, trying to get an idea of what her plans should be if she's going to be on the planet long-term. What kinds of work are available...?

(She's also discreetly trying to figure out what things she can think of that seem feasible with their materials have and have not been invented yet.)
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The kinds of work that are available outside of a big town are pretty much: flying a ship, farming, or making things. Usually a combination of the three, since the islands themselves tend to act like ships. Large towns are typically made up of dozens or hundreds of satellite islands held together by long rope bridges. They have enough resources flowing around that there is room for academics and artists and nobility of various kinds.

The main limitation in terms of resources seems to be that there is almost no metal of any kind available, and everything else is rather more scarce than she is used to. Organic things are plentiful, wood and the strange floating rocks are used for most constructions.

As much as possible is recycled, so they have material and chemical processing down pat. There are plenty of things she could invent and use or sell that they don't seem to have - complex clockwork, good-quality telescopes, medicine, more efficient engines that aren't mostly made of ceramic. Electrical devices are almost completely unknown (falling under 'lost technology') but the materials to make them are probably locable, if rare.
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All right. So she may be able to establish herself as an inventor - they certainly spend enough time worrying about running into things that she imagines they'd appreciate telescopes, and the basics are simple. But she'd like to do it someplace a bit bigger than this. She decides she'll carry on with Nick if he'll have her, and tells him so.

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"Alright, sounds fine to me. Fair warning, it's hard to aim for a particular town - they move around too much. And the governments... Vary. They tend to be at least marginally effective and friendly, because ineffective unfriendly governments make people leave. Thought I should warn you, at any rate."

"That squid tentacle will fetch a decent amount of coin if we find a town with at least a few thousand people. It occurs to me that I should pay you for it - How does half of the squidmeat's value once I sell it sound? I keep the other half because you were on my ship, and the squid smashed it up a non-negligible amount."
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"I won't quarrel with the division. How much does that add up to?" wonders Loki.

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"Hard to say until I actually find a buyer. Definitely enough to live on for a while - maybe half a year. You'll be able to buy whole notebooks, if you still want paper."

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"That will be nice."

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They set off, Nick waving farewell to the farmers. Unless something else interrupts the ship, it will arrive at an appropriately large town at mid-afternoon the next day.

The town is a fairly impressive sight, almost as vertical as it is horizontal. There are lots of parks and urban gardens and pretty wildlife in the surrounding islands. People move around on little cars suspended from ropes, or miniature balloon-like things. The ship dockyard has some three dozen vessels of widely varying size and design attached to it, which Nick's somewhat-battered houseship soon joins.
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Loki likes this town! It's very cute. It needs a telescope workshop on it.

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Someone falls off one of the islands!

...And then stops falling a few seconds later. Upon closer inspection, there is a web of rope hanging under the entire town, held up by poles extending outward from the lowest and outermost islands.

It will take Nick a few hours to arrange for repairs to his ship and a buyer for the squid and all his other food and his tree.

Loki is free to walk around the town, handed a few wooden coins (yes, wooden, and marked with a peculiar symbol that seems to be on a lot of this town's buildings - a logo of sorts), and advised to return at sunset for the rest of her money.
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All right. Stroll, stroll. Where does one get glass, and miscellaneous tools?

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One might pay attention to the helpful maps posted here and there. Some of the larger islands have names, the one she's on right now is "Stairway." It's probably the most vertical, and seems to be a hub of sorts. If she wants glass and tools, why not try for the island labelled "Glissei's Glassware Workshop"?

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That sounds promising. Thataway she goes.

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If she takes the most obvious path, she'll arrive at a very pretty storefront labelled Glissei's, on an island near the bottom and outer edge of town, leading into a store that sells glass and things-containing-glass of all shapes and sizes and colors.

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She has no reason to take a non-obvious path. She takes a look at the glasswares before trying to speak to anyone. Just double-checking on the telescopes.

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There is a large, obvious sign in red lettering: "If you break any product, you will be responsible for paying recrafting fees or performing labor to account for same. Enforceable by Linral All-Town Agreement #32."

There are telescopes by a window, conveniently labelled 'for demonstration purposes'. They are mostly made of wood and what looks like bone apart from the glass bits, very bulky, and if she looks through one, she will observe that it has weak magnification, it is difficult to adjust the focus.
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Okay, so she can't invent telescopes from scratch, but she can improve on them. If they can make mirrors. Are there mirrors?

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There are mirrors. They are very expensive. They seem to be made entirely of glass and silver. The silver is probably what makes them so expensive.

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Yes, that would tend to be an obstacle here. And they're probably not any more capable of getting aluminum. But they have them, and they could combine them to see a very long way away.

Still, with this kind of materials cost she's going to have to have a collaborator or some interim sort of work. She goes out of the shop and wanders a bit more.
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There are tool shops, and clothes shops, and bakeries, and herbalists, and a lot of recycling workshops that will buy various used-up materials (like paper, wood shavings, or food waste) and sell other things at a slightly higher price.

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She takes note of how the recyclers like things categorized so that when she has anything to throw out she can do it in an orderly manner, and looks at what tools they have in the shops.

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Paper and wood is its own category. There are a lot of plastic objects floating around, since some plastics can be derived from organic things, and there are two main categories of plastic. Glass is its own category. 'Safe' organic waste is a category, as opposed to 'other' organic waste. The boundary is defined in helpful signs. Clothes are their own category. Metal things are generally not given to recycling workshops but sold to or repaired by private crafters. Broken floatcoral can be sold to construction firms.

The best tools are made of bone, the rest are wooden. Metal is too valuable to be used for tools, generally. (Nick's tools were all bone) One can find most purely mechanical tools one wants, from axes to hammers to pliers to shovels to wrenches - though one might have to visit a specialist shop to find, for example, a particular kind of scissors.
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Interesting. Lævateinn can take the place of many but not all conventional tools, but it's good to have an idea of what everyone else is using.

She gets hungry. What's for eating around here?
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Fruit and vegetables and bread things are cheap, meat is sharply expensive. If she wants alcohol, that's cheap enough. She can't afford meat.

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That'll be a change. She doesn't want alcohol. She'll take a veggie pie and a fruit tart. Maybe she should hunt things. If she flew more or less straight up over an island, killed something in midair...? She'd still need a way to transport it from wherever she caught it to a buyer, which means a ship, which is probably out of her reach for now.

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The veggie pie and fruit tart take about half of the money Nick pre-paid her. What little meat there is mostly comes from livestock. Milk and eggs are likewise surprisingly pricy.

Someone tries to steal the rest of her money by casually picking her pocket when they think Loki's not looking.
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She's been around long enough - and had to maneuver invisibly often enough - to cultivate an awareness of the people around her.

She grabs his wrist. She will not be letting go of his wrist.

"Really," she says. "My first day in town. Really."
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He tries to wrench out of her hold and flee. He makes enough noise that, even failing, they attract attention.

"Fuck. Look, I need to eat. My daughter needs to eat. Our farm burned down to bare rock, I don't have anywhere to go."

He does seem to be pretty underfed, and his clothes are scruffy. But he's shaking too much for that to seem like the whole and unaltered truth.
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"And pickpocketing was your first choice?"

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"No, a loan was. But I lost that, too. Bad luck." He glances over to the door and swears again when he sees some sort of official marching toward the table, wearing a green uniform stamped with the town logo.

"Ma'am, sir, please explain this unpleasant situation."
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"This gentleman is telling me his life story," says Loki, smiling. "Excuse me, I'm new in town, I assume you're some kind of official because you match the currency but perhaps you could clarify?"

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"I'm a member of the security council. We maintain a strong presence to keep violence from getting out of hand, and deal with antisocial behavior that could upset the peace. Nobody wants the town to burn down because a grudge gets out of hand. Several people reported a scuffle in here, but since there doesn't seem to be a problem-"

The security councilman recognizes the pickpocket. His hand goes to a wooden stick on his belt, but he doesn't draw it. "Ma'am, that man has a record of violent and impulsive actions. I suggest you cease to associate with him immediately."

"What the fuck am I supposed to do?!" The pickpocket yells, "You want me to just shut up, keep my head down, and let my little girl starve?"

The officer's tone is stonelike. "My role is to keep the peace. Your daughter is not my problem unless she plans to incite violence. You could always sign up for a month in the pipes, or the farms, use your pay to feed her."
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"I thought the lack of a farm was the problem in the first place," remarks Loki. "If there are farms to sign up with...?"

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"It might as well be forced labor," the man says, "They'll feed and house me for the duration, but not my five-year-old who's too little to work. And the pay is - not enough to feed him."

The security man has no comment. He'll just continue staring threateningly at the pickpocket.
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"Him?"

She fixed that glitch.
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"I - uh, have two children..." He sags in defeat. "No. Dammit. I give up."

The security guard grabs the man by his other wrist. "Steven Ortega, you are under arrest for theft and making a public disturbance. Do not resist." He starts to lead the thief away.
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Loki lets him go and collects the coins he grabbed from the floor.

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The other patrons go back to their meals. One comments, "Good job catching him before he got away with it."

It's not quite sunset yet, but it's starting to get close.
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She heads back to the ship.

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Nick is hanging down the side of the ship with the temporary wing, showing it to someone else with animated hand gestures. They shake hands. Nick starts to detach the wing.

He notices Loki after he finishes with the wing.
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"Hello. It's a nice enough town, save the pickpocket," she remarks. "Did you sell the tentacles?"

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"A pickpocket? I imagine he regretted his choice of target. I have arranged the sale but not actually performed it yet. The buyer is supposed to be here to pick it up and pay me any minute now."

"We agreed on the price of one silgram per ten kilograms of tentacle, which works out to 49.3 grams of silver. The local currency is Liams, about 500 liams to a gram of silver, so you get 24 grams of silver and 325 Liams, or 12325 Liams."

The veggie pie and fruit tart cost her two Liams total. Paper was advertised in a shop at 9 Liams per sheet.
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"Yes, I caught him and then someone showed up to arrest him. That sounds like a good deal on the meat. Your half will cover your damages, I hope?"

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"It should take care of the wing and then some. Especially since I managed to sell my temporary replacement. I haven't taken a good look at my internals yet, though. If something important on the inside is subtly destroyed I could be taking a loss. But accidents happen, right?"

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"I'm sure the squid would own its actions with pride."

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"Heh. I guess it's not really an accident. Wildlife attacks happen, then. Well, in an hour you'll have a decent startup fund. Do you have a good idea what you want to do around here or was it a wasted trip?"

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"I'm considering the logistics on taking up squid-hunting, actually, with that price tag. In the shorter term I'm thinking inventing."

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"Meat is pretty valuable in general, but squid in particular is only so ridiculously expensive because hardly anybody human is stupid enough to try to hunt them. You stand a much better chance, obviously, but if you take them down regularly you'll flood the market. There's other airborne wildlife that most people don't bother, though - I can suggest a particular book if you want to take up hunting, and you can prowl bookstores for it. Unless this town has a library? Not all of them do."

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"I don't remember spotting one, but I could have missed it."

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"You can always check later. The book you want is Logs of Life Lighter than Air by Isabella Sand. It's boring to read, but it has very accurate and detailed descriptions of those kind of animals' behavior and morphology and so on."

Nick's squid buyer arrives. She looks rich, given the very fancy-looking clothes and the guards. Squid tentacles are hauled out. Money changes hands. After being excruciatingly polite until the rich lady leaves, Nick comes over to give Loki a small pile of coins - mostly wooden, but with a few copper squares and one small silver circle. He explains which coins are what denominations. "I'll be here for a couple of weeks fixing my ship, if you want to talk to someone who's less than a total stranger. Other than that, I think this is where we part ways. Good luck in all your ventures, Loki."
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"Thank you, and likewise."

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It turns out the squid-buying lady really really likes her squid. She will pay double for more squid-meat, as much as Nick can get. Squid-hunting is a very risky proposition, but for that kind of money it might be worth the risk. Plus, he just recently met someone who might make the whole adventure a lot more survivable.

Over the next few days, Nick does some careful figuring. It is actually possible to return to the same place you came from, just difficult. Predicting the prevailing winds and careful dead reckoning might do it. Of course, he also needs to actually kill the thing.

He finds Loki.
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Loki has rented a small apartment and is spending some of her time hauling things onto and off of ships (faster than a normal person, and therefore for a high per-weight rate) as an odd job to make rent without denting her nest egg, while the glazier puzzles over telescope diagrams.

"Hello, Nick," she says, setting down the last crate in a haul. "What brings you here?"
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"It turns out that Baroness Hath - you know, the lady who bought the squid off us the other day - likes the taste of squid tentacles a lot more than she expected to. She's made me an even more generous offer if I manage to bring her more."

"I figured, you're the one that fought it last time, and quite well too. So I wanted to ask if you would like to go squid-hunting. The money you have so far was just three tentacles' worth. A whole squid at the new price will make us both rich enough to buy a workshop. Same split as before as long as you pay for half the supplies."

"I will warn you that this is somewhat risky, though. It's tricky but doable to come back to the same town we left after we find a squid. But if the squid eats one of us, or breaks through the floatstone shell of my ship... For that kind of money, though, I'm willing to risk it. What do you think?"
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"I will be happy to kill a squid, if you think you can find one for us."

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"I have some ideas, but this scheme is still in the planning stages. I just wanted to make sure you're willing before I spend a lot of time and effort preparing. Did you look for that book?"

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"Not yet, no, but I read quickly."

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"Please find it if you can. I need to refill consumables, expand my coldroom to fit an entire squid, and buy lots of ice. I'm going to disassemble my greenhouse, too, it'll just get smashed if we get into a fight with an adult squid. Would a walkway or platforms around the outside of the ship make it easier to fight a squid? I could build some. I'm already going to make a net launcher to try and tangle it up."

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"An open space to stand on is all I need. The net will help keep it from dying when it isn't above the ship, I suppose."

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"I was also considering a barbed bone-spear. Penetrate deep enough with that and it won't be getting away, dead or alive. I should find some idle hands, get the ship rebuilt sooner rather than later. I'll find you again in a couple of days."

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"I am suitably armed. I do not need a bone spear."

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"You have a ten centimeter knife. What are you going to do, throw it?"

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"No. But I'm not going to show you here."

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"Asgardian technology of some kind, then? Alright, if you say so. Find that book if you can, please, it might tell you how to kill the squid without puncturing its lift bag." Nick turns to leave.

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Loki goes looking for the book after collecting her coins for the crate hauling.

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The town has a public library. The book she wants is not in it. A certain bookstore does have it, and this particular bookstore will let you sit in a comfy sort of cafe area and read things for a much smaller fee than buying it outright. (Paper is expensive, so the book is also rather expensive)

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Then she will sit and read whatever it has on squids.

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There is a lot of dry description on how squids develop, what they eat, where they live, and so on, interspersed with detailed anatomical drawings.

They develop from eggs. Adults have a large main body with a bulbous gas sac above and forty to sixty long, flexible tentacles below. Their eyes are on the bottom of their heads. The brain, mouth, and other organs are in a compact section that has some chitinous armor in adults. Identifiable weak spots near vital organs include the center of the mouth, the eyes, and two joints in the chitin shell that might open a bit when the squid moves.

The squid that attacked Nick's ship was apparently a young one - of the drawings in this book, it looked most like the five-year-old squid. Adult squids are a good four or five times larger, are noted to be faster and more aggressive, and also have sharp claw-like structures on the ends of their tentacles, which typically come with a paralytic poison. Squids are noted to be fairly intelligent, and like to attack things that look like Jellywings, slow creatures that resemble living balloons and eat certain species of floating plants.
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Loki is pretty sure that anything smart enough that she'd have qualms about killing it could tell a jellywings from a ship.

Puncturing the gas sac is undesirable, which will make this a challenge. Probably the best plan will be to get it in the eye. The claws on the tentacles will be annoying, but she isn't trying to fight the squid alongside Thor; it will merely be mildly inconvenient if Nick learns more about her magic powers than she's interested in disclosing right away.

When she has read everything the book has about squids she goes home and notes to the person from whom she has rented the apartment that she's going on a hunting trip and will be departing soon, though she doesn't know exactly when.
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The person she rented the apartment from is surprised! She seems to think Loki is recklessly risk-seeking and makes an annoying attempt to assure her that life is worth living without adrenaline rushes.

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"I will be fine," Loki says. "I can't speak to the fellow who is conveying me, but he seems to think the risk worthwhile. Your concern is appreciated."

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Her landlady frets, but relents.

Several days pass with no word from Nick, though a lot of people of various sorts visit his ship. The greenhouse's plants disappear, its glass is packed away, the stone framework goes down, a smooth platform with convenient railings and poles for balancing on replace it. A large section of the cargo bay is emptied and walled off with heat-trapping fur on either side of the walls.

Five days later, another freighter bringing ice comes from the cold high-altitude high-latitude ice farms. Nick buys the entire load, fills the walled section, and comes to inform Loki that it's time to go.
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Loki brings her armor, of course. She might be fighting something with poison spikes. Lævateinn pretends to be a switchblade at her belt.

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"Is that all you're bringing? I can probably find my way back here, but you should still bring anything you don't want to lose - change your wood coins for metal, bring that paper you wanted so badly, and anything else you've bought since then."

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Loki has a little bag. It clinks when she pats it. "I'm all set."

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"Alright, then. Off we go!" Their first task is to ascend to the squids' usual haunt. "I hope we find a jellywing pack on the way up, though. If we catch a few and use their innards to paint the top of the ship green, we can probably get a squid to come to us."

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"If I see any I'll nab them."

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A few hours later, the ship is safely clear of the high-traffic area near the busy town of Liam and Nick's attitude relaxes from really-quite-nervous back into the more standard slightly nervous.

"I remember asking about Asgard, but I don't think you ever answered. What do people do for a living there? Probably there's farmers, everyone needs food, but what else?"
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"Oh, lots of things. There are craftspeople and healers. Scholars, explorers, warriors."

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"You really only find those specialized jobs in big towns here. A few adventurers try to explore the upper latitudes in hope of finding leftover technology from the orignal settlers. I even considered trying it once. Would you call the town guards warriors? They would use slingshots to drive off pirates or beasts if the town was attacked."

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"I suppose they could call themselves warriors, yes."

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"You seem amused. No doubt you could win against a dozen of them, but that's not what I meant. Whatever." He goes to listen to engine two, which is still acting up a bit.

On this trip, Loki has night work. She needs to take careful records of the ship's direction and wind speed when Nick is too asleep to do it. These measurements will be used to find their way back.
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Well, she can do that, then. Diligently and with excellent handwriting.

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Nick appreciates the diligence and says so. "I swore never to take passengers again a few years ago. You're much better than the people who caused that oath."

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"I'm glad they weren't bad enough for you to abandon me on that empty island."

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"Well, call me a bleeding heart. You didn't have a house or tools or anything. You probably could have fed yourself, but you'd have been pretty miserable the first time a storm came along. Those idiot passengers are why I laid out a lot of rules for you on the first trip, though I know you enough to trust you have common sense now."

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"What did the idiots do? And why were you carrying them to begin with?"

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"I was carrying them because they paid me to take them away from an overcrowded town to someplace new, with lots of supplies. They broke one of my control systems by messing with it, stole three of my flags, punctured one of my gas sacs, complained about the food and water rationing despite my warnings about it beforehand, threw trash overboard instead of putting it somewhere out of the way so I could recycle it later, wouldn't clean up their own meals, disorganized my cargo bay, left the coldroom open and ruined all the ice and meat!"

By the end of this he's yelling. He takes a deep breath. "I try to screen people for common sense before talking to them for more than five minutes or inviting them onto my ship. Other people are three quarters of why I don't have a bigger ship - this is the largest one I can manage by myself. I built her from scratch."
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"Impressive. Both that you built this thing and that you didn't tie them up and dangle them out the window halfway through the trip."

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"I considered it. But they were paying me, after all. And there were nine of them to one me - a sword isn't enough to make up the difference."

Is that a storm approaching from the east? It is! Nick moves to point the ship west and considers. "This is a problem. It's a large-front storm and we're right in the middle of its path. We're closer to the bottom limit of the storm, but we need to go up. So either we backtrack, or we risk not getting above it in time."

He acquires paper and starts doing some math.
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Loki, having neither relevant meteorological expertise nor weather magic, stays out of his way while he does that.

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He asks her to add and subtract a few large numbers while he runs for a book. Comparing the results with something in the book, he declares, "I think we can make it over. I'll start maneuvering, you close all the doors and hatches."

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She goes and closes all the doors and hatches, of course.

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Something comes over him. That constant aura of 'slightly nervous' disappears - he is doing nothing but flying the ship, manipulating the controls almost as if they are extensions of his body. Loki would be in the way here.

This state of affairs continues for about an hour and a half. There is some violent shaking in the middle bits, but eventually they are clear of the storm.

"I think I need a nap."
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"I wouldn't blame you. That was impressive to watch."

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"Was it, really? It's just a matter of focus. I wasn't even aware you were still here. Anyone can - get in a rhythm like that if they have a good reason to."

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"Yes. But only in areas of great expertise. Someone who doesn't know what they're doing will choke instead."

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"Hum. Well, thank you. I'll be taking that nap now, would you mind watching the wind? No wait, I should estimate how far that storm flung us first."

He writes some things down. Then he goes to bed.
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And Loki watches the wind.

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A few hours later: "Nothing broke while I was asleep, right? I should have done a check earlier. Nothing feels wrong, at least, I built this thing tough. Oh, and thanks to the homesick angel I pulled to get us above the storm, we're close to squid-territory now."

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"I didn't notice anything awry. Homesick angel?"

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"You'd have noticed. Ah, homesick angel is a colloquialism. An old religion thought that divine... Winged things called angels live in the hydrogen layer, so a ship ascending as fast as possible is like an angel trying to go home. Hence the phrase."

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"Huh. Cute."

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"It is, isn't it? I don't think my ship bears much resemblance to anything divine, much as I love it. I should go maintain the mechanisms, but if you have decent vision, soon would be a good time to find a jellywings."

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"My eyes are good," she says, and she goes up and looks for jellywings.

If it takes too long to find any and they don't attack the ship either, she may see what squids think of illusion jellywings. She probably can't make them really convincing having only seen a picture, but it would get a squid to come out of hiding, and then she could spear it.
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There are various flying and floating critters here and there. Some even take a rest on top of the ship. But none of them are the massive floating balloons that squids like to eat so much.

Nick doesn't seem to be too worried. "I brought plenty of food and water, and the gas cells were full. We can cruise around for a few days, no rush. The only thing is that every hour does make it trickier to get back again."
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"Can you keep a secret?"
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"That's like asking, do you want to make a deal? Depends on the deal. Depends on the secret. I don't normally have a good reason to gossip, at least."

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"What would you consider a good reason to gossip?"

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"I'm mostly wary of unconditional promises. If there is a compelling reason to reveal something I promised to keep secret, I will reveal the secret. If I promise to, I don't know, keep it secret that I saw someone hanging out in front of an abandoned building. Discovering them with a bloody knife and hearing that someone was murdered inside is a good reason. Thinking that abandoned buildings should be left alone is not a good reason."

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"Mm. Well. I can do a number of things which I have not told you about. I would like to disclose one of them so as to speed this excursion up. I assure you that if you ever hear of a murder which could only have been committed with the use of my unusual abilities you will not be obliged to keep your promises to me, but do I otherwise have your word on your silence?"

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"I knew something was up. Yes, you have my word."

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"Lots of things are up. The thing I have in mind is -" She holds her hand out palm-up. She appears an illusory jellywings there, revolving slowly on the spot. "Squid bait."

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"Is that technology, or magic?"
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"Magic."

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"So magic is not just a thing that happens, see you dropping into Cloudbank for no good reason. But bending the laws of physics a thing that people can do. I want to learn."

"...Once we've gotten the squid. If I can."
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"I could try, but I've never taught before. I'm largely self-educated myself so I have no tutors to imitate. Also, spell development takes decades."

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"Decades. Yes, that could be a problem. We humans only have a few of them to work with, you know. Here I am thinking about dozens of problems I would solve if I could just cheat a little, but it's never that easy. Hmm, I suspect you can't conjure metal. I would have conjured and sold a solid ton of the stuff if I could have."

"But I'm getting sidetracked. For now: Squid. The best way to attract it would be a large, injured-looking jellywings. The older and bigger they are, the more they accumulate damage and the easier they are for squid to hunt. Shall I keep the ship as steady as possible while you attempt to lure in our ticket to riches?"
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"Yes, do. Is my animation decent? I've only seen pictures of the creatures."

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"Good enough. Squid are smarter than most critters, but they're still pretty stupid. One attacked my ship just because the roof was a little green, remember?"

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"I do. All right, do you want to be anywhere in particular while I bait squids?"

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"I'll be flying the ship, trying to keep her as steady as possible for you. Let me fly well clear of any islands first. If that thing knocks around my ship, and it will, I don't want to crack open against one."

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"Sure. Say when." The mini-jellywings disappears.

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After a few minutes: "Now is fine."

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Loki draws her "little knife".

She looks up, and puts an illusion jellywings with a nasty wound in its side above the ship, at an angle convenient for her to stab at and beyond.
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No squids immediately attack. If they're as rare as bears and other monsters are in Asgard, it'll take an hour or two before one finds them.

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Yep. The jellywings drifts around disconsolately.

Hmm.

"Hey, do jellywings usually make noise?"
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"I don't think so. Not that humans can hear, at least. A wounded one might smell like hydrogen sulfide though. Should I vent a little gas from the ship? The effect would be similar."

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"Might help. I can't do smells with my spell."

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He pulls a lever. The ship starts to sink a little bit, and the stink of rotten eggs fills the air.

A few minutes later, spike-tipped tentacles suddenly close on the illusion jellywings from all sides.
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And before it has much time to react to the illusion being completely insubstantial, it gets a barbed spear to the eye.

(The gas is mildly poisonous. She clears it from her system with half a thought.)
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The squid reacts quickly, suddenly flexing all its tentacles. The reaction force to this motion shoves its head a foot and a half away from where Loki expected it to be. The spear hits hard chitin with a loud CHUNK.

It's angry now. Loki doesn't need to worry about it running away.
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Good. That's easier, some ways.

She doesn't try to cut off any tentacles right away. The last one ran off when she did that.

This spear can be as long as she wants it to be. Spear in the eye, overshooting in case it flinches away again.
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The tentacles don't have any qualms about going after her, though. A few wrap around the ship. Most come at her from all sides.

The spear goes in the eye this time.
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She's armored up. She can heal whatever damage it does. That said, she turns invisible and dodges rather than be a still and obvious target.

She shortens the haft of her spear, drawing her and the squid closer together - it is light enough to float and she is not, so this draws it down rather than her up.

She twists.
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A few of the tentacles' spikes graze her. One hits exposed skin. It turns out that, yes, they are poisoned. One tries to wrap around her leg, but can't quite manage to keep its hold when Loki dodges invisibly.

It's light enough to float and she's not, but it's also very big. Loki loses her footing is forced to grab one of the railings around the fighting platform, or go up. Given how the tentacles are arranged, though, closer to its mouth might actually the safest place to be.

The squid screams in pain when the spear twists, but it's not done fighting yet.
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She has no reason not to heal herself today, so she does.

She shortens the spear further. She'll go up; she can pull tricks with leverage if it tries to drag her away from the ship.

If she can get close enough to cling to it and stab it between the chitin she'll take the shot.
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A tentacle finds the glass-walled control room, where Nick is. The ship jerks to the right sharply, then starts turning in a circle.

She gets close enough to cling to the base of one of the tentacles. It's slippery and squishy and slimy, but it's solid enough to hold onto.

When the squid tries to shake her off, a gap opens in the chitin.
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Lævateinn instantly smooths, shrinks into her hand, and goes long and sharp and barbed again between the plates.

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The squid is really really upset by this. Thanks to how its body is fitted together, wedging the chitin open has made it pretty much immobile. A good half of those tentacles are still moving around angrily, though.

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The weapon gets a little wider. It sprouts a few more barbs. Doesn't this thing have a brain?

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It does have a brain, and Lævateinn finally found it. The squid goes limp.

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Excellent.

Loki jumps off the squid to the ship, Lævateinn lengthening after to guide the drop and keep the squid under control.

"All done!"
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There is not an immediate response. One of the tentacles went limp inside the ship's control room.

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"Nick?"

Oh, damn.

Loki ties a tentacle to the ship's railing and runs down. "Nick?"
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She will find him bleeding from the head and slumped against a wall. His sword is stabbed into the limp tentacle.

"I'm okay. Mostly." He tries to get up. He stops trying to get up. "Ow. It didn't poison me, just slammed me into the wall. Did y'kill it?"
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"It's dead and tied to a railing by its tentacle." She looks at him for a moment, then sighs and taps him on the head. Ker-heal.

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"...Ow?" He stands up. "Wha- I feel better than I've felt all week. How many decades did that one take?"

"...Sarcasm aside, thank you."
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"Fifteen," says Loki.

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"I can't even imagine. It took me fifteen months to build my ship."

Noticing where his sword is, "Oh, I did manage to hit it after all. Not that it did much good."
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"Well, it's very intellectually stimulating work but I go through a lot of paper. That was one of the more time-consuming spells. The other healing ones built on some of the same groundwork, they didn't take as long. My first was fifty years. Is this the only room it tentacled its way into?"

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"I think so, yes. It's the only room with any glass left. But, hey, we have a squid! Let's go start cutting off tentacles and putting them in the ice room."

He extracts his sword. There's a tentacle here, might as well get to work! Remove the last foot of the thing first, carefully, poison glands and all. Then cut it into light-enough-to-lift segments and carry the whole pile into the ice-room.

After taking care of the tentacle, well, there's some four dozen more up top so he heads to the roof.
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Loki saws off tentacles too. With her little knife. Small doses.

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After a while, Nick says, "I'm going to start trying to backtrack. Do you mind letting me know when the other tentacles are done? I want to try to recover the central body. That chitin looks inches thick, a solid piece of bone that big will make some great tools."

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"Sure. And I assume the gas sac is still meant to be kept intact?"

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"For now at least. The weight of all this squid without its gas sac will be good when we're ready to go back down."

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"You can't, say, sell the sac? Will it eventually deflate on its own even if we don't cut it?"

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"No and yes. Human-made gas sacs use goldbeater's skin, which is basically dried cow guts. Without a living creature to feed it, the squid's gas sac will die and start to decay within a week. Same way with any other floating critters."

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"All right."

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So Nick gathers all the notes on direction and speed from the last few days, opens his navigation book to a wind chart, and starts calculating.

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Which Loki does not interfere with.

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And by sunset the squid is packed away, gas sac safely disposed of, the engines are humming, and Nick predicts a two-day return journey.

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"Nicely uneventful. Although you might want to consider investing in a helmet if there's the demand to support making a habit of this."

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"Or possibly just some stronger glass - you seemed to be just fine by yourself up there. No need for me to get close to poison-spined tentacles if I don't have to."

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"Of course. I've killed nastier monsters, some while unable to use magic."

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"Oh, like what? And did you learn anything useful from this one?"

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"My first solo was a wyvern," she reminisces. "I had its tail made into a knife but I don't have it with me. Mostly I had my sister along, helping, sometimes her friends too. This one, well, yes, one always learns things, but nothing easily put into words."

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"I feel the same way about airships and storms. Hard to put into words. Maybe... Maybe you could show me how to fight, or how to magic? All I managed to do to the squid was stab randomly."

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"Teaching you to fight would be easier than teaching you magic. That I was conventionally taught, and it's quite common for even peers to show each other things, so I've more than no experience with it."

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"Shall I fetch my sword, or should I start with fists or at least something less... Sharp?"

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"You are not likely to hurt me with your sword, and if you do I can fix it. We can begin with unarmed if you prefer though."

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"It seems sensible." He is much too polite to attack first and see if he can get some kind of advantage with even a minimal amount of surprise. But it looks like he considered it.

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"We'll want a decent amount of space. And you will spend a lot of time violently encountering the floor and may want a mat of some kind."

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"Well, the cargo bay is full and the rest of the ship is pretty narrow. The platform on the roof and some furs? They're probably the best padding I have - there are some rubber things in my mechanisms but not enough to make a mat. We can wear ropes so we won't fall off completely."

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"Furs are fine if that's all you have. I'll skip the rope, but you can wear one, just be aware that they're going to throw off your form and limit your ability to move in three dimensions."

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"If I'm going to be fighting someone for real, I'll probably be fighting with a rope attached and so will they. Nobody wants to fall into the deeps."

They proceed to the roof. Nick spreads some furs, using twine to tie them together into a thick mat.
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"If by 'for real' you mean 'with intent to kill' that will last until they cut your rope, which cannot defend itself, or grab it to make you lose your footing. Did you mean something else?"

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"...Good point. I was referring to the fact that all the stories of pirates I've heard of involve them descending by rope and fighting the target ship's crew with everyone still attached to their ropes. I had a friend who survived a pirate attack once, and to hear him tell it neither side fought to kill. But stories are stories, and you're the one with real experience fighting things so I should trust your judgement."

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"Pirates might want a ransom," she says. "Which its own tactical situation. You might benefit from learning to fight with a rope, but it'd be a handicap on your expertise any time you tried to work without one."

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"Then let's fight without one. Just be careful not to throw me too close to the edge."

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"I will be very mindful of the edge. But at first I'm not going to throw you. You're going to throw yourself so that you can learn to land correctly without hitting your head, hurting your neck, or catching an elbow wrong."

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He follows Loki's instructions as best he can. It helps a bit that he's lived his whole life on flying objects, he has better balance and recovery than an untrained Midgardian would have. But not that much better.

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And she corrects his stance and his technique. Relentlessly. And when he screws up, well, the cat is out of the bag on her healing; she heals him.

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The healing makes it a lot easier to keep trying. After about two hours, though, the sun stops providing adequate light to practice by.

"Damn, I forgot to set down somewhere. Can your illusions do bright light?"
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"Yes. Are you sure you should stay up, though?"

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"Just long enough to get us attached to an island. Somehow they avoid hitting each other all on their own, so attaching yourself to one is a good way to stay safe."

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"All right. What sort of light will be best?"

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He looks around. There's still, barely, enough light to see outlines. "We should head for that one. Can you shine a beam on it, bright enough to see details? And enough light for me to see the controls and dials, too."

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Now the island is bathed in clear white light, and there is a little blob of more light over Nick's head, which will follow him when he walks.

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With such helpful illumination, it's no trouble at all to maneuver next to the island and tie the ship to various trees and spars of rock.

"Goodnight."
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"Night."

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The next morning, Nick is up at exactly sunrise. While making breakfast, he notices something. That bag of flour seems strangely lighter than it did yesterday. He experiments by throwing various objects across the room.

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Loki hears the racket. "What are you doing?"

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"Does your healing spell happen to repair muscle fatigue as well? I'm a fair bit stronger than I was yesterday, as if I've been practicing fighting for weeks."

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"It will not repair all the symptoms of exhaustion. You will need enough food to support the exercise you're doing and so on. But it will repair any injury, and I suppose that could lead to very noticeable effects on a Midgardian."

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"Yes, it is very noticeable. Now that I'm done embarrassing myself, we should do some maintenance. It's never a good idea to go very long without maintenance. You've been on this ship twice now, you know how to check the gas cells and water tanks and so on, yes?"

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"I can likely do that, yes."

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"Excellent, thanks. I'll have a look the engines and controls while you do, they're much more... Picky. Custom-built."

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"Of course."

She goes and checks on things.
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So does Nick.

The central room with all the gas cells smells faintly of rotten eggs.
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Of course it does.

"Leaking cell," she hollers.
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"Damn, damn, damn. Figure out which one!"

He runs for the cargo bay, intent on thread and patches of goldbeater's skin.
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The cells are opaque. She puts a bright blue illusion light in each, looking for where it shines out.

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There, right side, second from the front. It looks like one of the seams between pieces of skin popped open.

Nick comes back with his thread. With the bright blue light making the leak obvious, he carefully lays down the glue-soaked patch, trying not to open up any more holes. A bone needle pushes thread through to hold it in place, and the material is flexible enough to seal up again over the needle-holes.

"Good catch. I could barely smell it from that side of the room. Now we get to be even more careful about sparks and check over each and every every cell thoroughly, what fun."
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"Delight. Perhaps my next spell project will be the transmutation of matter."

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"That would be incredibly useful around here. We don't have enough of the kinds of matter we actually want."

They check the cells thoroughly. No further leaks are evident. With a few windows open, the smell slowly dissipates over the next few hours.

After lunch and some further chores, Nick would like to continue learning to fight.
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Well, then, he gets a review of all the ways to fall, and then he can learn to retain his grip on someone he's trying to keep hold of. Loki doesn't break any of his fingers - she doesn't rely on mere superior strength to break his incorrect grips at all. If he does it wrong a little twist of her arm will free her wrist.

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He manages to learn the grips fairly quickly, though using leverage correctly escapes him for a while. Gripping things and climbing around is an essential part of living on an airship - a few new ways to do it to a person and not a rope are quickly learned when he leans on the old patterns.

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Lovely.

Well, if he's got that down, it's time to start playing with footwork.

He remembers how to fall, right? Because she's going to trip him.
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He falls. A lot. Correctly, for the most part. He's usually good at dealing with his feet being in uncomfortable places, but not when it comes in the form of a sharp pull on his leg or a sudden unexpected obstacle. He's also hopeless at trying to trip Loki in return.

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Well, that's reasonable. She's heavy and several hundred years old.

She can do this way longer than he can, too.
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He doesn't seem to notice that he's getting slower and weaker and sweatier. He does notice when an island drifts into the ship's path, though, so he declares fighting practice over and goes to handle the controls.

After that's done, "When did I get so thirsty?"
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"When you sweated for several hours, probably."

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"Yes, probably. You may have noticed by now, but I have a tendency to focus on one or two things, sometimes to my detriment. How do you think I'm doing at fighting, by the way?"

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"Not at all badly for your first few days, but we're still in the maneuvering stages. I haven't seen you throw a punch."

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"I was wondering about when you planned for me to start hitting things. You're the expert here, so I didn't want to ask."

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"Moving without hitting things is more useful than hitting things without moving, so this is the accustomed order, but we can start on that next time."

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"Sounds good. By the way, if my math is right we should get back to the town around lunchtime tomorrow."

For now, though, it is clearly time for dinner. And then some more chores. And then bed.
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And then they can spend the morning teaching him to hit things. Such as Loki, who can take a Midgardian's fist to the nose without flinching if he happens to hit her, which he doesn't.

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He seems to be watching himself for signs of tiredness this time, since he gives up and takes a break much sooner.

They arrive at the town. There is a careful dance of ascending and descending and left and right. Apart from Nick swearing at the pilot of another ship with poor maneuvering skills (Nick's ship comes off better from the encounter, it's made of rock and the other one is not), nothing particularly exciting happens.

The squid-lady apparently had someone watching the skies for Nick's ship. She is waiting eagerly by the docks. With her fine clothes and guards, of course.
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Loki disembarks and sketches a privately ironic bow. "I've killed a squid for you."

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"And I will pay you for it," she replies. "As soon as I receive it, of course."

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"Certainly."

Loki hauls out squid bits.
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The rich lady has someone inspect and weigh them. Nick watches carefully. He mentions that he and Loki have some other squid-parts, too, would she like to see them and make an offer? She would.

Nick is a good negotiator. Unless Loki objects or wants to keep a trophy, he sells every part of the squid, from the poison barbs to the teeth to the deflated gas sac, except the chitin shell, which he wants to keep for himself.
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Loki doesn't object and has no need for a prize from this squid.

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When the prices are all settled and the accounting finished, Baroness Hath opens up a small chest and starts counting out coins.

When she's finished, she addresses both of them. "I would like to invite the two of you to a feast in your honor, two days from now, if you would accept. We will eat the first of this wonderful bounty there."

Nick glances at Loki.
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"That sounds delightful. I accept."

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"I accept as well," Nick adds.

The Baroness nods. "My staff will contact you with details. Any clothing of reasonable quality will be appropriate so long as it... Minimizes exposure." She leaves.

Nick turns to Loki. "Your share is 2060 grams of silver. My share is 1900 grams. The difference is to account for the chitin shell, as if I'd bought your half of it. Does this sound reasonable? I have the accounting all right here, if you wish to check."
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"I make no objection."

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"I'm surprised you're just... Trusting me to handle the money. I wouldn't trust me to handle the money. Since it's such a large amount, I would appreciate it if you looked over my math either way."

The math is in long rows of neat handwriting. The figures line up perfectly, every part of the squid accounted for, as well as the original cost of squid-hunting supplies.
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"Your math is correct. I have little enough familiarity with the markets that I cannot but trust your pricing of the chitin, but you came to ready agreement with the Baroness on the other parts. And if I find that you have been cheating me, I will be very angry with you. Should this not suffice?"

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"I'm too used to never seeing people who manage to cheat me again. The world is in constant motion, and you're only likely to find someone you look for at great effort and expense or by chance five years later."

"When I originally dropped you off here, I fully expected not to see you again for many years, if ever. Then the squid-hunting opportunity came up. I might have just wandered off again, but with this much money I suppose I shall take a break from wandering."
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"Then it is all the more likely that you expect I will not find you have been cheating me, is it not?"

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"Indeed. But I gave you the chance to verify that I am not cheating you, since I would have expected the same."

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"I appreciate that."

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"It seems like common courtesy. In any case, enjoy your hard-earned wealth! I'm off to buy a nice steak, and then lots of supplies and hired hands for my ship."

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"Enjoy."

Loki changes some of her silver for wooden coins, gets lunch - until she has a reliable income she will stick with vegetarianism - and then goes to visit the glazier she was talking to. She could probably buy her own workshop now, but she has little desire to churn out telescopes by hand. She would rather get a cut of what he profits by making them and spend her time on magic and exploring her new surroundings.
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The glazier is rather surprised to see her. He had heard that she left a few days ago. It seems the expectation of never seeing someone again is strongly rooted. He still has her telescope diagrams, but has not yet attempted to construct one. He has questions - first of all, where does she expect to get enough silver to make mirrors on any kind of scale. Second of all, how in the world is he supposed to make a curved mirror?!?

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Working from memory without any of the notes she took while studying optics makes it difficult, but she does her best to render the steps into something he'll be able to do. He should certainly make one prototype and see how easily he can sell that before he tries to churn out a great many improved telescopes, she does not disagree.

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He agrees to follow her instructions and try to make various pieces of unsilvered glass in the correct shape. Making the glass in the first place will certainly be the most difficult part of the construction if not the most expensive.

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Then isn't it lucky she has a glazier?

She wants fifty percent of whatever he makes on the telescope, less the materials cost.
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The glassmaker is not familiar with this kind of telescope. He doesn't want to make them himself or be too invested in such a strange project until it proves its worth.

He is, however, willing to develop mirrored lenses to specification for a reasonable price plus materials cost, and let her build and sell the telescopes herself or hire someone else to do it.
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Fine, fine. She'll pay him to make the components and assemble a prototype.

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It will take the glassmaker a few rounds of prototypes to produce an acceptable lens. In the meantime, Baroness Hath's feast arrives. She is contacted by one of the guards and given an address and a time to arrive. The address contains a fancy manor. It's constructed largely of wood and glass, in contrast to the floatstone buildings everyone else uses. Nick is at the door at the appropriate time.

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Loki is on time too. She has even bought a set of more local clothes so that she doesn't need to look so outlandish all the time.

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They are shown in. The feast takes place in a large room walled almost entirely in warmly-colored decorative stained glass.

Baroness Hath stands up. The room slowly quiets, and then she announces them. "Let us welcome the brave hunters Loki and Nicholas, who brought us the meat of a great beast! With this feast, we will celebrate one hundred and eighty years since the founding of the fine town of Liam!"

More quietly, she tells them, "If you would like to tell the tale I'm sure we would all enjoy hearing it. But if you don't want to that is fine as well."

There is lots of meat, lots of alcohol, lots of everything. It's all fresh, and whoever cooked it is excellent.

Squid really is delicious, once you get used to the texture.
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Loki likes feasts. She is gentle with the alcohol, enjoys the meat, and can live with the mouthfeel of her kill for a polite serving's worth. "It's not so much of a tale. We went up, a squid visited us, and then I stabbed it until it died, the ship somewhat the worse for wear."

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"It's still more adventure than most people are comfortable with," Nick comments. "After all, one does not generally go up for the express purpose of being attacked by a squid."

"If you are so modest, then it is all the more credit to you." Baroness Hath raises one more toast to the squid-hunters, but it's pretty clear that this feast is not really about them.

A few people seem to have a little too much to drink, and are 'advised' by the green-uniformed and stone sober Security Councilmen to leave. The security council is clearly well-respected. These rich and powerful people obey their judgement without questioning, even when drunk.

Nick decides to leave after about an hour and a half. "As nice as this feast is," he tells Loki, "I can't help but thinking it would be twice as good with half the people. And that's a sign that I've had enough 'socializing' for one day."
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"As you like. I think I'll stay a bit longer."

Loki herself will want a good long while alone in her apartment sketching out spell-parts after this, but she's endured longer feasts that were less informative.
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Baroness Hath spends much of the evening semi-drunkenly ranting about how this is the best-run and safest town within four hundred kilometers, she works hard to keep it that way so doesn't she deserve a night off and a nice delicacy once in a while? She also apparently heard that Loki likes books from somewhere. She presses several books about the town's history on Loki about halfway through this rant.

The feast could be considered over when more than a third of all persons still present are asleep/passed out drunk.
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Then Loki will go home with her books and feel quite content with the results of the evening.

And she gets cracking on a transmutation spell.

This should actually not be that hard for anything chemically simple - pure elements. A full version that will interact with things like wood will certainly take a very, very long time, and this project uses almost nothing high-level she remembers from her previous spellwork, but turning any single-element into any other single-element, particularly if she preserves mass, might be doable in only ten to fifteen years. Of course, the most common elements here are gases that will yield very little mass - even the rock is probably admixed silica - but hydrogen is cheap and metal is expensive and both of these things are elements.
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The glassmaker contacts her the next day and shows her an array of sixty or so attempts at the right shape for a mirror-telescope-lens. Some of them are close, but not quite good enough.

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She identifies the ones that are closest and tells him what the matter is with those and sends him back for another try.

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This time the result is nearly perfect. He has a little trouble making the glass completely smooth because he doesn't have any steel tools, but the current results should be good enough for a prototype. Can he have some silver with which to turn the two required lenses into mirrors?

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Yes he can.

...Hmm, after she smooths out the small imperfections a little with an appropriately changed Lævateinn, he can have them back to do that with.
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The result is hand-delivered to her door the next morning. Two curved mirrors packed in cloth padding, the exact shape and size needed for the telescope Loki has in mind. She has had plenty of time to secure the other materials she needs.

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She thanks the glazier, collects everything else, experiments with various configurations until she finds the best one, and comes up with the prototype. She wraps the barrel of the telescope in soft material so that it can absorb slightly more knocking around than a precision instrument intended to be mounted on a stable surface. There are no really stable surfaces.

Then she goes looking for buyers, presuming that they'll probably be someone with a ship but not necessarily.
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Nick would like to try out the telescope before making an offer on it.

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He may do that! So may anyone else who'd like to. With the understanding that if they break it they owe her the cost of the commissioned lenses and the materials.

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Nick is extremely impressed with the telescope. "As clever as Lost Technology" is the exact phrase he uses. He thinks it could use some more stabilization, but that's something he can do himself.

He gets into a small bidding war with another ship-owner and pays 140 grams of silver for it, a little over twice the cost of materials and netting Loki more profit than six months' wage as a crate-hauler.
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Lovely. She tells the other ship-owner that she can have another ready soon if he'd still like one.