"So this one might not be the best example because I've kind of already worked ninety percent of it out but I think it's kind of—emblematic. And it wasn't really that bad, either, because it was with Haru, and—I feel safe with him.
"We didn't start dating until very recently, and for one reason or another we hadn't really gone on any proper dates until then. And when we did I had—some suggestions for what we could do, involving me showing him around Seoul some since he hadn't had the opportunity, and doing some nice things, and he—shot down some of my ideas. ...that sounds harsher than I mean. Concretely, one of the things I suggested was taking him to a nice fancy romantic restaurant, and he said that he wasn't really much of a foodie and that some of the effect of that would be lost on him. I did have other suggestions, and we went with some of them, but it felt really bad for him to refuse a couple of the ones that I felt were most—centrally romantic, like the kinds of things you see in movies.
"And it's not like a picnic by the Han river isn't also the kind of romantic thing you see in movies. And it took me a bit to understand where I was coming from, why I had felt bad, and—had it been someone else I probably just wouldn't have suggested something that had the possibility of being rejected. I've lived a lot of my life like that, only suggesting things I know will be accepted, only making requests I know I'll get. With him I didn't—don't, anymore—and so it got rejected, and I felt like I wanted to roll back and try again, wanted to have a redo of that conversation in which I effortlessly suggested only and exactly the things that he'd like the most out of a first date, be the perfectly discerning boyfriend.
"Because if I'm not the perfect boyfriend then he might leave, and that'd be awful. Because if he rejects something I wanted then that means he is fundamentally rejecting a part of who I am—I don't actually think that, to be clear, but that's what it felt like and I think it would've wormed its way into my subconscious if I hadn't explicitly tried to figure out why I felt the way I felt afterwards. Because of course his taste is perfect and flawless and it's me who should change and adapt and I should guarantee he never ever has a bad time in our relationship and it's all sun and roses forever and we have a beautiful Autumn wedding in Canada. If he ever has a bad time he might leave, and that'd be awful.
"And one thing that I thought, later, when I was putting my feelings under the microscope, was that that was all very stupid and also Haru wants to be in a relationship with me and relationships aren't things where everything is perfect forever, they're things where you're prioritising the other person highly and you want them to be happy and that will sometimes mean doing things you don't want to do or make sacrifices for them and that this is symmetrical and it shouldn't always be me who makes sacrifices because if it is then it's not a relationship it's just slavery. And obviously this is so small, small enough that after I had distilled all of these thoughts into their component parts I actually no longer cared about the restaurant. I figured out that I ought to ask things of him, when they mattered to me, and we could talk about what would make both of us happiest."