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voler le feu des dieux
tintin gets exiled on accident
Permalink Mark Unread

Valentin Saint-Martin (Tintin to his friends) is, without exaggeration or boast, one of the best journalists in Citadel space.

He's good at a lot of other things: tech, biotics, doubles skyball. He still wears the N7 jacket from his ill-fated stint in the Alliance military, sometimes. But he wasn't made for the chain of command, or for gunning down batarians too unlucky to be born into a society that isn't a heaping trash fire. So now he's an investigative journalist - the only one who could survive the stories he takes on.

But being a journalist is more of a calling than a day job. (He's a freelancer, he can't abide sitting in an office.) The rest of the time, he does odd jobs. More often than he'd like to admit, he's a relic hunter.

Currently he's tracking down a prothean orb stolen from the Illium Museum of Antiquarian Arts and Technologies. The culprit was a salarian who thought he was much more clever than he actually was, which is not uncommon for salarians. Tintin beat seven kinds of Hell out of him and found the artifact "hidden" in a fishtank in his apartment. Sighing, he reaches in and grabs it - 

- and suddenly he's somewhere else. A desert. It's dark, even with a bright moon overhead, and his eyes adjust after a few seconds of near-total blindness.

"Milou, where in the blazes am I?" he asks his omni-tool, looking around wildly. One moderately sized white moon, habitable without a suit... but it can't be.

"Downloaded star charts indicate North Africa, Earth, Sol system, Local Cluster," says his VI.

"How did I get to Earth from Omega?" he asks rhetorically. "-is there even anywhere on Earth with this little light pollution? Send a message to Haddock asking him to pick me up."

Milou hums, then stops short. "Extranet access unavailable," it says sadly.

"-on Earth?"

"Extranet access unavailable," it repeats.

He sighs, and checks himself over. He's got his backpack, which mostly just contains snacks and extra canisters of medi-gel and omni-gel. He's got his heavy pistol. He's got his omni-tool. Which is all he should really need.

He sighs, and starts walking in a randomly chosen direction.

Permalink Mark Unread

All randomly chosen directions are about the same, so that seems valid. The way in which they are all about the same, though, is kind of curious; North Africa seems to have a lot more dimly visible distant ruins of megastructures than his history books and/or memory would suggest, and they certainly don't look anything like, say, Ancient Egyptian pyramids or anything like that.

Permalink Mark Unread

...curiouser and curiouser.

Tintin course-corrects to go towards the nearest visible ruin. If it's inhabited, that lets him interface with people; if it isn't, he's got shelter and a place to sleep during the hot day.

Permalink Mark Unread

Nearest visible ruin is perhaps an hour's walk north.

Permalink Mark Unread

Tintin can walk that far; he was fully prepared to trudge through the sand all night. On he treks, weighing the pros and cons of fabricating himself a hermetic suit to keep the sand out of his shoes.

Permalink Mark Unread

The hissing of a snake coming from over yonder to the west will probably be heard before he has finished weighing said pros and cons. If he looks, he will see a cobra! The head of the cobra is approximately the size of his torso and the rest of the snake's body is proportionally longer.

Permalink Mark Unread

Tintin has a gun. He doesn't like shooting people, but a snake is not a people.

A nearly microscopic osmium flechette drills between the cobra's eyes at barely sublight speeds.

Permalink Mark Unread

It dies with very little fanfare.

Permalink Mark Unread

Tintin starts to move on, then thinks better of it and spends a few minutes with his omni-tool stripping the meat from the snake and generating a few coldpacks to pack it in. He doesn't know how much wildlife there is around here, and he's heard decent things about snake meat.

After some consideration, he also takes its venom glands. He doesn't know if this is a known species, and Professor Tournesol would never forgive him if he left potentially novel organic material to rot. 

Then he continues on. 

Permalink Mark Unread

There are more snakes! Most of them are regular-sized and die even more easily. There are scorpions! Most of them are regular-sized although a few as big as a large dog show up and one about as tall as a horse, too.

All of them are rather violent and actively aggressive.

Permalink Mark Unread

He doesn't bother butchering them after the first one; he's got enough meat already that it might spoil before he gets to it all. Idly, he revises his estimation that he's actually on Earth down a few notches. This is simply not a plausible quantity or size of venomous animals.

Fortunately, his pistol is not some antiquated slugthrower; the only practical limitation is on how many shots he can fire in quick succession before the heat dissipation system overloads. Perhaps not ideal in a military setting, where he might need to mow down serried ranks of troops, but it's more than sufficient for one reptile every few minutes. 

Permalink Mark Unread

Reptiles and arachnids! Gotta remember the arachnids.

As he gets farther north, the lack of light pollution lets him discern that those ruins are in fact very probably inhabited; the shifting lights and shadows seem to indicate bonfires or campfires or some other sort of fires.

Permalink Mark Unread

Excellent. Fire is not ideal as far as indicators of tech level go, but it's better than no fire.

He draws closer and closer. Does anyone come out to greet him?

Permalink Mark Unread

Nope! No scouts that he can see or that show up to greet him.

He starts hearing the sound of drums.

Permalink Mark Unread

Well, that's... a thing.

Tintin is beginning to have a sinking feeling about the people inhabiting this ruin. He runs a biotic barrier over his skin, casting a flickering blue glow over the closest few meters. Then he walks through the nearest archway.

"Halloa!" he says loudly. "I'm a bit lost."

Permalink Mark Unread

There is an amphiteater with a large wooden podium in the center. There are three people, two men and one woman, lying unconscious on it, naked except for the hyena pelts covering some parts of their body including their faces, hands, and feet. A huge bonfire is lit in the center, sending white smoke into the heavens, and a man garbed in hyena furs wearing a wooden mask is chanting and moving in weird patterns around the fire to the sound of the drums. The podium is surrounded by other people in hyena furs but, additionally, there are also some... rather inhuman-seeming people, tall and with long ears and tails and hyena snouts and long claws and all that jazz.

Whatever ceremony they are holding, it does not stop on account of Tintin. However, some of the hyena-people as well as some humans carrying bows turn to look and... don't have the friendliest looks on their faces.

Permalink Mark Unread

This seems like a bad.

"You all have five seconds to put down your primitive weapons and let these people go," Tintin says authoritatively. "After that, I will be forced to start breaking your legs."

Permalink Mark Unread

"Just who do you think you are calling primitive?" snarls one of the non-hyena-people.

Speaking of primitive, here's three or four arrows shot in his direction as some other people with spears, swords, mauls, or (in the case of the hyena-people) claws start rushing at him.

Permalink Mark Unread

Tintin jukes sharply to the left, not dignifying the question with a response. With a flowing motion like very rapid T'ai Chi, he casts a Singularity.

It's not an actual gravitational singularity. That would be hideously irresponsible, and more to the point, well beyond any biotic. It's an orb of warped space that alters gravity in its vicinity. Suddenly, the archers are lazily floating through the air, which is absolute hell on their inner ears. 

While they float, he goes through some more motions and releases a couple of smaller Throw fields. They zip forward and strike the two nearest hyena-people in their respective kneecaps, exploding with an amount of force between that of a sledgehammer and a pickup truck. They're calibrated to break bones and fling their targets across the room, but not to rip off limbs. 

Permalink Mark Unread

...okay this is the kind of sorcery that means everyone except for the shaman needs to get to their feet and stop this intruder at once. The humans howl and yowl, animalistic sounds that a human throat shouldn't be able to naturally produce, and the hyena-people join in—more than just the ones there, there are apparently other people in other camps elsewhere that were not in the ceremony but who are replying with their own howls. The hyena-people scream when they are thrown off and flung, but their bones do not break; they are soon getting back to their feet.

Permalink Mark Unread

"I would really prefer not to kill you!" he yells, backing up. He hits one of the hyena-people in the center of the throng with Stasis followed with another Throw, creating a massive kinetic blast as the fields interact and shred each other. The hyena-person is severely tenderized but hopefully not killed, and the humans around her are flung around like tenpins.

Permalink Mark Unread

Hyena-person is very hardy and not killed. Humans who are flung... less certain. Being flung around is not good for humans, especially Iron Age humans with poor nutrition, and they do not all remain conscious after said flinging.

Hyena-people and Iron Age humans start converging on him, although slowly, and more of them start trying the arrows again. The drums start going faster as the shaman realises the ritual might not complete quickly enough if Tintin gets to them.

Permalink Mark Unread

A couple of the arrows connect, causing an eye-hurting warp effect, and fall to the ground. Tintin is not visibly harmed.

His back touches the platform. He makes another motion, and the prisoners begin to float into the air.

"So sorry! Must run! We'll have to do this again sometime!" he says rapidly, as he takes one of the weightless prisoners over each shoulder and takes the last in a bridal carry. Then he starts sprinting away at top speed. Which, for Tintin, is very fast. Even when his aerodynamics are less than ideal.

Permalink Mark Unread

Now the shaman stops the ritual and very, very slowly goes "What."

Then there is another howling sound, but this one doesn't come from anyone there. It comes from above, and around, from the air itself. It's outraged, and angry, but most of all it is deafeningly loud, and even the hyenas and humans have to take protection from it, which ironically only makes it easier for Tintin to run away.

Permalink Mark Unread

One of the many nice things about being from space and also the future: cochlear stabilizer implants! Tintin does not have to take protection from the blast of sound, though he does stumble a bit.

What in God's green Hell was that, he does not say, because it is currently running away time and using his breath to swear would be suboptimal.

Permalink Mark Unread

He will succeed at rescuing his rescues and fleeing the humans and hyena-people and whatever-in-God's-green-Hell that was! Most directions include desert but the north in particular includes the ruins of a really unreasonably tall and long wall of obsidian.

Permalink Mark Unread

Perfect. He finds a bit where the wall has crumbled down to a more reasonable height, with plenty of massive blocks of rubble, and flings himself twenty feet up onto a decently sized piece of rubble. Then up to the next, and the next, and he's up over the wall floating down to the other side.

He sets the ex-prisoners down gently in the sand and sets his omni-tool to a general health checkup.

Permalink Mark Unread

The three of them are unconscious and slightly battered, bruised, and cut, but not horribly so. One of the two men, the dark-skinned fully-shaven one, is in clearly better condition than the other two even at naked eye inspection: his nutrient levels are all top notch, he has no parasites or illnesses to speak of. The other man, very white with a very thick beard and a very Viking-like build, is physically fit but not as healthy, and has many lice in his hair and one intestinal parasite. The woman, dark-skinned but less so than the first man, definitely of a different ethnicity (though none of them are particularly perfect fits for any modern-day Earth ethnicities), seems like she has not been eating or sleeping well lately, and has the muscle tone of someone who does not do much manual labour.

All three of them have been drugged out by something his omni-tool has absolutely never seen, and white guy's got some weird shit going on in his brain.

They're also all three of them wearing identical bracelets of patterned leather with a large green oval gemstone on their left wrists. The bracelets look entirely decorative.

Permalink Mark Unread

Preindustrial health problems, great. Tintin administers a mild deworming agent to the man with brain problems, but lacking knowledge of the drug they were administered, can't really do anything about that. Instead, while eating an energy bar to replenish calories lost in the fight, he examines the brain scan in some more detail, and compares it to Milou's downloaded medical library to see if it's recognizably something.

Permalink Mark Unread

It's not recognisably something, no. What it is seems to be is extra activity around the cerebellum and interior parts of the brain coupled with reduced frontal lobe and interstitial neuronal activity.

This side of the wall, there is a chilly wind coming from the west, wetter than it should by rights be in the desert; but then again, further north the sands soon make way to some packed earth and eventually grass, so it's not desert forever.

Permalink Mark Unread

Tintin will fabricate a thin but highly insulating blanket from some of his omni-gel and drape it over his patients(?), then get to work fabricating that suit he was thinking of making earlier. Now that he knows there are unreasonably sturdy hyena-people around who want to rip him to pieces, it seems more important.

Permalink Mark Unread

His patients(?) do not stir, and no hyena-people, hyenas, humans, or any other kinds of animals will disturb him while he does this.

Permalink Mark Unread

Tintin did not expect to be trip-sitting tonight, but it's not the worst way to spend a few hours. He has his omni monitoring the erstwhile sacrifices while he works out the specs and fabricates the pieces.

He strips and starts pulling on the suit, shivering. Damn, it's cold in this desert.

Permalink Mark Unread

Deserts tend to get freezing cold at night and this one is no exception. As if to punctuate this, there's another one of those cold wet breezes.

Permalink Mark Unread

Fortunately, once he's in the suit he's practically immune to Earthly temperature extremes. He can still lose heat through his head, but the rest of him is perfectly warm.

Also, it flatters his figure very nicely.

He settles in with an audiobook to wait until either his charges start to wake up or something else happens, such as it having been long enough that he needs to set up an IV drip for them.

Permalink Mark Unread

It'll be a bit past sunrise before the first of his charges starts stirring, the man with the strange brain activity. He furrows his brows as a ray of sunlight hits his face, and raises a hand to cover his eyes.

Permalink Mark Unread

Tintin is sitting in a chair fabricated from thin but unreasonably sturdy strands of plastic. He gets to his feet, then crouches by the man.

"Hello! Are you feeling alright?"

Permalink Mark Unread

The man's eyes open abruptly and he yelps, a high loud sound of startlement only matched in suddenness and intensity by how quickly he jumps away from Tintin.

Permalink Mark Unread

"Whoa, there. I won't hurt you. Unless you try to hurt me first, I suppose, but even then I'd probably just try to drive you off, not hurt you for the sake of it."

Permalink Mark Unread

The man... whines might be the word for it, or screams. He is half-crouching, his eyes wide open, and he looks ready to bolt, looking around for exit strategies. He does not respond using language.

Permalink Mark Unread

Tintin backs off. If this man wants to run off into the wilderness, it is not actually Tintin's job to stop him.

Permalink Mark Unread

He does not immediately do this. The fact that Tintin isn't attacking or anything is at least mildly reassuring, even if everything is... weird and confusing and scary. He remembers being scared but he doesn't remember of what and maybe it was this person so maybe he should run, he has no friends here, but he has no friends anywhere either, where would he go...

The man lets out a long, thin, low whine from the back of his throat, like a dog who is very unhappy about something.

Permalink Mark Unread

Tintin slowly reaches into his bag and pulls out a cookie wrapped in plastic. He unwraps it, breaks off a piece, pops it in his mouth, and offers the rest to the frightened man.

Permalink Mark Unread

 

 

 

 

He takes one tentative step towards Tintin.

Permalink Mark Unread

Tintin does not move.

Permalink Mark Unread

He will keep taking slow tentative steps, almost never blinking, the low whine only pausing for breaths, until he's within arm's length of the cookie.

Permalink Mark Unread

Tintin smiles, slowly, measuredly, and without showing any teeth.

Permalink Mark Unread

No teeth is good, yeah. He slowly stretches one arm towards the cookie...

...the woman groans as she starts to wait up...

...he grabs the cookie and bolts to hide behind a boulder nearby.

Permalink Mark Unread

He turns to look at her. "Hello! Feeling better?" he asks, hoping that guy's problem was his brain and not the drugs, because that would get old quickly.

Permalink Mark Unread

The woman's eyes don't open in surprise like the man's had. She groans again and shields them from the sun with her right hand, then veeeeeeeeeery slowly opens one of them to blearily look at Tintin. She looks rather unfocused, and doesn't immediately reply.

Permalink Mark Unread

Bleary is better than feral! Tintin's seen worse drug reactions! Tintin will continue to be friendly and nonthreatening until she's more conscious, how about that.

Permalink Mark Unread

The woman shuts her eye again and groans a third time before trying to sit up. It takes her a couple of tries but eventually she manages to slump up and forward, drawing her legs in for some more support and pressing the heels of her hands into her eyeballs.

She stays there, motionless and quiet, for long enough that the feral man pokes his head out from behind the boulder, cookie crumbs all over his scraggly beard.

Permalink Mark Unread

Tintin passes his omni-tool over her forehead, applying a thin layer of medi-gel, which should absorb through her skin and help the headache after a couple of minutes.

After a couple of minutes, he clears his throat. "Feeling better?" he repeats.

Permalink Mark Unread

She flinches at the touch—she hadn't noticed him approaching—but relaxes after a bit and does seem to gradually improve in condition over those two minutes. "I—" she says, then starts coughing, throat and mouth extremely dry. "Yes," she croaks, eyes still shut.

Permalink Mark Unread

Tintin, feeling a bit stupid, wordlessly hands her a glass bottle of lukewarm water from his backpack. It's got a bit of citric acid in it to make it taste less like lukewarm water, but she probably doesn't need the help. (He should set up a condenser at some point today to refill his water supply. His right hand lights up as he types up a reminder in his calendar.)

Permalink Mark Unread

The woman wordlessly accepts it and gulps down the water very quickly. "Thank you," she says, a bit less hoarse, then clears her throat and repeats, "Thank you."

She looks around to properly take in her surroundings and understand what's going on. The feral man has hidden behind the boulder once more, so she doesn't see him, but her gaze pauses at the now-much-more-visible grass in the distance (and in particular the even-more-distant-like-days-away-by-horse-distant snowy mountains to the north), then at the remaining unconscious person, and then finally at Tintin himself. "Who are you? Where are we? What... happened?"

Permalink Mark Unread

Tintin bows. "Valentin Saint-Martin. I have, frankly, no idea where we are except 'away from the hyena cultists'. I was hoping you could tell me a bit of what happened, I arrived somewhat in the middle. When I arrived you were drugged and laid out on an altar surrounded by said hyena cultists, and I doubt their intentions were good. So I tossed them around a bit, and took you and your two compatriots with me as I made a tactical retreat."

Permalink Mark Unread

"...two?" she asks, looking at the single other person lying there.

Permalink Mark Unread

"Yyyyyes. The other one has had some difficulty adjusting, and is currently hiding behind a rock. Please don't startle him."

Permalink Mark Unread

She holds the heel of one hand against her forehead and frowns. "We were... I was... ambushed. Is the other man a Shemite? The one hiding behind a rock? —my name is Raziya, by the way."

Permalink Mark Unread

"He might be - I'm not familiar with the local ethnic divisions, I'm... not from the area." He gestures broadly at his clothing. "It's nice to meet you, Raziya."

Permalink Mark Unread

"What did he look like?"

Permalink Mark Unread

"Long white beard. Pale skin like mine, maybe a bit paler. His facial features were more like mine than like yours. Big muscles."

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"Not him, then," she sighs. "I was camping with a man, here—he tried to fight our ambushers. I hoped he was alive, but if he wasn't there then he's probably dead."

Permalink Mark Unread

"I'm sorry. And you don't know this other gentleman?" He nods at the still-unconscious man with the darker skin.

Permalink Mark Unread

She shakes her head. "They gave me... something to drink, it tasted foul, and then I was gone... There were visions," she adds, as if she's just remembered them. "It was... strange. A large animal... not a hyena but also at the same time it was a hyena, but it was also... an owl and a wolf and a tiger and an elephant... and it spoke to me." She shivers and hugs herself. "It knew my name."

Permalink Mark Unread

"Hallucinations can be very disturbing," Tintin nods. "I've been drugged more than a few times myself, and it's rarely pleasant."

He shakes his head. "Are you from this area? Where are we, in the most general sense?"

Permalink Mark Unread

"The... Exiled Lands. Since I'm not dead." She looks up at the wall, then at the grassy highlands. "I don't know anything else, though, I didn't know there were parts of it that... weren't desert."

Permalink Mark Unread

"The Exiled Lands. Huh. And - stop me if you've heard of any of the following - Turians, Salarians, Asari, the Systems Alliance, mass effect, the Citadel Council, electricity..."

Permalink Mark Unread

She just stares at him, blinking.

Permalink Mark Unread

"Fantastic," Tintin sighs. "-oh, another consideration I had not considered: indoor plumbing? Running water?"

Permalink Mark Unread

"—what, like rivers?"

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"Like a very small river in your home. For the convenience of the homeowner. No? No. Well, it could be worse; I could be on Khar'shan. - actually Khar'shan has running water and electricity and I might be able to foment a revolution or something, which would be fun, this just sucks." He shakes his head vigorously. "No, no, I must think positively. Are there civilizations in the Exiled Lands?"

Permalink Mark Unread

"Like... countries? I'm not sure how big it is here, there are tribes and things... I heard of pirates and I thought that was ridiculous because who would be pirates in a desert? But if there are places that aren't deserts then maybe there's oceans, too. Maybe this place is way bigger than I thought. Um, there's tribes of Darfari cannibals?"

Permalink Mark Unread

"Pirates and cannibals. Grand. - why are they called the Exiled Lands?"

Permalink Mark Unread

"It's where people who are exiled from their countries are sent. ...I don't know which countries, I know Kush and Shem and Stygia and Darfar and Cimmeria and... I think there are others."

Time for the other guy to start groaning as he wakes up!

Permalink Mark Unread

"Excuse me for a moment?"

Tintin goes over to apply medi-gel, provide a water bottle, and -

He slaps his forehead. "Raziya, you must be terribly hungry. I've got some meat in my pack, I'll set it to roasting." He removes the snake meat from his pack, salts it lightly, then uproots a scrubby bush and turns it into a small, very smoky cookfire while the other guy gets his bearings.

Permalink Mark Unread

The other guy goes through similar motions to Raziya's, also looking and sounding extremely groggy and hungover. The feral dude sticks his head out from behind the rock again to watch what the new sound is, and after determining it is not a threat he returns to his hiding spot.

Other guy's first words might be a bit surprising, though: "Of fucking course they have mind control drugs."

Permalink Mark Unread

"Mind control drugs?" Tintin asks. "That's concerning. I'm concerned. Would you like to elaborate."

Permalink Mark Unread

He raises a hand in a "please wait a moment" gesture and starts drinking from the water bottle.

Permalink Mark Unread

Tintin will certainly accept this.

"My name is Valentin Saint-Martin, by the way," he mentions as the man drinks. "I am very foreign, and deciding what to do now that I'm stuck here."

Permalink Mark Unread

The man finally lowers the bottle and says, "Thank you. I am Taharqi, not at all foreign, and very grateful for the rescue." He looks up at Tintin as he offers the bottle back, then blinks when he notices Raziya there. She raises a hand in greeting and he nods. "Mind control drugs, the werehyenas have some ritual and the drugs are meant to turn you into their... thralls. —fuck I bet the Darfari have some, too. Fuck."

Permalink Mark Unread

"Then - then I'm very glad I rescued you. Can the ones who have already been turned be saved somehow?"

Tintin makes a mental note to be less careful about killing the hyena-people, and more careful about hurting their human pets.

Permalink Mark Unread

"I don't know, hopefully we wait it out and they flush it all out over time? If that doesn't work we can kill them and hope when they get back they are alright—"

    "Come back?" asks Raziya.

"—right, I don't really know why it works for me, do I..."

    "What are you talking about?"

"Sorry, ugh, my head is still fuzzy." He slumps forward to rest his head on his hands.

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"Are you saying that - you've come back from the dead?"

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"A couple of times, yeah." He lifts his left hand—no, left wrist, the gem glows a bit as he moves around. "Pretty sure it's the bracelet. I can do it, my housemate can do it, I have never met anyone else who can."

    "You have a houseHere?" asks Raziya in wonder.

"Yeah, Sendhei and I built it."

    "—your housemate is called Sendhei? Stygian? What did he get exiled for?"

"Unlawful unsupervised fornication."

    "What a coincidence."

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"So this is less of a religious belief, more of an actual magical power," Tintin clarifies. "I am very far from home."

He takes a moment to rotate the snake meat, and removes his third, penultimate bottle of water to leave in the sand by the madman's hiding-rock.

Permalink Mark Unread

"Definitely actual magical power, I don't think any of the gods had anything to do with it."

    "Set might have—"

"Set is an asshole who does not care about any of us. Not that that matters, if any gods have their eyes on these blighted lands it will be the likes of Yog." Raziya shivers at that name. "What did you mean by coincidence?"

    "I was a concubine of the Stygian pharaoh," she says, "and I was exiled for having sex with one of his dancers, a man named Sendhei, unlawfully and unsupervisedly."

"The Stygian pharaoh should jump into a pit of scorpions," Taharqi opines.

Permalink Mark Unread

"That is quite a coincidence. And I fully agree. Some crimes should be punished; adultery is not one of them."

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"The problem was not the adultery, it was doing it while he wasn't around. Any of his concubines can only have sex with other people with his consent which usually only happened when he was watching."

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"Equally charming," Tintin opines. "-should we perhaps reconvene at Taharqi's house? If you'll have us," he asks Taharqi.

Permalink Mark Unread

"Of course." He looks at the wall, then up north at the highlands. "It's about five to six days to the south by horse, if we are where we think we are.."

    "You knew about this place before?"

"Yeah, I was actually captured by the werehyenas on my way back south from hereabouts. I told my horse to get back on her own when I noticed we were pretty surrounded, so hopefully she's still alive."

(The feral dude shows up again for a second just to grab his water before hiding behind the rock once more.)

Permalink Mark Unread

"...should we bring our feral friend?" Tintin asks. "He's likely to be fairly high-maintenance, but he might be useful in our studies of the... mind control drug."

Permalink Mark Unread

"Do you have some extra horses hidden somewhere or are we going to have to actually walk back? Walking our feral friend back might be harder than just knocking him out and tying him up, depending on just how feral he is."

Permalink Mark Unread

"I do not have a horse," Tintin says. "If I had a spare eezo core I could make a very light motorcycle out of the omni-gel in my pack; unfortunately, I don't, so we will probably have to walk. That being the case, I suppose we'll have to leave him behind. We can raid their camp at some point if we want indoctrinated subjects."

He starts deconstructing his chair and pouring it back into the omni-gel canister.

Permalink Mark Unread

"You sure said very many words, there," says Taharqi, raising an eyebrow and grinning slightly. "If he is acting like a werehyena's thrall, we might be able to actually just convince him to come with us."

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"Omni-gel is something I can make things out of, like chairs; an eezo core is a power source; a motorcycle is a self-propelled vehicle. If you think it's a good idea, I'm happy to try."

He pours the last of the chair into the canister, re-seals it, and starts decompiling the blanket he put over Taharqi and Raziya. Halfway through, he removes the snake meat from the fire. "Giant snake meat, anyone?"

Permalink Mark Unread

    "Meat," says Raziya, her head snapping so fast towards it you can almost hear her neck crack.

"Give me a few pieces? Small ones, I want to give them to our feral friend."

Permalink Mark Unread

"Of course." Tintin fabs three plates and two forks, and doles out snake meat. Moderate portions for himself and Raziya, several small pieces for Taharqi.

He has a bite. Unexciting, but not half bad; it flakes like fish, with the more solid flavor of white meat. He wonders idly if there are lemon trees in this desert. Probably not, right? Probably not.

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Taharqi grabs them and walks over to the boulder, slowly, crouching low. Feral Friend sticks his head out once again and yips when he sees the other man so close, then starts growling. "I'm a friend," he says, in a low voice, not making eye contact with the man, looking somewhere between the ground and the man's chest. "I have food. I think you can understand me, yeah? They can still talk. So you can probably still talk, too." He stops walking then slowly holds out his hands to show the man the meat, then once again slowly lowers them and places a single piece on the ground. He withdraws his hands but does not back off, and stays where he is, not looking at the man and not moving.

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Tintin observes this process.

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Feral Friend starts growling at the back of his throat as he looks between the food and Taharqi, but Taharqi does not move or raise his eyes. He takes a step towards the meat, still growling, and yips when Taharqi says, "It's okay. Focus on the food. You can understand me. I know you don't think I'm in your pack, but we are the closest thing you have to a pack right now. You gotta stick with us to survive." The man had stopped growling after a few words, and now he whines a bit and takes another step towards Taharqi. "I am going to take a step back, and I am going to place more food here," he announces slowly. "I will place food all the way over to where we are, but you can run away whenever you want. You shouldn't, though. I know you are confused, but we are not the ones you should be afraid of. You will be fine." And with that he starts taking some very soft, very slow, very small steps back, creating a trail of food, and the other man just keeps watching.

Once Taharqi is far enough, he crawls over to the first morsel of meat, takes it, and eats it, watching Taharqi intently all the while. Taharqi still does not stand back up, or look at the man, and just waits patiently.

(Raziya is absolutely ignoring anything going on over there to focus on her food.)

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"You're very good at this - talking-down - thing," Tintin says agreeably.

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He doesn't turn to look over his shoulder at Valentin or acknowledge him verbally, but he does smile at the ground.

    The man takes another step towards the next morsel of food, grabs it, sniffs it, and eats it. His brows furrow in concentration while he chews, and after he swallows he opens his mouth and says, "Ho... Ho........ Horan. Ho. Ran."

"Ho... ran," Taharqi repeats. "Is that your name? Horan?"

    He still looks like he's having a lot of trouble concentrating, but he nods. "Ho... ran. Ee... Y..." He whines and shuts his eyes and then moans in a much more humanlike sounds. "Horan," he says one more time.

Raziya looked up at them when Horan spoke, and is now watching, too.

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Tintin nods slowly. Does it hurt him to speak, or to think, he wonders.

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"I am going to eat, now," says Taharqi, "but I will leave this food here for you. We have more. We have plenty for all of us. You can get your pieces of meat here, and take them with you, or you can join us. It is up to you." Horan looks at the meat when Taharqi speaks, and then Taharqi puts the rest of the meat on the ground, takes a few steps back, then sits and turns around so that his back is to Horan. He releases a breath, then turns up to look at Valentin and grin, now that his teeth are no longer visible to the Feral Friend.

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Tintin smiles back, though since he's more visible to Horan he refrains from showing teeth. "Good show," he murmurs.

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"Thank you," he murmurs back.

    "Where'd you learn that?" Raziya asks with her mouth full.

"Here and there," he replies, vaguely enough. "He can understand us, the other thralls of the Dogs of the Desert can, too. But whatever they gave us... made us more like hyenas. Or, made him more like a hyena, it failed to work for us. I wonder why."

Horan himself seems to be having trouble actually understanding the murmured conversation—too many words, too low a volume, too confusing—but he's making progress towards them and grabbing the meat trail Taharqi left for him.

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"I interrupted the ritual in the middle," Tintin mentions. "It's possible they had already injected him with something else, before I arrived, and were waiting on the two of you for... some reason."

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"—a ritual. Right. The drug itself only opens us up, that's... the drug itself does not control us, it just keeps us pliant so that Jhebbal Sag can get in."

    The mention of that name makes Horan snap up to look at Taharqi's back with a whine and makes Raziya breathe in so quickly she nearly chokes on her food. She starts coughing, her eyes filling with tears, but she's still looking at him. "I—that name—" she says in between breaths.

"It's their god," Taharqi explains. "I think. I... did not know him, before."

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Tintin looks dubious, though somewhat disturbed by the paired reaction. "I have never encountered a real god," he says. "Do you have... some evidence of these gods, other than the word of their priests? And, um, drug-induced hallucinations."

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Now Raziya and Taharqi look at Tintin with bemused looks on their faces. "You mean... other than the miracles at their altars? I have heard that sufficiently pious people can summon avatars of their gods but not actually seen one, per se."

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"What form do these miracles take? - to be clear, I do have some evidence that the laws of reality as I know them are not the same as I have always imagined, so I'm not dismissing these gods out of hand in the same way I would be had I not teleported across the galaxy a few hours ago. I am simply an empiricist."

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"You seem to be from rather farther away than I thought," Taharqi says, frowning.

    "You've never seen any miracles?" asks Raziya. "Are you a follower of Crom?"

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"I am from farther away than anyone you have ever met or could ever meet," Tintin says with a little bow. "If you could walk on air, you could walk without stopping for longer than the world has existed and not get halfway to the place where I stood twelve hours ago. I have no idea who Crom is. All of the gods I have ever heard of were either made up by someone to give themselves power over the people who believed them, or, in one case, aliens with powers that the people who worshipped them didn't understand."

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"—I have never heard that word before and I somehow understood it," says Taharqi. "'Aliens'."

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"-huh. That's... not my translation software..."

He fiddles with his right wrist, which glows orange for a moment, and says "Can you still understand me?"

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"Yes," says Taharqi, and Raziya nods.

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"Very strange. I suppose I can save some of the battery power that would otherwise be spent on translation; now it will last a few hundred more years after my death."

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Horan is now close enough to them that he can look around Taharqi at the rest of their food. He is not the cleanest of eaters, but he looks downright ravenously at it. Taharqi continues to studiously ignore him.

"Anyway, I am pretty sure the gods are not made up. I believe Set's most basic miracle is turning branches into snakes, all you need is a shrine to him, branches, and some blood."

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"That does sound difficult to fake," Tintin concedes. "Alright. And I suppose I will have offended this hyena god terribly by stealing his sacrifices, and he will now be out for my blood?"

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"I have never heard of gods personally going after anyone."

    "There's stories, though," says Raziya. "Curses, and chosen people going after those who have angered the gods."

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"I think his chosen people will be after me anyway, I did fling them across their own arena. And threaten to break their legs."

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    "Not chosen," Horan says, and when both Taharqi and Raziya look at him he flinches and takes a step back.

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"If those hyena people weren't his chosen, who is?"

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Horan shakes his head and looks down at the ground without saying anything more.

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"It's okay," Tintin says. "Sorry. You're doing very well."

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Horan looks suspicious at that but decides to finally join their little not-quite-a-circle.

"With all this magic of yours," says Taharqi, "I am sure some werehyenas will not pose any problems."

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"It's not magic," Tintin says absently. "But yes, you're quite right, I'm just - worried that the other shoe might drop."

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"You are the only one of us here wearing shoes." Or pretty much anything else, for that matter.

    "Worried that what?" asks Raziya between bites.

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"I had noticed that," Tintin admits. "I can make you some shoes, if you like. Ah, it's a saying - worried that things will turn out to be worse than I had realized, somehow."

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"If we are planning on walking all the way to my house, shoes will be a good idea, yes." Taharqi gets some more meat to offer to Horan, who has been staring suspiciously at all of it, and he gratefully scarfs it all down.

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Shoes it is, then. They're more like sandals than enclosed shoes or boots: enough to protect their feet from the hot sand and rocks, without imprisoning their virgin feet and inevitably blistering. They're cushioned. The material might feel a little bit suspicious, to people who've never encountered plastics.

"Anything else? Hat or parasol for the sun? A sword, maybe?"

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"You can make a sword of this material?" asks Taharqi, while Raziya puts her sandals on and Horan stares at his suspiciously. "And it actually cuts things?"

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"I would be making the sword out of metal," Tintin clarifies. "I could actually make a plastic sword, it just wouldn't hold an edge very well. Better than a stick, but let's go with what works."

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"And would this sword be useful at all with your arsenal of not-magic?"

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"It's rarely a bad idea to have more people in the party who can fight. I can, actually, be overwhelmed. Potentially even by magic I know nothing about."

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"If you can make a battle axe and maybe some good arrows and a bow plus the necessary bits to attach those to my person I am skilled in using them."

    "I can't fight. I can at most survive long enough to run," says Raziya, not sounding particularly regretful.

Horan has figured the sandals out and put them on, but he does not look happy about wearing them. Then again, he might just be generally unhappy.

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"An axe! I can do that. Bow and arrows... let me see what I can do, it's not something I've got a design for but it shouldn't be impossible..."

The axe ends up having a sturdy plastic haft and a razor-sharp metal head. The bow is entirely plastic, as are the arrows, which taper to a narrow point. Each weapon has a little magnet that will stick it to a harness that Tintin also compiles for Taharqi, as does the little quiver for the arrows. "Can you give the bow a try and see how it handles? I can do a certain amount of adjustment, and if it turns out I just have no idea what goes into a good bow then I'll just decompile it and we'll stick with the axe."

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Taharqi gets up and accepts the bow and one of the arrows. He balances both in his hands, then finds some tree in the distance and shoots at it. His eyebrows raise in surprise when he almost hits it.

"Make the string thicker and the bow itself heavier and less flexible but otherwise this is perfect. Your nonmagic material is way hardier than I would have expected."

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"Excellent!"

Tintin decompiles the bow and compiles another, making the requested adjustments, then hands it over.

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And with this one he hits the tree dead on. "...I might want to keep this after we get to my house."

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"You're welcome to it, if it's an improvement. I can't make you fifty like it, but I doubt you need fifty like it."

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"It's—not a strict improvement, over the one I have back home, but it's sideways. This one's longer," he elaborates, smoothly nocking another arrow and shooting while barely looking and hitting another tree twice as far away as the first one. "I haven't really made any longbows, here, haven't needed them, but since this one is free..." He shrugs, and smiles, before putting the bow back down and grabbing the axe to weigh it in his hands. Horen looks at it with more alarm than he did at the bow, but when Taharqi takes a few steps away for some practice swings the feral man returns to his food.

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Tintin watches the practice swings appreciatively.

"Is nudity the standard here?" he thinks to ask. "The hyena cult wasn't, and I thought they'd stripped you to sacrifice, but..."

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    "I wasn't unclothed before this," says Raziya, "but if my pelts and jewellery were not destroyed by them they probably still have it."

"I am not sure I understand in what sense you mean," says Taharqi, humming thoughtfully as he looks at his axe and changes his grip slightly before some more swings.

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"My native culture wears clothing almost all the time. Nudity is reserved for bathing and sex. And clothing has to cover the genitals and breasts."

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    "'Has to'? By... law or something?" asks Raziya.

Taharqi nods to himself and returns to their circle where she has finished eating and Horan seems to be mostly just lazily picking at his meat, now. "I think Nordheimers tend to wear a lot pretty often? I do not believe there are any laws about it, though."

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"Yes, there's laws about how much you have to wear in public."

Tintin collects plates and forks to decompile.

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This gets a fairly strong reaction out of Raziya, at least compared to her more recently-usual calm and complacency. "Wait, actually? What for?" she asks, sounding fairly outraged.

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"Um. So, it turns out that when you only remove your clothing for sexual purposes for a thousand years, a strong association develops between nudity and sex, and public nudity becomes seen as - perverse? And unrelatedly, we have very strong norms about not letting children see any sexuality stronger than kissing. And public spaces have children in them."

He shrugs. "Honestly it's really much more of a codified cultural norm than anything anyone put thought into. I do think it's a bit stupid."

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"Didn't you say you also bathe nude? And what about when it's very warm?"

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"We bathe nude, but privately - remember I mentioned running water, the convenient water inside your home? We have private bathrooms for that. And the culture that originated this norm is from an area where it never got as warm as it does here, or I don't think it would have caught on before we had clothes like these -" he gestures at his suit "- which are comfortable in just about any temperature."

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    "I don't like it," she grumbles.

"It does sound odd," Taharqi agrees. "This thing you are wearing is comfortable?" he asks, looking at Valentin and then directly at his crotch. It's not a sexual look—merely one of curiosity and confusion. "I thought it would be some not-magic armour of sorts but it doesn't look comfortable."

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Tintin blushes slightly. "It's quite comfortable, yes - the inside is much softer than the outside, and it maintains a stable temperature. It's also armored, but I don't need a lot of plating - my barriers are pretty durable."

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"Not-magic ones?" Taharqi guesses, looking up at Valentin's face again.

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"How'd you guess."

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"Just a hunch." He walks back over to their little camp and grabs the harnesses Tintin has made for his new weapons and puts them on.

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The harness is just as comfortable as the sandals. The weapons snap onto it and hold firm, but if he pulls on them, they come off easily into his hand.

(Tintin is trying not to look at Taharqi's sensitive regions, which was easier before Taharqi looked at his and made it relevant.)

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Taharqi's sensitive regions are very extensive and he makes no effort to contain or conceal them.

(In fact, unless Tintin is imagining things, he may be... showing off a bit, as he tries the harnesses on and figures them out.)

"So, shall we?"

Horan looks up from where he was crouched and not doing much of anything and furrows his brows.

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(Tintin is probably imagining things. It's entirely likely that Taharqi just naturally moves... like that. Or maybe he's hitting on Raziya, that's much more plausible.)

"Yes, let's."

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So they can gather up what little there is to gather and, with only a little bit of grumbling from Raziya and a little bit of gentle prodding from Taharqi in Horan's direction to ensure everything is fine and he is perfectly free to leave if he wants but Taharqi really thinks it is in his best interests to go with, they can start on their way.

Taharqi looks around, then at the wall, then at the sun, and then starts leading them east, where the vague silhouette of the ruins of enormous bridges can be made out in the distance.

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Tintin is capable of walking great distances without complaint. He'll see what the walking atmosphere is like before dominating the conversation, how about.

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"So why don't you tell us more about where you are from?" Taharqi suggests after they have found their stride. "Or if you have more questions about—I suppose I cannot speak for Horan and Raziya, but I would be happy to tell you anything about here that you would want to know."

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"Ah, that's a hard choice - I'm a journalist, so I want to tell stories, but it's probably more urgent to find out about the society I find myself in here... What If I tell a quick story and then you give me... hmm, a geopolitical rundown? And then another story perhaps. So we're not spending all our time boring each other to death."

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"We have many days of walking ahead of us, so that sounds fine by me."

    "I am curious about your... not-magic," admits Raziya, using the expression Taharqi coined as if it's a foreign word.

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"Well, I can tell you more about that instead of telling you about my adventures on Ilium or Omega. So, not-magic - really, you're rolling a few concepts into one there. The first is technology, like clockwork or alchemy, but much more complicated. That's what this -" he flares his omni-tool "- is all about, is technology. That's what allows me to make things out of glass or metal or omni-gel. It's not magic because - well, you couldn't actually do the same thing with a forge or an alchemist's glassware, but it's mostly the same basic principles behind it: it's taking pieces of something, putting them together in certain ways, and then firing them solid. I'll probably need more metal at some point if I'm going to be doing a lot of that, I used up most of mine making Taharqi's battleaxe. I'm mostly good on omni-gel, it's very dense, and that's good because I've got no idea how I'd make more on this planet. -any questions before I move on?"

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"'Planet'."

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"Ah, excellent question. You know the stars, in the sky at night? Those are actually other suns, so far away that we can barely see them. There are so many of them, just in our own region of the universe, that you have probably not invented numbers that can count them. And many of them have their own planets, like Earth but different, within their orbits. And some of those planets can support life! And many of them do!"

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"That sounds like magic," opines Raziya. "Going to, uh, other places like here? That aren't here."

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"And yet it is not! The spaceship that I traveled in moved in - well, okay, it didn't move in the same way as one of the ships you know, it had a mass effect core and it could fly at several times the speed of light - don't ask, it's two millennia worth of physics and we really don't have time - but the movement itself is the same kind of movement as taking a ship from Stygia to Cimmeria. - I assume there's a sea route between Stygia and Cimmeria, if there isn't feel free to imagine countries with coastlines."

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"Stygia does not have a coastline but you can take a boat down the river to the sea and then travel to Cimmeria."

    "Have you been there?"

"No, but I studied the maps. Before I was exiled."

    "Who were you?"

"I was leading a revolution in the Kingdom of Kush against the Chagas. But maybe I should leave the explanation of all of that to when Valentin ends his storytime."

Horan looks entirely bored by this conversation.

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"Alright, where was I - so, making things is technology, but the way we travel between planets is a mix of that and the next thing I was going to bring up, the Mass Effect. How to explain it... essentially, there's a kind of rock that, if you put electricity through it, it changes how the world works around it. You can use it to generate energy and use that energy in technology, or to make things go faster than should be physically possible, or to make things lighter or heavier than they actually are. I have no chance of convincing you the Mass Effect isn't magic, do I. Trying to explain it without a twenty-second-century physics education halfway makes me think it is."

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"At this point I am not entirely sure the distinctions you are making between what you call technology and what you call magic would make sense to me," says Taharqi, and Raziya nods.

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"Magic is something that does not follow the laws of physics - something that can't be explained using the rules that we have found to govern the universe. Gravity, momentum, the speed of light. The Mass Effect bends the laws of physics, but - in a way that can be accounted for, you've put energy into a multiplier and you're getting more back. And it makes other rules make sense, rules that didn't make sense before we knew about the Mass Effect. But - teleporting a hundred thousand light years? Turning a stick into a snake?" He grapples with this for a moment. "It simply doesn't fit. You can't make it make sense."

He sighs. "Which doesn't mean that it doesn't happen; witness my being here. But it means something's different about this world from the one I'm used to. And that thing is what I'm calling magic."

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"This translation magic is a trip," says Raziya. "'Momentum'," she repeats, in French, as clearly they don't have a word for it in whatever language they were originally speaking. "'Physics'. We don't have these words."

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"Yes, I suspected as much. The distinction is... not as meaningful to you as it is to me, I know. But it exists, and I know that I am not doing the same thing that your wizards do. - ah, I was going to mention the third category of not-magic, biotics, which is essentially just Mass Effect created by a living being rather than by technology. When my mother was pregnant she was in an accident involving Element Zero, that not-magic crystal I mentioned. So I have small amounts of Element Zero inside my body and my brain, and I have a cybernetic implant, a biotic amp, at the base of my skull, which lets me use the Mass Effect by thinking and gesturing in certain ways."

He rubs his amp absently. He doesn't usually think about it; it's like wearing contact lenses, or having braces, or something. But mentioning it puts it on his mind.

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"And you think the thing that brought you here was magic, not—physics?"

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"If it was physics, then a lot of people are wrong about how physics work. Which is not impossible, of course."

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"I don't think I know of any magic that does this sort of thing, instantaneous transportation."

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"Well. More things in heaven and earth. - sorry, quote from a famous poet - I imagine if one world exists with magic then more might."

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"Yeah, probably. You said—twenty-second century—"

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"Uh, yes - I don't know if the event we count from has even happened yet or even would have happened in this world given how many things are different, have you heard of someone named Jesus Christ? Um, Yeshua of Nazareth, I think he was called sometimes?"

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"No, I am not familiar with the name. Although it does sound—like it could be a name someone has. If that makes sense."

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"More so than Valentin Saint-Martin, you mean."

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He grins. "Yes."

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He sketches a bow, then skips a bit to get back in marching order. "You can call me Tintin, if you like. It's the nickname I use when I'm among friends."

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"...that is adorable," says Raziya.

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"So I've been told! I had trouble pronouncing my own name as a young boy, so - Tintin. And it stuck."

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"I do freely admit it is easier on the tongue. Tintin."

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"So, about the geopolitics - you had some revelation to share, that you were coordinating a Kushite revolution? I remember there was a land called Kush on the Earth in my world, but by my time they were part of - was it Egypt? I think it was Egypt."

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"We do not have a country called Egypt," says Taharqi, shaking his head. "But yes, I am from the Kingdom of Kush, south of here. If I have my mental map appropriately located, Stygia would border the Exiled Lands, and you would need to either cross it or go around it to get to Kush.

"My country has a strong ethnic division—the Chagas, descendants of old Stygian conquerors, are the ruling caste. The Gallahs are the majority and make up the commoner caste. I am Chagan, but—I joined the Gallah revolutionaries. They want a ruler of their own people, and I have... seen... what my people do to them. It is not right." He shakes his head again. "I became one of their leaders, and spearheaded an operation—but we were betrayed." He looks down at his feet and squeezes his hands into fists. "It was someone I trusted, it's my fault, I should have seen..." Sigh. "Many of my friends were executed. I was exiled, to serve as an example. A fate worse than mere execution, they said. Cowards. They nailed me to a cross and left me to die, of thirst or of whichever carrion animals first got to me." He lifts his palms up to look at them, and there are very faint scars marking where the nails must have been.

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"Christ."

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A shrug. "A man named Conan, Cimmerian if he was from anywhere, found me and freed me."

    "—wait I think that is who freed me, too."

"I have the impression he finds the idea of exile really distasteful and made this a habit. So I suppose we owe him our lives."

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"Well. I'm certainly glad he did - how is there a meaningful population of exiles if 'exile' means 'exile and also crucifixion until agonizing death' -"

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"It doesn't always, I believe we are more exception than rule."

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"...better than the alternative, I suppose. I rarely enjoy shooting people, but I would rather like to shoot the people who do this."

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Taharqi grins and Raziya nods very vehemently.

"Stygia and Kush are allies, at least ostensibly. What with the Kushite rulers being of Stygian descent and all. They have a pharaoh, usually just the firstborn son of the previous pharaoh but Set sometimes likes to choose someone else."

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Tintin nods. "- in a literal sense, rather than 'the high priest and the pharaoh had a disagreement and the priest had him assassinated' - sorry, my brain still hasn't fully internalized the literal existence of gods."

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"Well, as far as I have been able to tell it was literal but my level of information is not beyond being tricked. And the pharaoh is the high priest, so that particular scenario will not happen."

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"Ah, the Henry VIII gambit. - king who made himself high priest of the local religion to consolidate his power and divorce his wife without clerical permission, mostly irrelevant, sorry."

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Taharqi laughs. "I think pharaohs have been high priests for as long as they have been around but I am not sure of this."

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"Seems plausible. Anyway, what else do I want to know - hmm, you wanted to overthrow the Chagas and bring power back to the Gallahs - Stygia is ruled by a despotic pharaoh - I imagine most places are not notably better than this, you mentioned Cimmeria and Shem and Darfar but if one of those is a politically stable utopia I'll be surprised."

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"They are not. Darfar is also south of Stygia, to the east of Kush, while Shem and Cimmeria are both to the north of the Styx—if I am correct in where we are Shem should be to the west and south of here, while Cimmeria should be to the west and north. Darfar as a whole is... probably not an extremely nice place. They worship the Outer God, Yog, who is also called a demon even by the other gods, and he is the bloodthirstiest and most violent of them. At least of the gods I know of. He demands frequent human sacrifices, and commands cannibalistic rites in his honour." Raziya makes a queasy face, but does not seem surprised or like this is news. "I believe the country itself is more... civilised... than that would imply, but the local Darfari tribes are very often entirely taken to worship of Yog."

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"...well, that's not good. What about Shem and Cimmeria, do you know any fun facts about them?"

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"Shem used to be part of the Stygian Empire in ages past, but now they are a country only in name—they are mostly made up of loosely allied city-states or tribes. The eastern groups are usually more nomadic, but not entirely, and they tend to rotate around the rivers and oases of their lands. They have gotten pretty rich since the fall of the Empire because they border many different countries and serve as a trade hub of sorts for them all. They also have lots of mercenaries, out of necessity to protect their merchants, but it does give them a... reputation."

    "Where did you even learn all of that, I barely know the names of the countries around Stygia," wonders Raziya.

"Chagan upbringing," explains Taharqi, "plus the rebellion later required a lot of knowledge of the region. Many powers are interested in what will come out of these civil wars in Kush."

    "Even Cimmeria?"

"No, and thus why I know less about it than the other countries around here." He looks at Tintin. "Cimmeria is pretty far, relatively speaking, and I was surprised to find Cimmerians around here. I am pretty certain they do not border the Exiled Lands. Their reputation is of being strong warriors and fiercely nationalistic, and the few Cimmerians I have met reinforce this notion, but I do not know much more than that."

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"Good to know... so far Shem sounds like the least, uh, objectionable of the local nations."

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"I like Kush," Taharqi says, shrugging.

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"I'm sure it will be lovely once you have deposed the oppressive tyrants."

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"That's the plan."

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"Hmm... I had promised you all a story after the geopolitics, hadn't I? What would you like to hear about?"

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"Well you only told us about your technology, there's still, like... everything else."

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"So there is!"

Tintin launches into a story about an adventure he had alongside a starship captain (and occasional mercenary) of his acquaintance, Captain Haddock. Haddock had been contracted to smuggle goods into Citadel Space (the civilized portion of the galaxy) from the Terminus Systems (a lawless wasteland). It turned out, halfway through the mission, that the goods in question were illegal for good reason - barrels of a neurodegenerative drug, "red sand", commonly used by slavers to control their chattel. So, instead of making the delivery, they decided to entrap the buyers and the sellers and turn them in to the authorities, in the process breaking up a slaving ring.

The story is well constructed and well told. Tintin wrote it up for publication a long time ago, but he's told it more than once since then.

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Taharqi and (occasionally) Raziya have questions about many of the concepts he references, and clearly don't really understand the distance scales involved, but they find it very interesting nonetheless.

Horan gets bored and just sort of scampers around.

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"...and that was the Incident of the Red Desert," Tintin finishes. "One of my earlier adventures - I was only eighteen years old, just out of the army and still looking for a place in the world."

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...he is a very small person.

"How old are you now?"

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"Twenty-three. I have had an implausible number of adventures since."

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"It does sound implausible," Taharqi agrees, eyeing Tintin. And unlike the last time his eyes paused around Tintin's... "package", so to speak, now it is definitely sexual. "I have lost track of the date," he says, casually, in a complete mismatch between tone of voice and the way his eyes are wandering, "but I think I have been in exile for five or six years now, so that would make me around twenty-six, maybe twenty-seven."

    Raziya's eyes go between Taharqi's eyes and Tintin's body and she snorts. "I think I'm twenty-five," she says.

        "Thirty-one," says Horan's rough voice, which makes both Taharqi's and Raziya's eyes snap to him. He only flinches a little at the sudden attention but doesn't lose his stride. Nor does he elaborate, though.

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The way Taharqi is looking at him is significantly less plausibly deniable than his earlier comments! Tintin does not entirely know what to do with this. He's somewhat reminded of his almost-relationship with Chang, how the other boy had tried everything short of leaping on him and ripping his clothes off and he'd been too repressed to realize he'd meant it.

He's pretty sure he's not that repressed anymore. He thinks.

"How much longer are we going to march?" he asks instead of engaging with any of this. "Not trying to wheedle, just - set my expectations. Nightfall?"

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"That would be my naive guess, yes," he says, eyes returning to Tintin with a bit less lusty intent than just now. "Unless we need to stop earlier for some reason, we will make better time the less often we do that."

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"Of course. I'm looking forward to seeing your home, I wouldn't want to delay us getting there."

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    "So... how long do you think we need to walk to get there?" asks Raziya, sounding a bit tentative and a bit like she is dreading the answer to that question.

"If we keep this pace and walk for most of the day, I think we will take about..." He pauses to think, then looks at the ruins in the distance and does some quick maths in his head. "About four days to reach the aqueduct passage and cross the wall to the river, and then another eight to ten downriver from there."

   Raziya whimpers when she hears that.

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Tintin winces a bit as well.

"If I had any resources at all... I don't suppose there are oil fields near here."

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"...oil fields?"

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"Land where, when you dig into the sand, oil appears - often in a geyser. If I had a significant amount of oil, I might be able to make a primitive automobile or a motorcycle. It's one of the more accessible sources of fuel, without access to Element Zero."

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"I don't think I have ever heard of that."

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"Well, damn. I'll still have my omni-tool scanning for useful resources... I suppose we could make do with coal, not for the immediate problem but when it comes to getting this planet up to a decent standard of living... coal, though." He makes a face.

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"What's wrong with coal? I know of a few coal mines along the way."

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"Coal is - one of the worst things you can use for energy, on an industrial scale. It creates toxic waste, the smoke is horrible for people - if a global population uses coal for any significant length of time, the planet will be harmed irreparably. I don't know if this planet even has eezo, though, and in its absence there aren't a lot of great options. If we find plutonium, I'll be over the moon."

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"Over the—that is such a strange expression and I understood it."

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"This translation magic is endlessly delightful, yes. I wonder... this is a long shot, but do you know of any stones that cause sickness in people who are exposed to them for a long time? Not even eating or touching them, just being around them."

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"There are places that exude corruption... but it affects you very quickly, you do not need to spend a long time around these places to start feeling the effects."

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"Enough radioactive material could cause acute radiation sickness! You'll have to take me on a field trip sometime. I'll give you a suit like mine to resist the radiation, I'm sure you'd fill it out."

Was that too much. Tintin blushes just in case. 

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"Fill it out...?"

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"Um. You'd look good in it. Your muscles. And. Everything else."

this was a mistake

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"Oh," says Taharqi, and Raziya bursts out laughing.

    "Do the two of you need some time for yourselves?"

"We are not stopping our walk for this, we'll have plenty of opportunity to spend time together at any planned stops for food or rest," says Taharqi firmly. He is eyeing Tintin with naked interest, though.

    "Oh, me and my, I think I hunger," says Raziya, putting a hand on her forehead. "Perhaps we should take a break now for food. And rest."

        Horan makes a very hyena-like laughing sound.

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"Yes, yes, everyone get a good laugh," Tintin says, his cheeks and ears beet-red. "Because apparently I haven't gotten any better at flirting since college."

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"Do you want to take a break for food and rest?" Taharqi asks, a half-smile forming on the corner of his mouth. "And then maybe you could learn a thing or two about our culture's understanding of clothes and the appropriate amount thereof."

Raziya seems torn between amused and slightly irritated. Amusement is winning out, though.

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"Well - I could eat, certainly, I'm not exactly -"

The rest of Taharqi's statement catches up to him and he has a short but intense coughing fit. "I - um, here?"

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"...well I suppose we could walk a little bit longer? I do not think the scenery is likely to change much, though, it is grass all along the way."

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"I." He shakes himself slightly. "If we're going to - jump right into things - I'd prefer we do it... in private?"

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It takes Taharqi a few seconds but then it clicks. "Oh, right, you said your, ah, people have something about sex and privacy?"

    "That's not that weird," says Raziya. "Many people prefer privacy."

"Hmm. Maybe I am ill-accustomed with Kush."

    "And the Exiled Lands, yes, where men live and mate like beasts," she sighs.

"You say that as if it was a bad thing."

    She raises an eyebrow at him. "You are going to need more than that to impress me."

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"Oh, thank God, I thought I might have to explain the concept on my own. I'm not used to - performing for an audience."

His shoulders slump slightly. "Or, um, at all, really. So if you're looking for - someone who knows what he's doing..."

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Now both of them are looking at him. "Wait, never? Not once?" And why, pray tell, does that excite Taharqi? He does not know, but he is honestly not complaining.

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"...no. I haven't been - living under a rock - there've been opportunities - but. Nothing panned out."

Tintin does not notice that Taharqi is excited, because he is looking at his own feet. 

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"I say we take our break now and get that sorted out," declares Taharqi.

    "Oh good my feet are actually killing me," says Raziya.

"You probably have something about inviting more people to join, too, right?" the Kushite asks of Tintin.

    "Who says I would want to?" she snaps.

"I said invite, you can refuse if you want. But I cannot say I would not enjoy the taste of you, too."

    "...hmpf."

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"I... yes, I would rather not complicate matters, and besides that I'm not attracted to women so it'd definitely be for your sake more than mine."

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"Oh, so you're like Sendhei."

    "I am pretty sure Sendhei is at least a little bit attracted to women."

"Well, to hear him tell it it was that or his own hand."

    "...not untrue," Raziya admits.

"Well, sure, I'm fine with that." He grins at Tintin. "And I am sure I have much to learn from you, nonetheless."

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Tintin wonders if he should - kiss Taharqi, or take his suit off, or something. Instead of doing any of that, he stands there awkwardly and tries not to dissociate. 

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Well since it seems that they are not walking anymore, and also it seems that Tintin is tying himself up in knots, Taharqi will step over to him to lift his chin up and kiss him.

...and his other hand is now getting firmly acquainted with Tintin's right buttock.

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Oh! Oh, this is pleasant. 

Tintin kisses back, inexpertly but with good instincts and clear enthusiasm. The hand on his ass is unexpectedly pleasant. (Tintin has an ass that thoroughly belies his skinny frame. It's truly one of the wonders of nature.)

He doesn't return the favor; his hands end up somewhere around Taharqi's shoulderblades. 

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Raziya... watches. Tintin said privacy but well she can enjoy herself while he doesn't go actually looking for it.

The hand Taharqi had initially used to lift Tintin's chin up can now make its way between their bodies to find Tintin's—well, presumably the suit Tintin is wearing will not be a very strong deterrent for an exploratory hand in most ways.

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He can feel the outline of Tintin's bulge! Tintin lets out a little squeak.

"Should we - um -" Tintin looks around for cover.

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There are occasional trees and shrubbery and boulders. Taharqi identifies the best-looking boulder there and grabs one of Tintin's hands to lead them there.

(Raziya pouts just a little bit at the end of the show. Horan is sitting on the ground and looked entirely too bored.)

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Thank you Taharqi.

Once they're behind the rock, Tintin lets out a breath, and finds the button to unseal his suit, and - hesitates - and pushes it. The suit loosens, especially around the collar, and he shucks it in one motion. 

The first thing Taharqi will probably notice is that Tintin doesn't have balls. Not in the fashion of a eunuch, though - instead of an old scar, he has a glistening, pert-lipped pussy. 

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Taharqi blinks, and stares a little.

His hard-on twitches.

"Well that is new," he says, sinking to his knees so he can examine it from closer up.

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Tintin's cock is standard-issue, though very well formed: about seven inches, pale as the rest of him, a couple of well-placed freckles, foreskin tight around the head. His pussy is similarly aesthetically appealing. The cock sprouts where his clit would be, looking surprisingly natural. Tintin shivers at Taharqi's breath on his crotch.

"Should've warned you, but - it's hard to explain? I was born with female parts, but I'm male, and my people have tech that can fix that - but I didn't want it all the way, for... complicated emotional reasons? And anyway I like having both - they're very sensitive -"

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"Are they," he breathes, lifting his right hand to envelop Tintin's cock and fiddle with the head. "I wonder just how sensitive," he says, humming a bit, before giving Tintin's entrance a soft, tentative lick.

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Tintin gasps. "Oh - that's very, um, very nice -"

His pussy and his prick both drip more precum. Taharqi can get a good taste. 

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Taharqi likes this. This is novel and interesting and different and really, really hot.

His licks become less tentative and he has to fumble a bit due to all the muscle memory—he is not used to eating pussy while jerking that same person off at the same time, but he can adapt from three(or more)somes of his memory and he's soon licking and kissing Tintin's pussy all over and inside while his hand keeps Tintin's cock busy. His left hand—he's gotta multitask, you see—finds Tintin's butt again and grabs it there, for now just to keep him close.

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Tintin appreciates all of this very much. He's making a lot of desperate little high-pitched noises.

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Tintin is adorable. This was a great decision.

Taharqi stops teasing and goes all in, stiffening his tongue and moving it inside Tintin, sometimes reaching the spot where Tintin's clitoris would be if he had one, and his hand gets pretty damn urgent. He decides that just holding onto Tintin's butt is not enough, so he moves his left hand to his pussy, to finger him and, most importantly, get his fingers as slick with Tintin's juices as he can. He is a man on a mission, and that mission involves fingering Tintin's asshole. So Taharqi leaves that hand there to keep fingering Tintin's pussy for now while his mouth goes up so he can suck Tintin's dick instead. He keeps using his right hand to jerk help the blowjob along, jerking him off in sync with the back and forth movements of his head as he doesn't even stop to tease Tintin's dick before taking it all into his mouth.

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Tintin whimpers, and his cock twitches and pulses, but all that comes out is another, larger spurt of pre. "Ff - uh - more - please -"

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Taharqi swallows all of the pre, and adds a finger—maybe two?—to Tintin's pussy. He pulls away and looks up at him. "You are incredibly hot," he breathes. "Are you like women, can you come many times, or should I hold back on getting you off until the end?"

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"I - I can cum a l-lot of times."

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"Wonderful," he says, and proceeds to deepthroat Tintin while fingerfucking him. He can fuck Tintin's ass later.

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Tintin will get right back to making lots of noises, then, as he soaks Taharqi's hand with precum and drizzles more down his throat.

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Gods, he really is extremely attractive. Taharqi keeps going, backing away from the deepthroat so he can reach a steadier rhythm with his mouth, pumping back and forth with his head and hand as he sucks and jerks Tintin. The lack of a clit is still throwing him a bit but he'll listen for what makes Tintin moan more and figure out the best fingering strategy from there.

...and later he's gonna fuck Tintin's pussy and that is going to be so incredibly hot, even though he's not touching himself his dick is still rock hard and dripping precum onto the ground at the thought of all the things he wants to do to this boy, at the noises he's making, at the delicious precum Tintin keeps giving him...

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After his third drawn-out gasping moan, Tintin pants, "A-are you going to fuck me, then, or just - make me cum until I p-pass out from dehydration -"

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—he pulls out and grins self-consciously. "I did not realise you were coming! Yes I would love to fuck you, I want to see what this delicious pussy of yours feels like around my dick."

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Tintin grins broadly. "I didn't mean to pass judgment, it sounds like a lovely time, if you'd rather just worship me for a few hours -"

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"...that's tempting! I am tempted! But we should not spend hours here, we still have to walk."

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"Oh, I wasn't being serious."

He pauses, still breathing heavily.

"It is? Tempting?"

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"Yes, very much so."

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"Oh."

He licks his lips absently.

"That's... good to know. But right now, we've got plans." He hesitates. "Right?"

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Taharqi gets to his feet, keeping his left hand on Tintin's crotch, lightly caressing Tintin's labia with his middle finger, and he looks right into Tintin's eyes. "The plans being," he says, and then he positions the tip of his dick right at Tintin's entrance while he uses his right thumb to trace circles around the tip of Tintin's cock. He doesn't complete his sentence, and just keeps looking at Tintin with a half-smile on his face.

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"Yes. Quite."

He shivers as Taharqi teases him.

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"I never knew this was... possible. Someone like you." And he pushes in, letting out a shivery breath at the same time. Tintin should probably be very happy that Taharqi was using his fingers earlier because he is... thicker than those fingers. "I'm rather happy we met."

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Tintin gasps again as Taharqi enters him. "I - I think I agree."

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So he can kiss Tintin again and grab Tintin's left thigh so he can support some of Tintin's weight; he's sufficiently taller that it's way less awkward for both of them if Tintin is riding him like that and the fact that that's super hot is just a bonus. And to help with that his other hand guides Tintin's arm up so he can wrap it around Taharqi's shoulders and neck for extra support.

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Tintin will allow himself to be manhandled, which is also very hot. (He's trying not to make this weird, but he is not unconscious of the fact that he is being fucked up against a boulder by a man who is cultured and worldly in his own way but still untouched by the mores of galactic civilization. Tintin is not immune to early-twentieth-century porn tropes.)

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And Tintin gets to be fucked against a boulder by a barbarian who is also moaning into his neck and occasionally biting said neck. Taharqi's hands are a bit too busy propping Tintin up so he can't play with Tintin's dick right there and then but he can hold their bodies close together and make sure he rubs Tintin's cock between their bodies while fucking his pussy.

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When Taharqi bites his neck, Tintin moans, high and desperate, and his already tight cunt clenches almost painfully around Taharqi's cock. "Fuck - please -"

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Oh he likes that does he. Good to know, that just means Taharqi gets to do more things Tintin likes. "Fuck you sound so hot when you moan like that," he growls, and now biting will be a more present element of fucking Tintin. Biting, and also a speedup of his thrusts into him, because he's actually rather close to coming, himself, after all of this. His eyes are squeezed shut and it's all he can do to keep thrusting and kissing and biting.

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"Taharqi-"

Tintin manages to capture his partner's lips for a final, shuddering kiss. His mouth tastes sweet.

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And if that didn't drive him over the edge, nothing would. He kisses back, fiercely, passionately, moaning into Tintin's lips as his hips lock into place and he shudders his loads into him, squeezing Tintin's body against his almost painfully tightly in his orgasm.

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Tintin slumps in his arms.

"Well," he says after a moment's panting. "That was - thoroughly enjoyable."

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Taharqi's body rumbles with his laughter as he rests his head on Tintin's shoulder and leans an arm against the boulder for some extra suppport while he winds down. His dick slides out of Tintin, slick with Tintin's juices, and twitches a bit as the last drops of his cum drip out. "Yes, it was. We should do it more. Maybe get Sendhei to join in when we get to my place, I think he would love fucking you."

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"Oh, would he? - I don't think I fully understand your relationship to Sendhei. Is he your lover, your husband, your - friend with benefits?"

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"Benefits," he chokes, pulling away from Tintin's shoulder with a grin. "We live together, he helps me take care of the house and the animals, we sometimes do things together like hunting or dancing or sex or dice games. I would say we are friends, yes."

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"Alright, that's more or less comprehensible. I will think about it. I - don't know exactly what about the idea makes me anxious but there's something there."

Tintin is tired of being sticky. He waves his omni-tool over his crotch; it glows, and he's mostly clean again. (Omni-tool cleaning isn't as good as a decent shower, but it'll do in a pinch.) He gestures at Taharqi's cock. "Would you like me to..."

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"—that is really cool. I don't know, the idea of walking around smelling of you sounds really appealing but that is one very handy tool."

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"It's the same principle that lets it make things - on a basic level it's all just moving very tiny particles of stuff around."

He deactivates the tool and wriggles out of Taharqi's grip, landing lightly on the sand. Then he starts stepping into his suit.

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Seems like Tintin has made the decision for him.

"I know you said being naked is very sexual in your society and I said it's not, here, but I would be lying if I said I didn't find the sight of you naked much prettier than that suit."

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Tintin - hesitates.

"I'd have to make myself shoes. And - I'd get sand all over my legs." He blushes. "And. It'd make me desperately horny. Being naked in front of everyone."

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Dick twitch. "Am I meant to be trying to downplay it or point out that I for one would not object to seeing you desperately horny?"

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"I don't even know. It's - it's considered rude, to involve other people in sexual activities they haven't asked to be involved in. Such as by being naked in front of them and getting off on it."

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He blinks twice. "I... don't think I would have considered seeing someone else do something sexual as being involved in it?"

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Tintin shrugs. "Sexual ethics are complicated. And I haven't really studied them in depth, because I wasn't having any sex. But... I'd be uncomfortable, if someone from my home society was clearly enjoying me seeing them naked." He pauses. "I think? I'd... expect to be uncomfortable. Or embarrassed, at least, on their behalf."

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"I... am not sure I understand but I'll trust you. You certainly do not have to do anything just because I would appreciate it. I am sure I will have more opportunities to appreciate you in the future."

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"I just - I don't know where the feeling is coming from, really, apart from my acculturation, and... I don't like being - limited by things that don't matter in the context I'm in?"

He shakes his head, steps out of the suit, and packs it into his backpack. Then he manufactures himself a pair of 20th-century-style hiking boots and starts lacing them onto his feet. "I'm going to try it."

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He doesn't really know why but this makes him feel like kissing Tintin.

But he doesn't really care, so once Tintin has his boots on he leans forward to do just that.

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Tintin squeaks with happy surprise, then kisses him back.

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"You are—" He pauses, and seems to consider his words for a couple of seconds. "I don't have an adjective. Really attractive, but that is not all." Shrug.

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"Well. Thank you. You are also very attractive, and - in many ways also difficult to describe? You're very accommodating, which I mean as more of a compliment than it sounds."

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Taharqi grins once more and bows a little. "I shall take it as intended. I think." He straightens up again. "—we should probably actually go eat food during this 'food and rest' break, though."

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"Yes. And drink some water, sex is apparently very thirsty work."

He slings his backpack over his shoulders and heads back towards Raziya and Horan.

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Horan has curled up into a ball and fallen asleep, apparently, and Raziya is sitting against a rock and staring at the sky. When she hears them walk back she is initially alarmed but calms back down when she recognises them. "Have your fun? You sure sounded like you did." But then her eyes drift down to Tintin's crotch and she blinks. "I think you're missing something, there. I thought eunuchs couldn't have sex."

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Tintin blushes, but responds with a minimum of stuttering. "You've got it backwards - I never had balls in the first place, science gave me a prick. I can have sex fine, just can't impregnate someone. Or get pregnant, though that's for a different reason and I could fix it if I wanted."

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"...you... were a girl and then not? But you don't have tits?"

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"You could put it that way. And yes, I had them removed, not that there was much to remove."

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Raziya squeezes her own (rather larger than "not much") breasts, a bit protectively. "Why?"

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"...because I'm a man, and having breasts made me unhappy. If some kind of magic gave you a penis, I doubt you'd want to keep it."

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"No, I like my pussy." She looks at Tintin's again and amends, "Without a dick. But why are you a man if you didn't have a dick and only got one later?"

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"Complicated reasons! There are an astonishing number of ways that humans can be, due to a dizzying array of genetic and epigenetic factors, and one of those ways is 'identifying with a gender that doesn't match the physical sex of their body'. Some people are even born with bodies like mine is now! Some people don't want to be male or female! I met an asari once - a species that only comes in one biological sex, mostly corresponding to human females - who had gender confirmation surgery to make himself look male, despite the fact that his species didn't even have the concept of masculinity built into their neurology!"

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    "Okay... So you're a man now..."

"Yes he is and we should eat and resume walking," says Taharqi.

    "Do we have too, my feet still hurt..."

"I suppose it depends on how many more days you want to add to our ten-to-twelve day journey," he replies, neutrally.

    "...hm."

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Tintin removes a ration bar from his pack. It is putatively lemon-flavored. He tears into it, and drinks some of his remaining water. "I'm going to have to set the bottles to refill over the night," he mentions, "don't let me forget."

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"I will remind you," says Taharqi. "Wake Horan up," he adds, to Raziya.

    She sighs and pokes him with a toe. He startles awake and yips and jumps back, but then he shakes his head quickly like he's shaking water off his hair and blinks at them. "Food?" she says, and he blinks at again then nods.

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Tintin will distribute foodstuffs and the remaining water, being apparently the quartermaster.

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Indeed he is.

At some point Horan's gaze rests on Tintin's genitals for a bit longer but Raziya says, "It's complicated," and that seems to be enough of a deterrent that he doesn't try to formulate any questions about it.

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Good, good. Tintin is beginning to think that his nudity is not a mistake. It's not cooler than the encounter suit, but you do eventually get bored of constantly being the ideal human temperature all over your body.

-he sets his omni-tool to filter UV radiation in a field over his exposed skin. He's probably already going to have a mild sunburn from the fifteen minutes he didn't have it up, but there's no need to make it worse.

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And soon enough they can resume their very, veeeery long trek.

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Tintin will happily tell stories and occasionally eke out more information about life in the Exiled Lands from his compatriots until they stop for the night.

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The Exiled Lands: mostly suck rather a lot! Taharqi has a rough map in his head, and he has actually seen a few different maps of varying accuracy including one that magically updates itself to reflect the underlying geography as it changes over time, so he can expand a little bit on some details. Apparently the Exiled Lands include a mountain chain (with its own volcano) up north, and a rainforest that eventually gives way to sea to the east. It's not very thoroughly inhabited, and most camps of people are, if not immediately hostile, at least very definitely not friendly. The werehyenas are one of the more numerous groups, having outposts around the central and northern parts of the desert, but there are also groups of exclusively-Darfari cannibals and even, he has heard, pirates.

    "So the pirates are real," says Raziya.

"Oh, yes. I have no idea what they want, though, they definitely do not limit themselves to the ocean."

    "...so aren't they just thieves?"

"Thieves that act like pirates and call us 'landmen'."

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"Bizarre. Perhaps they crashed on a shore?"

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"Nope, most if not all of them seem to be exiles, too."

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"...exiled for piracy, one assumes?"

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A shrug. "I have not encountered many of them in my travels, I don't know where they tend to congregate, and the few I did run into were not very friendly either."

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"Well. I'm not sure if satisfying our curiosity is worth dealing with pirates - I've really had enough of them for a lifetime."

And if anyone asks about that, he's happy to extend into one of his stories of dealing with pirates.

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Taharqi has a kind of... look... in his eyes, when Tintin tells his stories.

It's definitely not an unappreciative look.

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Tintin notices this! He grins, continuing to describe a risky bit of gunplay.

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Tintin's actually painfully attractive, it's kind of unfair. He continues being painfully attractive for the rest of the long walking day, regardless of whether he was right about getting desperately horny for being naked (he wasn't, to Taharqi's mix between disappointment and feelings of vindication).

And eventually it gets dark enough that Taharqi declares they should probably stop for the night.

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Tintin helps set up camp.

"Should I go out hunting?" he asks Taharqi. "I've got more rations in my pack, but I'd like to keep them for if we get into combat and I need a few thousand calories in a few hours."

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"That would be smart. I suppose I would be more hindrance than help if I came with?"

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"No, not at all. I'm not used to tracking animals, and I'm only guessing but if you've survived in this place for long then I'd think you'd have a better grasp than I."

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    "He's a Kushite," says Raziya, looking up from where she's found a seat and is stretching and massaging her legs. "I've heard they are born on horseback and left behind and only the ones that find meat and bring it back to their parents' house are allowed to live."

"I am pretty sure at least one of those things is not true," Taharqi says, but he's smiling.

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"Then you can do everything difficult, and I shall hang behind and shoot dumb animals. An efficient allocation of talent."

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"What do you shoot them... with... exactly?" Taharqi asks, checking that his bow is in fine condition.

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Tintin removes his pistol from the magnetic holster on his backpack and starts checking it over in turn. "A very, very small piece of metal fired at a significant fraction of the speed of light. Strictly speaking the main reason I have this weapon is to counter people's kinetic barriers, but believe me, it kills things too."

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"'Speed of light' and 'kinetic barriers'," he says, raising an eyebrow.

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"Oh, have I not explained lightspeed? It's - when you think of things as being instant, they almost never are. There's a tiny, tiny gap in between the light of a candle leaving that candle and hitting the rock a few feet away. The sun is so far away from us that it takes eight minutes for the sunlight to reach us. The speed of light is, literally, the fastest anything can ever go - without the Mass Effect messing with it, of course. And kinetic barriers are a bit of technology that causes fast-moving projectiles like arrows or the bullets from my gun to stop moving instead of striking and killing the person the barrier is on, and also interfere with biotic powers. But they can only block so much before needing to recharge, and so if you're like me and you do your best work without barriers getting in the way, you can just shoot them a couple of times to overload their barriers and then do whatever unpleasant thing it is you're planning."

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"And so that probably just completely beats whatever... non-technological barriers there are. Like an animal's skin." He reattaches his bow to his back, shaking his head.

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"Skin, yes. If something has an inch-thick metallic shell I'd be better served by a biotic detonation."

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"Don't think I know of any animals with one of those," he says with a crooked smile, "but I will warn you if I ever do. Shall we?"

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"Yes, let's."

Tintin keeps his pistol low, pointed away from his compatriots, and walks a bit behind Taharqi. 

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The light is low but not entirely gone, and anyway Taharqi soon finds a trail. "Some predator, probably, not trying to hide at all," he says in a low voice. "Big?" The broken branches of trees and little imperfections of shrubbery would indicate something that reaches about shoulder height on him.

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Which is to say, a few inches taller than Tintin. "Excellent."

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Taharqi keeps following and soon finds the creature that created those tracks: an enormous boar, surrounded by a couple of less enormous but still pretty large other specimens. The biggest one is indeed nearly as tall as Taharqi—on all fours.

Meat for days.

He puts a finger to his lips then points at it and looks at Tintin's gun then face.

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Tintin raises the gun, his arm perfectly steady, and pulls the trigger.

There's a dim flash of blue light, a loud crack, and a sizable hole in the boar's head.

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The other two boars screech in surprise, locate the new threat and...

...charge. Rather than running away. Welcome to the Exiled Lands.

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Well that's unfortunate for everyone involved.

Tintin gestures, and a pair of Throw fields materialize and streak into their faces. He isn't expecting that to do much more than stagger them; that's what the pistol is for. Crack. Crack.

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And after that, all is quiet.

Taharqi isn't looking at the dead boars, though.

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"-probably should've warned you about how loud guns are. You alright?"

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Huh? Oh yes he's alright sorry give him a moment while he wraps his arms around Tintin to kiss him.

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Squeak!

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He holds the kiss for a few seconds before pulling back away, laughing. "Sorry, I don't know why, I—" But he's looking Tintin up and down like a very delectable meal.

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"Was that really so attractive?"

Tintin kisses him again, though.

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He will grab Tintin's ass and press their naked bodies together in lieu of answering with words.

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Well, Tintin is experiencing a bit of an adrenaline high, and he feels like grabbing Taharqi's ass and grinding forcefully against him. How about that. 

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Taharqi responds very positively to this! Mostly by squeezing Tintin's body even harder against his and rubbing himself on him somewhat. Maybe some lip biting will be involved also.

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Tintin appreciates being bitten pretty much anywhere Taharqi chooses. He ends up mostly grinding his pussy against Taharqi's thigh and making breathy little noises.

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—okay wait he pulls away and bites his lower lip. "Boars," Taharqi says, his voice a bit raspy. He clears his throat and adds, "You are very hot but we should take those boars back to camp before it gets too much darker."

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"Boars. Yes."

Tintin disentangles himself reluctantly, and gestures at the corpses; they glow blue, and he starts dragging the big one effortlessly along the ground. "Can you get the other two? I'd like a hand free in case I need the gun."

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"...sure." He can grab both extra boars. "And you are going to tell me that is not magic, either."

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"Just biotics! I know I explained biotics - manipulating Mass Effect fields using the Element Zero nodes distributed through my body?"

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"You did say those words! What is Element Zero, exactly?"

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"A crystalline form of something called dark matter, which can locally alter how the world works in respects like gravity."

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"Gravity... which is a word for the way things fall down," he says, slowly.

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"Indeed! Well, it's - more complicated than that when you get into it, but isn't everything. So with a properly calibrated Mass Effect field, I can make things fall up, or simply float in the air like it's water. In this case I made the boars weigh almost nothing."

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"Very handy." He looks at the bigger boar wistfully. "It's a shame its head got that hole. That would make for a great trophy. —for you, not for me, of course."

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"...I'm not sure I understand the appeal, to be honest. I killed it for food, not for - clout."

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"I suppose it doesn't work as well when you can kill something that big with one shot," he admits.

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"Yes - perhaps if I had to kill it with nothing but a spear and my physical prowess, I would feel differently. And it's not as if your own trophies mean less for my being here, since you did take them down with your physical prowess."

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"I favour the bow and the axe," he says, gesturing at the weapons Tintin made him. "But yeah, I think that is more or less it. More hunting trophies mean you are a better hunter. ...at least if they aren't just ten score shaleback heads, anyway."

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"Yes, that does sound a bit monomaniacal. And with my technological advantage, any hunting trophies at all would seem... gauche. You wouldn't take a trophy from a rabbit hunt."

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"No, probably not," he admits. "Well, maybe a demon's, I would not be surprised if you had more trouble with demons."

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"...that seems a distinct possibility, yes. Tell me more about demons?"

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"Uh... like what? They're like animals but some of them are like people? They're usually pretty hardy and have magical defenses and sometimes offenses—I had to kill a bat demon a couple of weeks ago, it was... maybe half again as tall as me, pretty damn hardy, nearly killed me and my pet shaleback."

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"Huh. That's new to me. If they have magical defenses I don't know how that'd stack up against my abilities... you'll have to bring me with you next time you're expecting one, I'll make an experiment of it."

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"Sure. Actually I wonder how you would do against undead, too, the whole reason I wanted to move up here to the highlands was to be closer to where the undead Priestking and his son are meant to be."

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"Undead? ...corporeal or incorporeal? - we have myths about undead but no actual examples, I'm trying to get a feel for the terrain."

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"I think I have only found one actual ghost. There are some memories etched into places that look like ghosts but they are not... there. I believe the Priestking and his son are not ghosts, though."

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"Well. We will have to see how they respond to biotics and bullets."

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"I do not know what it is about the Exiled Lands. I had only heard stories of the undead, before I came here, and demons were definitely not that common either."

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"I could theorize, but it's useless without evidence."

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"I don't have anything better to do with this walk than listen to you."

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"Some kind of enchantment on the land itself, left over from a war. Some kind of enchantment resulting from the decay of other magic, like radioactive waste. Higher rate of sorcery per capita resulting in ambient waste magic looking for things to do. Lower rate of sorcery per capita resulting in ambient unused magic looking for things to do. Protective enchantments on the rest of the world that aren't being maintained here. This being a place where people are sent to die has actual magic effects, because magic is fundamentally narrative. Natural ecological pressures resulting from climate and prey availability have driven the demons to the Exiled Lands. I really don't have enough information to rule out any of these."

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"I think I might," he says, making a humming noise.

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"Oh?"

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"This is where the giant-kings used to live, and they were a small enough kingdom to mostly stay here," he explains. "I'm not entirely sure where all of the survivors of the Fall of Atlantis went, but I do know that the Witch Queen, who was meant to be one of the most powerful ones, did end up coming here, and they had a war. Maybe those things together are all there is to it. So, your first option, basically. Maybe the second one, too, I don't know how magic behaves after a long time."

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"Oh! That would explain all those cyclopean ruins, wouldn't it - perhaps literally cyclopean, at that. I was basically just combining theories I'd come up with if this were a fantasy story with theories I'd be coming up with in my own world for a region of land that was acting strangely, and my first guess in either case would be 'what if someone used a weapon that had extremely long-lasting effects'."

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"The giants aren't even that tall! They are only about twice as tall as me, or at least the two I've met were, I suppose they could have been unusually short. But no, I think they just really really liked building big things."

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"Well, perhaps since the fall of their empire they've gotten smaller? I don't know. At any rate - giants, how bizarre. Ordinarily I'd be invoking the Square-Cube Law, but I suppose I don't know how much magic they have in their skeletons or even strictly speaking if you have the Square-Cube Law in effect - basically it says that as you get bigger you need stronger and stronger materials making up your body so you don't collapse, which is why you couldn't build a skyscraper out of clay."

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"Skyscraper." He shakes his head. "Well, I don't know what their bones are made of, anyway."

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"Skyscrapers! Perhaps in a few decades we'll have the technological base to build one. - actually I probably have a holo on my omni-tool, give me one moment - Milou, bring up a picture of a skyscraper."

Above Tintin's wrist appears a nighttime skyline view of Illium.

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"It's a lovely place. Pity it's... Illium."

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"Hmm?"

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"It's one of the most dangerous places in the galaxy. Ruled by criminals and pirates, though they act like they're politicians. You can hire an assassin or buy a slave as casually as you would hire an accountant. The only thing they hold sacred is hard cash."

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Taharqi wrinkles his nose. "Distasteful."

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"Very much so. But beautiful, in its way. It was originally colonized by the asari, they have a way with architecture and design..."

He can talk about asari art for a while. He took a class in college on Siarist design principles, for the not-actually-called-humanities-anymore credit.

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And once they are back both Horan and Raziya are asleep. Which is a terrible idea given that they didn't have anyone to watch camp, but so it goes.

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Tintin forges a carbon-lattice skinning knife, then beholds the boars.

"I can probably skin these, but I think you're likely to be better at it."

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"I have some experience with that, yes." He looks at the disfigured boars forlornly. "We are not likely to need their actual skin and tusks and all that, are we?"

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"Not unless you have some use for them that I, being an inveterate city boy, wouldn't know."

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"First use is weapons, second is grinding it to powder to make compost. Third is some rare alchemical compounds."

    Horan opens one bleary eye, awoken by their noise, and yawns but stands at attention when he notices the food. Then he blinks a couple of times and says, "Joreksson."

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"Weapons I can do, compost is potentially worthwhile but probably not worth lugging around fifty pounds of bonemeal for a week, alchemical compounds tell me more? -hello, Horan. Horan Joreksson? Is that your name?"

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    Horan nods, slowly, then tries to repeat it: "Horan Y... Eeeeee oo..." He grumbles to himself a bit then says it all at once, "Horanjoreksson."

Taharqi watches this with bemusement and shakes his head before looking at Tintin again. "I do not know of any specific alchemical compounds that use it, but I do know that there are some. I think it does not matter very much, though, we can kill other creatures for their bonemeal if we ever find ourselves in need of some for any potions."

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"Yes, that's my thought as well. So, not keeping the bones, just the meat."

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He nods, then starts the skinning process. It does indeed show that he has substantial experience with this, his cuts are quick and clean and precise and he seems to know by rote what to do, where, when, and how.

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And Tintin will set up a firepit, which is something he does know how to do (Taharqi's universal competence has been making him feel like a bit of a tourist). He lights it with his omni-tool, and soon they have a good cookfire going.

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And the noise of the cookfire and smell of the cooking boar meat wakes Raziya up.

"I don't suppose you have some salt in your omni-tool? Wait, I bet you have some other strange way of keeping meat from rotting instead," says Taharqi.

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"Well, I've got a bit of salt in my bag, but not enough to preserve the meat, just enough to make it taste good. With the proper resources I could construct a rudimentary freezer, but other than that I'm fresh out of not-magic for this particular purpose. If we pass any salt flats we should take a break to collect some, it'd be very handy."

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"What would the proper resources be? Lacking salt, we should set up a drying rack for the meat we don't eat tonight."

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Tintin consults his omni-tool. "Most of it I could make out of omni-gel, apparently - I should also have a stockpile of glass and metal, so I can use up as little gel as possible and only use it for what I absolutely need to. But I'd also need an electrical generator. Which we're probably going to want anyway, since I doubt the freezer is the only thing we'll want to make. ...now I'm wondering if I could make a generator that runs on magic. Can magic cause a constant pushing force? And, relatedly, do you know any magic? Any of you," he says to Raziya and Horan.

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    Horan looks confused by the question then shakes his head. "A little bit of dancing magic, but not much, only bits and pieces I picked up," Raziya says, nodding. "Sendhei taught me some, actually," she adds.

"I know food magic and smelting magic and leatherworking magic. I... am surprised the two of you don't know any food magic, actually, I thought it was standard?"

    Raziya stares at him blankly. "I have never heard of it. What does it do?"

"Makes food more nourishing and give you more energy and help you heal from wounds faster." To Tintin: "And to answer your question, probably there are higher sorceries that can do that, but none that I know."

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"Huh. That's an odd way for magic to be. How does one do - food magic, smelting magic?"

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"It's complicated to explain. There are these rituals you do while making the food or smelting, in the order of what you do and how long you take to do it and quantities and all that... but it really is about having many shorthands for ways to... think about it? Or feel about it? While you do it."

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"Huh. I wish I were an asari so I could see what you mean... but presumably it can be taught anyway? I'd like to learn it."

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"Asari can see magic?"

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"No, no, we don't have magic - they can read thoughts through physical contact. If I were one I'd be able to touch you and literally see the state of mind you're referring to."

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"That sounds like magic," he says, raising an eyebrow. "Useful, anyway."

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"I will freely admit that the asari mind-meld kind of feels like magic even to me. There is a scientific explanation, but it's much easier to approximate as magic."

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He laughs. "Anyway, yes it can be taught, but requires a lot of practice to get it right every time."

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"Plenty of things require practice. Biotics, gunplay, journalism. There's nothing worth doing that you start good at."

He turns to Raziya. "I already know how to dance, a bit; would you teach me the very basics of dancing-magic?"

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"Uh, sure, I can try, but I'm really not that good."

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"I've been told I'm an excellent student. Should I show you how I dance, to start?"

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"Uh... sure okay I guess that will help."

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"Milou, play Ililousiara."

A bubbly pop song starts playing, clearly one that Tintin knows well. He starts dancing. 

If anyone watching knew that ballet existed, it would be obvious that Tintin's dancing form is mostly informed by ballet. He's very light on his feet, lots of jumping and kicking and spinning. He isn't very formal, though it is clearly a thought-out routine rather than improvisation.

The song ends, and a thumping electronic beat starts pulsing through the camp. "Pause, Milou," Tintin laughs. The electronica stops. 

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Taharqi looks... entranced.

    Raziya, on the other hand, has her brows knitted together. "That music... didn't come from your dance?" she asks.

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"No, that was more technology. Was it supposed to?"

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She nods and opens her mouth but then they hear growling coming from...

...well pretty much all around them. So instead she squeaks while Horan replies to the growls in kind and Taharqi has his bow in hands, arrow nocked.

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Tintin launches a Singularity at the highest density of hostiles, then a Throw field to cause a massive biotic detonation, flinging furry bodies in all directions. Then he whips out his pistol and starts firing at the rest of them.

"How did none of these stupid animals" stasis "evolve" throw, detonate "a survival instinct?!"

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Taharqi shoots an arrow or two but honestly just watching Tintin be very hot works super well for him.

"Maybe they survive better when they try to kill everything," says Taharqi between arrows and staring at Tintin.

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The animals don't last very long against a pissed-off Tintin. He stands there, panting -

then wobbles on his feet. "Oh, okay, that was a lot of biotics. Um." He shrugs off his backpack and shakily unzips it, pulling out a ration bar. It takes him a bit to unwrap it. Once it's unwrapped, he starts cramming it into his mouth like he hasn't eaten in days.

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"—oh, right, okay. I will figure out some more food for us." Taharqi goes to do that, grabbing some of the meat and—he really doesn't have many ingredients here, does he, doing the food magic is gonna be hard. He figures out pieces of meat to slice and pull in the specific ways he needs to, and then offers Tintin some.

    Horan crawls out towards the nearest corpses, then barks a "Wolves" back at them.

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"Thank you," Tintin says. He takes a bite of the meat and makes a surprised noise of delight.

He is satisfied after eating a frankly implausible amount for a man his size. "I think I see what you mean about the magic food," he says. "It was a lot better than unsalted pork had any right to be. And much more filling than I expected, too."

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"So normally you would have eaten even more than that? Where are you storing it?"

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"I'm mostly not! I have enough genetic enhancements that - that's not going to mean anything to you. They did technology to me in the womb to make me - better, in various ways, stronger and faster-healing and better at remembering things, and one of the things they did was making it so that I can digest food more quickly and comprehensively."

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"As long as it works. Are you too tired to fuck, watching you be extremely efficient against threats is really hot."

His body agrees with his words, apparently.

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Tintin sputters a bit. "I- well, I suppose I could - really, now?"

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"What's wrong with now?"

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"Nothing, I suppose, except the wolf corpses everywhere."

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"...maybe we should deal with those," he agrees. "They are going to smell in the morning."

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"They are also not what I would call romantic."

Tintin helps clear out the wolves.

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    "You want romance, with a Kushite?" asks Raziya.

"I can be plenty romantic," huffs Taharqi with no heat, dealing with the rest of the wolves.

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"I certainly think so. Other than this he's been very sweet."

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Taharqi grins at him. "I am admittedly perhaps a little bit inured to dead things around me."

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"Which is perfectly understandable, given your line of work!"

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"It also means you are going to be the one who has to tell me when our surroundings are sufficiently free of dead things that we can fuck. Oh, but before I forget," he adds, snapping his fingers, "you wanted to be reminded to set up a water catcher? And I should set up a drying rack."

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"Yes, thank you -" Tintin manufactures a device! He inserts the empty bottles from the day! Then, slightly reluctantly, he unfastens his omni-tool from his wrist and sets it into another slot.

"There we go. Milou, water capture." A faint orange glow emanates from the device, and the bottles almost immediately fog up. "I'll leave that to collect overnight."

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Meanwhile Taharqi collects some sturdier-looking branches and sets them up in a somewhat-triangular shape to hang the meat from. Then he shaves some bark from the nearby trees to alight them to smoke the meat overnight.

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Tintin watches appreciatively. "You're very good at - things," he says inadequately.

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"Things?" he asks archly, not taking his eyes off the bark to make sure it's burning right.

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"You had to learn all this yourself, didn't you? I have so much stuff, but if you took it away I'd be lost. If you lost everything you had, you could make it all over again." He shrugs. "I don't know. It's just - perspective. You know?"

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Taharqi hums a bit to himself and tilts his head. "I guess? But the man I met today is a resourceful, skilled one who is quick on his—metaphorical—feet, and I do not doubt he would figure it out just as well."

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"Perhaps. Perhaps I'd have forgotten to set up a water capture and not known how to hunt and - I don't know. I don't think I'd have done half so well on my own, is all. I'm glad to have you. And to be useful in my way."

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"And you do have all your technology so that is extremely useful, too."

    "Are the two of you going to fuck anytime soon or should I just go to sleep?" asks Raziya.

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"Not for your benefit," Tintin snipes. "-sorry, that was mean. You can feel free to go to sleep if you're not feeling adequately entertained."

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"I do still want you, though," Taharqi says while Raziya grumbles to herself.

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"Well. I'm happy to hear it. I'm still not inclined to put on a show but I might be inclined to take this somewhere a bit more private."

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Taharqi would love to take Tintin somewhere more private!

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Tintin will happily follow!

"I do enjoy feeling the air against my skin," he confesses, "but being naked all the time does mean I don't get to strip seductively for you. Which I think I'd like to."

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"—okay, I can definitely see the appeal. I think. Probably not as much as you? But—yeah, you could definitely make a show of it."

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"You should see the asari do it. I'm not attracted to them, but even I know it's very impressive."

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"Maybe you should show me sometime," he says, before pulling Tintin in for a slightly impatient kiss.

He's been feeling deprived, okay, Tintin has been acting hot almost nonstop for the last like hour or two.

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Oh good kiss. Tintin enjoys this part.

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Taharqi does, too, as Tintin can probably rather tell. "Great Serpent you're so hot," he pants, moving down Tintin's neck and shoulder to kiss and bite and lick and—

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Tintin is not quite as hungry as Taharqi, but he does want this. He grips Taharqi's cock and strokes experimentally. "It's so big - so warm," he marvels. "I want to taste it."

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"—yeah?" he breathes into Tintin's skin. "If you want—I would like that—" Okay more kissing now.

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Tintin gets down on his knees and - just sort of beholds Taharqi's cock for a bit, still stroking gently but mostly just looking, breathing, existing near it.

Tentatively, he licks the head.

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Taharqi puts one hand on Tintin's head and starts running his calloused fingers along his hair. His breathing is still heavy, and it shudders anticipatorily when Tintin gives him a lick.

He's already slick with precum, and this doesn't improve matters.

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Tintin will... nuzzle his balls. That sounds like a good time. He sucks one into his mouth and rolls it around a bit.

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He's adorable. And actually extremely hot. Taharqi moans softly and continues to scratch Tintin's head lightly with his nails while running his hand through Tintin's hair.

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When Tintin has finished with Taharqi's balls, he returns to the head and takes it into his mouth. He holds it there for a moment, swirling his tongue experimentally.

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"Fuck—you're going to drive me crazy—" says Taharqi, his eyes fluttering shut and his breath getting heavier.

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Tintin tries to swallow the whole thing.

He fails and draws back convulsively. He has the presence of mind to replace his mouth around Taharqi's cock with his hand, stroking the slick length of it as he coughs miserably.

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Taharqi lets out a sound that's half-moan half-laugh, and grins down at Tintin. "That takes some practice," he says. "You alright?"

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"Yes!" he coughs unconvincingly. "Give - give me a moment -"

He keeps stroking, though his hand spasms a couple of times, and he recovers, as promised, after a moment. He beholds Taharqui's imposing member. "I think I would like to move on from having your cock in my mouth. It seems dangerous. Perhaps you would like to fuck me?"

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Taharqi laughs and pulls Tintin to his feet to kiss him. "Perhaps I would. You do look extremely tempting. I wonder if you would enjoy being taken from behind?"

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"I think there is only one way to find out."

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"Can your technology make oil?" he wonders into Tintin's skin, trailing kisses down his jawbone and neck. "We can't very well try without something to help us along. Unless," he adds, and one hand finds itself between Tintin's legs again, "we use a more natural kind of lubricant."

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"I can make some lubricant with the supplies in my bag - give me a moment -"

Tintin extricates himself from Taharqi's grasp, retrieves his backpack, and reaches into it, eliciting an orange glow; after a few seconds he pulls out a small bottle that may or may not have been there before. He slicks Taharqi's length generously, and offers the bottle to him.

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Taharqi takes it, pours some over his finger, then sets it down to use that now-free hand to pull Tintin close again for more snogging. But the fingers that are covered with the lubricant will find their way between the other man's asscheeks easily enough.

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Tintin approves of all of this! He grinds against Taharqi's thigh when his fingers breach Tintin's hole.

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"Eager, aren't we?" he murmurs. He starts with one finger because—well, he's not thick in only one location, you could say.

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"Yes," he says without a trace of shame.

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Then he'll oblige. He pushes that one thick finger further into Tintin, gauging him for reactions and, well, actually he's curious about whether he'll find a certain sweet spot in there that he's used to more conventional men having.

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He does indeed! Tintin shudders, still rutting against Taharqi's leg.

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Oh Tintin is such a fucking delight. Taharqi will play around in his asshole a little bit more, loosening him up until he feels like he can get a second finger in.

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It doesn't take long; he's pliant and cooperative. And moaning.

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"You make such delightful sounds," murmurs Taharqi as he works Tintin open even more. He's patient, and waits until Tintin is properly ready before going for the third finger.

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If desperate noises are the order of the day, Tintin has them.

"Please -" he says as the third finger enters him.

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"Good please, bad please...?" murmurs Taharqi, slowing down but not quite stopping.

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"Good please more please!"

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"I feel like a fourth finger would be a bit too much," he laughs, but keeps going because he really really wants to fuck Tintin's ass.

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"Then fuck me already!" he says, almost laughing between the whimpers. "Please!"

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"How could I possibly refuse," he says, grinning.

...but first he has to kiss Tintin. Because he is incredibly attractive and deserves to be kissed.

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Kiss!!!!!

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Then Taharqi pulls his fingers out and himself away from the kiss, turns Tintin around, and uses one hand to bend him over while using the other to grab his cock and find Tintin's entrance with it.

He pushes in... slowly. And waits for the go-ahead.

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Tintin lets out a hissing breath. "I - hhh. Good. This is - good. Very. Big."

Half consciously, he goes to stroke himself. 

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But hopefully not too big, that was the whole point of the fingers!

He continues going in, and in, and in, until he's all the way to the base.

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Tintin shudders around him, his muscles fluttering wildly. He strokes himself when he can think straight enough to do it, which isn't all the time.

When Taharqi's hips touch his cheeks, Tintin turns and kisses him hungrily.

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Taharqi laughs into the kiss and responds just as hungrily, then starts pulling away and rocking back in (once more, slowly at first) without breaking the kiss. "You're so fucking hot," he breathes for a second before kissing again.

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"Fuck - you're so -"

Tintin clenches around him and sprays the sand with clear fluid.

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"Fuck," mirrors Taharqi when he sees Tintin come as he speeds up and up, pounds more and more—

—and then comes, too, squeezing Tintin's body against his as he does it. One, two, three loads and he's mostly spent, breathing raggedily into Tintin's skin as he pulls out, letting the last lazy drops of come drip down to the sand or between their legs.

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Tintin hums contentedly.

"You are very good," he says eventually.

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—Taharqi laughs, and places a kiss on the back of Tintin's neck. "You are very good, too."

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Tintin shivers happily. "It is pleasant having a - whatever we are."

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"Adventuring companions forced together by fate and forces bigger than themselves who occasionally fuck? ...more than occasionally, if we extrapolate."

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"Ha! Yes, if we extrapolate from the data then it looks like we might be fucking pretty regularly."

Tintin stretches. "Back to camp?"

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Another neck kiss then, "Yeah, let's."

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And back to camp they go.

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Raziya and Horan are both asleep, and either too deeply into it or Taharqi and Tintin manage to be sufficiently quiet to not wake them up.

"Do you have some fancy technology thing that will wake us up if we get attacked again or should we sleep in shifts?" whispers Taharqi, as this is the second time he and Tintin return to camp to find the other two asleep despite the dangers.

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"I could set up a perimeter alarm if I had, well, different technology than I have. Let's sleep in shifts, I don't need more than five hours."

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"Useful! First or second?"

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"Oh, whichever you'd rather not." Tintin is aware that this is insufferable but if he chose then he might inconvenience Taharqi, which would be terrible. 

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Taharqi laughs. "I'll take first, then."

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Tintin nods, and kisses him lightly. "Goodnight, sweet prince."

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He grins and kisses back. "Good night, brave adventurer."

Then he sits down and... watches.

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Tintin pulls out his sleeping bag, situates himself, and is soon out like a light. 

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That night is uneventful.

The same does not hold true of all of the following nights. As they make the way along the wall and then down south along the river, they are variously accosted by wolves, wild boars, enormous crocodiles, unreasonably large snakes, even larger scorpions, and even the occasional very angry stag. The fauna is not large enough to be called mega but it sure is larger than one would normally expect from Earth. At least the fish aren't hostile.

Taharqi does take a detour or two when he spots other villages from a distance—the majority of exile settlements around here are of the "stab first ask never" school of thought, and while he's pretty sure he could hold his own the same is not true of their companions. Raziya doesn't carry her weight, not really, but after a few stern words from Taharqi and close calls with the local animals she starts being less of a burden. Horan, on the other hand, advances by leaps and strides, slowly recovering from the mind-numbing draughts the hyena-people gave him; he has a rough but warm personality, and quickly recalls more-than-passable skill with a sword. He also recalls that he comes from the one of the Nordheim villages, when he recovers his higher faculties, but he continues travelling with them for the moment, as he expects he will not fare well on his own especially unclothed and mostly-unarmed like he currently is.

But after several days of this trek, they finally arrive at a cosy wooden house by the river, illuminated from the inside.

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Tintin beholds this dwelling. "How utterly charming," he declares.

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    "You actually built this?" marvels Horan with his recently-acquired ability to speak.

"I had Sendhei's help."

    "The architecture is remarkable, for the materials you have available. Where did you learn this?"

"I... was pretty sure I would be exiled if my little stint back in Kush failed so I tried to study as much about the various things I would need here as I could."

    "Great foresight."

        "Sendhei is inside?" asks Raziya as they get closer.

"Should be. Sendhei!" calls Taharqi, clapping a few times. "—oh, and here you are, my lucky girl," he says when he catches sight of his horse around the building.

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"Oh, you're alive!" calls another voice back from inside the house, and then its owner walks out the door and down the steps to be able to see him.

Sendhei seems to be of the same ethnicity as Taharqi, most of his head shaved with the exception of a strip of light brown hair in the middle, going from the forehead to the back of his neck. And despite not having just been kidnapped and then rescued, he is also pretty naked, except he's naked with style. He has golden nipple rings connected to each other by a thin gold chain, and a golden choker in the likeness of a serpent adorns his neck. The index, middle, and ring fingers on both his hands have rings, and the wrist that doesn't have the magic bracelet is adorned by a different bracelet, also golden, also having snake motifs, while his upper left arm is encircled by golden band. He has a thin golden string with decorative blunted spikes around his waist holding something that would require substantial generosity to be called a loincloth—the middle of the front cloth ends before his penis begins, while the sides go all the way to his knees, making it something like an arc or an inverted U shape that draws attention exactly there. He is also wearing black sandals with golden trims that match the colours and style of the not-a-loincloth. His build is lean and athletic, in contrast with Taharqi's bulkier and stronger frame; definitely more of a dancer.

"—oh, you have friends, hello. ...wait, is that Raziya?"

    "Oh thank the gods you're alive!" exclaims the ex-concubine, stepping over to the dancer to give him a tight, heartfelt hug. "I—your friend said but I didn't dare truly believe—it's been so long—" Oh, and now she's crying.

He hugs her back just as tightly, though, and his eyes also brim over with teams. "I never thought I'd see your face again, you dumb... dumb... oh, I've missed you."

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Tintin tries not to get distracted by Sendhei's garb while he's clearly having a moment. Instead he will... stand here. That sounds like an inoffensive thing to do.

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Eventually Sendhei releases Raziya from the hug and turns to look at Taharqi, who's petting his horse.

    "Well, are you going to explain?"

Taharqi laughs but walks back over to them. "I got kidnapped by the Dogs of the Desert."

    ("Set burn their entrails.")

"And you know how we wondered what the hell was up with that? Mind control drugs and some divine influence is what was up with that."

    "Uh, what?"

"Drugs that make you pliant, then a god that makes you want to be around them specifically. The Dogs of the Desert worship a god called Jhebbal Sag" (Raziya and Horan both flinch when hearing that name again) "and I'm betting the Darfari have Yog to thank for their fervor."

    "And you... escaped?"

        "That young man there saved us with powerful sorcery," says Horan.

"Technology, but you won't go far trying to make the distinction," clarifies Taharqi. "He's Valentin Saint-Martin, or Tintin. He comes from... very far. Unreasonably, unfathomably far. And he is very powerful."

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"I have more or less stopped trying to convince you all that my biotics are not a form of sorcery," Tintin comments, bowing slightly. "I have higher hopes for the omni-tool. Hello Sendhei! I have heard about you but I think that the stories did not do you justice."

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    "What were the stories?" he wonders. "Did Taharqi downplay my attractiveness?"

"I don't think I commented on your attractiveness one way or the other," muses Taharqi.

    "So they did actually not do me justice!"

        "Ugh, I forgot how insufferable you are," says Raziya, but she's still sporting a watery grin and she sounds fond as she says it.

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"It's so difficult to describe how attractive someone is, though! I don't know if I could describe how handsome Taharqi is, and look at him!"

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    Sendhei looks at Taharqi thoughtfully then shrugs. "He's okay I guess."

"I have been proclaimed 'okay'," Taharqi says, starting to hop on over to the steps. "Come on, let me show you guys inside."

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"That's simply unfair," Tintin laughs, following. "He's gorgeous. And - and dashing, and so strong -"

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"They fucked like rabbits," Raziya stage-whispers to Sendhei.

    "And you didn't participate?" the dancer asks, archly, causing her to blush.

"W-well, no, he didn't want me to."

    "And you never had any one-on-one sessions with Taharqi himself."

"Oh, stop it you."

    "I'm just saying," Sendhei shrugs, laughing.

(Horan meanwhile is mostly far too used to her antics to really comment, and just rolls his eyes and follows them inside.)

The ground floor is a single room with one other door than the one they walked through (and they are immediately greeted by a tiger head) plus a set of wooden stairs that lead up. In addition to the Stygian carpet adorning the immediate entrance, there is an animal hide rug in the center. Next to a wall there is a single leather-bound drum that has seen rather a lot of use from the looks of it. Next to the rug and up against the wall is a bed with light covers and a pillow, and against another wall there is a wooden cupboard with various bowls and trinkets.

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Tintin looks like he wants to simultaneously examine all of the Things, but ends up gravitating towards the drum first. "Taharqi tells me you use dancing magic," he says to Sendhei. "Is the music all drumming-based? I'm very curious about it, you see - I dance myself, but where I come from we can't do magic by it, so I'm wondering if I could pick it up."

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    Sendhei perks up immediately. "It can work with any musical instruments, really, I'm just most used to drums." His eyes lower to Tintin's crotch and then back up to his face. "Uh, women's dances or men's dances?"

"Does it matter?" calls Taharqi as he walks over to the stairs.

    "Well they're different and I know less about the women's..."

"Are they different in a way that affects the magic?" And he disappears up the stairs.

    "...hmm. Maybe not."

(Horan and Raziya both have succumbed to examining all of the Things. Horan gives the tiger and rocknose heads an appreciative hum as he sees them.)

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"I wouldn't mind learning both," Tintin says. "I'm a man, but my culture doesn't divide dances that way. Or, I guess some people do, but - I don't. But if you only know the men's dances I'll just learn those."

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"No I know both, I just—haven't practised the women's dances in years, and didn't learn as many of them."

    "Set burn me what manner of creature is that?" exclaims Raziya when she finally notices the enormous rocknose head hanging from the wall.

        "I believe that is a rocknose," says Horan, "a demon common in these parts. They tend to haunt places with high concentrations of precious metals."

"'Haunt' is a good word for that," snorts Sendhei. "Menaces is what they are, you keep putting them down and there are always more when you come back."

    Raziya for her part is making a warding sign with one hand.

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"I'll press you for the women's dances too then, and if you've forgotten them we can reinvent them together."

Beholding the rocknose: "Now, that's something I wouldn't want to fight. I guess I might be able to shoot it in the underbelly, if it's softer?"

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"They're all rock, through and through, animated by foul forces," says Taharqi, returning from upstairs. "I set some food to cook for all of us, and this time we will have spices and flavouring, which I'm sure we have all dearly missed."

    "Poor souls," says Sendhei, shaking his head. Then he turns back to Tintin. "Anyway, I can start teaching you tomorrow morning if you like? Unless he's roped you into his plans."

"My plans are moving north of the wall and away from this blasted desert and building a base there, but that will take time. I also have half a mind to pay the main Darfari camp east of here a visit and try to liberate as many of their mind-controlled prisoners as I can, but I should probably have horses at the ready and a place for them to stay, before I do that."

        "You may count on me," says Horan, fisting his chest. "My stay as a puppet of the hyena-men has filled me with nothing but sympathy for other victims of the same sorceries."

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"I will help as well, of course," Tintin says offhandedly. "I wonder if I could dance and fight simultaneously? For - simultaneous effects?"

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"Sounds hot."

    Sendhei snorts but nods. "Maybe. I don't think I've ever seen it but the basic ideas should still work..."

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"My fighting style is half dancing already. - would you like to see me spar with Taharqi?"

He has no ulterior motive in this. None whatsoever.

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    "Yes."

"Let me show everyone around here first and then we can go."

        "How are you even up for that," wonders Raziya. "I'm exhausted."

"Maybe I don't mind losing," he shrugs, winking at Tintin.

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"I have only-barely-not-superhuman endurance! Especially for walking - humans are meant to walk, it's how we hunted back before anyone had figured out weapons, we would just walk after our prey until they collapsed dead from exhaustion."

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"I still did that a lot, back before I lived somewhere where the prey actually fights back."

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"I love this planet. My bizarre paleoanthropological facts are current events."

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Taharqi laughs but motions for everyone to follow him.

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Tintin is happy to follow!

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This house is definitely not meant to hold this many people, but it'll do in a pinch; it has enough open space.

The ground floor is pretty much only that one room, plus a fenced and roofed area outside in the back where Taharqi keeps a few workbenches. He also shows them his forge on the other side of the fence and the compost heap they have farther away, far enough for the smell to not get to them. "Mostly for alchemical compounds and fertiliser," he explains.

Up one flight of stairs there's a door that leads to a balcony they could see from the outside. There is a large isolated fire with some pots and pans, and in the corner there is a drying rack with strips of meat. Back inside and up another flight of stairs is Taharqi's bedroom, torch-lit and fairly cosy, with a weapons rack on display, and through another door is a back room with an alchemist's bench and a tall shelf with scrolls and even a couple of bound books.

    "You know alchemy?" wonders Horan.

"I dabble. Not very much. But it's good to have a few potions and poisons for arrows and such."

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"Alchemy! It's possible I can help with that. Unless it's, you know, mostly magic, rather than being mostly chemistry. Hmm."

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"It's at least some magic," shrugs Taharqi. "Or so I think.

"Anywho, this now concludes the tour." He bows to his audience, and Sendhei rolls his eyes fondly.

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Tintin applauds.

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"Now, then. Shall we fight?"

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"Yes. Outside?"

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"Naturally." He leads the way, again, and Sendhei follows excitedly. Horan does, too, and Raziya doesn't want to be left alone inside the house so she GUESSES she can go.

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And, when they're outside and they've established the ground rules (no weapons, no sorcery or tech, no groin shots) -

Tintin spars in the asari style. Elanorela is a martial art that has been honed over thousands of years. Evasion is a dance, but strikes are efficient and viper-quick. He's never not in motion. Really this style is supposed to be augmented with biotics and a sword, but there are provisions and affordances for any circumstance, such as "your amp has burned out" or, in the asari case, "you risk a massive brain hemorrhage if you use your biotics again before seeing a doctor". Under any circumstance, a practitioner of Elanorela must be a deadly weapon. Tintin has taken this lesson to heart.

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Taharqi has never seen anything like that in his life. It's beautiful, and yes he does see what Tintin means when he says it's like a dance.

His own fighting style is not too dissimilar, in the sense that he also favours quickness and agility. His people are not used to fighting wearing much armour, and so the way to survive an attack is to not be hit by it. He specialises in dodge rolls and feints, and there is something to be said for the fact that he is used to being agile while carrying heavy weapons made of metal; he can go faster than most people, and the focus on subduing his opponent rather than killing him makes him try to go for an attrition strategy of sorts, trying to dodge and simultaneously land the occasional hit to wear his opponent out.

It's not really enough. Tintin has both a genetically enhanced metabolism (over Taharqi's tiredness after the journey) and, as has been explained, a fighting style that has seen thousands of years of improvement. He feels like if he managed to get Tintin in a full grapple that might do it, but what he gets instead is very thoroughly defeated.

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Tintin ends up kneeling on Taharqi's chest with his hands demonstratively encircling Taharqi's throat.

"Yield?" he asks quietly.

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"I do," he says, grinning, and his audience starts clapping.

    "Was it that good?" wonders Sendhei aloud.

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"Was -"

Oh. Taharqi is being horny about this. ...not that Tintin was being entirely unhorny about this, admittedly.

Perhaps he will teach Taharqi about restraint. He leans down and presses a chaste kiss to Taharqi's lips, then hops off. "Sendhei, would you care to teach me one of your dances now? I think I have enough energy left over for a lesson."

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    "Really? Wow, okay, sure."

Taharqi himself laughs and gets up. "I'll get us some food, it should be about done now."

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Oh, it's no fun making fun of Taharqi when he just goes with it.

Tintin is not running at full energy, but he can attentively watch Sendhei demonstrate the steps and repeat, even if he's not running at full capacity. When there is food, he calls a short break to eat an amount of it which is, per his usual appetite, absurd.

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Contrary to what he may have demonstrated to Tintin, he does have self-control!

And most of the things Sendhei will point to Tintin will be slight changes to the way he already dances rather than entire new moves or anything like that. It is, as Taharqi said, more of a shortcut for a way of thinking about things than anything inherent to the movements, although this "way of thinking" is hard to put to words and easier to tell after the fact. He will also teach some of his own dance moves and then once Tintin gets it he'll try to work with Tintin to get to the same mind state with Tintin's own dancing style.

Food does indeed arrive, and Taharqi did indeed take Tintin's disproportionate appetite into account when cooking it. It's so much nicer than the travel rations, what with the existence of any seasoning and a lot more variety. Even the food magic itself is more potent, this way. More and better ingredients, and all.

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It takes Tintin a little while to grasp what Sendhei is pointing to, but once it clicks, it clicks. "It's - you're right, it's hard to word right - it's not like meditation and it's not like flow state but it is kind of? Show me that again?"

When he tastes the food, he makes an absolutely indecent noise. "Taharqi, you are a delight."

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    "This is better food than I've had since I got exiled, gods," agrees Raziya with her mouth full.

"At least half of it is the magic," says Taharqi. "And having been able to gather any ingredients at all."

        "Master, he was flirting with you," says Sendhei.

"One, yes I know but I'm pretty sure he wanted me to show some restraint earlier. And two, stop calling me that."

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Tintin flinches very slightly when Sendhei says "master", then relaxes when Taharqi tells him not to call him that.

"And you've done admirably!" he says, after swallowing. "With the restraint, I mean."

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    "Are you his slave, then?" wonders Raziya of Sendhei.

        "Well—"

"No, he just does it to get under my skin."

        "And it works every time," says Sendhei, grinning widely. "He has a huuuuge bone to pick with slavery."

"Of course I—no, nope, not taking the bait."

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"I feel the same," Tintin mentions. "You may be pleased to know that no civilized polity in the galaxy permits slavery, where I come from - though the uncivilized ones do, and I don't think we're doing nearly enough about that. Personally I think we should've flown into batarian space three centuries ago and liberated them at gunpoint. But that's why I'm not a politician."

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"Are you just using the word 'civilised' to mean 'doesn't have slavery'?" wonders Sendhei.

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"No, they're shit for other reasons. - well, Ilium has a kind of slavery and they pretend to be civilized, but they're actually just a pirate haven with delusions of grandeur. And Omega is a rancid hole in the ground, and the Batarian Hegemony is a tyrannical, genocidal horrorshow. Defining any of them as civilization gives them far too much credit."

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"It does kind of make me sad that in your world you still have slavery despite... having so much stuff. I had hopes that when people had enough stuff they would not want to have other people."

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"It turns out that wanting power over others is one of the very few things that can't be replaced with sufficiently advanced technology. Except, as I would have it, bullets."

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"It's really not that bad. Other than the exile thing, I guess. But I had food and a place to sleep and nice company—" he winks at Raziya when he says that "—and I could dance all day long."

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"Well. I'm glad you had a better time of it than some."

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Shifting gears! "Who wants to hear a story?"

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    "His stories are pretty great," Raziya tells Sendhei.

        "Awesome, I'm in."

"Let me get everyone some pillows, then." And pillows are fetched for sitting or lounging or whatever.

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And Tintin searches himself for a story. Nothing with slavers, and he's already told the story of the Red Desert... actually he's told most of his stories. Maybe he can - well.

He's told most of his stories.

"This is, in fact, a story that I have not told before," Tintin says. "It would have broken a deep confidence, had I told it to anyone in my galaxy. But none of you know the woman it concerns, and I don't think even she can find me here. And I do not actually like her. She's a terrible person. So, if you're interested, I can tell you the story of the Queen of the Night Winds."

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    "Ominous. Props for the intro," says Sendhei.

"Stop with the commentary and just enjoy it," replies Taharqi, lightly punching his arm. "I'm interested."

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So Tintin launches into his story.

He was on Omega. Many of his stories take place on Omega; it's a storied place. He was called in to the office of Aria T'Loak, its pirate queen.

She had a problem. She was being blackmailed.

"I recognize that this is a problem for you," Tintin had said, "but I fail to see how it concerns me."

"It concerns you," she said sweetly, "because I am the one thing keeping this station from boiling over and collapsing. There are eight million souls living here. Without me, not only will most of them die when, inevitably, someone fails to keep the ventilation running... but the remainder, the worst of the pirates and the slavers and the traffickers, will be unleashed on an unsuspecting galaxy."

"...so, you're the only one who can keep Omega merely a festering boil, rather than a dangerous abscess."

"Precisely."

"I suppose I have no choice, then."

Aria revealed the subject of her blackmail: she was, in truth, not merely an asari, but an Ardat-Yakshi - a monster from asari legend, one who melds not to soothe, communicate or bear young, but to rip the very soul from her victims.

"It's not actually their souls, of course," she said casually. "Studies show that what happens to the victim is a massive neural overload, and what happens to the monster herself is... more of a transmission of data. My biotics grow more powerful as this information incorporates itself, providing my system with raw genetic data from which it can work to perfect me. I have certain abilities that other asari lack... but, ultimately, I'm no monster, just a woman with more than her peers."

"That's not why you're a monster at all," Tintin agreed.

She flashed him a grin. "I'm glad we understand each other. But if my... condition.... were revealed, then asari space would view my continued existence as more of a threat than the conditions caused by my death. They really have no idea what a full-grown Ardat-Yakshi can do, and they don't want to find out. And I don't want them to find out, either. Find the leak. Deal with it. I need you because unlike my underlings, no one would think you would work for me - and I don't know who I can trust, except someone who has no reason to trust me."

The action of the story is relatively standard Tintin fare. There are interwoven plots, conspirators unmasked in sequence and simultaneously, and in the end, he'd solved half a dozen problems that had nothing to do with Aria's little problem. But eventually he unmasked the true mastermind, a batarian with designs to rule the station as a subsidiary of the Hegemony.

"Why would you care who rules Omega, little rat?" the batarian had asked, gun to Tintin's throat. "You're a human. You can live in Citadel space, pretend the stink of the Terminus systems doesn't reach you at all. I'll usher in a new age of prosperity, leave Aria's reign a footnote in the history books!"

"And from Omega, you'd launch a pirate fleet to expand the Terminus, harry the Council, and take more slaves for your masters," Tintin had said, deceptively calm. "Aria T'Loak is a monster. She's a tyrant. But do you know what she isn't?"

The batarian bared his teeth. "What."

"My problem."

The hidden sniper put a bullet through the batarian's head, and Tintin gave them a two-fingered salute. "Tell your employer," he called, "that I'm not working for her again. No matter how much she pays me."

The sniper dropped to the floor of the aeroduct and smirked, her blue skin half-luminous in the fluorescent light. "Tell her yourself," she murmured.

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Everyone looks entranced throughout, and Tintin continues to be an amazing storyteller. Raziya looks a little bit like she wishes he weren't only interested in men.

"And did you?" asks Sendhei. "Tell her yourself, that is?"

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"Oh, yes, I sent her a very strongly worded message. She responded with... I don't know how to explain the context to an Iron Age audience... instead of writing a response she sent me, um, a picture of her genitalia and the words 'anytime, cowboy'. 'Cowboy' here means someone who plays by his own rules."

He pulls up the message on his omni-tool and projects it. It's very blue. Also, a remarkably well-shot photograph.

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Sendhei bursts out laughing and Raziya peers at it with interest. Horan just looks befuddled, as does Taharqi. "So she... propositioned to you," he clarifies.

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"I think she was mostly making fun of me, but that was the way she chose to do so, yes."

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"I feel like I only vaguely understand how a proposition could be used to make fun of someone and only by loose local analogy."

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"Mm - I believe she knew I was homosexual, and therefore not interested, first of all. Second, even if I were interested in women, she knew that I found her repulsive as a person - her being a murderous pirate and all. It's distantly possible she was also aware of my, uh, sexual timidity, she had that kind of intel - or she might have just worked it out from interacting with me, she was socially brilliant. And, of course, she knew that I wouldn't sleep with her or, for that matter, touch her bare-handed, because she was an Ardat-Yakshi and could reduce my nervous system to gelatin."

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Sendhei mouths the word 'homosexual' after Tintin says it, as if tasting something new and exotic.

"I figured something like that was going on, I just did not quite understand how that would translate to 'making fun of you'. The kind of way I am used to people using sexual proclivities to mock others typically involves likening them to beasts or implying they do it badly."

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"Oh, no, nothing like that. I think she just wanted to make me make a face."

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"...ah. Yes, I can see that."

    "What face did you make?" asks Sendhei.

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Tintin attempts an approximation.

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He peers and scratches his chin. "That just looks cute."

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Tintin beams. "Aria never got to see it in person, so I'm glad you appreciate it."

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    "I do!"

"Alright, so, I should get some furs and set them about for people to sleep. Pr...obably what makes the most sense in terms of space is one of you down here, and two of you upstairs?" He starts collecting the various bowls and cups that contained their dinner.

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Tintin is entirely amenable to sleeping wherever is most convenient.

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Raziya wants to be downstairs with Sendhei so Horan and Tintin can go upstairs. Taharqi has a "bed" that's basically a tight hammock tied to short wooden legs, and it's only marginally more comfortable than the furs themselves but he says he can build ones for the others the following day if they want.

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Tintin loves hammocks, as it turns out. "I don't see why we ever stopped using this technology," he says delightedly, swinging gently back and forth.

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"I would have expected some not-magical bed of super comfort, personally."

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"Oh, they're comfortable, but they don't move! Unless you pay entirely too much for one that moves on its own, and those mostly just rumble discomfitingly. I'm sure you can get a hammock - maybe even one more comfortable than this, this feels like it's probably hemp and I might expect synthetic silk for a high-end modern hammock - but I never considered them, mostly if you want to sleep in the field you'll just have a sleeping bag and if you're sleeping at home you have a mattress. If I ever get home I will certainly invest in a hammock."

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"The moving is not so great for when you're trying to actually sleep but thankfully I don't personally move that much in my sleep."

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"Speak for yourself, I'm used to sleeping on starships - you can't really feel the inertia because of the artificial gravity and the closed reference frame but if it's an old ship you can feel something."

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"Well, far be it from me to discourage you from enjoying it."

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Tintin presses a quick kiss to Taharqi's lips. "You have a lovely home," he says, "and you have been very patient while I acclimated myself to it."

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"Thank you! But we should abandon it soon anyway and move north, I think.

"—oh, wait, I want to introduce you to my friend the demon staff."

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Well that's a sea change.

"I'd... be delighted? I have no idea what those words mean in context, though."

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"Did I forget to mention? I found this broken staff a while ago and he turns out to have been an advisor to the giant-kings way back when. He's told me about the bracelets and how to break them."

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"Oh, fascinating! Yes, I would love to meet him. Perhaps he'll know a bit more about the workings of magic."

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"This way." To the alchemy back room, hidden behind one of the benches, covered with a tarp. "Fair warning, he's a lecherous asshole." And then he pulls the tarp off to reveal a roughly 1.5 meters tall silver-and-black staff, the top shaped like a cobra's head.

    Its eyes light up red. "Oh, hello! Back from your trek already. And who is that beau...ty? Wait is that a man or a woman?"

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"A man. Thank you for the dubious compliment. Are you the kind of lecherous magic expert who professes to lechery but is easily distracted by magic or the kind who professes to magical expertise but is easily distracted by lechery, please, I need to calibrate based on how irritated I will be while speaking with you."

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"I think he's only interested in women."

    "You're a pretty boy but he's right," says the staff.

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"Excellent! I am from another universe where sorcery does not exist. I would like to know more about it, please. I'm told you advised the giant-kings?"

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"Oh, yes! I was a gift, you see. The serpentmen sent me, to help our allies the great giant-kings, and to act as their ambassador and voice."

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"So... were you a serpent-man in life?"

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"—what? Oh no no no, I'm not dead. I'm—something else."

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"Oh. For some reason I assumed that - well, actually I assumed that your attraction to human females stemmed from having been a humanoid male. If you're some kind of void spirit then I have no idea why you'd have a libido in the first place, let alone why it would be restricted to those among us with tits."

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"I am not a void spirit either!" he says, sounding terribly amused.

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"...I'm assuming that's not merely a taxonomical complaint? I meant, you know. Void spirit or demon or angel or other form of spirit from the unseen aether."

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    "I do have a physical body, thank you very much! Haven't... used it in millennia, but so it goes. No one thought to put an end clause to my contract."

"The magic that was keeping you sealed and dormant within the staff had nothing to do with it?"

    "Ehhh... maybe a bit."

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"Fascinating. But you never died? Were you ever, well, born?"

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"...yes? Well, not like animals do," he scoffs.

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"If you were not born in an animal fashion then you are, for my purposes, a spirit of some kind, and my curiosity is sated."

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"Whatever works for you." There is a distinct feeling of eyerolling going on here even though the only eyes are little light spots on the staff.

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"That being established, how much do you know about magic? Can you teach me to throw fire and lightning, or things to that effect?"

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"Not in this form! I can tell you about it, though. As it was thousands of years ago, at least."

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"Not in this - well, feel free to tell me about it, I don't want to hare off down every tangent I can find."

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"Well, what do you want to know? I advised the Witch Queen of Lemuria for a while, and the Giant-Kings in The Unnamed City, they had their own magic. Very different! They had to work together to create those, ah, those slave bracelets your friend there's wearing... which you're not? Huh!"

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"I guess... tell me why you can't teach me to throw fire and lightning 'in this form'."

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"Hmm... Well, the most important part of the answer is that the staff binds me from having effects in the world. Other than talking. So I can't cast spells myself to show you. But there is also the part where casting magic is very, very expensive for your personal energy if you don't have something to channel your magic through, like a wand or a crystal."

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"Crystals."

Tintin - cackles.

"I can make crystals. What kind? Fist-sized diamond? Ruby as long as my forearm? Sphere of rose quartz as big as my head?"

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"—well, yes, all of those," says the staff, and he starts to cackle, too. "Truly? Oh, the marvels you could accomplish—"

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"They're so easy to make! Well - if you have molecular forges, that is. Taharqi, I'll need coal and sand and, and probably some bauxite if you can distinguish it - I'm getting distracted, making it is the easy part. Would I be able to make some kind of, of practice crystal, something weak so that if I mess up it won't do much, or should I start with something powerful to make up for my lack of direct tutelage?"

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"First thing, definitely the first thing, you don't want to get annoyed by a dust speck in your eye and blow up the house, funny as that would be."

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"Excellent, that was my impulse - quartz, diamond, corundum? Diamond would be easiest, probably, but none of them would be terribly difficult."

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"For your first one? Salt. You'll want salt."

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"I love it! Um. Taharqi may I please have some salt."

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Taharqi laughs and shakes his head. "Can you turn salt powder into a solid salt crystal?" Then he pauses and turns to the staff itself. "Actually, is that necessary?"

    "Yes, yes, a solid crystal of, oh, I wish I still had my hands, a third the size of a chicken egg?" suggests the staff.

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"Yes, I can do that."

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"Then I shall return anon," says Taharqi, still grinning and walking off back downstairs.

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"You won't be able to do much, mind you, and the crystal will get used up quickly, but—good for practice!"

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"Excellent. So - I have a very loose grasp of the mind-state needed for dancing magic. Is that similar to the mind-state needed for proper sorcery?"

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"Nnnhhhhhh yes and no. They're different, all of them, and what you'll need to do is, is project them out in the world, eh? But it's good! Good, that you, you got the dance magic thing going on. Means it'll be easier to spin from there. I think."

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"Good to know! ...I do hope I'm able to learn, it would be such nonsense if it turned out I had to be born on this planet or something."

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"—you weren't born on this planet?"

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"No, not even slightly - I'm almost certainly from another universe, and even if I somehow ended up in my own world's distant past I was born half the galaxy away from Earth on a colony planet."

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"Huh! Interesting! Well, I, I wouldn't know, I've never met anyone like that before. But you can always try!"

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And here's Taharqi with a cured leather bag filled with salt.

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From which Tintin decants two crystals, each about a third of the size of a chicken's egg. He hands one to Taharqi.

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Taharqi accepts it and looks at the staff, bemused.

    "Excellent! Now comes the other part that is very very hard for a staff to teach. The effect you're going for is moving something. Wind, usually easier, see, because it's air. A li'l breeze."

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"Alright."

Tintin tries to clear his mind, get into a less motile version of the meditative state he was in while dancing earlier. 

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Predictably, nothing happens.

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...hmm. Maybe it's not about the motility, so much as the inwardness. He tries - focusing-without-focusing on the air around him. 

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Predictably, nothing happens.

Or maybe something does? Maybe it feels like something. Or maybe he's imagining it.

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Trying to focus-without-focusing harder would absolutely defeat the purpose. Instead, he merely continues, trying to pursue the mind-state he occupied in the moment of possible success.

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He doesn't really get any success at it for the first several minutes.

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He's patient, but not as much when he doesn't even know if he's accomplishing anything. Also, he's increasingly tired.

"Ugh. I might call this experiment for now and go to bed."

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"Probably a good idea! I'll still be here in the morning, or... however long, really."

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So off to bed hammock Tintin goes. He's only modestly discouraged by his lack of success at magic; mostly he's just feeling the slightly manic energy of the evening catching up with him.

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"I'm sure you'll get it tomorrow, you got the dance thing pretty quickly," says Taharqi, who's finished with their sleeping arrangements. Horan is already lying on his furs, but he's still awake, staring at the ceiling and looking deep in thought.

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"I certainly hope so! It would be very nice to be able to do even more inexplicable things."

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"Says the most inexplicable thing of the year."

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"Exactly!"

Time for sleep?

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Time for sleep!

Tintin has already had reason to know that Taharqi is particularly fast at both falling asleep and waking up, but there's something different about the way he relaxes here that was not present while they were walking all the way back. He feels like...

...like he's home.