"Itadori Tōkan." It's not a question; more a statement. The source of the voice, a white-haired boy who seems to be about the same age as Tōkan, seems to have come from out of nowhere, he walked so quietly. He steps out into the light of the hospital reception where Tōkan was signing the last release forms for his grandfather's remains to be cremated. "I am called Fushiguro, from Jujutsu High. We need to speak. Now."
"Cursed object," he repeats, unhelpfully, but then he fetches his phone and more helpfully shows a picture of what he means: a small wooden box with a paper charm on top of its lid, open to show something cylindrical wrapped in cloth resting on a small red cushion. "This."
"I have cool hair and super strength. You have white hair and purple eyes, and now you are coming after a mysterious object I found with my friends at school. My—" And he stops himself as almost all the air leaves his lungs—it's still fresh, he still—he shuts his eyes and fights his tears back, takes a deep breath, and swallows once before continuing. "My grandfather died today. Seems like a good day for the anime plot to start."
"—whatever. That object is a special-grade cursed object. They can be used as a source of power, or as a protective talisman against creatures formed out of humanity's negative emotions, called curses." He nods in the direction of Tōkan's bag again. "The wards keeping the power in that one contained have weakened over time, and now it's drawing curses from all over to your school. The longer it stays, the more powerful the curses that will be attracted."
...what. "Wait, what?" he says, but Fushiguro isn't waiting, and after half a second's indecision he grabs his bag again and follows the other boy, who has started sprinting away the moment he stepped out of the building.
Tōkan is faster—easy, with his absolutely not exaggerated super strength—but he paces himself, both to conserve energy and because he has no idea what he's going to do once he gets there or what he's even going to see. Fushiguro is clearly the expert.
"Shouldn't these seals be hard to remove or something?" he asks on the way there.
"Centuries" and "this quickly" should not go together, in Tōkan's opinion, but fine, whatever, he'll buy it.
"Shortcut this way," he says, veering off the street to jump past some fences through a park. He's sure Mr. Plot Device will be able to follow despite not having super strength.
The school grounds are visible from a fair distance, but as soon as they get closer Tōkan starts feeling uneasy, and
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And he has to stop, or he does stop because his body stops obeying him, or something, but regardless he is not running anymore and is instead just staring at the school—are those smoke clouds or is his vision darkening...?
Yup, sure, he'll just stay right there and not—
—no. No he will not. He takes a step past this invisible barrier of, of wrongness, and then another, and—yeah, he can move. He can ignore his brain telling him to stay away and focus on helping his friends, his stupid friends from the Occult Club who decided to mess with something that shouldn't by rights exist anyway.
"And you will be, too, if you try to follow." Fushiguro jumps onto the school fence in a totally anime-like way, and looks at Tōkan again. "They might not die if I save them. If I have to worry about you, too, you will all die. Stay. Here."
And with no further ado he turns around again and jumps down from the fence into the school to run after the two kids who are probably already dead by now.
...fuck.
He might be right. Is he right? Tōkan feels slow again, like moving his muscles through a wall of molasses.
What is he afraid of? Is he afraid? Is this fear, or is it—a curse, magic, whatever? Is he hesitating because he wants to hesitate, or is this messing with his head or—what?
Fushiguro runs up towards the main building Itadori told him their club room would be and up one, two flights of stairs before he sees the first curse, a disgusting misshapen mass almost as tall as he is with numerous eyes all over its body and a single mouth along its left side, tilted clockwise and going from where the middle of its head would have been down to below where its ribs would end. It makes a distorted, warbling noise that is simultaneously incomprehensible and clear in its meaning: "Slurp."
"Slurp on this," he mutters, mostly to himself—a curse of that level is not strong enough to be able to actually understand speech in any meaningful fashion—before clapping his hands together, palms at a 90 degree angle from each other, and squatting down as he presses his arms forward. "Demon Dogs," he growls, and two enormous dogs emerge from his shadows, one black and one white, pouncing in unison at the curse as soon as they form.
The dogs make short work of that curse, but it's only the first of them. Fourth floor, Itadori said, and the closer he gets to his destination the more curses try to bar his way. They're almost all of them too weak to pose a real challenge to his dogs, and the handful that manage to slip past them find that Fushiguro can still pack a mean curse-laden punch, himself. Monster by disgusting monster is disintegrated, and in a few minutes he reaches his goal.
He can tell it's his goal because there are five—maybe more? the mess of limbs, human or otherwise, makes it hard to tell—curses on top of each other, holding onto two teenagers and trying to compete to see who will eat them first. Of course, neither of the kids is their true prize, as Fushiguro quickly spots the strings of cloth that were once encasing the cursed object coming out of the girl's jacket's pocket.
His dogs stop, barking and yapping and growling, awaiting instructions, and he has to make a choice. If he attacks the curses, there is an extremely high chance that he will also hit the teenagers and they will very likely die. If he waits, they will definitely be eaten and die, and whichever curse manages to consume the object will then eat the others and become much too powerful even for him.
The choice—seems obvious, but he hesitates—
—before the boy quickly uses his own momentum to pivot, holding onto the top of the window frame to land another kick, this time onto the mass of curses holding his friends hostage.
They are as surprised as Fushiguro, and Itadori manages to release both teenagers from the curses' grasp and pull them away.
Tōkan lands safely and carefully places his friends on the floor. After checking they're okay—bruised and battered, a little bit, but both seem alive and breathing, if unconscious—he turns to look at Fushiguro again, then past him at the dogs killing the disgusting monsters. He wrinkles his nose but doesn't say anything.
"'Cursed energy'," he quotes, adjusting his friends on the floor so he can stand up again. As he does, something slips out of the girl's pocket—a finger, thick and red, with a fingernail so black and long it may well be called a claw. Tōkan grabs it and inspects it. "Guessing this is the cursed object."
His hands are still free, so he punches his right palm then makes a "bird" shape with both hands while saying "Nue!"
The dogs start melting as soon as he does that, but the curse throws him at a wall and then blasts him with some electricity-themed beam of energy that punches him through said wall and out above a bridge connecting two of the school's buildings.
He falls, two stories rather than four.
Anime plot.
Stupid anime plot.
He doesn't want to eat the finger, despite the obvious foreshadowing going on.
But, you know, he can only dodge the thing's swipes for so long, and then eventually he does fail and it grabs him and tries to eat him—probably it just wants to eat the finger in his pocket, but since his arm is conveniently free between two of the curse's outsized fingers, he can reach into said pocket and grab the finger once again and pop it into his mouth—
—(it tastes like soap)—
—and swallow it—
One in a million chance. Or more, who knows.
Maybe he was onto something when he said this is the start of the anime plot.
Fushiguro thinks that thinking like that will get him killed and he would much rather not die. On the other hand, Itadori Tōkan has just eaten Ryōmen Sukuna's finger and rather than dying has become a vessel. The actual worst thing that could have happened today... did. If this is the start of an anime, he and Itadori were not the protagonists; Itadori was a short-lived character who gets possessed by a special-grade curse, and Fushiguro was a short-lived source of audience exposition who will soon be killed.
He laughs to himself, a little bit, weakly.
But his laughter is more than matched by the growing cackle coming from the body previously occupied by Itadori Tōkan. Said body seems to have acquired various markings, lines going along his arms and neck and face. Two lines on his face, actually, right under his eyes, are more than lines—they open, and reveal another pair of eyes. Ryōmen Sukuna laughs, to himself, at who knows what, the picture of a villain, examining his three-inch-long claws and his newfound body. "Ah, I had forgotten," he says, laughing so much he's almost doubling over. "The moonlight feels so much better on a body made of flesh."
He places both hands on his own chest, then shuts his fists around his shirt and with a single pull rips it off his body, showing off his (or Itadori's?) toned physique and, more importantly, the various lines, markings, tattoos adorning his torso. He laughs some more, looking to all the world like he is enjoying himself immensely.
Fuck. Fuck fuck fuck fuck fuck they are so fucked he is so fucked he is absolutely dead—maybe he can pretend to be dead, maybe he can run—he cannot take on a special-grade curse by himself, not as weak as he is, not when he was just thrown through a wall and down two stories, he is a sorcerer but he is not made of steel—
As if on cue, Sukuna swivels around to look at Fushiguro. "Thinking of running? Maybe I'll let you. Tell your sorcerer friends all about this and watch them try to stop me. Ah, it's been centuries, and I feel like a feast is in order—could you run if I pulled one of your legs off?" He starts taking steps towards the boy. "Your pick which. Just don't bleed out on your way back. Or do, I suppose it's up to you. I have children to kill and women to dismember and men to rape, or is it the other way around?" He grins widely, stopping just a few steps in front of the sorcerer. "Maybe both ways! All ways! I can do whatever I want—"
Itadori... is managing to subdue Sukuna.
Maybe Fushiguro isn't dead after all. He pulls himself to his feet—no, not yet, okay, he pulls himself to his knee, and closes his hands in twin fists, holding the right fist above the left. "Itadori Tōkan," he says, "you are no longer human. And as a cursed spirit... it is my job to kill you."
"Hey!" says the blindfolded man with white hair and an incessant smile. "I wasn't planning on coming, but..." he trails off, and looks at Fushiguro. Well, turns his head towards him, it's not clear if he's looking at him or not. "Who'd want to miss you getting your ass kicked? I have to show the second years!"
Out comes his phone, followed by the obnoxious sound of a picture being taken.
The blindfolded man lets out a soft bark that sounds almost like a laugh, then steps closer to Itadori to inspect him, leaning inches away and giving a thoughtful hum. He lifts the blindfold covering an eye, revealing one that is bright and blue and most of all piercing.
"You almost worse than died, kid. Damn, it really did combine with you."
Apparently this guy is one of the most exceptional sorcerers, because he dodges every single one, and doesn't even make it look hard. Sukuna doesn't so much as graze the man's hair.
There is a pattern to where he's dodging, though. Away from the student, leading his opponent away from the comparatively weaker potential prey.
"I thought not!" says his mentor brightly. "And it is my sworn duty as your wise and knowledgeable mentor to nurture you into growing into a sorcerer you can be proud of!" He gives his shopping bag a cheery twirl on one of his fingers. "Now, let's be off, precious student."
"Good morning!" says the mysterious mentor figure, from a chair in front of him, leaning his head on a palm. He gives a cheery wave. "And who is it that I'm greeting today?"
Itadori might notice that his hands are bound behind his back. And that they're in a small, enclosed space, covered in hundreds of little slips of paper on the walls.
"Well, the big debate is when." He sits up, pulls something out of his pocket, and twirls it around his fingers.
Itadori might recognize it. It looks just like the finger he ate.
"See this? There are eighteen more like it, out in the world, making it worse." He tosses the finger into the air and hits it, with a speed and a power that does not seem possible. It impacts into a wall, leaving a crater.
And then the blindfolded man stands, retrieves it, and shows it to Itadori again. It looks absolutely no worse for wear.
"But we can't destroy it. All we can do is wrap it in protections and tuck it away, and you saw how well that goes, sometimes."
"Ha! And I didn't even get to the part where you're special, and probably no one else will be able to hold Sukuna after eating even just one of his fingers." He tosses the finger in his hands in the air once, amused, then takes a step forward. "Well, first, proof of concept, open up. Gotta verify that you can house more than just one before we can move forward."
He holds out the shriveled and mummified finger to Itadori, just within reach of his mouth.
Off they go! The mysterious mentor waves off any security that tries to stop them, saying he's running some tests with 'The vessel.' None of the security seems particularly happy, but they grudgingly accept it and do not follow.
Itadori is allowed into the hospital by himself; the blindfolded man opts instead to wait outside on a bench. "Someone will be by tomorrow to remove any latent cursed energy on him. If he makes it that long, that should tip him over the edge to surviving," he says, from where he lounges.
Inside, his classmate is wrapped in bandages. The nurse says something about the school being old and crumbling with him in it; he fell a couple stories. Unlucky, but lucky this happened after hours, and more people weren't hurt. Absolutely no mention of curses or horrible monsters is made.
Sasaki—one of his friends from the Occult Club, less beat up but still with one arm in a cast—is there when Itadori arrives, sitting by Iguchi's bed, staring listlessly at nothing. She looks up when he walks in, but it's almost like she's looking past him, or through him. Her eyes are empty, and it's clear she's cried herself dry and then cried some more.
"Itadori," she says in a matching tone of voice. She does not mention the new additions to his face.
"Sasaki-senpai," he replies, eyes drawn immediately to Iguchi's prone figure on the bed. "How is...?" He knows the answer already but he feels like—like he needs to hear it from her.
"The doctors say he's fine," she replies, "but he still won't wake up." Her eyes fill to the brim with tears, again. "It's all my fault," she blurts. "If—if I hadn't asked him to come with me that night—" And it's like she has been waiting for someone, anyone to be able to listen, someone she could confide in, because the words come in a rush, one after the other without pause for breath, tears flowing freely down her face. "I know you won't believe this, but it wasn't—the official story—the school didn't crumble. There was a monster—there were monsters, so many of them—and they attacked us, I was captured too—I don't know how I survived, don't know what happened to either of us, I just woke up and there were doctors and he wouldn't wake up, and it was all my fault, and—"
"Senpai," Itadori repeats, and she stops talking. "I believe you. I—I was there. I came, too." Her eyes widen. "Those monsters—curses, they're called—it was the finger. The finger was a powerful object that drew them to the school. It wasn't your fault, it was the fault of, of whoever left that there, in a school, with kids who could become victims of it." He looks down at his feet, then at Iguchi again. "Someone who can fix Iguchi-senpai will come over tomorrow, and he'll—he'll be fine. You'll be fine."
"I-Itadori..." she says, looking somewhere between confused and relieved and shocked and—
"Don't—don't look for explanations. It's dangerous and, and that wasn't the worst it could be." She gasps lifts a hand to cover her mouth at that, as if the idea that something could be worse than that night was beyond imagination. "You'll be fine. I—I have to go, though. I can help." He looks at her again and smiles. "I can help with curses, things like that. So I will. But not here. I need to become stronger." He bows, then, deeply. "It has been a great pleasure and honour to know the two of you, senpai. Please take care of yourself."
And before she can come up with something to say to that, he's out.
His mysterious mentor figure is lounging on the bench outside, enjoying the nice weather.
"Hey." He tilts his head. "Well, I hereby pronounce you safeish. You sure about doing this, kid? A quick execution would in many ways be kinder. You didn't know how right you were, with how that wasn't the worst it could be. If you go down this path, you'll see things, probably do things, that will make this whole broken world seem like it's not worth any of it. This opening might have been straight out of an anime, but I promise you, it will not stay that way."
"Depends on the anime," he says under his breath, but then shakes his head. "I know. It's..." Hard to explain. "I have actual super strength. You know? It makes absolutely no sense. The kind of thing that does not happen in real life. And I wanted to—do something, be something. Not, not a superhero or anything like that, but it has always felt a bit like I was holding my breath, or waiting for the other shoe to drop. Here's the other shoe and I think I am ready for it. And if I'm not... I will be. I'll be what I gotta be."
“All right. As long as you walk forward with your eyes open and your head high. … Now, fortunately for you, I know the perfect student to round out your trio! And with you I have reason to talk the higher ups into giving her a scholarship so she comes to our school.”
He sounds very pleased with himself.
"We'll see!"
Accommodations at his new (potential) school will be provided for him, approximately emulating a dorm room, with a bed, a bathroom, and a communal kitchen. He's even set up with a large storage container for anything that he might like to keep but not directly take with him. It's up to him what he does with his recently deceased grandfather's house and everything inside, but the academy he's working with is incentivized to make it as straightforward for him as possible. And for no reason in particular, he should absolutely set up a will. Just, you know, in case that execution gets moved up. It's just being thorough.
It's a little over a week later, after a whirlwind of logistical necessities, that Itadori finally gets to see the academy that would like to take him. Nestled in the mountains outside of Tokyo, in the most out of the way patch of wilderness that they could find, is a school that looks like it came straight out of the Edo period. An exceedingly well maintained one, too. It's peaceful and picturesque, and his (potential) Sensei is waiting for his arrival, smiling faintly.
Tōkan doesn't really have... anyone... anymore. To write into a will.
He wants to get rid of his grandfather's house with as little hassle as he can, please, Tōkan knows his grandfather'd get really annoyed if he knew the boy was still grieving and not moving on and having the house just makes it harder. He won't need it anyway.
If he dies, he decides, he'll leave his stuff to Iguchi and Sasaki and Fushiguro. That seems right.
So now he can meet up with his probable new sensei.
“Napping, probably! He got fixed up by the same person that got your friend, but he’s still got to sleep off some of the injuries. C’mon, we’ll go meet the principal, see if all of this lead up was for nothing or not. Be good, this guy gets final say if you get in or not, and the other school is run by people that wanted you dead a week ago, so don’t hope to get in there instead.”
He’s led past some picturesque gardens into a large hall, the end of which has a large, muscular, intimidating looking man.
Surrounded by adorable plushies. He’s patiently sewing a new one. It is small, bright blue, and looks like it’ll be some sort of sheep.
“Your other student, Satoru? And this one isn’t going to demand a phone interview?” he asks, not looking up from his sewing. He sounds disgusted with the idea of phone interviews, like the very idea is insulting.
“Good. I’d rather look you in the eyes and see your answers in them. Phone interviews. If the answer had been any less sure I’d have dismissed her on principle.” He finishes off his set of stitches, and ties it off, carefully knotting the thread so it’ll hold firm. This done, he stands and looks at his prospective student.
“So. Why are you here.”
After a couple of minutes Itadori opens his eyes again and raises three fingers in the air. He pinches the ring finger with the other hand: "I want... to do something that matters. I am not... the smartest, brightest, most talented. I am not going to be a doctor and save people's lives. I am not going to be a lawyer that brings justice to the masses, or a brilliant inventor, or anything like that. This matters."
He moves to the middle finger: "I am the strongest." He looks over at Gojō and amends, "Physically. I don't know why. I break strength records without trying. It feels... right... that the thing I do, the way I matter, has to do with that. Maybe there's a god, and that is why god gave me this strength. Maybe my mysterious backstory and unknown parents have to do with it, maybe they were sorcerers and did something..."
Index finger now. "I was extremely bored. All the time. School is boring, being a regular teenager is boring, sex is fun and doing it with new people in new ways is fun but it's not really... important. It passes the time, I like it, it still does not make my life not boring. This does."
He lowers the three fingers and shrugs. "I don't think any of these is more important than the others. They're all true."
"There are other professions that fulfill all of those requirements, other ways to use physical strength to do something that matters without getting bored. Firefighting comes to mind, I'm sure others would too with a bit of thought. Exorcising curses is messy, horrible, and often thankless. Most people who hear you name your profession will think you're insane, and definitely not think that it matters at all. You will never get rid of all of the curses in the world, and you will almost certainly die to one. If you get good enough, you can be like Satoru here, constantly bored despite being surrounded by curses that would make other men flee in terror. They are not all so interesting to exorcise."
Itadori tilts his head for a moment, then turns back to the principal. "I think I don't mean the same thing." He shakes his head. "It doesn't have to be this thing. I did think of firefighting, actually, yeah. But the plot is just starting." He smiles and hikes a thumb in Gojō's direction. "He has a plan. Maybe the villain is literally inside me. And... right now, firefighting is actually out of the question, isn't it? Either I do this or I..." He shakes his head once more then looks straight at the principal again.
"You don't have anyone else to kill Ryōmen Sukuna. Only me." It's a hunch, but obviously they would not have been holding onto the finger (fingers? actually why are there twenty—wait, focus) for so long, so he thinks it's right. "I don't want to say that everything happens for a reason. I do not... think it does. But I think this did. What are the odds that I would personally find Sukuna's finger and, being part of the Occult Club at school, which had exactly two other members, would help unseal it, and then after a fight that nearly kills me I would eat the finger and turn out to be the one person in, in hundreds of years?" He glances at Gojō when he says that, for a moment, but then focuses on the principal again. "Hundreds of years, maybe ever, who can actually keep him subdued—
"Every piece of me is saying that this is right, that this is what happens next, that I gotta do this. Never mind that it is either this or dying, never mind that you guys keep saying I am going to face things so terrible the choice is not actually obvious, never mind the super strength or the boredom or wanting to do the right thing—I feel it in my gut." He's kneeling on the floor, he doesn't know when he did but it feels thematically appropriate so he leans forward for the effect. "I am joking about this being the start of the anime plot but it's only half a joke, there is something big that is just happening, I know there is, and I am already here, this is where I am meant to be, and, and maybe I'm wrong, maybe I am just a kid who got struck by lightning three times, someone has to on a planet with seven billion people, maybe I will be skewered alive on my first mission, but it will not be because of overconfidence, it will be because I am doing what I think is right, I am doing what I think I am meant to do, and if I die I will not die regretting it."
"Sure, sure," says Gojo casually, giving a little wave and turning to leave.
Security measures are straightforward enough, and Gojo does some sort of super speed sorcery nonsense to get Itadori's measurements in under ten seconds, so then all that's left is the housing.
Notably, it's spacious, nice, and comfortable, with a lovely view of the mountains. He has his own en suite bathroom, and right next door is a familiar face.
"Oh, Sukuna had four arms, four eyes, and however many mouths he felt like at the time! So, twenty fingers. And! Never fear, my intrepid anime protagonist, you won't get sidelined for any of them. If they were easy to find, we'd have found them all already. But you are likely to draw the sneaky ones out of hiding."
Itadori's uniform is ready in time for him to be properly dressed to meet his latest peer. It is noticeably different than Fushiguro's; instead of merely a simple dark blue uniform, his comes complete with a bright red accented hood. And matching shoes. Where or when Gojo got his shoe size is a mystery for the ages, but everything fits quite well, shoes included.
And then, stepping off the train in perfectly ordinary civilian clothes, no uniform in sight, is the female student to round out their anime trio. This is obvious by how she spots them immediately, perks up a little, and walks right over.
"Oh, hello," she says, setting her luggage down to bow politely to them once she's out of the way of traffic. "I didn't know everyone would be coming to greet me. It's a pleasure to meet you, I'm Hayashi Akiho."
She looks at their Sensei, who is looking very pleased with himself.
"Are you telling me," she says, a little shrilly, "That I was just on a train for four hours after pissing off the Jujutsu school that I'd already been accepted into, instead coming all the way to Tokyo, to round out your anime trio as the designated chick. That is what you're telling me. And I can't even get back on the train and leave because the only other school in Japan is very mad at me for being open to bribery."
"Yes, I'd caught that, one of my fellow students having delusions of anime is one thing and I doubt I'd care, but Sensei's smile and explanation just confirms it. This is, for the record, ridiculous, and I resent it. I would be be turning around and leaving, right now, if I hadn't been so clearly set up. Ugh. Fine. Let's go to the school that gave me a scholarship to round out the roster for our teenage demographics!"
"I would never dream of putting one of my precious students in something she would be uncomfortable in. And miniskirts are far too impractical to be uniform standard. And really, you're much better off with us than that other school. They're all rules and tradition and obedience and whatnot. Here we have a sense of humor!"
Hayashi makes a face of utter revulsion and takes one measured step away from her finger-eating classmate.
"Why would you eat something so disgusting and self destructive and stupid. How are you alive. Shouldn't you have been executed? What is wrong with you. Eugh, you know what, nevermind, your explanations have sucked so far anyway. New topic or I'm going to actually be sick thinking about eating a rotted mummified finger." She gives a shudder. "I'll take that Tokyo tour now."
Fushiguro folds his arms and looks up at the abandoned building. It has a similar aura of
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to the school's from before, but substantially weaker and, in a sense, "thinner". It barely affects them, outside, and could well be mistaken for a chill wind or the like.
"Of course it was me, there are three students in your year, including you, and Fushiguro-san has been hanging around Jujutsu High for literal years. I wasn't going to get on a train for four hours just to maybe get accepted."
She retrieves a fan and a little pouch attached to a belt from one of her bags, the latter of which gets clipped around her waist. This done, she retrieves a hair tie and starts tying up her hair.
"Fine, whatever. Curse killing tour of Tokyo it is, then. Is this a 'send the new girl in alone' situation or is this a team bonding exercise?"
She gives a polite bow to her peer and Sensei, then turns to lead Itadori off to the abandoned building.
"So, we'll start from the bottom and go up, and fan out a bit to prevent any from slipping past us. Some of them go through walls, and a few might be smart enough to try to run. We should stay in each other's sight, though, preferably in easy running distance if one of us gets ambushed by a clever one."
Hayashi seems to be more than a little in her element, and has an air of self-assured efficiency to her.
"Nah. Kid would happily throw himself into a nest of special-level curses if it looked like it'd be fun. It's not like he hesitated when he didn't know what they were or what was going on. He needs someone to hold his collar and tell him it's aesthetically appropriate to think. Akiho-chan, on the other hand, only has experience with country curses up until now."
"I need to take you on field trips more often! Of course they are, the people that make them are different. Even if they're not more powerful, which they often are, city curses have much more breadth of consciousness creating them. Which is to say, even at the same level of power, they are more creative. Clever. A curse that is 'smart enough to run,' isn't a particularly smart curse at all."
Inside, Itadori and Hayashi are having a rather boring time of it, actually. On the way up they kill half a dozen minor curses, Itadori with his cleaver, Hayashi with some kind of thrown needle from the pouch she picked up, and absolutely none of them are really worth the time it takes to kill them.
That is, until they reach the top floor.
The top floor has a young boy, and a curse hiding behind it, holding its sharp claw to his throat. Its intention is fairly obvious.
"... Ah," says Hayashi, softly.
"Okay," sighs the young sorcerer. She lets her fan clatter to the floor, then carefully removes her pouch of sharp needles and tosses it towards the curse. It hits the floor with a clatter, and spills open, scattering them everywhere.
"There you go. Happy, monster? We surrender." She tilts her head. "Aren't you going to come make me regret it?"
The claw at the kid's neck lowers a little, and the curse oozes forward—
—then Hayashi kicks at one of the scattered needles on the floor, and it flies with a speed and power that seems quite impossible, in a completely different direction than the kick itself. It goes right through the curse's skull, which lets out a shriek and dies accordingly.
"Itadori-san, if you could please just escort this kid out of this place safely, I'll handle any leftovers." She sounds irritated, and like she's going to take it out on any curses still alive in the building.
Gojo ruffles Inori's hair fondly, then goes over to take over Kid Duty. Hey there, kiddo! It's okay, you're safe now, etc. etc., don't go doing tests of bravery by wandering into scary places, okay? It's fine, you're not in trouble, we're The Good Guys and just want you to be safe!
"That we shall!"
Soon enough:
"I live just over here, thanks!" says the boy, waving. In his other hand is a complimentary Exciting Fun Snack from a vending machine, to ease the sting of the horrible trauma of being a hostage to a horrible monster. It's not much, but it's something, and definitely worth the price of a couple hundred yen.
"There. All sorted. See, Inori-kun? Kids are easy!"
"Usually the polite way to get people to tell stories about themselves is to volunteer any information about yourself, first. So! I am vaguely related to the Kamo family, my technique isn't blood manipulation but it's... sort of similar. Not as powerful or as flexible as their blood manipulation, but I like it. ... One of the reasons I came here instead of the other school is that I was getting the feeling that they were going to pressure me into marrying my however-many-times-removed cousin, who goes there, instead. It was kind of gross!"
"Maybe we will fall deeply in love and have beautiful Kamo bloodline incest babies together," snorts Hayashi, sounding like she is anything but convinced. "But it was very creepy to have a bunch of old people rubbing their hands gleefully and talking about two teenagers like they're pedigree dogs. I'm sure he's fine, just. Kind of wanted to get away from. That."
"All of them, is the plan. Then they kill me, so Sukuna's good and dead forever."
If he sounds a little bit bitter about it, one can be bitter about getting executed, and he has more than enough righteous determination to make up for it.
"Got two already," he adds, lifting two fingers up.
His eyebrows knit together in some confusion. "You know, the principal and even Gojō-sensei were also like this? I feel like if one of the most evil monsters ever could be destroyed with your help, thus saving countless lives, and the only price is mine... seems like a no-brainer. It doesn't feel that noble."
"Did you think everyone becomes a stunning hero when given 'magic powers'?" says Gojo, amused. "To be a sorcerer is to harness and channel one's darker emotions - that is, cursed energy - into benevolent ideals. And someone that is a curse user instead of using curses to achieve a benign end, is, well. The villain in your anime."
“I think it is! The logic of the ideal of being a sorcerer. It is specifically referring to the ideal of trying to do good. Where the line between sorcerer and curse user is drawn can get messy and philosophical and everybody has different ideas of what would make the world better, some of them absolutely horrifying. But the basic ideal to be worked towards is sound. So. Sorcerer logic. The logic of someone trying to make the world better.”
Soon enough, food is acquired!
Somehow, their Sensei has ramen. There is no ramen place obviously nearby. Where did he get it? It’s a mystery for the ages.
“Do you want your wise and knowledgeable Sensei to point you at the most dramatic roof with the best view, or am I to leave you to fend for yourselves as some sort of adolescent growth moment?”
“Okay,” decides Hayashi, as she removes her chopsticks from their disposable paper wrapper. “Now you may consider us friends. Since I know more about you.” This is directed at Itadori. “Fushiguro-san too, if he’d like to be, even if we haven’t unlocked his mysterious backstory yet.”
Hayashi seems more amused than insulted at Fushiguro immediately retreating into his room.
She returns Itadori's bow, gracefully. "Good night, Itadori-san. It was a pleasure meeting you."
And then she needs to go get her room set up! Apparently she has a lot of unpacking to do.
"So!" says their Sensei, the next day. "Akiho-chan and Inori-kun, you two pair up. Have yourselves a friendly spar! I expect you both to be competent enough to avoid injuring each other. When you're done, tell your partner about their strengths and weaknesses and how you think they could shore them up, or how you could help cover them, and then..." He gives a thoughtful hum. "Compare and contrast the difficulties and quirks of country curses versus city curses with each other. And Tokan-kun is with me for remedial cursed energy training."
"Too bad!" says his Sensei, with absolutely no sense of sympathy or mercy. "Until you have any idea how to use cursed energy you're an active hazard to your teammates if you ever lose that dagger that isn't even yours! No watching anyone else fight until you can manage competently by yourself, Sensei's orders."
"Close enough! More specifically, your cursed energy comes from emotions you want to avoid. Not on a cerebral level, it's something deeper and less cognizant than that. But! People are different. I could list out emotions that are typically seen as negative, but you might not want to avoid them. So, you're the only one who can figure out what kind of emotions count as negative to you."
"Quite! Now, you are in this case fortunate, because you are sharing your body with a cursed energy powerhouse, that being Sukuna. Who is very, very good at making cursed energy from his own negative emotions. Which you can then use, since you're both such great body buddies. You do not, strictly speaking, have to create all of your cursed energy yourself."
"Then in some twisted sense, for the purposes of becoming a jujutsu sorcerer, it's a good thing you have him. However! He is, quite unfortunately, a malevolent jackass that wants your utter ruination. He is not going to want to make cursed energy when you want it. Which is to say, if we were talking electricity, your power plant hates you and will turn off when it is most likely to screw you over. Fortunately for you, you are your own battery. But having a full battery and having the capacity to make more power are two different things, and the distinction is important."
"Now, it was important for you to understand the basic theory behind what's going on, because you in particular will need to keep an eye on what your malevolent power plant is doing, and what your stores are like. Today, though, we'll work on outputting any cursed energy at all, because if you can't touch your stored cursed energy, you might as well not have it.
"However! I want to be very clear. Until you can output cursed energy with an understanding of how much you have left and how much you and your body buddy are making, you should not rely on dependably outputting cursed energy in combat situations. Because you're flying blind. You don't know how much is being made, you don't know how much is in there, and frankly you probably won't even have a very good idea of how much cursed energy you're using. Learning this is not an invitation to start punching people with cursed energy immediately. Stick with the cursed object I gave you until you have full understanding, yeah?"
"Good. So, beginning with outputting cursed energy is best just by directly making it and pushing it into something. It doesn't need to be particularly strong, the point is for you to figure out what outputting cursed energy even feels like. Fortunately, I have a teaching tool!" He leans over and retrieves a familiar looking sheep plushie from behind the couch. "This sheep will make a 'baa' sound when cursed energy is channeled into it." As demonstration, the sheep gives a baa.
He hands the small sheep to Itadori. "Run through emotions you find aversive, and imagine pushing them into the sheep."
Nnnnnope. The sheep is completely still and soundless.
"Well! When you figure that out you can come outside and show me. If you're fast enough you might get to see Akiho-chan and Inori-kun sparring!"
He then gives a little wave, and leaves Itadori with his new wooly friend.
"This is incredibly unfair and mean," grumbles Hayashi, tossing one of her damnable pie weights into the air and catching it, over and over, "and I want it acknowledged that I am working with a handicap."
At 'handicap,' she throws it at Fushiguro. It moves very quickly, and just before it hits him in the face, she twists her other hand, where she holds another of the pie weights. The trajectory changes downward, towards his hands. She would like to knock them apart, but she does not have high hopes.
Yeah nah, he's moving before the metal disc even gets close, twisting his body and yes his hands out of the way as he does and immediately pivoting into a sprint towards her.
Whatever rumours she may have heard about shikigami users not liking close quarters combat clearly don't apply to this shikigami user.
Out of a sense of honor, she absolutely cannot let him beat her without even using any of his shikigami. There is no way.
She hisses half a curseword under her breath, and decides to go with standing her ground and throwing more damnable pie weights at him. Some of them will move to follow him, some of them will not, and he's got to figure out which it'll be while rapidly closing the distance between them, thus giving him less time to react.
That tips the balance over to convincing him to summon his shikigami. He veers to the left and claps his hands together, left hand closing over his right palm while his right fingers point forward, index and middle slightly up and ring and pinky slightly down, thumbs pointing up and slightly separate.
You know, like someone who's trying to imitate a dog head shape.
"Demon dogs," he says, and his shadow extends to the right then quickly gains shape and volume, forming into only one dog, black and big and already keeping up with him at a trot. As soon as the dog is fully formed they split up, clearly meaning to attack Hayashi from two directions at once if they can dodge her discs.
That's actually kind of cute, making shikigami animals by making a shadow puppet of the animal, wait no she really does not have time to be charmed by such a cute curse technique, she's too busy trying not to get her ass kicked.
Well if her choices are 'pick an enemy to try to fight,' 'run,' and 'be attacked by both at the same time,' she's going to go with the first one, and furthermore go for the guy responsible for the summoning. If he wants to make this a close quarters combat, fine, she can in theory hit him with the goddamned cursed pie weights from close range, if anything she'll be more accurate that way. She covers her plan with a feint, pretending to focus her barrage on Fushiguro, and then having them twist mid air to impact the demon dog from the side while she turns to personally tackle the summoner.
She has no idea what she's doing, no idea at all, she is not a close combat specialist in any way! Somebody help her! Mostly she just wants to keep his hands away from each other. She doesn't expect she can do that with both, so she dives for one and latches on for dear life. And, and - can she keep him between the dog and her? Using him as a human shield against his own critter sounds like it's a good idea in theory, let's try it.
Ack! No! Bad! She got too caught up on the cursed technique, she forgot he's a teenage boy who's both taller and stronger than her! She is successfully pinned, but her arm's free, and somewhere during this ridiculous wrestling match pie weights have scattered everywhere. So obviously the thing to do is to jerk her hand and send a couple at him from the ground. BAP! Feel her WRATH!
She lets out a little laugh, then accepts the hand to pull herself back to her feet.
"It's fine," she says, looking away and busying herself with fixing her hair and clothes. Despite this, she has her own blush. Not that he can see, since they are both not looking at each other. She clears her throat. "It happens, let's not make it weird. Or mention it to Itadori. Ever."
"Okay, so," she snorts, going to find a spot to sit down, still kind of giggling. "I can make a sympathy bond between objects that are alike. Then, what I do to one object happens to the ones it's tied to. I can do a bit of magnification of the force I exert, and have some control of the direction the force is expressed from, but I have to keep track of everything and it can get very complicated very quickly. Larger objects take more cursed energy, it also gets very expensive very quickly, especially when they're heavy. It's why I tend to stick with small, light things."
"Living things are more expensive," she says, wryly. "And not really worth it to move around with cursed energy. But, with living things, if I have a piece that comes from a larger whole I can sympathy impress whatever damage I do to the smaller piece to the larger whole. So if we dismember any curses, throw their limbs to me and I can do terrible things with them."
"Awww, who are some good puppies that will dismember our enemies for us," coos Hayashi, charmed. Can she give the demon dogs scritches? She would like to!
"Mind you, I have plans for tying fishing line through the holes in my needles and figuring out dismemberment on my own that way, because I'd like to be at least somewhat self reliant. But since I can't pull with much force, I need to figure out how to channel cursed energy to make it sharp instead. And my control is not good enough for that kind of fiddly detail. ... Yet."
"Without sending needles through your eye sockets and out of the back of your head?" she wonders, a little wryly. She gives the dogs their pets and thinks.
"Your demon dogs are a pair. You didn't summon them both, and I think that was actually to my detriment instead of my benefit. They are alike enough that I could mirror whatever I do to one to the other. I think I had a decent idea by cutting to the chase and just directly tackling you, but I got too hung up on your cursed technique needing you to make shadow puppets instead of how I could quickly subdue you, and that made the actual execution garbage. Uh. I think if I were to try it again I'd go with attrition and just try to stay away from you while raining small pie weights on you from unexpected angles. Directly beating you..." She makes a bit of a face. "I'm not sure that's realistic right now, honestly. You have been hanging out with other sorcerers for years, I have been in the countryside exorcising curses on my own. You just honestly dwarf me in sorcerer to sorcerer tactical thinking and experience."
"You need shadows and the ability to make shadow puppets with your hands in order to summon shikigami. You don't have any weaponry besides your shikigami that I can see, so I think if an actual close combat specialist did what I did that probably would have been game, set, match. Uh. ... I didn't really have time to observe many weaknesses, honestly. There is probably something about your shikigami needing direction or orders from you in order to act, but I don't quite know what. I bet you can't summon all of the ones you have at the same time, but I don't actually know how many is your limit. You.... are easily embarrassed by social situations and I could probably leverage that somehow?"
He furrows his eyebrows and shuts his eyes. "Yes, probably, all of those are true," he continues. "Entirely getting rid of all shadows everywhere is very difficult, but the fewer or smaller ones I have to work with, and the farther from me they are, the longer it takes for my shikigami to form. The ones I have right now are all smart enough and we have fought together for long enough that they mostly take nonverbal cues for me, although I do sometimes give them instructions with hand signs. Number of simultaneous shikigami I can summon is limited by having to do it sequentially and each summon consumes cursed energy, but I have practice with it and can keep all of the ones I have contracted with up at the same time."
"There is a ritual. I can summon a shikigami I have yet to contract and, should I defeat it in single combat, I will be able to summon it to my side to fight with me. The ritual does not end until one of us dies, though, so I need to be very sure I can take a shikigami on before trying to contract it."
“Oh. Uh.” She glances at Gojo and decides not to say that she’s glad to have had her sharp things taken away from her. Even though she is. “That is probably information that should be told up front to sparring partners. To prevent accidents that permanently lose you your charming animal companions.”
"Mm. All right. Well, I am perfectly happy to be on standby for killing a shikigami that you're trying to contract, if it turns out harder than you'd expected. And it sounds like we can just test how ridiculously unfair we can be about setting up the arena to screw over the critter. It'd be a risk, but not much more of one, if you used the right sorts of traps."
"Cursed ones, they would have to be," he agrees. "...but then again, all of the shikigami I have not contracted yet are ones I am not powerful enough to face, so I would need a lot of help. —ah, a thought occurs to me, how would your cursed technique interact with bullets?"
"You gathered a lot of information in a very short amount of time, and while you focused too much on my cursed technique you figured out a tactic and stuck to it. You did not spend time hesitating or second-guessing your intuitions, which is going to be very useful once you have developed more refined ones.
"I think you could have stood to try to be more lethal. You may be used to the needles but if you're using the weights then things that would hurt a lot with needles don't. There's probably something to be said about finding optimal uses for different tools."
"Oh! It's a control aid," she retrieves her fan and shows Fushiguro; there are several needles carefully stitched to different sections of the fan. Several along the fan's ribs near the end of the fan, and several at its base, near the fan's head. "This way I can cause multiple needles I throw to spread out," she opens the fan, "come together," she snaps it closed, "turn them midair," she opens the fan again, and then twists it sideways, "and generally keep track of which way they're pointed, so I can make sure they go pointy-end in."
She pauses. "And also this side of the guard has a sharp end, so if I remove its sheath and then close the fan, I can stab things with it. Because it seemed practical for a ranged specialist to have some sort of close combat self defense."
"So I don't really have a good feel for curses in Tokyo yet, but in the country you kind of need to hunt them down. The dangerous ones, anyway, the ones that are just floating behind people or standing on their shoulders making them feel horrible are pretty straightforward. But - does Tokyo have a lot of old, quiet curses? Because there are a lot of those in the countryside. Old, sneaky curses, waiting for victims to spring the trap that's been there for years." She gives a bit of a shudder. "And lots of them aren't even drawn into barriers that have been set up, they get extremely attached to where they began. So. Hunting them down."
"City curses cluster," he says, folding his arms and assuming a more thoughtful expression. "Many small ones around a big one, or sometimes an amalgamation, a big one that assimilated the small ones. They also tend to strategise, force unpleasant choices upon you, take hostages."
"Eeugh. Yes, I saw that with the kid, that was an unpleasant surprise. So that's just what curses are like in the city? That... does not sound fun to deal with. You'll forgive me if I kind of want to go back to hunting down curses under bridges in the country. But I suppose city curses are more numerous."
Hayashi feels like her classmates are having some sort of elaborate teenage boy mating ritual, and she's shown up midway through and thrown it off with her presence. She also feels like she doesn't want to be witnessing any of this, and would kind of like to be literal wallpaper right now. Elaborate teenage mating rituals are complicated enough when it's just her and someone else, thanks, she doesn't want to witness another pair of teenagers flailing incompetently at each other.
".... Do... you two need a minute?" she asks, delicately.
He was having a cool time with Hayashi here, and he'd also been having an actual okay time with Itadori prior, but now he's around the two of them and he's not sure what kind of time he wants to be having and this seems very much like the last thing he wants in the world is a minute to talk to Itadori in!!!!!
Oh okay Gojō-sensei being an absolute nutcase and fighting curses are both things he is much more comfortable dealing with than, than this whole "making friends" thing, especially when one said friend has made it clear that he's DTF and Fushiguro's romantic and sexual experience is "haha no" and he's kind of tempted but also Hayashi's nice and mature and pretty and has a really cool cursed technique and
and he will stop thinking about that right now, melt his dogs, and walk away.
Oh noooo, poor Fushiguro!! Precious introverted cinnamon roll that must be protected and cherished!!! ... It would probably make things worse to go over and try to reassure him, it looks like having something familiar is doing a better job at that than girl-he-met-yesterday would. Probably Gojo did that on purpose. Huh. She guesses she approves of Gojo slightly.
"I... think? It was very instructive on how much I have to learn about combat against another sorcerer, or a curse user. Which is 'very much.' I also need to figure out literally any nonlethal ways to fight things, because I mostly don't have anything in between 'eviscerate' and 'not.'"
She stands as well, dusting her skirt off. Yes, give the poor precious cinnamon roll time to cool off.
She gives a little awkward shrug.
"One sided? There really wasn't much to watch."
Is that a faint blush to her cheeks? No. Lies. Lies! She is going to ignore it and then it will go away.
"Anyway, we should go do something I'm actually good at, so my poor wounded ego can recover," she says, because actually yes having a distraction sounds great right now.
Gojo ferries them to Ginza, give them his number, and tells them to text him if they run into any trouble! And then he's off to go shopping. Probably. According to him, anyway. It is unclear what he will actually be doing while he's making his students do dangerous work that is probably actually his responsibility.
Ginza district, housing upscale stores and restaurants, flagship shops and fancy pubs, would not be a place one would expect to see curses very often. But the specific location they are taken to is closer to the outskirts, and seems to be a construction site for some new store. It looks ordinary, if creepy in that way construction sites are creepy when no one is actively working in them like right now. But of course, the three of them can feel the aura of
dark
w et
a way
oh gods it's hu ge don't let i t eat me
los t
drowned
ad v en ture
wrong
that emanates from it as soon as they step through the curtain that was set up around it in advance. It is darker within it, and the passersby don't seem to notice it, but they do seem to subconsciously veer away from it, some of them going as far as even making faces at it when they do.
"Senpai," asks Itadori when they step through and feel the chill of the barrier cover them from head to toe before allowing passage, "Gojō-sensei said a 'window' spotted a curse...?"
"Oh, uh. Not everyone who can see curses necessarily wants to dedicate their lives to fighting them. Some people see them, maybe set up a barrier to keep the curses in and keep other people away from them, and then report them to their local sorcerer organization. People who see and report are 'windows'."
"Construction accident, maybe? Terrible boss and miserable construction workers..?" she theorizes, then furrows her brow and trails off. Hayashi touches the barrier with a hand, giving a thoughtful hum.
"... no. This is not a young curse. I wouldn't have expected such an old one to just be hanging around in Ginza. Are sorcerers really stretched that thin in Tokyo?"
"An innate domain is an area created within a being's mind that represents their self and their innate techniques. It is possible to manifest it into reality, which makes the owner virtually invincible inside it, but it is very expensive and requires a lot of cursed energy. Which a four hundred year old curse would have in spades."
"Mm. Which is not great. Not as scary as a young curse that's powerful enough to set up an innate domain, but not great. It's actually kind of a good thing it's been buried for so long, I doubt it's been eating very much. The curse equivalent of living off of discarded garbage. But." She fidgets with the hem of her jacket; she's already been given a uniform. Probably helps that she didn't ask for any customizations. "Like I said, could get messy. I can probably rip us a hole out of it if it's one of the sticky ones, though. If we decide to go brave it."
"Oh. Uh. I have my own domain. It's not very, uh, refined, but if I get to the edge of a curse's domain it doesn't need to be. It just needs to be enough to disrupt it so I can run through. It's actually how I change the direction of momentum. Without it, I need to actually have things moving in the direction I want to sympathy impress it to. Why did you think I've been so obsessed with economics of cursed energy?"
At first? Nothing. The barrier the sorcerers erected around the area muffles outside sounds, but the curse(s) it(them)self(ves) must be doing something more, because it's not just quiet, it's... oppressive. Like warm, hot air surrounding them from all sides.
And then—the ground is gone. It falls apart, or shatters, or ceases, clearly not in a physical way, but in a way that means that the three of them are nevertheless in free fall.
Oh. Swamp. Buried underground. In retrospect, this was obvious.
She manages to make the land on one knee. In... horrible gross swampy muck water. Oh, ew. That is not fun to feel in tights. The fact that this is clearly a manifested domain and that this means that all muck and water made by it are made of curse energy that will eventually disappear is some comfort, but. Not very much. Ugh.
How did the others fare in this less than pleasant entrance?
Her allies are... not. Definitely not around, or visible, or anywhere near her. She can also neither feel nor hear them; only that oppressive, humid heat of the swamp and the chorus of a myriad unseen animals. It's dark, but somehow nevertheless illuminated, an eerie pale glow that comes from everywhere and nowhere, not so weak as to be useless, but also not so bright as to really give her a very good sense of the geometry of the place.
The place is a swamp, though, that one is for sure. The water rises to her ankles when she is standing, but the unmistakeable feeling of mulchy earth beneath her feet promises she can definitely sink deeper if she's not careful. There are vines and trees all around her, but it is not clear that they all actually connect to each other or the ground in a logical fashion. They could be better described as an impression of a swamp rather than a swamp.
Except for the mosquitoes. Those are definitely non-impressionistic mosquitos buzzing here and there and occasionally deciding to snack on her blood. Entirely non-supernatural, to the extent anything here is, but still loud and annoying.
Great. Perfect. Wonderful. She hates when curses have domains. Maybe it's sleeping, though. She doesn't have high hopes, three jujutsu sorcerers landing in its lair probably woke it up, but. There's always a chance.
She makes her way to what passes for high ground, here, keeping to open spaces as much as possible. Hayashi fully expects that she's about to be ambushed.
Not in this anime, asshole!
The vines get themselves some new piercings, and then she kicks her feet to break the now weakened vines that are pinned to what passes for ground, here. Okay, where's the curse responsible for this hentai bullshit, she was going to kill it anyway, but now she's going to extra kill it.
(She gives the dissipating vines a final kick, just so it knows she hates it.)
Ugh.
Yelling is unlikely to work, her vision here is garbage, and the environment is beholden to the whims of the curse that made it. Trying to find the boys is going to be a massive pain. It'd probably be faster to just find the damn curse responsible and - oh. Actually. She can just zero in on the biggest source of cursed energy and go kill it. It's the most obvious thing in this environment to a sorcerer's senses. This makes it the most obvious meeting point for three stranded sorcerers in a hostile domain. Fushiguro is probably realizing the same thing, or has already realized it. Itadori.... well. She hopes Itadori doesn't die.
Time to go hunting.
The big one being asleep was definitely wishful thinking.
She unlocks the sheath to her fan's blade and lets it fly off to be lost in the muck while she dives for the nearest curse. To stab it, obviously. Yes, she could fuss with the vines, maybe play a little game of tag with the curses that can clearly teleport, or, she could start killing them and be done with this bullshit. The others will probably manage to get some kind of hold on her while she kills this one, but that's fine. They are not teenage boys that are both taller and stronger than she is. And if they pick her up, she can stab them too.
Hayashi snaps her legs together, drags her dominant hand with her fan over to her face, and then bites on the vine holding it. With cursed energy, of course. She's not an amateur. And then she can use the opening to slice her legs free so she can have purchase on the ground and drag the curse that's got her other arm over for a complimentary stabbing.
They try to add More Vines to the situation in case it solves anything—
—but that's when a fist bursts through the bark of the tree right next to her arm and grabs some of the vines holding her. "Awesome, that's a hit!" sounds Itadori's voice before his other hand, this one holding the cleaver, punches through the tree too and slices through rather a lot of vines for their trouble.
The way he doesn't seem to even nearly hit her suggests he probably knows what he's doing and isn't going at it blind.
Adding more vines does nothing about the fact that Hayashi Akiho is dragging this damn curse closer so she can kill it. It dies accordingly.
"Oh, hey!" she says brightly. Wait how the hell did he just punch through a tree? No, bad Hayashi, focus.
With the second curse dead, she can actually go back to being a ranged specialist, which she definitely is, she promises. Piercings for this annoying vine curse! Aiming for the center of mass.
It notices what's just happened to its twins and decides to try to flee, but Itadori finishes trampling over the tree (what's on the other side of the tree? how was he there? Euclidean geometry seems to have decided to give up on giving sensible answers to these questions) and quickly leaps over to the other side of the curse, standing between it and the path it was taking to run.
The curse doesn't exactly stop, but it does hesitate for long enough for Hayashi's needles to hit it dead on and pierce it in whatever vital organs it has.
It is incredibly satisfying when curses realize that actually, the smart thing to do is run. Not that it usually helps. Now it has some cursed energy piercings! These do not immediately kill it, but she flares the residual cursed energy smoldering in them, and that manages it. She has a moment to let herself feel a little smug. Ha.
"I was following them," he says, hiking a thumb in the direction of the dissipating curses. "There were, like, six? I killed some, they started running away, then they disappeared but... I don't know, I just knew where to go. It was like following breadcrumbs. Mysterious invisible breadcrumbs you feel rather than see."
They run into a couple more tangela vine curses, who seem to have heard from the grapevine (hah) that these two are trouble and immediately try to flee them on sight. It doesn't work very well for them, between superstrength Naruto-stand-in who can literally leap from a standstill and end up fifty feet away and the plucky heroine who likes stabbing things perhaps a bit too much.
And then they run into a snake curse. With three heads. And it definitely has more than one tail, although where it branches off from its body or how exactly it moves like that is super unclear given how humongously huge it seems to be and how most of its body seems to be hidden underwater at all times.
For this curse, she'd actually like to play keep away. Be a ranged specialist that stays away from the big scary curse snake, and all of its heads, and all of its tails.
"Not the curse this domain belongs to," reports Hayashi, as she begins throwing her sharps. "If you could dismember it or cut off a head or something that would make this go a lot faster. But focus on safety first."
"Got it. Here cursey cursey here!" he singsongs, sprinting over to its heads to serve as bait. Various tails try to stop and grab him, but he almost-effortlessly weaves between them, sometimes even using them as pivots to launch himself closer to his target.
Until, that is, he's hit once by one of the tails and thrown right at one of the surrounding trees with enough force to make it crack and dent. He growls and immediately dodges out of the way of another tail that was trying to impale him against the tree, and near-misses chopping the tip of said tail off with his cleaver.
Which is not to say the snake is leaving Hayashi alone; it's definitely focusing more on the close-up, immediate threat that is Itadori, but it has enough tails to try to swipe and stab at the other sorcerer.
Huh. Having a close combat specialist to distract the curse makes this a whole lot easier, actually. That's nice.
Anyway, yes! Keep away. Dodging, weaving, running and (curse enhanced) leaping and whatnot. The usual. She saves throwing needles for when she's got an opening for one of the many eyes. Turning a thing this large into a pincushion would just annoy it, not do anything that actually matters. This makes it easier to focus on not being grabbed, swiped, or stabbed.
Itadori manages to land on one of the snake's heads, riding it like a pony, and goes "Yeeehaw!" as he starts hacking at its neck. It makes an inhuman screechy gargly noise and one of the other heads tries to attack him but he dodges well enough that it has to pull back lest it bite its own head off.
So it decides to change tacks, and all of its tails decide to go for Hayashi in hopes of pinning her down and holding her hostage.
She lets out a little snort at her new cowboy companion, who definitely seems to be having the appropriate amount of fun.
Well, all of the tails going for Hayashi at the same time just makes her feel like she's back on her own. Which is to say: about normal, really. No, Hayashi will not be your hostage for today, and for shame for thinking that! In fact, somebody needs a reminder that she is a sorcerer, not a bystander. And she's been given such an excellent opening, with that head pulling back before it bites itself. She throws several needles, leaps, spins mid-air to get the angle just right, and then sends her projectiles swerving to see about causing some blindness. Then she lands neatly, and gets back to playing keep away.
It's blinded, or at least many of its eyes are, and it starts thrashing wildly this way and that, ironically all the more dangerous for being less targetted and less concerned about its own safety. It manages to shake Itadori off—
—and great timing, too, because a crocodile the size of a truck with far too many eyes and legs emerges from the water (where it definitely had not been prior to this) and takes all of the snake's heads into its unreasonably large maw. It makes gargly ear-piercing noises as it chows down on the snake and tries to eat as much of it as it can before it disintegrates.
Itadori himself has managed to grab hold of a tree branch and used his momentum to swing back to Hayashi's side, and now he's just watching gobsmacked as one curse eats the other.
"That is the curse the domain belongs to," she reports, wrinkling her nose. "Aaaaaand it's now getting a power up from eating its fellow. Great."
Needles in the eyes, crocodile with no setup edition! Can she pull it off? She doesn't have high hopes but blinding it early would be really helpful!
It... it has too many eyes. She definitely cannot blind them all. It seems less protective of them for having so many, too, and when it lands on the muck (with an accompanying enormous wave of swamp water and dirt in all directions) it turns towards them and screams at them (it has a second mouth inside its mouth, and eyes inside that one).
"So I still try to dismember it?"
—it's fast. It dodges out of the way far too quickly for something that size, and then immediately turns its whole body 180 degrees to throw its whole weight into swinging at Hayashi and Itadori with its body and tail (tails???? did it grow a second tail after eating the snake??????).
Fortuantely, she was expecting this. Hayashi dodges the very large swipe, leaping onto and then kicking off of a nearby tree to go over the tail(s?) and landing on the other side of the swipe.
"That's terrible!" she says, laughing.
Hmmm. Let's do setup for later, while they're waiting for Fushiguro. She starts sending out needles into the environment, eye side embedded into the scenery, pointy side out. In places Itadori is unlikely to be thrown into or land on accidentally. Accidentally stabbing her partner (heh) would not help anything. This will maybe become relevant at some point! Or not, she'll find out.
It does not get Hayashi, but it does come close. She hisses a swear word and decides that maybe she should focus more on the present instead of setup for the future. Anyway, it seems like Itadori is probably going to get tossed around a bit, best to keep the environmental hazards to a minimum.
"What kind of dumbass move was that?!"
She dodges. Again. It's rather a theme. And then she throws some needles at some of its many eyes, because maybe they'll hurt it enough that it'll get distracted. Which is important, so that Itadori can do whatever stupid, insane move he seems to have planned, the lunatic.
The creature shuts its mouth and tries to swipe at her yet again—wait, no, it's thrashing? It's moving erratically, and soon enough one Itadori Tōkan, covered in slime and goo, cuts his way out of the side of the curse's neck (helped by his superstrength, it really is unreasonable how strong this boy is), and says, "Catch!" before throwing something in Hayashi's direction.
It's a tongue, enormous and twitching in the air.
The curse is having none of that. It decides to go all-in against Hayashi and stop her from grabbing its body part even if that means hurting itself. It has an idea of what she'll do with it and it really, really doesn't—
—and hold that thought because now there's another giant snake on the field? Except it's not a curse, it's white with a long black stripe along its back and Fushiguro is coming with it and directing it to straightforwardly wrestle with the crocodile.
Okay, insane plan seems to have worked, whatever! Hayashi has an opening and a job to do so best to get to doing it.
She throws needles towards the tongue as it flies to her, then leaps after them with as much speed as she can manage. Her fan (and needles) are pointed at the proper angle to impale the tongue, everything is given as much momentum as she can manage, and she summons up a whole hell of a lot of cursed energy in all of them. All at once. Big finishing move, go.
It works.
The sympathy between the tongue and the creature plus the amplification of her cursed technique make a myriad enormous needle holes appear on the crocodile's body. Fushiguro dispels his snake lest it get hurt by it, and watches as the crocodile writhes and dies, screeching the painful noise curses make.
As it dissipates, so does its domain, and they find themselves standing in the middle of the construction site again, no goo or swamp water visible anywhere.
"Okay can we stop talking about me and start talking about how awesome you were—" He turns to Fushiguro. "Fushiguro-kun you should have been there she was SO COOL there was a giant snake with heads and she has all those NEEDLES and they went WHEEEW and FYOOSH and then the snake was BLIND and it went AAAAAA and then there was the CROCODILE—"
Help! Too much kawaii! She is so charmed! Precious cinnamon roll being corrupted by his peers! Oh man, she wants to poke him more and watch him melt, but actually he probably needs someone to throw him a lifeline. He seems like he’s overwhelmed.
“It’s okay,” she says reassuringly, and then in a more businesslike tone: “We should probably go figure out where Gojo-Sensei went off to. What would he even want to go shopping for?”
Itadori will also not push it because he is absolutely sure he will get more opportunities for it in the future and for now he can let Fushiguro-kun see how harmless and non-scary it is for him to flirt a little bit. Positive reinforcement!
And also he'll help Fushiguro to his feet.
Gojo, as it turns out, went shopping for sweets and petty, cheap trinkets that look like they absolutely came from gacha machines. He was thoughtful enough to buy quite a lot of both, so if they're feeling hungry, or if there are any collectable keychains they'd like, he has a selection that he will deign to let them take from!
Gojo magnanimously hands over some of his sweets to his students. ... Not all of them, though. Some of them are definitely his. But they are very good, very expensive sweets.
"Look, I got a set of little tiny critters that hang from glasses! I'm going to give some of them to Maki-chan, I expect she'll be thrilled."
"She has physical prowess that almost rivals yours! And no cursed energy to speak of. Wears a pair of cursed glasses that let her see curses at all." He demonstrably makes circles with fingers over his eyes, because clearly this point needed illustrating. "Very talented, and she makes the other school so mad."
The following days are rather quiet. Gojo is absent over half of the time, leaving them to teach each other and figure things out on their own. When he is there, he's helpful in his typical idiosyncratic way. Itadori graduates from a sheep that makes noise to an elephant whose trunk uncurls proportional to the amount of cursed energy channeled into it, then eventually a metronome to go with it, to add practicing timing to the mix. Hayashi gets a promise that he'll make a request for something like fishing line-but-stronger, and is then told to go practice her sympathy technique on things she finds in the woods, or in an urban environment, instead of just what she always has with her. Fushiguro gets held back from what few and minor curse exorcisms occur, and he and Hayashi are gently prodded to start learning some close combat techniques from Itadori.
And then, almost two weeks after Hayashi's arrival, he has to go.
"I'll be away for a few days, maybe a week at most," he assures. "There are a couple of scattered curses up north that everybody's decided just need my personal attention. The downsides of being the strongest. Don't do anything I wouldn't do, and don't take my absence as an excuse to be lazy!"
Log: July 2018
West Tokyo City
Eishū Juvenile Detention Center
In the sky above the exercise yardUnnamed apparition of potential special grade. Its cursed womb was witnessed by several non-jujutsu sorcerers. Due to the emergency nature, three Jujutsu High first-years were dispatched to the scene, and one died.
"Our window verified the cursed womb three hours ago," says Ijichi Kiyotaka, assistand director at Jujutsu Tech, to debrief the students. "Once ninety percent were successfully evacuated, a call was made to seal off the center. Citizens within a five hundred meter radius have been evacuated as well."
"...cursed womb? That sounds like a plot-relevant term," says Itadori.
"Not all of them," says Fushiguro. "But the ones that change shape and grow often do."
Ijichi nods at Fushiguro, looking nervous. "It is as Fushiguro-san says." He faces the three of them once again. "At present, five detainees remain in Block 2 with the cursed womb. We do not know if it is one of the wombs that can metamorphose, but you should proceed with the assumption that it is."
"Oh no, we haven't explained it? I have been a bad senpai, I'm sorry. Classification system for curse strength. Short answer is that special is above our pay-grade. Long answer is that for conventional spirits, on a scale, four is the weakest, one is the strongest, and special is unconventional and breaks the scale. They need to be handled with extreme care and taken on a case by case basis. So. Potentially extremely bad news."
"Wait, sorcerers get grades, too?"
"Yes, Itadori-san. Sorcerer grades depend on what they can beat; a grade 2 sorcerer is meant to be strong enough to beat a grade 2 curse, but not a grade 1 curse."
"So how come Hayashi-senpai's lower than Fushiguro-kun? He has the cool summons, I get it, but I have seen her fight, there is no way they are not evenly matched by now, unless I don't really understand the ranks."
"It's fine," she says. It is clearly not fine. "The ranking system for sorcerers requires recommendations for promotions. A lot of my work has been hunting down sneaky curses that had flown under the radar instead of being on hand for conventional assignments that get officially graded, I'm not well connected in comparison to Fushiguro-san, and I did kind of directly upset a lot of available sorcerers that could have put in for my promotion by coming to Tokyo's jujutsu sorcery school."
And then she crosses her arms and - yep, she's pouting. That's a pout. "It's fine," she repeats.
"Ask Gojō-sensei for permission first."
Ijichi looks entirely uncomfortable with this line of conversation and clears his throat to draw attention to himself and the assignment once again. "Unfortunately we are constantly short-staffed in this business, so it is not uncommon for you to need to take on missions beyond your power." He swallows dryly. "This situation is abnormal even by these standards, though. You must not engage under any circumstances. If you encounter a special grade curse, your options are to either run, or die. Listen to your instincts and fears. Your mission here is not to defeat the curse; it is to verify whether there are any survivors and rescue them if you can, but not at the cost of your own lives."
"...no, not as far as I know," says Ijichi, furrowing his brows.
"Excuse me! Excuse me, please!" cries a voice from behind them where a few Jujutsu Tech employees have set a perimeter for civilians. "Is Tadashi there? He wasn't evacuated—"
"Please stand back, ma'am! It's not safe!" says one of the employees.
"Is—is my son Tadashi alright?" she asks, voice wavering. "Please, I must know—"
"Ma'am, please, it's dangerous there—"
Ijichi watches this, his frown deepening, and tells the students, under his breath, "She's a guardian who was here for a visit." Then, turning to the woman: "Please step away. There's a possibility that someone has spread poisonous gas throughout the center." The woman covers her mouth with her hands, eyes widening. "We cannot share any more details at this time," adds Ijichi.
"No..." she says, falling to her knees and covering the rest of her face, although the tears now falling free are evident anyway. "Why? Why is this happening?" she asks, before breaking into openly sobbing.
Hayashi looks at the woman with an impassive expression, then looks away.
"I don't like this," she says, very quietly. "At all. Three young and vulnerable sorcerers for five detainees? The ratio's wrong. Maybe we impressed somebody with the crocodile curse opener? But I still really don't like this. ... That said, if we are going to go in, we need to do it sooner rather than later, and make this as fast as possible."
Ijichi leads the way to the appropriate block and says, "Be careful." He raises his left hand to eye level, thumb, index, and middle fingers pointing up, ring and little fingers folded down. "I'll put up my veil." He shuts his eyes. "Emerge from darkness, blacker than darkness. Purify that which is impure." As soon as he finishes talking, a dome of darkness emerges from above the entire facility, turning the rainy afternoon into a rainy night.
"Oh, like the one from the other day," says Itadori, looking up and out at it. "What does it do, exactly?"
"Draws curses into the area, then keeps them from getting out," says Hayashi, in a clipped, businesslike tone that is a far stretch from her usual perkiness. "While at the same time warding ordinary people away. Also lets us know when the curses inside have been killed, it's sort of - magnifying their badness over the barrier itself. So if there's nothing to magnify, it breaks."
She fidgets with her fan and looks apprehensively at the cell block, and is not quite brave enough to be the first one to go in.
It only takes a few steps for the first thing to go wrong.
"Wait!" says Fushiguro, extending an arm to the side to block the path of his partners. The reason is clear enough: the two-story block seems to have been extended into a veritable skyscraper, repetitions of cells and walls and piping in ever-more-bizarre rearrangements as they go farther and farther up. "Fuck. Another Domain." He shuts his eyes, turns around, and opens them again. "And the door is gone." As is, indeed, the wall; they are right in the center of an open space, the hallway they just walked through nowhere in sight.
Not very close, given how the dog immediately starts leading the way farther into this maze. Not too quickly—if they're sprinting they will tire themselves out and become easy targets for the curse—but at a reasonable clip.
They arrive at a courtyard, and if it wasn't clear that they should leave before it definitely is now. There are three corpses, if you can call them that: one of them is missing an arm and the entire lower body, and the other two are piles of bones, dried skin, and destroyed organs with some scraps of clothing visible here and there, only recognisable as two corpses by the presence of two skulls.
It happens faster than Fushiguro can track. Itadori is standing there, as frozen as he is, but then something clicks, something changes in his face, and he grabs his cleaver by the handle and tries to cut the curse, to do anything, to break this spell—but it happens so fast he doesn't see the curse move, barely sees Itadori move, all he sees is Itadori there, at the end of the motion, arm extended where he tried to cut it—
—and his left hand is gone. He didn't see it, barely felt it. He tried to move, tried to cut, and—the thing—the thing was too fast. He's frozen again, but he hears the wet plop sound of his detached hand falling to the ground behind him, launched by the creature's strength, followed by the clink sound of the cleaver that hand had been holding as it hits the floor.
So, this is a familiar feeling. The exact same one she had when she landed in the cursed croc's domain. Well, this was obvious in retrospect. Of course the one female sorcerer would be a curse summoning beacon in the detention center for male inmates. And then, of course, if you're separating sorcerers, you'd pick the one most likely to be dogpiled by every single goddamn curse made out of even a trace of sexual frustration.
God, she's so stupid. So incredibly, enormously stupid. This is not how she did things when she was on her own. If it were, she would be dead now. She might be a dead woman walking. Apparently being surrounded by pretty boys makes her forget some basic fucking lessons, like 'think about the place you're going into before you do, so you have an idea of what to expect' and 'you can always just not go.' Apparently she thinks being in school means that the higher ups always know better than she does. That her gut saying that this risk is not worth it, that this is stupid, that something's not right, that this is a trap, is something to be ignored because someone told you to.
The curse woke up the minute they stepped inside the cell block. Who's one of their trio that is one tenth of a set of cursed objects? Who is likely to activate any nearby fingers of a certain King of Curses? Why would anyone want to send Itadori, the brand new baby sorcerer with a giant target on his back, into a barrier holding a curse that's potentially on the edge of metamorphosing into something very, very nasty? When he's part of a matched goddamn set? Most of which is at large? Yeah. This was a fucking trap.
The worst part is, it was made by her own side.
And now here she is, surrounded and outnumbered by intelligent curses that would like very much to make her life short and miserable.
"Fine, assholes," she says, drawing her needles and unsheathing her fan's blade. "But for the record, you're trapped in here with me."
"Correction: the fractions of me in this body die with you. I still have eighteen other fragments of my soul scattered around. I'll be fine." He chuckles a bit, the sound reverberating through Itadori's body. "But if you want to switch with me, go ahead and switch. I'll make sure you regret it. Maybe I'll start with your pretty boyfriend, here, make him wish he had never met you before he dies. And the woman? She and I are going to have some fun."
The curse watches him go but doesn't stop him, and just grins more widely at Itadori. "Just you and me, now, eh, boyo?" asks Itadori. "—you are a boyo, right? I'm just saying, you got the pecs and all—"
It's too fast. Again. The curse swipes up with one arm, and the wave of cursed energy is enough to throw Itadori all the way across the courtyard to the wall.
Okay, fuck, he might die.
He blinks the dizziness out of his eyes and tries to look at the curse again, only to see it mere inches away from him, one hand glowing with more cursed energy—
—it slams that hand against him, and he's through the wall, and oh now he knows how Fushiguro must have felt the day they met when he was fighting that curse, he thinks idly as his body ping pongs along the floor before skidding to a painful stop. That is far too much momentum, and why is he thinking of his physics lessons at a time like this, he should be—getting up—he can't move, can't open his eyes, can't get up—everything hurts—he can hear the creature's claws clicking against the floor as it slowly walks towards him—it's having fun, the bastard—
—he has to get up, it's charging something, he needs to stop it—he's up, both arms forward, he needs to stop it, he knows how to project cursed energy so maybe if he, if he does that he'll be able to hold on—
—he can't, the energy is too much, it burns, it hurts, it's eating at his fingers, he only has five of them now he doesn't want to lose them too, but the curse doesn't care, it doesn't matter how much he tries to stop it, it burns his fingers are stubs, it burns it burns it hurts—
—he can't—
He hears her laughing before he sees her. It is… more than a little deranged.
“Why are you running, I thought you wanted to play?!” echoes a voice coming down the twisting corridor. A curse comes barreling through the wall, and then a barrage of needles turn a corner to impale it. It starts dissipating, and then Hayashi rounds the corridor.
“Fushiguro-san,” she says, and her smile is unnerving and her voice is coming out measured and business-like. “Oh, good. Itadori-san?”
She gives a nod, then holds her hands vertically facing each other, one hand over the other, palms and fingers straight.
"Stay close. Domain expansion:
"Shattered Reflection."
And the world breaks. Around them, everything cracks like broken glass and slides away, in different directions. The bizarre dark industrial architecture is gone, replaced by reflections of reflections of reflections, repeated in the shattered mirror that is their new reality. There is light, there is darkness, there are reflections of them from a thousand different angles. They stand a hundred times over in a broken infinity.
"This way," says Hayashi, and she takes Fushiguro's hand and leads him through the fragmented funhouse. It is like walking normally, and it is like watching yourself walk in a thousand different directions.
Then she releases his hand, releases the technique, and they are back outside. On the other side of the barrier. Reality makes sense again.
He lets out a breath he didn't know he'd been holding then says, "There is no way you're a grade 3." Then he blinks and looks at his dog, who howls, loudly, more loudly than a dog should be able to. "Please don't die," he says under his breath, to no one in particular.
His comment earns the faintest hint of a real smile from her, and then the mention of death has her back to her brutally efficient business mode.
"Ijichi-san," she says neutrally, spotting him hovering anxiously nearby. Oh. Good. That'll sort out her first question.
Then, with much less neutrality, she stalks towards him and grabs him by the collar to drag him to eye level with her and ask in a cold and even voice, "Did you know?"
"Ah," she says, releasing his collar. "I see. Expand the perimeter for evacuation, immediately. As far as you can reasonably get it. And call for assistance from a sorcerer equipped to handle Sukuna."
Her face twists and she turns away. "I'm sure you'll mysteriously find that there will be someone right on hand," she snarls, under her breath. "Go. Everybody still here by the time he gets out is going to have a very bad day."
... He hasn't realized it yet?
"Fushiguro-san," says Hayashi, softly. Almost gently. As gently as she can tell him that their own team just played games with their lives. "Why would anyone send a vessel that is part of a matched set anywhere near a brand new, barely formed curse that has any chance of metamorphosing into a special grade? And what happened the very instant we set foot in that block?"
"I have no idea what stupid little games they thought they were playing, or what idiotic lies they told themselves to make them think this was acceptable behavior. I do know that there are some very prideful people that wanted our friend's execution sooner rather than later, and probably didn't like Gojo-sensei countermanding them. Or 'stealing' me. Or you, for that matter. Maybe they thought the risk was too great, that it was smart to trigger the proverbial bomb early, maybe this is some sick demented test of ability, maybe they're throwing a petty tantrum with all of the cool toys they don't get to have.
"I do not care. I do know that every single fiber of my being was screaming from the inside that this did not make any fucking sense, but I told it to sit down and shut up, because I trusted them to want me alive. And I was wrong. Do you think we would have been sent in there if they wanted us alive? Why not a window, to grab everyone and run at the first sign of curses, why not a guard, who fucking works here, why only five people in an entire cell block? Why send young, barely trained curse killers into that fucking viper's nest? Why three extremely valuable, rare sorcerers when everyone knows we are always understaffed? To save five? Why—"
And Hayashi starts doing an inventory of her weaponry. Because she used a lot of needles in that fiasco, and she needs to make sure she has enough for - whatever happens. Because she is a sorcerer, and regardless of any other bullshit that anyone else does, her job is and has always been keeping as many people alive as possible. She will do it if it kills her, which it probably will.
Itadori feels a bit childish, is what he feels, from the wall where he's embedded yet again, where four of his right fingers have been cauterised and his left wrist now ends in a sluggishly bleeding stump. He feels a bit childish, still, because he remembers Principal Yaga's saying that no jujutsu sorcerer dies without regrets, and the thing he regrets right now is not having kissed Hayashi and Fushiguro. That's a childish regret, isn't it? He's pretty sure it is.
He peels himself off the wall and wobbles for a couple of steps before steadying himself again. The curse is—it's grinning, of course the shape of its skull doesn't permit anything else, it's always grinning, but also it's grinning, it's clearly having fun with him.
No matter. He'll, he'll stall, then he'll die, and hopefully he will have stalled enough, and then his only regret will have been not kissing those two stupid, overly-serious, hot sorcerers.
Well. Maybe he should try to... make this a bit more interesting for the curse. Gojō-sensei told him not to try to use his cursed energy in an actual fight, but he thinks Gojō-sensei would excuse him now. It's not a matter of life or death; it's a matter of death now or slightly delayed death.
(Or maybe his plan will work any minute now, the part of his brain that's keeping track of the plot says, and he'll receive some sign, and swap with Sukuna.)
He takes another, steadier step forward, and loads his fist with cursed energy. He stares at the curse.
He leaps.
He lands a punch—
—on its open palm. There's the whole whoosh of anime wind from the punch, too, he knows he did it right, there was a buncha cursed energy in his fist and it caused a small crater on the floor just under his feet and there was wind.
It was still. Not. Enough. The curse is laughing at him and holding his fist and, and, and,
and he hears a howl.
"He's obviously screwing with me," sighs Sukuna, taking a step to the side and around the curse, who gasps and watches him, raising its hands slightly in a defensive manner. He pats its shoulder. "Hold on a moment, please. I'm thinking right now." The curse nods rapidly many times in succession, holding its breath. "Now, what can I do to make the brat regret this?"
If he goes back to the brat's friends, he'll switch back right beforehand, and then it'll be useless. So the thing that would probably cause him the most trouble... Sukuna grins to himself.
The thing that would cause him the most trouble would be bringing this curse outside with him and making this a 2 vs. 2.
"Come on," he says, letting go of the curse (who immediately jumps back several feet away from him), "let's go kill some kids." He's already walking, his back to the curse, and he lifts his (now regenerated) right index finger to do a 'come hither' gesture. "Follow me."
The curse—trembling, breathing raggedly, clearly terrified—makes the wrong choice, the idiot, and tries to send a volley of cursed energy at Sukuna.
Sukuna raises his left hand and stops it. "Ah, shit. Didn't mean to heal this one, too," he says of said left hand. He looks at the curse again. "Don't like walks? I suppose cursed spirits are meant to stay where they're born, most of the time. Fine, fine. In that case..."
And now he's right in front of the curse, and a punch to the skull seems appropriate. "You die here." He grabs the curse's face and slams its head back onto the concrete.
He takes a step back and waits a few seconds, arms folded behind his back. "...what, not getting up? You're not finished already, are you?" It stirs and tries to get up, slowly. "That's it! Come on, try harder." He steps onto the curse's chest and oops that's a bit too much force, now the floor is crumbling under them and they're in free fall.
The curse grabs his ankle, though, and tries to spin around and throw him—
—no, now it's missing its arm. Sukuna waves at it with its own served limb, sitting cross-legged on a particularly large piece of falling debris. "Even a cursed spirit would miss their arm, right?"
Hayashi has run out of things to prepare or check or organize and is coming very close to doing something dangerous and worst of all useless like crying. At least this stress is building up lots of cursed energy again. Maybe if Sukuna comes out and toys with them she'll be able to power another Domain Expansion, won't that be novel.
"You don't have to stay here," she babbles, because she doesn't have anything else to do and that is always when she starts falling apart. "If it's the worst case scenario we don't both have to die horribly."
"Realistically speaking if it's Sukuna, there will be no taking him down by either of us, there will be trying to hold him off long enough that he doesn't go on a killing spree before the people actually equipped to maybe fight him show up, and probably that will not involve all that much fighting and a lot more suffering."
His pacing is going to drive her completely insane! She wants to pace, too, but she's not letting herself because it'll tire her out and make everything worse and and and.
When he next is within arm's reach, she reaches out and grabs his hand. She is far too Japanese for hugs but literally any human contact before she maybe dies sounds nice. And this way he will stop fucking pacing.
"Idiots to the end, yeah?"
all four limbs detached from its torso. It starts pulling itself free, then regenerates its limbs one by one as it does. "Good job, special grade! Hang in there!" The curse manages to free its last limb, then launches itself in front of Sukuna, its perpetual grin widening. "You look happy. Want me to praise you?" He scoffs.
"But healing with cursed energy isn't that hard for cursed spirits, unlike for humans. Neither you nor this brat really understand what curses truly are. This is a good opportunity," and now he's definitely not talking to the curse itself, "so I'll show you what real jujutsu is."
Sukuna pulls his hands from his pockets and then brings them together in a sort of prayer gesture, except the index and pinky finger are folded in while the middle and ring fingers are pointing up. "Domain Expansion:
"M̠̠ͤ ̼̒A̦̳̫ ͦ̏̓L̘ ͒̿͗E̊̎͗ ͔ͭ͗Vͦ ͕̟O̎̾ͯ ̥̹L̉ͧ̚ ͂̎̀Ḙ͕ͭ ͬͤ̑N̾̔̚ ̇ͧͬT͗̌ͫ
" ̻̜̿
"S͊́̓ ̽̂̈H͒̎̅ ͎̜̀R̉ͯ͗ ̘̳͖Ī̾̋ ̮͇Nͣ͋ͯ ̻́̓Eͨ̈́ͭ."
The curse's Domain is entirely overrun by Sukuna's, an infinite wasteland of blue and red with a demonic-looking shrine of black stone and black plants in the center.
He immediately dissipates the Domain, though, as merely its summoning was enough to slice the curse into five pieces. "I was planning to cut you in three slices," says Sukuna, walking towards it, "but you're really weak. Oh, yeah, and then there's this..." The king of curses reaches inside a hole in the creature's chest and grabs one of his fingers from there—Hayashi was right, this curse had eaten one. "I'll be taking this."
Hayashi jumps and makes a pathetic squeaking sound. There are a few seconds where she is just quivering, immobile terror, personified. Then she gets very frustrated with the idea of such a pathetic introduction, and decides that actually, if she is going to die, she is going to die with style. Then, with a wavering voice, she quips back.
"H-he, he wouldn't stop p-pacing unless I kept a decent hold on him," she says. She gives Fushiguro's hand a squeeze, then lets go. And then, because she is a well-mannered lady, she turns to their enemy and gives him a proper bow. Her voice gets steadier as she speaks. "Greetings, Sukuna-sama. Would you find it terribly offensive if I told everyone you're running loose?"
"Good! I like the sound of my own voice, too." He walks a couple of steps away from them, towards the detention center itself, and looks off towards Block 2. "This is what the brat gets for trying to use me without any kind of pact, you know." He looks over his shoulder at the two of them. "Feels like he's having some trouble switching back."
"But of course, this karmic punishment is only temporary..." His purple nails grow into claws and he crosses his arms and grabs onto his shirt. "So I thought to myself, 'how can I make it not?'" His hands ball into fists, and he pulls the shirt apart, revealing the tattoo-like markings along his torso. "The answer was pretty obvious."
So Sukuna punches his claws into his own chest—Itadori's chest—and rips his own heart out.
She is bizarrely distracted by Itadori suddenly shirtless, which is like, the worst time, really, and then she sees what he's doing and hisses in another breath through her teeth.
"You are Ryomen Sukuna-sama, and of course you don't need your heart to live. That would be silly. Ah. That's. Very clever. If he comes back he'll die."
Ooh, nice, two people trying to hit him plus a shikigami, that is almost not entirely uninteresting! He dodges, though, of course; he doesn't even need to use his hands, still safely stored in his pockets, to dodge most of Fushiguro's hits and Hayashi's nails. He does raise a hand to block a kick and a punch, but he leaves the very strong impression that he's only doing it because straightforwardly stepping away from it would be more effort than it's worth.
The bird-thing flies at Sukuna and tries to hit him with bizarre lightning attacks, but he avoids those just as easily, and says, "A shikigami user who also does close-quarters combat? That's more interesting than I'd expected."
Fushiguro does a single-handed gesture and says, "Orochi," and the huge snake from the other day emerges from his shadow—
—from Sukuna's shadow, faster than all other shikigami Fushiguro's summoned, taking Sukuna into its mouth and rising several hundred feet into the air. "Gang up on him!" calls Fushiguro to his shikigami.
Okay that looks like that is some space for actual setup, she is going to do that trick where she embeds a bunch of needles in the ground, sharp side up. There will be a big fancy barrage later. And then take a deep breath and feel very horrible thoughts and try to make as much cursed energy as possible. Fortunately for her, Sukuna wanted to monologue. She felt a lot of despair during that monologue.
Oh he's adorable, this is too cute. It'll be a shame to kill his shikigami.
Not that that's going to stop Sukuna, anyway. He sends a burst of cursed energy down Orochi's body and punches his way out while the snake explodes into a myriad tiny little pieces.
And he's on the ground again.
He is on the ground and this time, Hayashi leaps towards him, hands in a vertical line.
"Domain expansion:
"Shattered Reflection."
This will not last long, it will not hold him, and she is going to be running on absolutely fucking nothing after he inevitably breaks it, but what it will do is make all of her needles definitely not miss. Besides, she believes in his ability to make her feel negative emotions. Sukuna gets to experience being a pincushion. With special attention towards eyes. Mostly because she's a bitch who hates him, but, you know. Tactical reasons too, or something.
They hit. All of them, because he's in her Domain. He's blinded and pincushioned and he's—
—laughing?
He takes a step to the side and her domain shatters, his breaking out of it hits it hard enough that it can't stand, and the needles soon drop one by one from his body and he's healed like nothing's wrong. "You're fun. I see why he likes the two of you, now. Maybe I should take you both so he can get a bit of the taste."
The strain of having her Domain shattered out from under her sends her to the ground on her knees. She has never actually had it ripped out away from her before like that. It is sort of like having her metaphysical heart broken in front of her, and it physically hurts. Ow.
"I'd hate to die boring," she wheezes, shaking.
She's alone when she reaches the ground, leaving a visible crater around her from the impact, but she might catch glimpses of Sukuna kicking Fushiguro's ass in the air while his bird shikigami tries to rescue him. One well-placed kick sends the boy down—
—and now Sukuna is right in front of her—the sheer speed— "Your turn?"
She manages to get a single petty, stupid, pointless fan stab in before everything is back to being suffering. At least she has a trickle of cursed energy to add to it. What with all of the misery.
Speaking of:
Oh god everything hurts and is misery and she is suffering itself. This is so excessive. Why is she sorcerer tough. This was a terrible invention. If she were a normal person she could just be paste by now, but no.
"I could defeat the both of you without a heart, or even my arms," he continues, grinning at him. "You weren't trying to convince me to regenerate the heart, though," Sukuna adds, now looking at Hayashi. "You were just trying to kill me. I suppose it makes sense that you would choose him," pointing at Fushiguro, "over this brat. He isn't worth very much."
"M-my life is not an anime love triangle," she says, offended. "I can't try to save him while trying to keep as many people away from you as possible. And I couldn't—" Her voice breaks a little. "Couldn't do this at all if I think too hard about him trapped in there, screaming inside you."
"How the fuck am I supposed to run like this," hisses Hayashi. She attempts to drag herself away from whatever insanity Fushiguro is about to do, but oh god ow that's pain that's such pain ow.
"Auugh," she growls, and then decides to uselessly fling some more needles at Sukuna instead of pathetically failing to crawl away, because she is made out of spite itself.