She sits next to Darren in English.
Their teacher continues to not show. Eventually another teacher walks into the room, plops herself at the desk, and then waits. She starts watching the class with a silent, judgmental look as they talk. Several students don't get the hint and keep talking. So the teacher keeps waiting, and watches.
She turns out to have a very terrifying stare. The more talkative students eventually are on the other end of it and quiet down. Until, at last, there is silence.
"Hello. Mr. Peters is ill today. I'll be your substitute," says she of the terrifying looks. On the board, she writes, 'Mrs. Adams.' "My name is Mrs. Adams, I teach the upperclass English. So please avoid acting like this is a free day, I'm quite qualified to teach you and we will be doing something other than coloring or crosswords today."
Mrs. Adams has horror stories. Bella probably doesn't know them. They are summarized as, 'She is a hardass, teaches like her students are already in college, and is kind of scary.'
And now she shall be their substitute. Great.
This proves to be the smart option.
Mrs. Adams doesn't just expect people to have read the book. She expects them to have opinions on it. She expects them to have their opinions backed up through the text. She turns out to be fond of rhetoric, and a few times she will call on someone and just - ask questions. Usually she never says that someone is wrong, she asks why they think that and what evidence they have to prove it. If they don't have any, she will go over the part of the book applicable to their opinion and start explaining it to them, and pointing out parts of the book that support their opinion. Several students have not read the book. If they say as much, she will tell them that next time they should be more prepared, and then she will move on. That will be that, nothing more. (It isn't her class, so she will not actually enforce reading the book.)
In cases where they try and bullshit her - she plays with them. She asks them questions, leads them to assumptions, and ultimately proves every time that they have no idea what they're talking about. Mrs. Adams tells them that next time, if they don't know something, they should say they don't know and save everyone the trouble. That if they want to act smart in front of her they'd better actually be smart. Acting smart gets Mrs. Adams to ask you to back it up. If they can't do that, then they shouldn't try, they should pay attention and actually learn something.
Nearing the end of class, she turns it into a debate room. She drags out differing opinions from students and starts asking each of them to question 'Why' to defend themselves to someone who disagrees with them. The purpose is not to be proven wrong, the purpose is to think. It doesn't work across everyone (several people just stay utterly silent) but for the people willing to learn, it's kind of fun.
It's during this debate and two students are getting into a heated discussion about what something means that she walks to Bella's desk. In a perfectly normal tone of voice, she says, "I know."
"I beg your pardon?" Bella says when Mrs. Adams addresses her.
"That you've already read this book before," she says, innocently. "You're rather good at this, I hope to see you in my class next year. Try to stick around until then, I need more intelligent students."
Then she is back to teaching the class. Like nothing happened.
(She knows.)
Mrs. Adams makes no other strange non sequiturs. Class goes on as normal, and then it ends. If Bella would like to question the teacher, she probably has a few minutes before needing to get to the next class.
Darren glances at Bella. He'll wait, if she's going to.
Savannah... Acts like nothing happened. Like, at all. No weird looks, no smug smiles, no jokes about sphinxes. It is a normal day, in Savannah-land. She just happens to know that Bella is a critter. No big deal.
"So! Still coming over today for geeking out with my brother?" she asks.
The entire time, Savannah keeps poking her brother. Or grinning at him, amused, or - all sorts of various suspicious things. Darren is confused through most of them, but he starts to catch on to what she's teasing about by the end of class.
His reaction is to turn an interesting shade of red and focus very much on his coil pot. He will be religiously dedicated to slipping and scoring, and also the structural integrity of the pot. He doesn't explain to Bella what's going on.
Savannah finds all of this very amusing.
Bella makes a tall pot that branches into three sections partway up. She is methodical about slipping and scoring. At the end of the class they put their unfinished work in plastic bags with wet sponges so it will still be there tomorrow, and then they move on. Bella doesn't have her last class with either of them, so they will have to wait for her to find them after the last bell rings.
"Soooo," she says, enjoying every minute of this. "Bella's pretty cute, huh?"
"It depends on the spell! Off of the top of my head - transfiguration spells, for example, can permanently disfigure whatever you're changing. Invisibility spells can mess up and turn part of your eyes invisible and then you are blind because light isn't directed through them. Elemental spells, you can lose control of 'em or they start taking on properties you didn't expect, like - water that suddenly is stuck at boiling temperature, and so on. So for a lot of things, we're not sure what the effects will be."
"So, wait, if invisibility is working on a principle according to which having your eyes invisible means you can't see - does that mean that while invisible you can't see - or is this side effect the result of forgetting a safety that under normal not-messing-up conditions will allow you to see?"
"Actually, that's exactly what makes being invisible to cameras tricky. If it's just people, you make yourself look invisible but light will still interact with you, they just won't see you or your shadow or anything. With cameras, you've got to actually make yourself properly invisible and that comes with the caveats of needing light to interact with our eyes to see. So it's a bit more delicate, because you've still got to make sure the specific part of your eyes that needs light to pass through it is visible. If you want it to be nearly perfect then you make it so that people don't see those, either, but I don't know of a way to trick cameras perfectly."
"Hmm. Some? Problem is, I don't know all magic, so I can't give you all of the specifics, but the general rule is... If you understand what's at play you can figure out you're being tricked. I don't think there's any magic to directly hijack or steal thoughts or anything, but there's probably something that could confuse you into telling them yourself."
"Luck charms you already know about. There are other objects that do different things - I know there's one that will hide you from bugbears. There might be a few others that protect you from anyone messing with your head. I don't know how to make them, though. There's no energy supply, it's a matter of time investment. I suppose I can get started on magic tutoring now, we're not in school. I'll just be honest with you and say we're probably not going to get to any actual magic for a while, I'm afraid. You've got a lot of runes to learn before we do anything."
"Well. Remember the chemistry analogy? It's kind of like a mix of the periodic table and the alphabet. You can get by with just some, but honestly it's better for your magical education if you eventually learn them all. I'll teach the ones you can use for invisibility first, so it's not all just - here's a rune, here's another rune, okay now prove you can draw them fifty times. Once you've got enough runes for a spell I will help you cast it. It's getting there that's the problem."
"Depends on the spell. The simple ones you start off with will have just four to eight or so, but around twenty tends to be typical. There's no cap for how many runes you can use, so if it's a super complicated spell you could theoretically use them all. I don't know what on earth that spell would even do, but it's certainly possible."
"Yeah. New ones, too, the spell itself will ruin the runes you draw when it's cast. You can get something that has a continuous effect that you can pull up again later, but you need runes to get that, too. Those are complicated spells, too, you can put them on people but it's safer to put it on an item, instead. That way if it fails, well a hunk of metal is disfigured, not a person."
"And this would be a much better idea than casting a spell on myself that allows invisibility-whenever-I-feel-like-it, except for the part where the Ring of Gyges could be stolen and then we'd get to learn things about the effects of observation on human morality or whatever."
"Now you see why we don't have rings of shifting," points out Darren. "It's possible to have a ring that changes sizes when you shift - but it's easier to find other methods. A pendant that can clip to fur as well as clothes, a hair ornament, earrings - and the obvious choice of amulets. There are probably other options, too, but those are the ones I can think of off of the top of my head."
"I keep my shirt when I shift, so I guess I could work with a brooch, too. Maybe one of those expansible bracelets; I'd have to see how good sphinx wrists are at keeping stuff on. But if I have a magic object on my tail or clipped to my feathers it's just unavailable and not functioning while I'm a human, likewise if I have something on my thumb and then turn sphinx, or are you saying it falls off, or what?"
"Hmm. It varies a bit, but usually... Twenty-ish hours a week? Sometimes more, sometimes less. Depends on how much homework I have and if I'm trying to accomplish anything specific in magic. Having a teacher will speed you up to where I am, but I couldn't tell you by how much, I've never been a magic teacher before. Once you're at where I am I would only be good in a peer-review sense, or splitting up what we study so we can tell each other about them later with less time sunk into it."
"Right, I meant sped up in a playing-catchup sense, not necessarily beyond, though division of labor and peer review will probably be a big deal too. Darren, I am not sure I'm going to have any time to actually learn Dungeons and Dragons, although I might let you explain it to me in enough detail that I can pretend that's why I'm at your house all the time."
"There's a caveat, though. For whatever reason, trying it in your native language has... Weird effects. Unstable weird effects, usually it's more powerful but it's not good for neat chemistry."
"I'm in French. It's what I use for chanting, I thought about Latin but it wasn't offered in school, so I went with French. It might give us some problems cheating off of each other's chants, and it'll keep us from catching mistakes with chants as easily as we would if we spoke the same language, but other than that and it should be fine. Not really that inconvenient, just a little bit."
"Depends on what you want to say. If you use the right excuses for it you can probably get away with it not looking too weird. Dungeons and Dragons might be a good scapegoat. 'Okay, so my character is going to say this at some point in time and I want to get the grammar right' or something."
"Hmmm. I don't actually know Señora Goff well enough to guess if she'll buy it. I can try it with something relatively innocuous, I guess, unless literally all of the chanting is 'magic thing, magic thing, happen now, in real life, also the person casting this is a literal sphinx' or whatever."
"Well, of course, but those show up later levels and for balance reasons they don't let you wear armor and reliably cast spells. In practice, once you get past the first few levels you can start pulling your weight, and after that you start carrying the party. Epic levels you are scary."
"Hmm," he says, tilting his head and thinking. "I think it's possible, certainly, and I have some ideas but I don't know how to explain them when you don't know any of the runes. I can make that a long-term project? I need to get more item creation practice, anyway, what with how I want to make more medallions."
Then, he gets to explaining it. There seem to be several different meanings to the rune - and it's wonderfully flexible at doing multiple things. The problem is, Darren explains, that when you put down a rune you get all of the effects it gives, not just the single part of it you want. So you need other runes to cancel out the unwanted effects of a rune, which causes other unwanted effects that need to be cancelled out, and so forth.
"So," says Darren once he's finished explaining what this particular rune does, "it becomes sort of like a puzzle, where you cancel out the effects you don't want but keep the ones you do. You see the danger of what happens if you miss an effect."
"It gets even worse when we start getting into the strength of runes and how strongly they exert their effects on the world. Not all runes have the same strength when at the same size. Or, for some of them, not even all of their own effects have the same strength. I picked one that did because I know what mercy is."
He pauses, and adds, "Did I mention that magic is fun? Because it's fun."
"Discovered. There's a way to find new ones and that's how I learned most of the ones I know. Thing is, you have to reference something that the potential rune has through another rune, so I don't have any idea how it got started. I'm actually pretty sure there are runes I just don't know."
"Like..." he draws another rune. "This one's got the same aspect of persistence that the one I showed you has. It's got lots of other completely different things to it, but these two have that in common. So if I made a spell that uses the first rune and looks for something with persistence, this rune can come up."
He starts explaining what it does! It's more complicated than the last one, and it has different levels of strength to its effects. Darren explains these in percentages. Persistence seems to be the only thing it has in common with the first rune, and in other things it's wildly different.
"Cool. So the finding new runes - I guess you find yourself looking at an insoluble puzzle and then you're like 'if only I could get X without all this Y and Z, let's see what other runes do X' and then you find something that doesn't do Y and Z but maybe it does P and Q and with any luck they're easier to cancel?"
"Pretty much. I spent around three months just trying to find out new runes and nothing else. It got kind of dull after a while, so I went back to making spells and looking for more runes if it seemed like I needed them. I found lots of runes over the three months, though. It helped a ton, it's just mind-numbingly boring if you do nothing else but that."
He gives her a rune! This is like the first one in that it doesn't have the percentages of strength in separate effects - though he does give the rune itself a strength percentage.
"The percentages are kind of arbitrarily measured, because there isn't a truly 'basic' rune to measure by. I use the first one I showed you as a base since it's common and easy, and worked from there," he explains.
"But then I can't draw the runes in Excel! I'd have to name them. Some of them I know the names of, but a lot of them I haven't bothered to name and just go with what they look like because I've been working solo. Also it would annoy me to meet another magic person and not have consistent names for them."
Circumscription - Large closed shape such as a rectangle or circle. By default means "affect this area"; cancel with a targeting or abstracting rune (see footnote 4 on third rune). Contains other runes.
Description - Section of a diagram saying what to do. Demarcate with third rune (but, see first footnote and third use case) or another suitable.
Proscription - Cancellation section. Nesting sections to cancel unwanted effects of prior cancellations; demarcate with rune tree on page 9 (see note in lower right corner) or another suitable.
Superscription - Clarification section for small positive epicyclic effects. Adds to description section and should be near it.
Subscription - Clarification section for cancellations and/or superscriptions. Supplements proscription section but does not need to be near it if the circumscription doesn't accommodate it neatly.
Then she goes back and makes little star markings near all her noted runes indicating where they may overlap without disaster - "I might want to make, like, pipecleaner models of these things so I can try ways to overlay them up without going through reams of paper".
Then she takes a supplied spell description indicating that when cast successfully it makes the circular diagram's area light up like a lamp, and the list of five runes that make up this spell, and starts puzzling out ways to munch them together in the circumscription with safe overlap and sectioning and demarcation.
She takes twenty minutes of experimentation and clarifying questions, but then she has something drawn - sketchily; she shouldn't use this exact diagram, but suitable as something to refer to when trying again with a compass and a ruler.
"Mind you," he adds, "It shouldn't be that messy when you draw it out properly. I'm not sure if we have time or not for me to show you how to do it neatly. When's your dad coming to pick you up?"
"Somebody should tell Charlie that it's following simple directions. He is incapable of cooking anything other than fish without it being a complete disaster, and he only suffered through learning to do fish because otherwise the freezer would get full and he wouldn't be able to catch more."
"This place seems good," he says, once they reach a nice quiet spot with a hill.
He is then a peryton!
It doesn't take very long to find a hill - finding a hill without a lot of trees on it is more of a problem. They first place they find that is probably suitable is by a stream, so while there aren't any trees - mud's probably going to be in abundance.
Then when he's at the hill, he opens his wings and glides. It's - actually really straight forward, though it's probably harder than it looks. Bella would be wise to note the angle he keeps his wings at.
He glides for a while, then shifts his wings and circles back around, flapping to get the proper height again.
"There you are. I'm not sure how much help it would be if I did it again," he says, once he lands next to her.
(Darren loves flying.)
"Okay..." Bella thinks through the underlying physics of this, and then points herself down the hill, and goes at - not really a run, but sort of a lope. She catches a little air, promptly decides to quit while she's ahead, brakes as instructed, and touches down with only a little scrambling to stay upright. Then she lopes back up the hill. "I am really enjoying the benefits of extra feet. If one of them spazzes out under me I'm still a perfectly serviceable tripod," she says merrily, turning to retry.
"I think you're all right for flapping, now."
Then he shows it in action, flying several slow loops around the area and circling back around for a neat landing.
At first it's nothing but the distant sounds of a fire. The orange flame (because it must be fire, with how it flickers) encroaches closer, dangerous but still far away. Then it starts to become clear that it's spreading in a very specific direction. It's spreading very quickly in a specific direction. This is around the same time that they hear the crackling sound become closer to a roar. It's coming from bellow, quiet and harsh, distorted. But the word is still comprehensible.
"Sphiiiiinx..."
"... That is - not a forest fire," hisses Darren.
It's coming closer. It doesn't look it from far away, but it is fast.
"... Run, now, it's - it's fire based, ocean - west, west, which way is west -" he says, spinning in the air as he looks.
"Sphiiiiinx." It's louder, now, insistent.
"That way," says Darren, and he points.
West they go, as fast as their wings will take them.
The - whatever it is, the monster - follows. It's closer, close enough that they can hear - bubbling, gurgling, crackling, not constant but in an a slow, building rhythm. Darren glances back and sees why. It's not walking, it doesn't seem to be able to walk. The monster's like magma, gelatinous and twisted, forming arms and then subsuming to reach forward and grasp the ground to drag itself. It's dragging itself closer, faster than it should be able, burning and twisting in its rampage.
Then it starts throwing things. Trees burned to half-charcoal, rocks that are near-liquid, and pieces of itself.
None of them are very accurate, but with what it's throwing, it only needs to hit once.
"It was saying -" (gasping for breath; her wings aren't tired yet but her lungs are beginning to complain) "sphinx. If we split up you might be able to avoid it long enough to do something, if you have a spell, or you think one of our dads could help if you," (pant, pant, flap, flap) "called?"
Flap, flap, flap - he nearly gets hit with a wayward flaming tree, but manages to dodge. He loses a bit of altitude in the process, but he doesn't die.
(Fuck, he could seriously die right now.)
"... C-could try a spell. Ocean - something elemental, shit I hope I'm remembering it all right..."
His wings aren't feeling so great either, but his mind's elsewhere. He's desperately trying to claw together a working spell. He's done something like this before, when playing with magic, but never on this scale.
Also not in a life or death situation. That kind of changes things, a bit.
Darren lands onto the beach and goes human form as quickly as possible. He needs fingers, and the protactor and ruler in his pocket. He has got a mission and that's going to be complete because if he doesn't do it they will die. Or, Bella will die, but that's not something he wants to happen.
"Okay, um - can you lead it away from here? Then circle back around when I wave because I can't do this from far away from it, don't have the time for it."
He gets started in spell creation. Sand is wonderfully pliable for runes, but he's going to have a hard time keeping things neat.
Surprisingly enough, he is doing far better in this crisis than he was in the last one. He has a goal, a thing to think about and focus on. Before he was alone with an unconscious Bella and panicking because there was nothing he could do. This is different. It's a crisis, it's a far more terrifying crisis than the last one, with the prospect of imminent death hanging over his head. He's pretty sure the monster could squash him like a bug and probably would without a second thought.
But he has a mission, this time. He doesn't have to sit there and stew in what ifs, there is a thing that needs doing and he is going to do it.
The monster follows Bella, ignoring Darren. It doesn't touch the water, it doesn't dare, but the shore is just fine. Sand turns to ugly black glass in its wake, but at least it's got less things to throw. Just huge globs of molten sand.
(That's probably not any sort of comfort.)
She looks over her shoulder. She can barely see him anymore. She spirals, unwilling to get farther from him when he might wave her back at any moment.
He starts composing a chant, something to activate it, stumbling a bit over the grammar.
While he's doing that he notices a problem in the spell, something not laid out properly - and he curses and gets to fixing it. (Precious time, wasted, but it's better than leaving it and letting it go wild.)
"Sphinx," insists the monster, following Bella. It's big and it's stupid, but it's going to outlast her, at this rate.
It's getting closer - he hasn't composed a chant.
"Shit - Eau, eau, forte et - Fuck, no, wait, is it l'eau?"
He doesn't know. His mind is currently drawing a blank on French grammar. It's getting closer, and he does not have time for this.
"Fuck it," hisses Darren. He'll use English. If there is ever a time to use English now is it.
"Water," he chants. "Water, strong and eternal, ever-changing and deadly - I call you, I summon you." The waves lapping near him still and recede, and the runes on the sand start glowing. "Strong and eternal, ever-changing and deadly, I summon and I bind you -"
The monster gets closer. It's almost on him, now. But he needs to hold on, just a little bit longer. He briefly considers stopping the spell mid-way and trying to run, but there's no telling if he'll even be able to get away, with it so close. It collects a new handful of molten sand, and prepares to throw it. The ocean has pulled away from the beach, revealing seaweed and animals - it looks so far away from them, now. Instead, it's bubbling into a mass, waiting, growing in size and strength.
"- strong and eternal, ever-changing and deadly. I summon you. I bind you."
It's like the world goes still. The glowing runes flicker. The magma beast doesn't even need to throw the glob of molten sand, it's so close that it's just going to swallow Darren whole.
"I release you," growls Darren, unflinchingly looking at it head on.
Then the both of them are swept up in a tidal wave of steam, sand, and water.
"DARREN!" screams Bella, when the ocean swallows them up. If he has just suicided to take down a monster that was after her - shit, shit, shit - she spirals tight and high over the disaster zone, unable to land, unwilling to leave to find solid ground. She can't even see him. Maybe he's been flash-cooked, maybe the wave broke his skull open on a rock, where is he -
But she manages it. There, half-buried under some mix of black glass and sand, is Darren.
He is not in good shape. He's covered in burns - caused by the application of fire or boiling hot temperatures of water. There are cuts, where sharp, malformed shards of glass sliced him. To top it all off, he's breathing raggedly, coughing without the strength to cough.
"Shit."
She risks landing; the sand is hot but not, she thinks, likely to burn her, and blistered paws wouldn't much deter her anyway. If she can figure out how to pick him up she can fly him to the hospital maybe, if he can hold on that long, she will make her wings cooperate - should she administer CPR? No, CPR is for cardiac arrest - does she dare check his pulse? -
"Darren -"
And then her eyes roll back in her head and she falls unconscious, right on top of him, fur and all.
Then he is awake and lucid. He is whole, unhurt.
"... Bella?" he says, weak and bewildered.
It doesn't take him long to connect the dots. Sphinxes are known for healing - apparently true. He is so not complaining.
Now he just needs to figure out what to do. Bella is on top of him and he can't manage to dislodge her at the angle he's at, with how weak he is. He tries shifting to midform to move her, but that has little effect, either. Fullform he assumes is out entirely, due to how the body's structured. He returns to human, retrieves his phone, finds it waterlogged and broken, and then just flops back, exhausted and out of options. Darren decides he's just going to wait until Bella wakes up. He'll try not to think too much about her being physically on top of him in the meanwhile. (It's surprisingly comfy.)
"I am going to have to fault you for your idea of a romantic setting," says a familiar voice.
Darren cranes his head up to look. There is a bugbear, looking back, smiling toothily. He turns red. "Um. Not - it's not like that," he croaks. "She fainted on top of me and now I can't get up."
"Mhm," agrees Mrs. Adams. "So. A sphinx, huh?"
"... Um. Yes? Please don't - react badly, we just dealt with a thing that wanted to kill her."
"I can see that." Mrs. Adams looks around at the carnage. "Subtlety a foreign word to you?"
"No, but I didn't have many options," replies Darren nervously.
"Mhm." Mrs. Adams shifts to a midform - strength of a bugbear, without the claws. She starts working to get Bella off of Darren. Gently.
"Got her dad's phone number? Does he know?" she asks, business-like and producing a phone. She's already calling Vernon.
"Had it, phone is waterlogged. He knows, though," provides Darren.
"Mmm," says the teacher. She calls Vernon. "Hey. Yeah, it's me. Found them. Yes, fine, just waterlogged. He made a spell and nailed it, some kind of lava fire monster. That's why they were at the beach. I don't know what it is, I'm not a walking encyclopedia. Yeah, no, it's extremely dead. Mhm." She gives directions. She snorts, then says in a tone dripping with irony, "Don't talk on your phone and drive, that's dangerous. Fine. If something else shows up I will call you. Bye."
She hangs up. "Your dad is on his way," she tells Darren.
"How did you -"
Mrs. Adams gives him a look. "Bugbear. Tracking? You two just randomly bolted towards the ocean at full speed with a thing I didn't recognize following. Somewhat suspicious and worthy of investigation."
Darren nods. That appears to be the end of that conversation. They will wait until Bella wakes up, or Vernon gets here.
"I have only one lesson under my belt and I think this thing scared half the runes out of me so I'm going to have to study more before I could do anything like that but I'm working on it too," says Bella. "Although if I can do enormous magic without knowing what I'm doing in exchange for fainting for - how long was I out this time? Also I wonder if this means that I had, like, two forms of really quiet cancer or something that my magic just politely fixed for me, since I was fainting the day I turned too... anyway I'm wondering if it's generalizable to non-healing, non-fainting, or both."
"Ten, fifteen minutes? Ish? Maybe longer, I was somewhat out of it for a little while after you healed me. If it is, I don't know how to test it. It seems semi-autonomous, just - doing things without you telling it to. So I'm not sure how much control you could get over it if it's like that."
"Hi Dad. It was great actually and, um, the good news is I can fly now. Yeah. We're okay, we're both fine, Dad I said we're fine I am not explaining what the bad news is until you believe me that we're fine."
"She is fine," says Mrs. Adams. "There was a creature that took offense with her pedigree. She and Darren did the smart thing and fled to the ocean, and Darren created a spell and it is no longer a problem. I was made aware of what was going on due to my pedigree, and came to help, but it was already handled when I arrived. I would have called you, but I didn't have your phone number."
Darren doesn't look at all ashamed about the lava-monster's new status of 'not able to answer questions.' It was really scary.
"Yes, Dad. I know, Dad. No, I agree, that would both be a terrible idea and not especially helpful in the known use case. We're maybe going to do pre-made spell scrolls. Are you sure? Okay - no, not me, I'm barely, I got a fleck of glass in my paw but it's not even worth a band-aid, I'm fine, but Darren's spell hit him too, he didn't have time to get out of the way. But it turns out I have magic healing powers so Darren is now completely one hundred percent okay and all I had to do was panic and then faint for a quarter-hour, which I assure you I'll be working on skipping those steps in case. Yeah, I'd just have rolled up paper with symbols and bits of Spanish on it. Yeah, Spanish, it's a thing, I'll explain it if you want when I get home. I did a lot of flying and my wings kind of hurt so I'm sort of hoping Mrs. Adams drove here and will be able to drive us back."
"Darren's dad is going to be here soon," Bella tells Charlie. "Mrs. Adams says so. Yeah, found out this morning when she was a substitute. Bugbear, they do - finding and stuff. More like a bear, as far as I can tell. I'll call you again when I'm back at Darren's, okay, Dad? And then you can come get me."
"Oh, sure, leave me with the fun job," replies Mrs. Adams archly. "My, do try to hold yourself back from making too many self-sacrifices, it's bad for your health."
"Thanks, Lynn!" Vernon says brightly.
Mrs. Adams snorts.
She shifts to fullform bugbear - now that Bella's conscious, she can appropriately judge what she looks like. She's not mistakable as a normal bear, but the resemblance is certainly there, especially in the face and body structure. Her arms are too long to be a bear's, though that's subtle in comparison to what's attached to them. Her claws are nearly a foot long, each one, sharp and bone-white. Mrs. Adams gets to picking up cooling chunks of lava monster, and unceremoniously flinging them into the ocean.
"I'll start getting started on scroll ideas when I'm home," promises Darren.
"Yeah, I'm currently debating whether to ask Charlie to take tomorrow off work and excuse me from school for a trip out there to see what there is to see versus waiting till Saturday. Which he'd also have to take off to drive me; I don't see him letting me fly all the way to Seattle alone given what just happened. At some point I'm going to need to acquire a car."
"Purest sentiment. She had life insurance for a reason, she had it because you don't run any noticeable risk of partially orphaning a minor without at least making sure there's a slush fund to cushion the income loss, but I was thinking I'd sit on it till college, Charlie makes okay money, but suddenly I need big-ticket items. I'll get a cheap car, anyway. In case a lava monster eats it."
"Maybe we both had Stealth Diseases, maybe I have infinite cosmic power and can learn to channel it in eight simple steps with a home video series that can be mine for nineteen ninety-nine. I don't know. Is it going to look suspicious for a 'winged lion' to go looking for books on sphinxes in the Avalon, should you do that instead?"
"Like - okay, first of all the social services system and adoption in general is kind of terrible and I would throw money at that to make it - less so. Also, starving children in Africa, but only if I were sure that I was fixing the problem causing it and not just alleviating some of its effects."
"Throwing money at it wouldn't actually fix it, but using money kind of like a - scalpel would certainly help. Basically? It lets kids float around in their system for years and buries the people trying to adopt them in paperwork and various - checks on everything about them. Not a bad thing, in itself, except meanwhile while they are dealing with the bureaucracy kids are getting shuffled from place to place with no real permanent home. Then, people who don't get the system are putting funky misshapen band-aids on it and it just makes the problem a little bit worse."
"Yeah, and I'm not saying they should hand kids off to random people on the streets, but... If you're in the system for a long time, usually longer than a year, and you will be in multiple homes, and get shuffled around. It's - kind of counterproductive, to make potential parents jump through so many hoops while the bureaucracy itself is botching it."
"Making sure you remembered. Well, we lived with her, until we were eleven. When we were younger it was okay because she wasn't as - decayed, I should say, but as we got older... It wasn't as okay. Our birth-father was nonexistent, and it was just us and her. Which uh - was... Bad. I'm not sure how much you'd like me to expand on the bad?"
"Okay. Well, dad called social services and they got us out from that, but wouldn't give dad custody. So he had to wade through bureaucratic stuff while we were shuffled around. Um - the first home we were in there were lots of other kids and it was really, really crowded. It was hard for me to find a moment of peace, Savannah eventually got fed up with someone in the house, got into a fight, and we got moved."
"They actually also tried to split us up. I threatened to start getting into fights and run away or something if they did, they reconsidered, I got moved with her. I mean like - we only had about four different homes during that time, but it was still... Not the best. We kept getting moved, for one reason or another."
"Well, dad didn't know he was going to adopt us, then. He found us 'cause of our dad and was trying to tell us about how we were perytons, but - noticed our mom. For him, he just found a couple of kids that were in a bad situation and went to try to fix it. It was after we were in the system that he realized how it wasn't helping either and decided to try and adopt us."
"Plus," says Darren conversationally, "if there are other - critter kids in the system, I might be in a better position to spot them. Obvious medallions, sneaking off to places without telling anyone where they're going, so on. That is a thing that I would like to add in my mission to fix the adoption system."
"I woke up and came to save the day when the smoke alarm went off, but there wasn't actually anything lost because he'd spilled grease on the burner - the food was fine. Bacon, scrambled eggs, blueberry pancakes that I had to triple the batter for because he'd confused teaspoons and tablespoons."
"I feel like you have a one-track mind," he tells Savannah, as she devours her portion of cookies before lunch.
"It's okay," says Angela. "I have to watch my brothers this afternoon while my father goes to the dentist anyway."
After the end of the school day the twins come home with Bella on her bus. Savannah loiters, Darren and Bella proceed with magic lessons, they all eat pancakes (the blueberries are gone; there are apple slices and banana slices and chocolate chips available for those who don't want them plain), and eventually the twins are collected home by their dad.
The rest of the week passes much the same way - Bella and Darren being magic geeks at one house or the other, Bella memorizing rune flashcards and drawing charts in her spare time. Charlie announces that he's going to go get her a laptop while she and the others wander the Avalon, after he's looked in on it and learned how to get into it if he needs to.