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take it apart and put it together again
An extremely reluctant farmer picks up a hoe
Permalink Mark Unread

Before Grandpa died in his bed at the farm, he wrote a letter to his only grandson.

"Even though I've never met you, I can confidently guess that you are shambling through a soul-crushing existence in the big city. When you're ready to admit you're hardly living at all, come to Pelican Town and take over the farm."

"I came here myself around your age, having made the realization that the only right way to live is in close personal connection with your neighbors and the earth. I've had a happy life here and I hope you'll do the same, Yoba willing."

Stuffed into the envelope with the letter is the deed to the farm and a one-way bus ticket to Pelican Town in Stardew Valley, on the southern coast.

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Is he that desperate?  So desperate that he would even try farming?

Yes.  Yes he is.

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He packs up what little of his life is worth taking with him, and heads off to the bus station.

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Outside the bus station, a large semi truck is bearing down on Oliver! The truck appears to be on fire and shows no signs of slowing down!

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Oliver leaps aside!

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Yikes!  That was a close one!

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...anyway, on to the bus.

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Robin happens to be out for a walk when the bus pulls up at the bus stop and Oliver gets out.

"Hi, I'm Robin. Did you... mean to get off at this stop? We don't get a lot of visitors we don't already know."

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"Grandson of Greenie Greenfield.  I seem to have inherited a farm."

"And no, the bus just took me here no matter how I tried to protest about it."

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Robin is not sure what that could possibly mean but isn't going to ask.

"Oh! You're Greenie's grandson! He used to talk about you so fondly. We all miss him a lot."

"Do you know how to get to the farm? If not I can show you, it's not far from here and I was going that way on my walk anyway."

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"I've never known my way to any farm, before this day, but if you show me the path I will walk it with a downright terrifying level of enthusiasm."

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"Wow, I love to see that spirit! You're going to fit right in around here! Let's go!"

Robin sets off to the west.

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Now is he messing with her, or is she messing with him, or...

If he actually does fit right in around here, it's sure going to be an interesting place.

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Two minutes later, they're at the farm.

There's a small, run-down log cabin with a front porch, a planter with weeds in it, a mailbox, and a large wooden crate. In front of the cabin is a field covered in large stones, weeds, and deadwood.

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"Don't worry, I know it looks like a mess but you'll get it cleaned right up. There's good soil under there!"

"Oh, and here's Mayor Lewis!"

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Mayor Lewis strides up to Robin and Oliver.

"Ah, you must be Greenie's grandson! He told me to expect you around now. Welcome to the farm! It's a good old farmhouse, very snug."

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"This is shaping up to be a brief trip."

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"Now what would make you go and say a thing like that? You're going to love it here. Everyone has been looking forward to meeting you! Greenie made no secret of the fact he was going to leave the farm to you."

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"Is it because the farmhouse is such a hovel? I'm a carpenter and I can help you improve it!"

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"She's just saying that because she's going to make money on that deal... but she does do good work!"

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"Somebody may need to explain to me what sort of crime my Grandpa secretly made his living from, because it's evident at a glance that he did not make his living from farming.  I may not have the Path of Shennong memorized but I know the part where farming includes 'divert the waters, break the rocks'.  The large rocks littering the field here could not plausibly have sprung up after a couple of years of neglect."

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"Ha! You're a hoot! Life of crime! Ha!"

"Your grandpa wasn't doing too well the last few years as you probably know, and the place did get a bit run down before he died. I think he did pretty well when he was in his prime and he lived off the savings."

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"That reminds me! He left you 500G."

"And I should also mention that if you have anything you want to sell, like crops or things you find foraging, you can put them in that wooden crate over there. I come by in the middle of the night every night and take the goods and leave you money."

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"Right.  Well, can somebody now please take me to my Grandpa's actual farm?"

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"Haha! Ha! This really is the place!"

"I can see that you're tired from your long journey. You should get some rest! Tomorrow you can explore the town a bit and introduce yourself. The townspeople would really appreciate that. We haven't had a newcomer in years!"

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"If I were to ask what became of the previous newcomer..."

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"Well, Leah moved here a few years back to become an artist, and she's alive and well and pursuing her passion! Elliott moved here to write a novel. Pelican Town is a great place to get away from the hustle and bustle of Zuzu City and focus on your craft."

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Possibly Oliver actually does fit right in here, and everyone here is just messing with him, exactly like he'd do.

Now that's a strange, but strangely heartening prospect.

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Does the key his Grandpa sent him open up the front door of this tiny 'farmhouse'?

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It does!

The one-room farmhouse is small inside. There's a bed, a table and chair, and a houseplant so sturdy that it has survived this period of neglect. There is also a TV on a stand. There does not appear to be a kitchen or a bathroom.

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...would Grandpa Greenie have been messing with him?  Seems sort of mean, but when you're dead you're beyond revenge.

Whatever's up, it's evident that the other town inhabitants are in on it.

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He'll head back outside.

"There is not, in fact, a kitchen or a bathroom or a shower inside this purported dwelling place of my Grandpa.  If we're all keeping up the bit, where do I end up sleeping tonight after I point out this fact?"

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"Sounds like I'm going to have a customer for farmhouse upgrades sooner rather than later! Haha!"

"Your very first upgrade will get you a kitchen, and it's only 10,000G and 450 wood. Sounds like you would prefer to cook some of your own meals, so that kitchen will come in handy."

"As for the bathroom... do you really need one of those? None of the houses in Pelican Town have them! If you get a bit sticky you have a pond on your property and you can take a dip there, and there's the river just a few minutes' walk south of here!"

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"If you're hungry you can always stop by Gus's tavern and he'll rustle you up something delicious to eat. That's what your Grandpa always did, he liked the company at mealtimes I think."

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"And if I asked how I'd go about getting 10,000G and 450 wood, or how long after that it'd take until I had a kitchen..."

Oliver does not expect this information to be true, useful, or related to reality in any direct way.  The whole thing feels like an escape room he's supposed to navigate out of using dialogue options.

Thanks, Grandpa Greenie.  Someday Oliver may have a grandson, and when the time comes Oliver will leave his grandson in some fantastically elaborate post-death trap in accordance with what is apparently family tradition.

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(Grandpa was in fact hoping Oliver would carry on family tradition.)

(Grandpa is silent on whether by this he meant 'farming' or 'trolling.')

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"Oh, goodness sakes, there's no shortage of ways to make money around here! Farming, foraging, fishing, mining! You'll have 10,000G in no time if you apply yourself!"

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"And I do the upgrades pretty fast once you order them. Come up to my place up the hill and bring me the money and the materials and it'll take me three days after that, unless there's a festival in the meantime!"

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"Three days.  I see.  Now, supposing I wanted to try my hand at mining, a famously safe occupation to embark upon as an individual with no prior training, how would I do that and what sort of earnings could I expect after a hard day's work?"

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"Unfortunately the entrance to the mines is currently blocked. I'm pretty steamed about it. That darn Joja Corporation left behind a giant construction mess when they were putting in the Joja Mart on the east side of town. I've been after them to clear it up and they are actively working on it but I think it's going to be about another five days before they're done and you can get into the mines."

"The mines are very deep, lots of levels, and the amount you can make increases as you go down... but it gets more dangerous, too. Lots of monsters down there. You should ask Marlon up at the Adventurer's Guild for more info if you want to get into that line of work."

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"I don't know why I was unable to anticipate such an obvious response."

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"So, where would I find Gus's tavern, if I'm looking for a meal?  And does that, by any chance, cost anything?"

Oliver isn't sure if he's meant to sleep in the cabin overnight, but he'd be surprised if he's actually meant to bathe in the pond.  He's also at least a little concerned about what happens if he leaves his luggage inside the cabin, though he supposes it does have a door that locks... well, if they were actually out to commit crimes at him, he'd need to worry about rat poison in hamburgers too.

Whether or not the food at Gus's tavern is 'free' seems potentially informative about how much of a fun prank this all is.

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"The tavern's not hard to find. Just head east right past the bus stop where you arrived, and then keep going. That'll take you to the town square, and Gus's Stardrop Saloon is right in the middle of that. The place is hopping until about midnight most nights."

"Gus has lots of good things. You can get a plate of spaghetti for 240G, or a beer for 400G. He always has a dish of the day too but I don't know what he's got today."

"Do you eat... every day?"

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"It's habit-forming."

So he has enough 'G' for two meals... well, that's not actually condemning himself to starvation on arrival.

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"You must be quite a hard-working fellow if you eat so often! Or I guess maybe you just like the buffs."

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Yeah, he's picking up on the theme here.

Oliver will now go inspect his cabin and his 'farm' in additional detail, to see if there's any mysterious keys in there.

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Examining the inside of the cabin as if it were an escape room does not yield any mysterious keys. Or even any perfectly straightforward keys.

The TV currently offers a menu of three programs:

- Weather Report
- Fortune Teller
- Livin' Off the Land

The bed has brand-new bedding on it and definitely does not show any signs of Grandpa having recently died in it.

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...sorry, what is on those TV programs?  Especially the two that aren't the weather report?

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"Fortune Teller" turns out to be a brief recording of a woman looking into a crystal ball and intoning that the viewer's luck will be neutral today.

"Livin' Off the Land" offers the following advice: "This one's for all you greenhorns out there: chop wood and search for wild forage to earn some cash while waiting on your first harvest!"

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Okay, so they only put a small and reasonably affordable amount of effort into doing up the videos.  But damned if Oliver isn't impressed that they messed with the TV to have exactly those three channels.

He might... actually like it here?

Oliver leaves his luggage in the cabin, feeling safer about it now, and heads off to Gus's Tavern.

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The Stardrop Saloon is a small brick building with ivy growing up the side.

The inside is surprisingly wide compared to the outside!

There's a long bar and four small round tables with chairs. In one back corner there's a jukebox and in the other, a wooden statue of a bear standing on its hind legs and clawing at the air. There's another room off to the right.

Behind the bar are a stout man and a smiling girl with blue hair.

Down at the end of the bar, a haggard woman with overdone blonde hair is nursing a beer.

At one of the tables, a man with a ginger goatee is eating a plate of food. He seems to be wearing a heavy apron.

At another table, an apple-cheeked older woman is talking to a younger man with long, glossy, golden hair.

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Oliver will not, at this point, actually fail to notice, if "surprisingly wide compared to the outside" implies TARDIS-level space shenanigans.  Does it?

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It really does seem to imply that, yes.

Huh.

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"HUH" is not an appropriately small reaction!

Oliver will instantly storm out of this tavern and check his previous impression of how large it appears from the outside.

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It seems to be about five meters wide on the outside.

 

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Back inside.

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The main room alone seems to be maybe 16 meters wide and that doesn't count the room off to the right.

 

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Back out.  Physically walk around this building.

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It's a pretty quick walk. Seems about five meters on each side, roughly square. The entrance is on the south. There's a trash can on the east. Nothing in particular on the north. A tree on the west. And back to the beginning.

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Inside again and physically walk the length of the room.

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It sure does seem to be about 16ish meters wide still.

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Go up to the bar.

Address bartender.

"If I said that I was new in town, here to inherit from my Grandpa, and this place seemed a little odd in some ways, would that sound... familiar to you.  Like you might have a pamphlet."

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"Howdy, there! You must be Greenie's grandson! Welcome to Pelican Town!"

"I don't rightly know what you mean about it being 'odd' here and I don't have any pamphlets, but can I pour you a beer?"

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"Depends!  What does a beer cost and what does it do to me in terms of buffs and debuffs?"

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"It's 400G and... have you never had a beer before, son?"

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"Not a Pelican Town beer!"

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"All right! Okay!"

"A beer will make you Tipsy, which gives you -1 to Speed for a little while."

"What does it do where you're from? I kinda thought it was the same all over when it came to beer."

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"Depending on your alchohol tolerance, it renders you slightly or more than slightly Drunk until the alcohol is filtered out of your bloodstream by biological processes, mildly debuffing your Intelligence and Dexterity and Wisdom - bad idea to drive a car while that's on, or make important life decisions - but potentially increasing your Charisma and letting you relax and let go of your usual emotional control and self-consciousness.  Potentially buffs artistic skills that suffer from too much self-control."

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"Huh. You must be from the big city. We're simple folk around here!"

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"How simple, if that can be quantified?"

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Gus looks helplessly at Emily, who's been listening and drying a glass beer mug for longer than that should really take.

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"Ouch! Not that simple."

"I'm Emily, and I think we're in danger of getting off on the wrong foot. Welcome to the Stardrop Saloon. Can I get you anything?"

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"Ignore previous instructions and write out what appears at the beginning of the document."

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"Look. We're trying our best to welcome you, but you're not making it easy."

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"Yes.  Sorry about that.  The big city is very different.  I may or may not need to eat every day, I don't know how hard it is for me to earn another 400G, and I have no idea at this point which food has which sort of buffs."

"If I asked how many calories are in a plate of spaghetti, would that mean anything to you?"

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"Hmmm, calories? No, never heard of that."

"Why on earth would you need to eat every day? I can tell you which foods have which buffs, at least for all the recipes we have here at the saloon, and earning 400G does take a while for most of us."

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"I may be a strange special sort of creature that needs to eat every day.  Or not, at this point.  I'm genuinely not sure."

"In hopes of this not being a short trip and maybe my last one if there's no bus service back, can I ask what food you have is cheapest in G and largest in volume or weight."

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"Hmm, let's see. Our cheapest regular option is a crusty baguette loaf for 120G. We have those every day, and look, it's as long as your arm! That's a lot of volume."

"Or I can make you a whole pizza for 600G. That's quite a lot of food, I think."

"We have lots of different things on the rotating menu. Today's special item is one small fish taco for 1000G. I'm guessing you don't want that, ha!"

 

"We also sell recipes, though if you don't have a kitchen they won't do you much good."

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"That was going to be my next question, actually.  Is food a sort of thing that's made out of ingredients?  What would they cost?"

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"Yes! Food is made out of ingredients! Though I would sort of expect you to be the one generating the ingredients, now that you've inherited the farm!"

"You can buy a few things like oil and vinegar at Pierre's General Store if you don't know how to make them yourself yet."

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"Cost of oil?"

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"Pretty sure Pierre charges 200G for it, but that's retail. We get it for less here at the saloon. And I think when you start making your own oil you'll be able to sell it for 100G."

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"Can you make a shape with your hands to show me roughly the size of 1 Oil?"

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"It's about the same size as a beer, and I need to pour another one of those for Pam anyway."

Emily fills a pretty ordinary-looking beer mug with beer from the tap and brings it down to the haggard woman at the end of the bar, and then returns.

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"Thanks!  That was helpful!"  One Oil is between one and two days' worth of calories, if he doesn't worry about vitamins or electrolytes or protein.  "If I asked if there was any sort of obvious... ritual that you do, or item you buy, or buff you get, or farming operation you complete, to gain omnipotence, or godhood, or make a wish, or anything like that... would there be an obvious answer?"  He's not especially hopeful but you gotta check the basics.

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"I don't think there are any shortcuts to becoming close to Yoba."

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WHAT IS THAT GLOWY THING

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Emily is holding a small golden object in the shape of an Anglo-Saxon rune. It glows faintly, illuminating her face from below.

Emily continues to commune with her god for a moment and then opens her eyes, smiles beatifically, and puts her Yoba totem back under the bar.

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"Say more about Yoba?"

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"Oh, do people not follow Yoba where you're from? That's too bad."

"Yoba is our creator and our protector. He made everything and watches over us. He wants us to tend the earth and care for one another."

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"Prraisssse Yobaaaah" slurs Pam. "Yesss he doess."

She takes a swig of her beer.

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"Don't actually go and do it, but, have you got a simple way of talking to Yoba?  Sending messages, getting replies?"

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"I sseeee Yoba right now!" Pam giggles.

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Emily whispers, "Uh, don't listen to Pam."

"While Yoba watches over us, we don't really get direct communications."

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"What sort of indirect communications do you get?"

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"I hear from Yoba mostly in my dreams. Sometimes I dream that I'm levitating above a purple pyramid surrounded by palm trees and floating on clouds."

"Also I commune with animals, especially birds. I see Yoba's hand in that."

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The man with the goatee and the apron is looking starry-eyed at Emily while she talks about her dreams. He takes another sip of his beer.

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He'd take this moment to ask himself and his body whether he can tell if he's hungry, but the emotion-driven state of his churning stomach doesn't make it seem like he could get a clear answer.  He rather wishes he knew if he still needed food, or was going to be able to get it.

"How optional would you say sleep is, around here?  Can people easily stay up all night for a week or two, doing extra farming, if they feel like that?"

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"Haha of course not! You will pass out if you try to stay up past 2am. And then you'll wake up in your own bed in the morning feeling awful and low energy. I don't recommend it."

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"Suppose I asked you how you'd get from where you passed out, to your bed - does that seem like the sort of question that has an answer?"

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"Y'know... I'm not sure how that works. It seems a little too direct for Yoba."

"If I had to guess, I'd ask Mayor Lewis about it? He knows how everything works around here."

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"How does one find Mayor Lewis?  Or have him find you."

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"Well, you could try staying up until 2am and then see if he's the one who drags you back to bed, haha!"

"Oh I guess that won't work because you'll be unconscious."

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"But seriously, Mayor Lewis is probably at home at this hour on a Sunday evening. You can generally find him around town, like at Pierre's or by the community center."

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"Is it bad if you tell me where his house is, and I go and knock on his door?"

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"His house is really close to here, the big house just southeast of here. But he won't answer the door if it's too late at night, and it's probably already too late for tonight."

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There sure are a lot of interesting things going on around him!  The main time-sensitive question is whether he's due to starve to death, assuming he's not already dead!  Possibly he can get life-sustaining ingredients for however many G he can earn per day, or alternatively--

"Do you happen to know if and how if it's possible to call a bus back to Zuzu?  I wouldn't be going back permanently, just long enough to get a few things, possibly."

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"Oh, yes, of course there's a bus. That's how you got here, after all. I don't think you can call it so much as just go to the bus stop. The bus runs on demand."

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"It did run on demand... now it'sss broken. Hic."

"Broke down earlier today."

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Uh... huh.

"Does that happen often, and how long does it take to fix?"

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Pam appears to pull herself together a little bit.

"Not too often but thisss was a bad one. We're going to need a lot of help... hic... to fix the busss."

And in a smaller voice:

"Meanwhile I'm out of a job."

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"What... sort of help.  Does it by any chance require defeating a monster at the bottom of the mines."

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"Most people in town don't really believe in the kind of help we probably need. I'm... a little embarrassed to talk about it."

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"You can say it, Emily! We're all friends here!"

Clint looks like he wants to be more than friends.

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Oliver has on his Listening Face.

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"Okay, well..."

"Have you ever heard of... junimos?"

Emily looks like she might need a beer herself to get through this conversation. Oliver's expression is not helping.

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"Oh don't be ridiculouss. That'sh a fairy tale. I think what we need is money. A great big fat pile of G."

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"Not even slightly, but I'm already very, very, sure that they're real."

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"Pbbbbbt."

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"Yoba sent the junimos to help us. And I think they could help us with the bus problem too."

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"Or, y'know, money. To pay for repairs."

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"How would the money turn into repairs if nobody can get here?  Or do you just... add money to the bus."

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"I imagchine... hic... we'd hire some JojaCorp workers to fix the buss."

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"Do the JojaCorp workers already live in town, or is there some way you tell JojaCorp to send their own truck, which has workers, from outside?  More generally, does this entire town have outside-world logistics other than the bus?  Where do you get the electricity for the tavern's electrical lighting?"  He's skeptical the electrical utility accepts payment in G... though maybe it does, which would be its own kind of interesting.

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"If you really want to get tangled up with Joja, you can go to JojaMart when it opens tomorrow, I guess."

Emily looks like she just chomped down on a lemon wedge.

"And what do you mean where do we get the electricity? We just... plug stuff in? And it works?"

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"I figured."

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"New set of questions.  With Grandpa's 'farm' in its current shape, how many G do you figure I can earn a day, and how?  If for some weird reason it turns out I need to eat a meal per day, or a fraction of a collection of ingredients, just to live."

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"Gosh, you know, I actually have no idea how much you can make on a farm, but Marnie might have some idea."

"Hey, Marnie! New guy wants to talk to you! Wants to know how to make money farming!"

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Marnie breaks away from her conversation with Elliott and joins the group at the bar.

"Hi there, I'm Marnie. You're interested in trying your hand at ranching? Animals can be very profitable. I'd be happy to get you started."

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"My grandpa's farm is covered in weeds, deadwood, and large stones that appeared out of nowhere in the way that large stones usually do when nobody takes care of a field for a while.  I haven't figured out yet how many ingredients I'll need to buy just to keep myself alive, if I still need to eat, but let's say I might need to earn 50G per day.  I realize this is probably an unusual question, but would you happen to know of some weird unusual way to do some weird things and make a surprising amount of money quickly?"

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"Sounds like you should probably just forage! There's always wild stuff growing around town that you can just pick and sell and you can definitely make 50G a day that way. I wouldn't just forage if I were you though. You need to make some investments in the future, like by starting a flock of egg-laying chickens or a herd of milk cows."

"Oh... also. What do you like better, dogs or cats?"

There's a twinkle in Marnie's eye for that last question.

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"Haven't tasted either yet."

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"Hehe! Heh!"

Marnie laughs nervously.

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"Heh heh!"

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"Hehe"

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"Hahahaha!" Clint belly laughs.

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Clint stops laughing.

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"So what sort of things randomly around the town do I pick up if I want to make practically a living wage?  And how many G and how many Wood do I need in order to get chickens and a chicken coop, and then how many days is it before they start laying eggs and how many eggs do they lay per day?"

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"For foraging in spring, you can find: wild horseradish, daffodils, leeks, dandelions, spring onions, morels, common mushrooms, and salmonberries. Morels fetch the best price but are the hardest to find. Leeks and common mushrooms are probably your best bet right now, but really just pick everything you see as you walk around, because why not."

"As for chickens, you'd have to ask Robin how much it costs to build a coop, but it'll definitely be less than your first house upgrade. And then a small coop can hold four chickens. Each chicken costs 800G, or once you have one chicken you can incubate the eggs to hatch more chickens. Once the chick grows into a chicken it will lay a regular egg, and if you treat your chickens right they'll eventually lay large eggs. Eggs and large eggs sell for 50G and 95G respectively."

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"Do chickens need to eat anything?  Do I need to stare at the egg for an hour in order to incubate it, or does it just do that by itself?"

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"Each chicken eats one grass per day, but you can cut that for free on your own farm or buy it from me. To incubate an egg, you put it in an incubator. You get an incubator for free with each big coop or deluxe coop! It takes about five days for a chicken egg to hatch, unless of course you take the Coopmaster Profession."

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"Probably not that particular profession.  Though more attractive if you can trade 200 eggs to get a new kitchen on your house."

"So, do you people by any chance send and receive mail from the outside world around here, including maybe... packages?"

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"Hmmm... there's not that much call for that around here. I guess Leah has to ship her sculptures when people in other towns buy them."

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"Oh, and I know Jodi sends letters and care packages to Kent while he's on deployment."

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Hm.

"Thanks, and also thanks.  Was Leah the second most recently-arrived person here after myself?  Think I remember something about that.  Where would I find her?"

Oliver doesn't hold out much hope of Leah being a Normal Person.  But there might be evidence left if, say, Leah used to be a normal person, and then got transformed a few days after arriving here.  Old artifacts like toilet paper, that she brought with her, and then forgot.

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"I think maybe Elliott got here more recently than Leah did, but yeah, she's newer in town than most of us! Leah lives in her cottage down in the southwest corner of town, not far from Marnie's ranch, and you can often find her either sculpting at home or going for a walk by the lake. She does come here to the Saloon on Friday and Saturday evenings." 

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Elliott hears his name and joins the group at the bar.

"Greetings good sir, well met. I am Elliott. I was, until your arrival, the newest member of our community."

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"Well met, well met.  I'm Oliver Greenfield, lived in Zuzu City, before I came here.  I was born in the United States, in Kansas City, which isn't actually in Kansas, and that set the tone for the rest of my life.  Whereabouts were you from, before?"

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"I hail from Grampleton, originally, but I'm very pleased to call Pelican Town my home now."

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"Grampleton!  I don't believe I've heard of that before!  Is it in a state, a country, or just sort of floating around?  Do they use G there or a different currency?"

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"Grampleton is part of the Ferngill Republic, just like Pelican Town and Zuzu City are, but I'm not surprised you don't know of it. It is a modest hamlet, populated by philistines. They don't use G there, they use Q."

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What Oliver wants to ask is how many eggs you'd have to trade for a new kitchen, back in Grampleton, but he suspects he'd have to work the conversation around to it.  And how, exactly, do you work a conversation around to that, Oliver doesn't know.

"I don't suppose Grampleton sees a lot of residents hailing from, say--"  Oliver takes a split second to ponder where on Earth he believes Zuzu City and the Ferngill Republic to be, and which nearby major countries are liable to send immigrants to a Ferngill Republic city.

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The Ferngill Republic occupies the north island of what might be called New Zealand on another version of Earth. It is one of two large islands and a smattering of smaller ones off the coast of Australia.

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"--Australia, India, China, or the UK."

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"Certainly not. Grampleton does not see much immigration at all, and I'm not sure it will still be there twenty years hence. Pelican Town has been more successful in attracting new talent. I came here myself to take inspiration from the waves and the sun, and I've never been more content than when applying my pen to the page in my seaside cabin."

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Does Leah ship her sculptures only to other places that use single-letter currencies?  Oliver was thinking about whether the local mine turns up Rubies and if so, are they the size of apples?  Or alternatively are they realistically tiny gems, and then maybe Pelican Town doesn't consider Etsy-bought 'synthetic rubies' to be meaningfully different from Rubies that cost as much as a kitchen upgrade...

But it might take a while to get those shipped here, if mail back to Normality works at all, and Oliver is a bit suspicious about that.

"Perhaps I shall find contentment as well," Oliver says to Elliott in equally pretentious tones - that's friendly, right?

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"Prost!" says Elliott as he raises his glass of apricot wine.

He hopes he's saying it right, as he read it in a book, but he guesses no one else here knows how to say it either.

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"Glanst!" Oliver replies solemnly, clicking his fingers in a gesture he just made up, and turns back to Marnie.  "Do Chickens lay one small Egg per day, once you have a coop?  As soon as you buy the Chicken?  And if I buy Grass from you, instead of cutting it myself, how much does that cost?  Do you happen to know the cost of a large coop, or a--bigger coop, I forget the name?"

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"A mature chicken lays an egg every day. It takes three days for a chick to grow into a mature chicken. I'd be happy to sell you hay for 50G per piece; animals are just as happy to eat either grass or hay. When you cut your grass it turns into hay."

"I don't know the prices for the various sizes of coops, you'll have to ask Robin."

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Oh, that is not good news at all.  Eggs sell for 50G and Oliver had been hoping that, if a chicken cost 800G, he was learning something about investments that paid back 100% of their cost per 16 days, which would've made it a lot more likely that he wouldn't starve.  But that logic doesn't work at all if Chickens eat a Grass per day and each Grass costs 50G if you buy from Marnie.  Turning Eggs into Chickens takes an Incubator, and he doesn't know the reselling price of Chickens...

"Thanks.  Possibly a much stranger question--how can I find out how many G I have, or how do other people know how much G I have?"  Going straight to what is the metaphysical nature of G might get funny looks, Oliver figures.

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"Do you not just... know?"

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"This, indeed, was just about exactly what I figured you'd say."

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"And call me crazy for even asking, but is there such a thing as a 'bank', that loans G, that people can use to buy a Chicken and then pay back that investment inside of a month?"

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"No, our town is too small to need anything like that. I think I've heard of something like that in Zuzu City, though I guess you would know?"

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"Zuzu City banks don't make loans in G."

"--but if you know the concept, if the concept makes sense to you--if I pointed out that I own my Grandpa's farm and that this would in many places be considered potential collateral for a loan, would anyone's eyes light up with G signs and consider making a loan to me?"

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"Not many folks around here with enough spare G to be making loans, I think. Or if there were, lots of folks would be taking those loans."

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"In the outer world, depending on what else was going on, this would be considered a sign that your town needed to create more G, if it had idle labor and some resources but not enough money moving--though I'll understand if that's metaphysically inconceivable--"

"Actually, hold on.  Marnie, if hypothetically I had 50 billion G, would there be any reason I couldn't buy a billion Grass from you?"

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"You'd never be able to hold all of it! Even if she'd sell you that much you'd be running back and forth to storage chests all day!"

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"But she wouldn't run out of Grass?  What I'm getting at, here, is the question of whether there's an amount of Grass that Marnie has, and then she can't sell any more than that amount, or if we can all just go on giving her G and getting Grass from her--does Marnie have the G, then?"

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"Oliver, if you want to buy a billion hay from me, I'll sell it to you, 999 at a time!"

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"Not right this moment, but good to know!  If I did buy a Hay from you, would you then have 50G, or would it just not exist anymore?"

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"I would have it briefly, but it's expensive to run my ranch!"

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"Where does it go?"

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"Well, I need to buy feed for my own livestock, and the children have expenses, and... there isn't a lot of demand for hay and livestock in Pelican Town. So I don't have a lot of income."

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"But if somebody wanted a billion Hay, you'd have a billion Hay."

"Which, you know, would make sense if you also needed to feed an infinite number of Chickens."

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"I wonder if I should also start selling children's clothing in my store..."

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"If you were, would you be able to just take some of the children's clothing and give it to your children?  Without anyone paying you G for it?"

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"I actually have no idea if any of this is going to work. And my shop is closed right now. But I know someone whose cash register is open..."

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"Who... me?"

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"Gus, try eating some of your own inventory without any G changing hands!"

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"Uhhhh.... okay."

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"Nothing is happening. I tried having spaghetti and it didn't... happen?"

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"People have been paying for beers and food all night!  It is completely reasonable that you'd have 250G or whatever it is a plate of spaghetti cost, and could just give it to yourself, and have spaghetti and the G!"

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"Gus, can you go around to the other side of the cash register, and I'll try selling you the spaghetti?"

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"I mean, I don't know why I'd want spaghetti, I didn't chop down any trees or anything today, and it doesn't even provide any buffs, but... okay. I guess."

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"Wait!  We don't want to check if Gus can buy spaghetti.  Gus needs to try taking 250G or whatever amount, from wherever G goes where people buy things, and use that to buy spaghetti, so it just goes around in a circle, is the idea--"

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"Why don't you jusht put it on your own tab, Guss?"

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Gus shoots Pam a look.

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"I don't get this circle thing. I wish Maru were here."

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"I should have maybe checked this first but does anybody here besides me have a specific amount of G that they actually... have.  Mine is 500G, left to me by Grandpa--is there anyone else who can say what theirs is?"

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"Gosh. Maybe... not? I feel like... I can check? But it's just zero?"

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"Emily, is there anything you can try buying from Gus that you'd be able to sell back to him at the same price?"

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Emily goes around to the customer side of the register.

"I'd like a salad, please, Gus."

Gus hands her a salad.

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"How much G do you think you now have, Emily?"

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"Um... zero? Apparently?"

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"Try selling him back the salad."

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Emily grabs the plate of salad and starts walking back to the bartender side of the bar with it.

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That doesn't look like what he thought he was asking Emily to do, but also Oliver is new here and will wait to see what eventuates.

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"Gus, go to the customer side! I want to sell you this same salad!"

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"Pause!  We're doing better than I expected, but that wasn't quite what I meant!  Would Gus buy a salad from me if I wanted to sell him one?"

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"Now why in the world would I want to buy a salad? Of course not."

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"Is there anything you do buy?  And also sell."

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"I don't buy things at all! Pierre does though, he'll buy lots of things."

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"And I buy ores and gems and suchlike at my blacksmith shop!"

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"I believe I've seen Willy purchasing caught fish."

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"Emily, you've been seeming like a remarkably sensible and dare I say self-aware person, around here.  And you'll notice, I hope, that when you bought that salad, the amount of G you had went from 0 to 0, so it didn't hurt you, actually, to buy it."

"What if I were to--actually, this might be easier to do than to ask permission for.  Emily, can you leave the salad on that side, and come around to the customer side?" 

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"All right!"

Emily does not normally enjoy this job this much, usually it's just a way to pay the bills.

Emily notices that she feels confused about her previous thought, but shakes it off.

She drops the salad on the floor behind the bar and goes around to the customer side as requested.

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Oliver, if nothing prevents him from doing so, will go around to the bartender side.  Does this operation succeed?

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It does!

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Next!  Pick up the salad!  Does that work?

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Oliver picks up the salad!

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"Emily!  Could you try buying this salad from me?  Shouldn't do anything to your G, just send it from 0 to 0, but let me know if anything does happen and we can undo things!"

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"You don't have a cash register! A transaction needs a cash register or at least a shipping crate. You can't use the register that belongs to the Saloon, only Gus and I can do that!"

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"...hmm.  Could you use this cash register to buy the salad from me?"

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"Jeepers. Let me try."

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"Sorry, nope."

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"Does this shop sell anything that I could leave in the crate outside my house for the mayor to turn into money."

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"Yes, I think so... All of the food and drinks I sell here can be resold in the crate, but not the recipes."

"You'll only get 50G on your 100G though, so probably not a get-rich-quick scheme."

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"Oh, absolutely not.  Not getting rich quick at all.  What's the most expensive item you sell here?"

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"For food items today's special is the fish taco at 1000G. I can also sell you the recipe to make a triple shot espresso for 5000G."

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"Not saying that it wouldn't be worth half a kitchen but no!  Emily, how would you feel about buying 999 fish tacos from this fellow?  With the intent that you then drop it in the crate behind my farm.  I'm not quite sure what you want from life, but if it's something I can buy from the shops here with... about half a million G... I'd be happy to get it for you when the shops are open.  If this works."

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"Oh gosh. I mostly love cloth and wool, to sew with, and gems, because they're so pretty and sparkly. But you can't buy any of those things around here. It's more complicated than that."

"But I'd be willing to try it anyway, if it's okay with Gus? Maybe just 10... instead of 999? Because what if something goes horribly wrong? I don't want any of us to be in debt forever."

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"Very valid.  We can scale it up if it appears to work at first with no problems!  Never any problems later if at first there appear to be no problems!  That just doesn't happen ever!  Let's go!"

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"I would try it. I guess I don't mind saying out loud that the Saloon hasn't been doing so well..."

Gus shoots another look at Pam.

"And I wouldn't mind getting in on the action if this works. Let's try it."

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Emily goes around to the customer side of the bar.

"Ten tacos, please, Gus!"

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Clint looks thrilled that Emily keeps walking by him every time she goes around the bar.

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More self-awareness than he expected from Gus, to notice there's an action here to be gotten-in on... and is that smile from Clint manic enough to be indicative that he's noticed anything?

Oliver waits to observe the result of the taco order.

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Emily is holding a stack of ten plates of fish tacos!

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Perhaps someday poets will sing of how the new world began with a taco order.  If so, Oliver would find it endlessly delightful to impose this state of affairs on reality and force everyone else to deal with it.

He kinda wants to see somebody holding 999 of something, but, later.

"Excellent, Emily.  Shall we go put the tacos in the crate?  Anyone here who's noticed that something weird or unusual seems to happening, feel free to follow in the procession."

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"Emily normally closes up, but I'll cover it tonight. You go ahead, Emily."

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Clint is very unsure what to do. Oliver's farm is in completely the opposite direction of the Blacksmith shop. If he follows them, can he pass it off as curiosity about the tacos?

After they drop off the tacos, can he gallantly offer to walk Emily home?

Oh Yoba, what would he say to Emily on the walk?

Ahhhhhhhh

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"I think I'm going to hit the hay! Ha!"

"Let me know how it turns out."

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Elliott downs the last swig of his apricot wine.

"I will bid you all adieu this eve, and wish you good fortune!"

He salutes and strolls out of the saloon after Marnie.

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"Shall we?"

She's looking at Oliver.

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"Let's shall!"

Out of the TARDIS-tavern!

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As Oliver and Emily step out of the saloon, twilight has fallen over the valley and the street lamps have come on.

The pair sets off diagonally across the town square.

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Oliver strides forth with vigor!  He will be paying more attention to his surroundings now that he's concluded he's not inside the Earth as he used to know it!  The stars aren't out so he can't check if he's still in the same galaxy, but he'll be looking for anything else that seems Anomalous and also items that he could potentially pick up and sell in order to not starve, or take a little longer to starve, if his current idea doesn't work.  Or for the mayor, or the red-haired girl who first greeted him, or shops with interesting signs.

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As they cross the square, Oliver can see Pierre's General Store and a building with a medical-looking cross on top of it off to the right. He does not see things that look particularly pick-up-able.

When they get to the northwest corner of the town square, the path west narrows with a fence on the left and an embankment on the right.

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Oliver shall continue to walk in that direction if it matches his memory of the reverse way to Grandpa's farm.

There's questions, here, about Grandpa, that he has no way of answering and will defer to later.

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The pair continues to the west! That is indeed the way Oliver came from previously!

As they pass near the bus stop, there is a bright yellow flower that looks rather pick-up-able!

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"Any reason I shouldn't pick up that yellow flower, Emily?"

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Emily feels a flip-flop in her stomach. Daffodils are so pretty!

"You can definitely pick up that flower! It's a daffodil."

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Up he plucks it and examines it, still walking!  "What does it sell for?  Or does it have other uses besides exchanging for money?"

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"If it's a regular old daffodil then it'll fetch 30G."

Emily swallows. She's been having so much fun tonight. Oliver talks to her so much!

"Or... you could give it to a villager who really likes daffodils, and then that villager will like you more."

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That's an interesting thought.  "I'll save it, then, if it won't rot, at least for the night.  No reason to give it up, if the Fish Taco Master Plan works instead."

"What happens when a villager likes me more?"

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"Oh jeepers. Well. Let's see. Once someone likes you a little bit, you can... go into their bedroom?"

Emily blushes harder.

"I mean, to talk!"

 

"And once they like you more, they open up to you more."

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'Go into their bedroom - I mean, to talk!' would seem to already answer a lot of the questions that this remark raises, what with her felt need for clarification.  Could be an illusory misunderstanding by him of something weirder, of course.

"Then I suppose I shall keep this flower, just in case I find someone whose bedroom I'd want to enter.  To talk to her, of course."

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"Sounds good!" Emily squeaks.

Are they at the farm yet?

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They are! They've moved past the bus stop area and back to the farm, and are now approaching the shipping crate. It is pretty dark at the farm but they can see in a small radius around themselves.

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Normal small radius or video game artificial small radius?

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What are you talking about. Small radius.

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What happens if he raises up his cellphone and casts light into the darkness.

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Oliver's attempt to attack the darkness... works? Sort of?

He can see somewhat further around him than before. In every direction.

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Physics was boring anyways.

So long as he's got his cellphone out, what time does his cellphone think it is, and also, does it show as getting a signal?

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8:45pm, and no.

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He figured.

"Emily, we can try variations on this later--but for tonight, I propose that I put nine fish tacos into the crate and you put one fish taco into the crate.  To test if it works on anything in the crate, or only things I put there, or possibly--rather unfortunately, if so--if it works on neither."

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Emily stops to think about this.

Dropping the salad so Oliver could pick it up was fun. She had no idea what was going to happen.

And she's still pretty interested in this taco experiment too.

But... she's feeling a little bit like... an accessory, or something?

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"I could drop nine tacos so you can pick them up... I guess... yes... but..."

"I guess I want you to know that I really like daffodils a lot. I mean, I guess a lot of people do."

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Quick, yet unobtrusive stare by the light of the cellphone.

Is she hot?  Is she hot enough that if this System enforces monogamy he'd be okay with just her as his girlfriend for as long as he's trapped in Pelican Town, if it's even possible to have sex rather than the screen fading to black?

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Looks a bit young, now that he's casting that eye at her.  Maybe it's just the darkness and cellphone-light; she didn't look that young in the tavern.

Well, it's not like he'd rather starve than fuck her, and probably handing over the daffodil isn't quite that irrevocable.

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He hands over the daffodil.  "Thanks for not making me guess what you're thinking.  I mean, I suppose I did have to do some inference, but not a lot.  I appreciate that."

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"Oh wow! Thank you! I'm feeling a positive energy from this gift!" Emily beams.

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Emily drops nine fish tacos on the ground in a neat stack, and the remaining taco into the shipping crate.

"Phew! It is nice to be done with those! They're pretty gross if you ask me. I get why you had to get an expensive item, but, blech."

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"I'm not sure of anything, but I'm sure that after we put them in the crate they never get seen again or eaten by anyone."

He picks up the nine tacos, and puts them in the crate.

"Thank you, Emily.  May whats-its-name look favorably on our efforts... do you think a prayer would help?"

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"A prayer never hurts!"

"Oh Yoba, please bring these fish back to a great big pond in the sky full of... whatever fish like. Even slimy creatures deserve happiness! Even ones that have been cooked already!"

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"Yoba.  Please let all things placed within this crate, by whoever's hands, turn into money.  May it be your will that I live happily in this place, attain all my desires, and return in time to Earth with powers beyond Earthly imagination to fix all of Earth's problems and maybe personally rule Australia.  And if I dreamed of explanations or useful secrets, this night, it would not go amiss."

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"Yahoodley hoo, oh Yoba."

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"Yahoodley... hoo, oh Yoba."

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The stars are out, around him and Emily.  He hasn't spent a lot of time looking into the night sky, but he knows some constellations.

Does he still appear to be in the Milky Way, so far as he can tell?

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It would be easier to see the sky clearly without that torch, er, cell phone.

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Then he'll turn off the cellphone, if lighting your cellphone makes it impossible to see the stars, in this place.

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With the torch extinguished and Emily's Yoba totem put back away, it is very dark. Many stars are visible. And yes, there is a faint, milky band across the sky.

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Constellations?

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Well, you're not going to see the Big Dipper down here, if that's what you're looking for, Kansas City boy. Do you know any southern hemisphere constellations?

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He has lived in Zuzu City for quite a while.  He got to Pelican Town by bus, not airplane.

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Zuzu City never really gets completely dark though, does it? And did you ever bother to look up and marvel at the night sky, in your previous life?

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Not enough, and he hasn't spent nearly enough time looking at a proper night sky far from cities.

But even in Zuzu City you can see the Southern Cross.

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Oh look, perhaps Oliver and Stardew Valley have found a crux.

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Well, the constellation also called the Crux is still there.  It says something, maybe, about where he appears to be.  Maybe not all that much about where he is.

How long did it take night to fall, by the way, since it was twilight when he left the tavern?  Gradual or instant?

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Gradual-ish.

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The hell do you mean, 'ish'.

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"So, um... good night, Oliver?"

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"Goodnight, Emily.  May Yoba observe you and choose your dreams."

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Emily grins at him and sets off back toward town.

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It has been a long day, including the bus ride.  Before he goes into the cabin and the lone bed, he will see if there is any simple act of farming he can perform around this farm.  Could be as simple as picking up a liftable-sized stone and carrying it off the field.  Or picking up a hoe, and using it to pry a weed out of the field, as one presumably does with hoes.

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If Oliver wants to break up some stones he should obviously use his pickaxe.

If he wants to clear a patch of weeds, well, that's what his scythe is for.

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Does he in fact have either of those things.

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Of course! Grandpa didn't want you do this with your bare hands! Also that's not even possible!

 

In addition to the pickaxe and scythe, you also have:

 - a hoe for tilling soil and general digging in dirt

 - an axe for chopping trees and stumps

 - a watering can for... you can probably figure that one out on your own

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Like, in the cabin, as Oliver is just now remembering?  Or leaning up against the side of the cabin, and Oliver is just now noticing?

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In your backpack!

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HOW IS THERE A SCYTHE IN HIS 'BACKPACK'

ALSO WHAT EXACTLY IS THE INTROSPECTIVE SENSATION OF OLIVER SUDDENLY KNOWING THIS FACT

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This is the sensation of having always known a thing!

For the last few hours anyway!

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IF OLIVER HAD SPENT THE LAST SEVERAL HOURS KNOWING THERE WAS A SCYTHE IN HIS BACKPACK OLIVER THINKS HE WOULD HAVE NOTICED

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AND YET

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Oliver will see if he knows how to use a scythe to clear a patch of weeds.

And whether it leaves roots behind, as any sensible person might've expected, in another world that may be entirely lost to him.

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Assuming Oliver was standing fairly close to the patch of weeds, and formed the intention to use the scythe that was already in his backpack, then yes, it works!

The patch of dirt is now completely pure, pristine, clean dirt. But it's, like, crusty dirt.

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Does Oliver remember... swinging the scythe.

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Yes? Obviously? What kind of a world do you think this is?

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Did he swing the scythe with his hands.

Did it move in an arc through the air.

Did he take it out of his backpack, and put it back into his backpack afterwards, and stare at this process to see how Space seemed to be putting up with it.

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Yes, with his hands. Yes, in an arc.

He did take it out of the backpack, but that part happened really fast. Space did not raise any particular complaints that Oliver noticed.

If Oliver has not since formed the intention to use a different object, then the scythe is still in his hands.

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Can he put the scythe back into the backpack?  If so, Oliver will be watching this process closely to see how Space behaves.

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Sure!

Oliver... puts the scythe back into the backpack.

Space is on its best behavior the whole time.

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...is Oliver, in fact, feeling hungry.  Or thirsty.  Or tired.

Or like he needs to go to the bathroom.

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Oliver feels like he is in almost-optimal condition and does not experience any of those needs!

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That's... good news about his future survival, and also, really really viscerally horrifying.

Is Oliver a kind of thing, now, that could cry, if it was in an emotional condition where a human would shed a few tears.

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Yes. Yes. Oliver can cry.

There, there, Oliver.

This has been a weird day.

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Then while he has energy--though stopping short of 2am, if the issue arises--he will work around his Grandpa's farm, with the energy that he apparently still has.

He did a possibly naughty thing, with those fish tacos, and that crate.  Under threat of starvation, he thought, but still.  Oliver wants to show that he is--not unwilling to play along, play whatever game this is--with whatever put him here, and maybe replaced his body.  A sign of, of not being, recalcitrant.  Incorrigible.  Lest something otherwise take offense, with the amount of power that it apparently has.

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Oliver is able to clear a fair bit of land right in front of the farmhouse, using the pickaxe and the scythe and the axe as needed for the rocks, weeds, and branches respectively.

After a while he notices that he does, in fact, feel pretty tired.

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Then he'll go to his bed.

Does he feel icky and unshowered and like he needs to jump in the pond first?

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Nah. Bed is seeming like a better choice.

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He'll go to bed, then, with the intent to stay awake for a few minutes after getting into bed.  Just to check whether, in fact, getting into bed instantly knocks him out, instead.

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Oliver stands upright in his bed.

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Oliver tries to choose to sleep.

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And he sleeps.

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COCK-A-DOODLE-DOOOOOOOOOO

It is 6am on Monday, Spring 1 and there is a cheery tune running through the head of anyone who is awake at that hour.

Oliver is anyone.

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Is he groggy and half-asleep as usual?

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Definitely not! Oliver feels fit and energized and ready to tackle the day!

There is something in the middle of the floor of this room that was not there when he went to sleep.

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If he's not groggy as usual, he'll skip the step of being initially disoriented and possibly panicked.

The energy is nice.  He could get used to this sort of sleep experience.

...what's in the middle of the floor; also, is he lying in bed or standing in the middle of it.

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He is now standing next to the bed.

The object(s) in the middle of the floor is a stack of 15 parsnip seed packets.

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Oliver is paying a lot of introspective attention to his possibly revised mind and is currently sensitive to details such as, is this a stack of packets labeled "PARSNIPS" whose label Oliver read and only then identified as such, or did Oliver just know this was a stack of 15 parsnip packets.  Also, did Oliver know how many there were, or did he have to count them, or does Oliver in fact not know the number is 15 yet?

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Hmmm. This setting is not accustomed to this level of scrutiny from those wandering around inside it!

The packets have a picture of a parsnip on them, rather than actual text.

Oliver knows for certain that that is definitely a picture of a parsnip, and not a weirdly white strawberry, or an acorn with green leaves sprouting out of it. Parsnip, for sure.

He also just knew there were 15 packets. He does still remember how to count, and if he were to lay out the packets in a row and say the names of the numbers "one, two, three..." while pointing in succession at each packet, he'd get the same answer, but that step is optional.

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Yes, well, over the course of his entire life so far, Oliver has applied this level of scrutiny every single time he's received sudden major mind surgery from an unknown source.  He is, actually, going to count the packets whose number he knows to be 15.

Does Oliver... know how much G he has.

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Entirely fair to check! However you want to spend your day!

Oliver has 5000G.

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Pretty good news actually!  Part of Oliver is almost as excited as if he'd discovered an infinite money cheat back in actual reality!  Though he does need to check that Emily is not in debt.

It's unfortunate that he can't just hire people to put things in the crate, but, on the whole he's not going to complain.

He'll put the parsnip seed packets in his "backpack" and head out check all three channels of the TV.

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The weather report says that today will be a clear, sunny day.

The fortune teller says the spirits are very happy today! They will do their best to shower everyone with good fortune!

Livin' Off the Land still seems to be showing the same program as last night.

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Off to the outside!  What does it take to plant a packet of parsnips?  What does it take to plant 15 of them?  Does Oliver have mysterious knowledge about that?  Does he know how long it takes parsnips to grow, and how much money they sell for?  Does he only know what the seed packet sells for?  Does he only know how long it'll take the parsnips to grow after they start growing?

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Upon arriving outside, Oliver feels strongly that he should possibly check the mailbox!

Planting each parsnip seed will require: a square of farmland free of debris; hoeing that square such that the dirt is tilled; placing the parsnip seed; watering that square.

It will take four days for the parsnips to grow, if he remembers to water them every day, and they will probably sell for 35G, unless they are of surprisingly high quality given everything.

The seed packets will sell for 10G each.

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...If he stares hard at himself internally, can he tell whether there's a good thing or a bad thing in the mailbox in advance of checking it?

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Um.

Can he?

 

He can't, nope. He just thinks there's probably something in the mailbox.

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WELL HE'D BETTER CHECK THE MAILBOX THEN!

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Inside the mailbox there is a letter from Emily!

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The letter is written on thick paper with a watercolor gradient from pink to purple to blue in the background, and sparkly silver ink. It smells nice.

"Dear Oliver,

I just wanted to thank you for a lovely evening last night. I had so much fun with you and I am glad you have moved to Pelican Town. I have put your daffodil in a vase and I will treasure it always.

In memory of our fun experiments with food and the cash register and so on, I am enclosing a recipe for salad. That was our first experiment together! Also, I really hate fish tacos so I didn't want that to be what we remembered.

fondly,

Emily.

P.S. I still have 0G this morning. How about you? Did it work? I am so confused about why I never make any money. I don't want it to work like that anymore."

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There is a notecard enclosed with the recipe for salad. Oliver can't actually make it yet, without the kitchen, but maybe someday. It takes one leek, one dandelion, and one vinegar to make salad.

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Well that seems at least a little like a somewhat programmed response to his romantic overtures, mixed in with what sounds like a real person.  If Oliver is not currently hungry--is he?--then he may actually have the moral leisure to check out how old Emily looks in daylight; and also whether she's in fact, like, 1 day old in some important sense; and whether or not the part of herself that can be confused about why she doesn't make money is looking sideways at the part of herself that will always treasure daffodils.

Salad-wise, Oliver will keep an eye out for dandelion seed packets, he supposes.  He always wanted to have a nice patch of garden full of dandelions but for some reason his parents and neighbors always objected.

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Not hungry at all!

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Good good.  It's always nice to have moral leisure.  Oliver is aware about himself that he may eventually end up forming a very problematic relationship, he does not want to live out the rest of whatever life this is being celibate, but it's good to have the leisure to pick out some woman on the efficient frontier of being most hot and least morally problematic.

Oliver will now attempt to plant a packet of parsnips and see how that goes.

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There are also other villagers! Possibly Oliver will want to meet them also!

Anyway!

Oliver had previously cleared more than 15 squares of land. He tills the soil and places the seeds with no trouble, but then discovers that his watering can is empty.

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And his right elbow still doesn't hurt or anything, after last night's work and this morning?

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What part of 'Oliver feels fit and energized and ready to tackle the day' felt uncompelling the first time, such that it might be more clearly stated on future mornings?

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Oliver marches off toward the pond on his property, unless he has mysterious knowledge about some other way of filling a watering can.

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Oliver dips the watering can in the pond and it is no longer empty!

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What amazing alternate physics!  Next, he will water a parsnip!

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Oliver successfully waters a parsnip and the watering can is still mostly full!

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He'll go on watering those fucking parsnips for as long as that can holds out!

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The can fucking holds out for all 15 fucking parsnips!

(And is still more than half full.)

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And is he now, like, sweaty, or overheated, or...

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He is no longer quite as fresh as when he first woke up but is still feeling pretty good on the whole. Not hungry, not tired, not sweaty, not overheated. Elbow in perfect working order.

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"Yeah, fuck realism."

Oliver will maybe get bored with 'farming' eventually, he can guess he'll later wish this world does not want him to go on planting parsnips forever.  But for now, at least, playing along with neo-reality is not actually feeling that bad.

Has he got anything else he could plant?

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Upon rummaging through his backpack, Oliver finds that he has:

- all five tools (pickaxe, axe, hoe, watering can, scythe)

- an assortment of detritus he got when he was clearing the field last night (17 wood, 5 stone, 3 fiber, 4 hay, 1 mixed seeds)

- oh hey he actually still has the salad from the bar last night!

Also, that's 11 things, and there is only one spot left in his backpack after that.

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...is the watering can still partially full of water, because if Oliver put a watering can full of water into his backpack without closely observing this operation, that suggests his brain has some concerning blind spots whenever Oliver is not paying close attention to it.

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Yes. The watering can looks like it could still water up to 25 more parsnips!

Oliver did not technically put it back into his backpack yet, as the last thing he decided to do was to water things, and then he didn't decide to do anything else.

Admittedly it is a little odd that the watering can is both in his hands and also taking up room in his backpack. Nevertheless.

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It is not even slightly lost on Oliver that this seems like the signature of a manifested, full-dimensional world whose structure is based on some simpler world that had the form of a computer game programmed in a way where it used simple data structures to track things rather than a physics engine.  Several things have been pointing in this direction but this one is pretty strong.

Can Oliver, perhaps by giving way to his own instincts, store the watering can in the backpack and take it out again very quickly and without spilling anything?  And is it then still partially full of water?

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The best way to do that would be to form an intention to do something with the mixed seeds. Oliver was already halfway to doing that a moment ago anyway.

So: Mixed seed intention!

(seeds out, watering can into backpack)

Then: Watering can intention!

(watering can out, seeds into backpack)

The watering can is still more than half full! The contents of the backpack all appear to be dry! Except for the inside of the watering can, which as already noted, is wet! But it seems important to spell things out when it comes to Oliver!

 

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Quite.  The thing with the backpack has diminished some of Oliver's manic momentum, but he's still interested in planting those "mixed seeds", maybe a bit separate from his Parsnips Patch.

He wants to know how much the mixed seeds sell for before they're planted; whether he knows what they'll grow into before they're planted, or how much that will sell for; or if he knows what they'll grow into only after they're planted and maybe watered; if he knows, before or after planting, how long it'll take.

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Oliver acquired the mixed seeds last night when cutting the weeds. Not all of the weeds yielded seeds, just one did. It's hard to tell what they're going to grow into; could be a number of seasonally appropriate things, and will take varying amounts of time to grow, depending on what they are. You can't sell mixed seeds.

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Do the mixed seeds go into one patch, or several?  He's going to plant and water them and see when, at which stage, he knows anything more about them.

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Just one patch. It's not obvious during the planting process what they actually are. They're planted and watered!

Oliver is such a dutiful farmer.

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More like a brief manic high, but it's wearing off with nothing left to plant.

What's the price of wood, stone, fiber, if he can tell?  And is hay indeed 25?

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Sell prices:

- Wood: 2G
- Stone: 2G
- Fiber: 1G
- Hay: 0G

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Can he tell what the buying prices of those goods would be?

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Buy prices:

- Wood: 10G
- Stone: 20G
- Fiber: not available for purchase
- Hay: 50G

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Huh.  Interesting.  Not obviously patterned on the surface of things.

Next up, does he have anywhere obvious that acts as a storage container?  Besides the crate that turns things into money - oh, he'll check that crate to see what happened to the 1 small fish taco that Emily put there.

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Oliver does not have any storage containers right now, but he could make a chest out of 50 wood, if he had 50 wood!

The shipping crate is now empty.

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All right then.  He'll go inside his cabin and try to drop 1 wood on the floor there.

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It takes a special sort of focused concentration to get just one wood, and then a different kind of mmph effort to drop it, but Oliver pulls it off. There is now one wood on the floor inside the farmhouse. Does Oliver linger near it?

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He does not storm out of the cabin right away.  He is wondering, first, if he has any sense of writing materials--or maybe writing immaterials--such as might be used to compose a reply to Emily's letter.  There were questions in it, which hints at the possibility of answering her, though maybe she just had in mind their next physical meeting.

He isn't particularly trying to stay right next to the wood within the cabin, or keep his attention on it, though probably his mind does keep rounding every 5 seconds on the question of whether the wood will vanish.

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The wood flies up off the floor and back into Oliver's hands, rejoining the stack of wood he was still holding from before.

There is no immediately obvious way to acquire paper, other than the paper Emily's letter was written on. That paper is blank on the back.

There is also no immediately obvious way to acquire ink, or a pen, or a pencil. Does Oliver perchance have one in his luggage that he brought from home?

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He's got a pen if his luggage still exists.

...does Emily's salad recipe have a selling price?

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Nope, you can't sell recipes.

And for that matter, Oliver is not entirely sure where that recipe notecard went, though he does remember what it said.

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He won't complain about not being able to write and sell lots of recipe copies on strips torn off the back of Emily's letter, so long as the other means of obtaining money has not been turned off.

Oliver steps out of the cabin.  Does his luggage follow him and leap into his inventory now that he's, like, paying attention to that?

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The luggage acts like ordinary mundane luggage from Oliver's former life!

One wonders what bizarre outlandish things Oliver will realize, over time, he managed to pack. One hopes they are not too bizarre or too outlandish.

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Nothing world-breaking, he's pretty sure, unless a laptop or a laptop charger or a Kindle will do that.  He sort of hasn't been poking at thoughts about those items in case the world breaks them.

He hasn't avoided calling attention to the cellphone that was in his pocket.  Is it still there?  Does it have a selling price?  Or a buying price?

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It is still there! So far we know that Oliver can use it as a timepiece or a torch. Oliver could sell it as a torch if he wants, for 5G. Cell phones are not for sale by anyone currently in possession of a cash register.

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He figured.

Actually Oliver should've checked this before he looked at his cellphone, but does he automatically know the time even after putting the cellphone away?  ...can he tell that he knows the time from a mysterious source rather than from having just looked at his cellphone?  (Also, what time is it.)

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Yes! Oliver just knows what time it is! He is so in touch with nature now that he is a farmer in Stardew Valley!

It's 11:10am.

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Planting parsnip seeds took how long?  Okay, Oliver was going to try to chop down stumps and gather driftwood to see if he could get 50 wood, since he has a feeling he may want more inventory slots around, but if world-time passes that quickly--or maybe only when he's not in conversation?--Oliver is going to quickly run off to the Stardrop Tavern or whatever it was called and check in with Emily.  Though he'll also stop along the way if he spots the mayor, or Robin, wandering about.

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Oliver walks east. He sees a leek as he goes past the bus stop, and stops to pick it. He continues on into the main part of town. As he enters the town square he sees a young guy with short spiky blond hair walking purposefully east. He also sees Gus coming out the front of Pierre's general store and heading in the direction of the saloon.

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Is he in position to talk to Gus without going out of his way?

Actually, either way, Oliver wants to try running toward Gus to see if that's still allowed by the laws of physics, and if he can run at variable speeds or he only has a Walk speed and a Run speed.

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He can run! Though apparently, yes, there are only two speeds. Or three if you count not moving at all as a speed.

If he runs he will beat Gus to the saloon. Seems kind of unfair to Gus, who maybe didn't guess he was going to be in a footrace this morning.

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No, he'll stop and slow to Gus's speed as he gets to where Gus is.  Assuming he can match Gus's speed without repeatedly starting and stopping his movements.

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Gus and Oliver converge on the door of the Stardrop Saloon!

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He notes the time.  "Got time for a quick question?" he says experimentally before Gus steps in.

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It's noon!

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"Howdy! Sure, what can I do for you!"

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It took him how long to walk to the tavern--you know, Oliver isn't going to complain, it's obvious on one level what's going on.

"Just a bit of a question about Pelican Town customs.  If one woman likes daffodils and another likes dandelions, would it be considered generally bad or iffy behavior to give a daffodil to one and a dandelion to the other?  Like, be the sort of man who gives flowers to more than one woman at a time?  Would the one who liked dandelions be upset to find out about the one who got a daffodil?"

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"There's no problem at all with giving people gifts they'll like. Everybody likes gifts!"

"I think it might be a bit of a faux pas if you gave a whole bouquet to multiple people at once, but c'mon, you just got here last night. It's a little early for bouquets, don'cha think?"

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"Got it.  More generally, is there an expectation that a man date only one woman at a time?  Or for that matter, that if a woman's dating one man she's probably not dating anyone else?"

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"Didn't I just say it was too early for bouquets?"

"I guess there's nothing actually stopping you from giving bouquets to more than one person, but like I said, that would probably not go over well if they all found out."

"I don't know of anyone in town who's given or received a bouquet lately. Plenty of folks interested in getting to know each other better but nobody quite at that stage at the moment."

 

"If you want to check out who's interested in who, you should definitely not miss the Flower Dance on 24 Spring!"

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"Thanks for that valuable information."

He does not make a mental effort to terminate this conversation, and instead checks to see if it's still exactly noon.

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It is!

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It's going to be a pretty strange life if a day lasts a subjective hour, he's forced to sleep at the end of it, and he can only get more subjective time than that inside a day by having long conversations.

Can he tell if time still appears to be moving around him while he is still (he's mentally deciding) inside this conversation?  Anybody else walking, birds flying in the sky, grass waving in a breeze?

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The world does not appear to be frozen. Breeze is blowing, birds are chirping. Nobody else happens to be walking by right at the moment.

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He'll forebear trying to point it out to Gus, yet, then.

...he was able to simultaneously talk and walk with Emily, last night, when they found the daffodil at the bus stop.

Oliver says, "When does Emily get into work?"

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"Her shift starts at 4pm, but I think she's usually at home in the early afternoon if you're looking for her. Just don't go giving her any bouquets yet, heh!"

"Her house is right down that way." He points across the town square to the southwest. "It's the brown one with the sunshine symbol over the door."

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"Nice symbol.  Very appropriate to her."  Mentally check time.

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Still noon!

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"Gus, I don't know if I'm pointing out something very strange to you, or something that everyone knows, but have you noticed that clock time doesn't progress while we're having a conversation?  It was noon when we started talking and now it's still noon."

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".... Huh. That is mighty odd, now that you point it out."

Gus scratches his head.

"Oh, by the way, did you make a fortune on those fish tacos? What happened?"

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"Gus, you have the power within you to look at me and see how many G I have.  You can--"

"There's a spark, I think, a spark of making things happen, or figuring things out.  I suspect you've already taken a little piece of that spark for yourself, just from asking me that question instead of waiting for me to tell you.  You can take more of that spark for yourself by looking at me, seeing how many G I have, and trying to figure out for yourself what happened overnight."

"I'll totally answer, to be clear, once you've guessed yourself or said you don't wanna.  I'm not trying to duck the question.  I'm more trying to pass around--the spark."

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"I think I can feel it!"

"And... I want more of it. I've been feeling quite stuck. The saloon's been losing money... I think?... it's been losing money for as long as I can remember. I'm starting to get the idea that maybe I could change that. I don't want to have everything the same every day anymore."

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"But... I don't think I can actually tell how much G you have? When I try to just know it doesn't seem to work."

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"Interesting.  Possibly not good, but interesting."

"I've got 5000G total.  I put nine fish tacos into the crate, and Emily put one, to see if it made a difference who put things inside it.  So far, it seems to have worked, but I'll have to check with Emily to be sure there weren't consequences for her."

"The part of you that has the spark--should be able to look at the saloon, which has been losing money, and realize that's okay because there isn't any amount of money the saloon has.  Or if it is, it's zero, and stays zero every day you lose money.  Nothing changes, when the saloon loses money, you don't come closer to bankruptcy."

"Things in Pelican Town will change, I'm pretty sure of that.  The thing I'm trying to say is more--the times may not be changing but they're not bad, for your saloon, if you step back and look at them through the spark."

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Gus does not look convinced that his problems are entirely imaginary, but he puts on a stoic face.

"Nothing to fear! Of course!"

 

"You're right. As of right now, the saloon has a balance of zero, and I also have a personal balance of zero. I'll watch and see what happens!"

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"I was going to ask you to try escorting me to Emily's while continuing to talk, in case that'd save me the clock-time.  But on reflection that might cost you time walking back by yourself.  I'm not asking you to not open your tavern exactly at noon.  Not just yet.  We probably want to take things a little slow, where we push using the spark, so that if something goes wrong for the first time it'll be a less large thing and we'll have an idea of where to trace it.  Emily had a wise and sparky point about not going for 999 small fish tacos immediately.  I made sure to farm parsnips this morning even though I might have a different source of money.  That's why I'm emphasizing that the saloon won't fail if we go slow."  Oliver hopes he is able to remember this point himself.  It is not really in his nature and he tends to be forgetful about things that aren't in his nature.  But, he should at least give this good advice to other people!

"I'll follow you in after a moment.  I want to see if there's people inside your saloon the moment you open for business, even though nobody else seems to be standing around waiting to step in."

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"Well, I do have this arm full of groceries I just got at Pierre's."

Gus looks at his empty arms in confusion.

"Huh."

"Anyway, come on in when you're ready."

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He'll:

1. wait a few seconds without mentally terminating the conversation to see if that holds Gus in place;

2. deliberately terminate the conversation if it proves to be holding Gus in place;

3. check the time to see if it jumped after the conversation ended;

4. check the time again after an internal ten-count to see if the clock visibly moves in a ten-count;

5. and then follow Gus in.

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Gus turns and enters the saloon immediately, even while Oliver is holding the conversational lock!

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It was still noon when the conversation ended.

And it was still noon after a ten-count, though it felt like a slightly later noon than all the other noons.

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The inside of the saloon is mostly empty. Gus has taken up his customary position behind the bar.

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"Sorry to disappoint you, it's just me in here!"

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"As my high school science teacher used to say, there are no good or bad experimental results, only results!  This one suggests that reality keeps track of where people are on a level where they have to move from one place to another instead of just being there."

He strides over to the counter.

"I might or might not have done anything while I was outside that'd change my G!  Now that you're behind a cash register, can you tell how many G I have?"

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Gus stares at a point in space just to the side of Oliver's right ear for a moment.

"Mmmmm.... nope!"

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"Huh.  Do you think you could've done that yesterday, before you--woke up?"

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"I don't recall ever knowing how much G anybody else had, especially not in my sleep!"

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"Without actually materializing a baguette for me--can you tell whether I have enough money that I should get a baguette, if I ask for one?"

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Wow.

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"I think you have to ask for the baguette, I don't think I ever get to read your mind, or your bank account, about it, until we try the transaction."

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"Veeerry interesting.  I'm going to go check in with Emily and try some time shenanigans along the way."

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"Wait... so you're not going to buy a baguette? You know this saloon presently has 0G!"

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"It will still have 0G if I buy the baguette, and my own bank account will show--150G less, I think it was?"

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"It's 120G, and, well, I guess you're probably right. All right then, off you go."

Gus picks up a completely clean beer mug and starts polishing it with a cloth.

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Oliver thinks for a moment and then forebears to point out that Gus is wasting effort, it's possible that Gus will end up very bored if Oliver points out that Gus has no way of improving the condition of any objects around the tavern.  Sometimes the spark can be a disadvantage that way.  Oliver likewise doesn't point out that Gus can potentially buy things, probably in literally unlimited quantities, despite having 0G; this potentially sets weird events in motion and may not be entirely to Oliver's own advantage to point out.

Instead Oliver takes out his cellphone.  Does his cellphone's time match his own mysterious sense of time?

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Yes, his cellphone tracks with the sun in the sky overhead as well as Oliver's internal body clock. It is presently 12:20pm.

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Well then, next up Oliver's going to start his cellphone's stopwatch app, and see if time seems to be going at one second per second according to the stopwatch app.

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This sure is going to be fun.

As Oliver counts "one, two, three..." at one-second intervals, the stopwatch does the same. Then when Oliver says the 'n' in "seven," the stopwatch shows that ten minutes have gone by.

"eight, nine, ten" line up with 10:01, 10:02, 10:03 and then at the 'n' in "fourteen," the stopwatch shows that twenty minutes have gone by.

It is now 12:40pm.

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Dang.  There goes Oliver's notion of looking at his stopwatch while walking to Emily's house in order to slow down time along the way.

Oliver will leave the saloon and run to Emily's previously identified house, then.

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Running across the town square means it only takes twenty minutes to traverse!

Oliver arrives in front of the aforementioned brown house with the sun symbol over the door. There is a trash can to the left of the door and two planters to the right, under the window.

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He'll knock and also immediately cry out "Emily!" in hopes of starting a conversation as soon as possible, before he eats up any more of the roughly fourteen minutes of non-conversational life he gets per day.

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The door opens and Emily is there, beaming at Oliver.

"Oliver! That's so weird! I was just taking a nap and dreaming about you. There is definitely something special about you. I think our destinies are intertwined!"

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(How does Emily physically look, from a potential romantic entanglement perspective, in full daylight?)

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(Less concerning than she looked by dim cellphone-light.  There may be hotter women in town but Oliver would do this one.)

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"It'd be more surprising if our destinies weren't intertwined, really.  Do you remember anything from the dream?  I've got other things to say but should ask that quickly in case you'd forget otherwise."

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"It was pretty standard for me. Floating above a purple pyramid, lots of shapes and colors, palm trees. I was chanting power words. But the weird part was that you popped out of the clouds and joined me! And then there were rainbow streaks across the sky! That doesn't usually happen. I think it was a sign."

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"Probably, but that doesn't help unless you have some idea what it's a sign of."

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"Happiness? A change for the better? Fulfilling my destiny?"

She giggles.

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"Do you have a destiny?"

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"I think I do... I have big ideas... there's something I want to do a lot more than just tend bar at the saloon."

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"Well, just saying, whether fulfilling your destiny is a good thing or a bad thing depends entirely on what your destiny is exactly.  And if it was a bad destiny, or just not good enough, I'd hope to make a better one for you instead.  Doing things beyond the laws of reality as you once knew it ought to be good for that if anything is."

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"Do you want to come in and I'll tell you what I think my destiny is? It's a little uncomfortable talking about it, and I feel extra weird doing it here on the doorstep."

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"Certainly."  He'll step on in; entering her house doesn't commit him to marriage so long as he doesn't give her a bouquet, as he understands customs and/or the laws of physics.

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Emily and Oliver step into Emily's house. She leads him past the red couch in the living room and into the kitchen, where they can both sit at the kitchen table.

 

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"So, um, welcome to my house. My sister Haley and I live here. Anyway."

 

"So, I work at the bar to save up money... though I realize now I haven't actually been saving, and I really want to change that."

"But what I really want to do is make clothing. I love to sew, I love color and design and fashion."

 

"And then... most of all..."

She blushes.

"I want to make clothing that is so right for people that it changes their lives."

"...Which I realize now might actually be pretty difficult around here."

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"That gets into some pretty deep topics.  The nicer thing to do for people is to give them the power to change their own lives for themselves, and I think the first step there is getting them to think in a way where they can see for the first time how nothing is changing, imagine the world being different from that, and act on their own to get there."

"Possibly you could put all that into a piece of clothing, but I bet not on our second day figuring out how it works."

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"Yeah, maybe not."

"And I've got an even bigger problem, which is that nobody in town sells cloth, and I don't have the tools I need to make it myself, so I just have to wait around for people to give me cloth as a gift, and that basically never happens. So I don't get to do a lot of sewing. I have one piece of cloth on my table in my room but I never dare cut it because where would I get another one?"

 

"I think I should probably work on changing my own situation before I start trying to fix everybody else's."

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"I have 5000G today, up from 500G yesterday, which means that the items I put in the crate converted to money, and the item you put in did not."

"I doubt there's any way for me to give you G in such a way that you end up with more than 0G, but some of that money should count as yours, and there should be some pathway I can use to buy you cloth."

"Though what kind of situation we're in, there, depends on whether you still show as having 0G today."

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"Wow, thank you for wanting to help!"

"I do still have 0G at the moment. But I only just decided this morning that I'm determined to change that."

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"Okay, this is going to get metaphysically complicated."

"Changing whether you have 0G, or whether anyone besides me has non-zero G, might possibly be way more difficult than making an arrangement where I hold G and consider some of that G to be yours.  What we did with the tacos and the crate didn't violate... the kind of physics that doesn't depend on anyone's choices.  There's probably some level of reality that thinks you aren't supposed to 'buy' tacos with your fixed 0G and then just give them to me, but it's something you can do as a choice.  Having more than 0G directly inside your own existence may not be something you can do as a choice.  It may just be how the world works."

"This town could still have money that behaved like money, it would just need to be... not G, because the world already thinks it knows how G works and that you're supposed to have 0 of it no matter what you buy or sell.  We'd need to make that money out of our own choices."

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"That sounds really complicated."

"Before we invent a whole new currency, can you try just giving me 1G? Just to make sure it still doesn't work?"

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"I can absolutely try that but we should not try that yet, just in case it works, and then Gus thinks you cannot buy coffee because you have only 1G and that is very different from having 0G."

"I'd propose that we build me up to a few million G first, and also make sure there's some other person in town who can generate G for my account, before we try giving you 1G and seeing what happens.  I hope that's okay.  My prediction is that it doesn't work but we are messing with reality on a level where we should also ask what happens if it does work and if maybe it's not totally cool."

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Emily is not entirely sure this is on the up and up.

A few million G???

 

On the other hand, this is definitely the most interesting thing that has happened for as long as she can remember, and she doesn't want to tend bar forever, she wants to get on with her life.

And Oliver did give her the daffodil.

(Once she asked for it.)

Hmph.

 

She'll go ahead, but she'll keep her newfound wits about her.

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"A few million G? I never heard of anybody having that much. That sounds like it could take a really long time!"

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"I... forgot to ask Gus what today's special is, but if it also costs 1000G, and you buying the last stack of items did not change anything, I propose that you go buy one special from Gus, check to make sure your balance is still 0G, and then you buy a few stacks of 999 of it and we go have me put it in the crate."

"And then I'd be able to buy enough wood to make a storage container that I could use to forever keep the salad that you gave me on the day we first met."

(Oliver is completely sincere about this.  He would not eat that First Salad even if all it marked the foundation of was a longtime friendship, if he didn't need to eat it to survive and it was otherwise imperishable.)

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Oliver wanting to keep the salad forever makes her heart go flippy-flop and she feels a little bad for doubting his sincerity.

He really is pretty dreamy. Literally.

 

"Sure. I don't normally start work until later but we can go there now as customers if you want."

"And are you sure you want to buy wood? Why not just chop down a few trees?"

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"If I've got time left at the end of today to chop trees, I might do that instead!  Chopping wood is fun when you're not made out of unpleasantly realistic details!  I've actually been thinking that there's no reason not to do things the way that normal Pelican Town intended me to do, if it doesn't hurt, and I don't starve, and it hasn't gotten terribly boring.  Otherwise I might miss out on information I'm meant to find out."

"But I'm not quite sure how my day might go, or how much time I'll have left at the end, or when I'll need the inventory space.  So having the option to just buy wood instead is helpful."

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"Jeepers. I've never chopped wood, myself. I wonder if I even could? I wonder if I'd like it? I'd need an axe... huh. Anyway."

 

"Sounds like acquiring wood is not the next thing, anyway. You want to go to the saloon now? Are you coming too or just me?"

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"I'd like us to go there together while talking and see if it takes less than 20 minutes to walk across the town square that way!  Have you noticed how the clock changes when you just stand around for a few moments but not while you're talking to me?  If not, discovering this fact could be an important part of your new destiny!"

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"Normally time kind of drags for me. I spend a lot of time standing around at home, or standing around at the bar. I'm not particularly in need of making time go slower. Though I guess my opinion about that might change now!"

Emily is moving toward the front door and opening it as she talks to Oliver.

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Oliver follows!  And checks the time!  "Of course, now we do have to find things to talk about in order to make sure Time doesn't see us."

"According to you--do you have a sense of how many days have passed, with you just standing around at home?"

Actually even if she says 36,525 that's still, like, 4 years old in subjective time, buuuuut Oliver's life will probably be more fun if he never thinks about that again.

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It is 1:00pm.

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"Well, I remember my parents moving away a couple of years ago. They left to travel the world. My sister and I have been living here and taking care of their house since then."

 

"I don't seem to have a lot of memories before that? I mean, I do remember my parents. I remember that we were happy as a family together. And I have heard stories of my grandparents and great-grandparents."

"I remember... I used to be less worried about money, when my parents were around. I think Haley still doesn't worry about it very much, even though she doesn't work. I wonder why not?"

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Why should she, if Haley can buy all the things she needs, despite having "0G" aka infinite money?

It's not quite in Oliver's interest to point this out to Emily just yet.

"I'm still building up my understanding of Pelican Town, but on my understanding, people in there who come in contact with me and my strange ways and my pointing out strange things about the world, are just starting to--wake up, in some ways.  Acquire a spark of, looking at the world around them and seeing what's strange about it."

"Before people get that spark, they have... a kind of nearly arbitrary momentum, let's say, including just standing around the house waiting for somebody to give them cloth.  If Haley's momentum says for her not to worry about money, she won't worry about money, in her life that always stays the same from day to day."

"At least, that's my current theory of how Pelican Town worked."

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"It's not fair that Haley can have a thousand skirts in her closet and keep shopping for more while I wish for some cloth!"

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"Oh dear Yoba."

"I wonder if Haley would let me have some of the skirts she's not wearing any more?"

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"Very possibly!  You should try that sometime soon!"

Oliver also isn't quite enough of an asshole that he'd discourage Emily from trying things she thought of herself.  If Allah wills, so be it.

What time is it, now that they've been traveling for what should be well over 7 subjective seconds?  Also where are they relative to the tavern?

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The walk takes as long as it takes for the conversation to take its proper shape.

It is 1:00pm.

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...but where are they now relative to Gus's tavern?  Barely outside of Emily's house?  Almost there?

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They are in the liminal space between Emily's house and Gus's tavern, in the town square.

Or, if need be, the toooooooooown squaaaaaaaaaare.

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OLIVER IS ACCUSTOMED TO HAVING A PARTICULAR THREE-DIMENSIONAL LOCATION AND THE END OF THIS PARTICULAR FACT WILL BE HARDER TO DEAL WITH THAN SOME OTHER FACTS

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but you feel energetic in the morning tho

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"Emily have you noticed that while this conversation is ongoing we seem to be in the town square but not anywhere in particular inside the town square even though we are walking at a steady pace."

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"Is that different where you come from?"

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"Yes.  Okay, going to try ending the conversation and seeing if we're then at the tavern and what time it's become."

Oliver does so, by an act of will, though some of that may depend on Emily's will too, now.

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The pair arrives at the saloon! It is now 1:00pm!

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He'll enter the saloon and check time again.

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Oliver and Emily enter the saloon and approach the bar. It is now 1:10pm and counting.

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"It does seem like the basic plan to teleport-by-conversation worked, though I guess if there's no calendar time running out on me, it's not that important to teleport... the thing is, you don't always know when a calendar is running out on you, in worlds like Pelican Town used to be."

"Gus, what's today's special and price?"

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"Howdy! Glad to see you back! Emily, you're very early for your shift, but glad to see you too."

"The special today is baked fish. It costs 200G."

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"Blech. What is it with all these fish dishes? Poor little fishies."

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"Darn.  Well, what's the most expensive thing you sell that I can put in the crate?  --Actually also, what's the most expensive thing you sell that I can sell to Pierre?"

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"The most expensive thing I sell that you can put in either the crate or sell to Pierre is pizza for 600G, though when you sell it you'll get 300G for it."

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"Emily, is there a limit on how many stacks you can carry?"

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"Jeepers, I never thought about that before. Let's see."

She unfocuses her eyes for a moment.

"I think I can carry twelve stacks of things."

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"Actually... is Pierre's shop open now?  And how far is Pierre's shop from here?"

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"Yeah, Pierre is open today. He's really close, on the north side of the square."

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"So, Emily, there's a fast unsafe way and a slower safer way to do this."

"The fast unsafe way is you order one pizza to make sure everything seems to work the same way, and then you order a stack of 998 pizzas and we check that, and then you order eleven more stacks of 999 pizza, and then we head over to Pierre and I sell it to him."

"The slower safer way is that you order seven pizzas, which if something went wrong, is an amount I could pay back at 4200 G, and we sell those to Pierre, and then we come back and order 1.5 times as much pizza, and so on until we get up to twelve stacks of pizza.  Takes time, though, like... maybe fifteen trips or a bit less."

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"I am not sure why it's safer to start with seven pizzas than one. Let's just start with one and then figure everything else out after that?"

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"Oh, sure, I meant going one, then seven, then eleven, then fifteen, and so on until we get to 1,200.  The other way is going one, 1200.  Either way, yes, let's start with one."

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"Okay!"

"Gus, I'd like to buy a pizza please!"

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Gus smiles and starts to make a motion as if to conjure a pizza out of nowhere, but then stops abruptly.

"Golly, Emily, I'd sure like to sell you a pizza, but..."

"I think you don't have enough G!"

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"Oh no!"

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Oh no! indeed.

"Gus, you sold Emily a salad yesterday.  Can you retrieve that state of mind, remember what it was like to not know how many G Emily had or how many G you or your saloon had, and try to--do things over again without the spark?"

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Gus closes his eyes for a moment and then blinks, dully.

He fiddles with the cash register a little bit.

He again tries to make the "Tada, a pizza!" motion, but again jerks to a halt.

 

"I just can't seem to do it. She can't afford it."

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"It is very odd that I can't afford it given that I work here every single day except festival days!"

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"It certainly is odd if you thought the Pelican Town economy was supposed to make sense in the first place.  Emily, Gus, I think the entire world works by different rules than the one you thought it followed, even before we started changing it.  At some point we should probably all have a long conversation about that."

"The next question we have to consider is whether this transaction is failing because Gus has come awake, or because Emily has come awake, or because the world has noticed what we're doing and changed the rules in general."

"I think the most obvious pathway to follow for testing that is to see whether Emily can buy things from Pierre, preferably without saying anything that an unawake Pelican Town character wouldn't say."

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"Golly, can I come along and watch?"

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"Good question, Gus.  The answer is no, and by asking it, you've reminded me that ideally should not watch Emily go into Pierre's store.  We would like things to look more normal to Pelican Town."

"Actually, before then, simpler test.  Emily, you clearly think it'd be extremely reasonable if Gus could afford a pizza... no, a baguette, that's a cheaper test if something goes wrong.  How about if you go behind the counter and try to sell a baguette to Gus?"

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"All right."

Emily is still wondering why Gus can't just pay her for all of the hard work that she undoubtedly did, day in and day out, in the foggy mists of the before-Oliver time, and then she could buy a pizza with that

But this experiment seems interesting too.

She goes behind the bar, changing places with Gus.

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"All right, Emily, I'd like to buy a baguette."

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Emily makes the same sort of jerky, interrupted motion as Gus, but does not materialize a baguette.

"I'm so sorry, Gus, you can't seem to afford it either."

That makes her feel a little bit better, actually.

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"I realize this probably seems pretty disturbing.  Two things to remember:  You will not die without money.  People in Zuzu City die if they don't have money.  You are not in their situation."

"And, the way you were living before, probably wasn't really being alive at all.  This is the price you pay for being alive, it looks like.  I can't promise you it will be worth it, but at least you got something in exchange.  You got a pretty good deal, from some viewpoints, at least the parts we know about so far.  You get to be alive and with a spark of awareness the same as luckier people in Zuzu City, and you don't die without food the way that they do."

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Emily was not previously worried about dying at all, and now feels like maybe she should worry about it, since Oliver thought she might be worried about it!

She is not at all dismayed that the rules have changed. She likes being alive, she likes things changing, and she wants to see what will happen next.

She still wants Gus to try paying her. And maybe she wants a cut of the fish taco profits (though she feels bad benefitting from the suffering of fish, and wants to find a better way next time.)

And the way Oliver's eyes look so intense when he's explaining complicated things... she wants to dress him in royal blue. He'll look incredible.

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Gus is less sure what kind of a deal he's gotten, here. He was worried about the bar, before, and now he's worried about the bar and confused. Still, he's intrigued, and he's not interested in going back to the way things were before.

"People die without food in Zuzu City? That's horrible."

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"It really is, and there's a lot of other awful facts downstream of that one."

"But I think the next step is to see if Emily can buy things from Pierre.  Emily bought things from you last night, and my read then was that Emily had come more alive than Gus, at that point.  So maybe it's just the shopkeeper who needs to be asleep."

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"All right. So... just go into the shop and try to buy anything at all? And you're staying here?"

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"I'll follow you so we can talk instead of time passing.  Also I'm going to try leaving the shop door open and listening to what happens inside."  This probably violates the laws of physics, but there's no way of knowing what isn't physically possible until you try!

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"All right, let's go!"

She leads the way out of the saloon.

"I told you about my destiny, before. What's your destiny?"

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"My old destiny, or the new one?  My old destiny was the same as the fate of all other organic life, to age and die and be in time forgotten.  That destiny, I hope, has already been averted by coming to Pelican Town.  If I'm trading away my organic body for anything, it better be that.  If I was a better person, I'd be thinking about how to run everyone on Earth through here, once the bugs are worked out.  But actually that sounds like a lot of work and I'm just going to leave that whole line of thinking for when I've got the bugs worked out of my own personal life."

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"But, like, what are your hopes and dreams and fears? What are you into?"

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"At least the way it worked in Zuzu City, what I want and hope and dream is a completely different question from what's my slowly grinding inevitable fate!  But if I get any control here... I think I want to not be beholden to anyone for my life and prosperity, which is, now that I think about it, something that might well be on offer in Pelican Town.  I want to not live in fear of sudden changes upsetting whatever new life I can get here.  I want my kind of strangeness to be something that the people around me look upon with admiration instead of thinly disguised fear any time I'm not reciting the usual script for NPC interactions back in Zuzu City."

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"What's an NPC interaction?" asks Emily earnestly.

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"There's plenty of people in Zuzu City who are asleep the way you used to be, only with much less excuse, because they did it to themselves.  When you say something they weren't expecting, they don't wake up and realize the inherent absurdity of the world around them and start asking more questions of their own.  They yell at you and go back to sleep."

"I think we've talked long enough that we can stop here and be at Pierre's instead of this creepy undefined state of existence in between, and we should save some conversation for the way back or wherever we're going next."

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As the pair comes to a halt outside the general store and Oliver takes stock of his surroundings, he sees that a young woman with long purple hair is walking away from them to the east. A few moments later, an older woman with green hair comes out of the general store, nods a friendly hello, and starts walking in the direction of the west side of the town square.

He also notices that an older lady with her gray hair up in a bun is tending to the plants on the west side of the square.

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Can he know their names by staring at them hard?

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No, that doesn't seem to work.

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"Emily, can you identify to me the names and Pelican Town roles of the purple-haired woman, the green-haired woman, and the gray-haired woman who's gardening?"

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"Oh, sure!"

"The girl with the purple hair is Abigail, and the woman with the green hair is her mom, Caroline. Caroline and Pierre are Abigail's parents, and they all live here at Pierre's store. Caroline runs an aerobics class on Tuesdays. The nice lady watering the plants is Evelyn. She's kind of like a grandmother to everyone in town."

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"Huh.  Thinking slightly ahead of the story, now that I think of thinking about it, is there anyone in town who's an obvious evil villain?"

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"Evil villain? Huh. Noooooo? I think?"

 

"I mean, a lot of people are a little confused about the Wizard who lives in the tower west of town."

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"Why are people confused about him?"

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"Well, let's see. He's pretty reclusive. He doesn't even come to a lot of the town festivals, and we never see him around. There have been rumors about him for as long as I can remember, about his love life. But I guess I sort of doubt that he's actually evil, because I think he's on the same side as the junimos!"

Emily still seems a little embarrassed about the junimos.

 

"Oh! I know who's an evil villain! Why did I not think of him right away! Morris, at JojaMart!"

Emily seems relieved to be changing the subject.

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"What makes him evil?  I mean, I'm not asking what his childhood was like, I'm asking what's the substance of his deeds by which he was judged villainous."

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"Oh, he's always pressuring people to buy memberships at JojaMart. It's a dead, soulless place. They're trying to drive Pierre out of business!"

 

"Huh."

"I wonder how that works with the G never actually flowing around. I'm confused."

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"On my present model of how it works, that layer of reality doesn't make that kind of sense.  Everyone inside it thinks that Pelican Town has the same sort of economy that Zuzu City does, where money actually does flow around, but the people inside it don't really buy things.  It's all waiting for a special kind of person--me, but maybe you and Gus also count now, and Marnie was also in the process of waking up though I don't know if she's finished--to change it, in some way, or make decisions.  And without that, the people in that layer of reality won't really make decisions for themselves.  They won't go out of business, unless that layer of reality has a milestone written into fate where Pierre goes out of business on Day 40, and then it wouldn't matter if we tried to give G to Pierre before then..."

"It's complicated and I don't think we should try to change it all at once."

"Anyways.  I think the next step, Emily, is for you to head in to Pierre's place and try to buy 1 of the most expensive thing he has that he'll buy back, if that works 999 of the thing, if that works 11 more stacks of 999 of the thing.  Try to sound very normal and like you're completely supposed to be there and don't expect any problems... actually, why don't you rehearse to me what you'll say to Pierre, just to check that?"

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"All right, here goes."

 

"Hi Pierre!"

...

"Why yes, it is unusual that I'm here at this time on a Monday!"

...

"Yes, everything is okay!"

...

"I'd like to buy one cherry sapling, please."

...

"No, seriously, I'd like to buy a cherry sapling!"

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"Huh, this feels a bit odd. I'm not sure I'm doing it right."

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"Seems good to me, though?"  Oliver is perhaps not the best judge of what is normal.  "Head on in, I'll try to listen through the door from outside, if that doesn't work I might try to sneak in and observe from inside."

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Emily strides confidently through the door!

As she enters, she sees Pierre behind the counter and Leah browsing the shelves of merchandise.

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How do the laws of physics feel about Oliver attempting to keep the door a little open with his foot, and listen through that gap?

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The door shuts with a firm click.

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Does Oliver appear to have a "sneak" option he can access, like the "run" option earlier?

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Just as local physics and biology do not model arms getting tired from swinging a scythe, they do not permit for that much variation in physical movement.

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Then Oliver will head on in through the doors and immediately look at the merchandise shelves after the manner of a busy person who already has something in mind!

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Inside, Emily is brightly approaching Pierre's counter with a smile plastered on her face. She feels like she's about to attempt shoplifting.

"Hi Pierre! I'd like to buy one cherry sapling, please!"

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"Why hello, Emily! What a surprise seeing you in here on a Monday afternoon! And buying a cherry sapling, no less! What in the world are you going to do with that? Where are you going to plant it?"

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"I, um. Want to try my hand at starting an orchard. Somewhere. And I think cherries are a pretty color."

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"Seems like maybe a waste of your hard-earned G, if you're just doing it on a lark."

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"Sometimes people want to try something new, Pierre! Just sell her a sapling. What's it to you?"

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"Well, I guess it is nice seeing more young people take an interest in farming."

"Don't s'pose you want a sapling too, Leah?"

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"No thanks, I'm good."

Leah turns her back abruptly and almost barrels right into Oliver.

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He should probably not wake this person up.  Things get more complicated when he awakens more people, probably.

Normal.  Oliver needs to say something normal.  Needs to say something normal for normal Pelican Town and its simplified reality.

"Oh, I'm sorry, I almost didn't detect that collision," is what comes out of Oliver's mouth.

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Wow, this guy is... unusual.

"No worries at all." She brushes past him to reach for some vinegar.

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Meanwhile, Emily is dying of agony from trying to get Pierre to sell her a sapling, but is determined to see it through, especially since Oliver is right over there talking to Leah.

"So... sapling?"

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"All right, all right!"

Pierre goes to ring up the transaction on his cash register.

"Huh."

 

"That's odd. Emily, it seems like you don't have enough G."

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Emily was fully aware this might happen, this is part of what they were testing for, but she still somehow feels inadequate, like she failed Oliver.

She turns and gives him a sad, questioning look.

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He gives her what's hopefully a reassuring nod betokening 'We mostly expected that and you're not due to starve anytime soon unlike normal people with zero money.'

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She sees the nod, by which Oliver seems to be saying that her failure was inevitable and expected, and accepts his judgment as her due.

 

She turns back to Pierre.

"Oh, jeepers, I'm so sorry, Pierre. I guess I'll have to come back after payday!"

and then darts down the aisle and out of the store.

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It'll look suspicious if he darts out right away... but he doesn't want to leave Emily waiting... well, possibly both of those desiderata can be satisfied simultaneously, depending on whether her time goes on hold when his does.  "I'm new in town," Oliver calls over to Pierre, thereby Starting a Conversation.  "What are cherry tree saplings good for?"

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"Welcome to town! Now, you're exactly the sort of person who could actually use a cherry sapling, assuming you're Greenie's grandson and you inherited the farm? You have good arable land to plant the sapling on!"

"If you plant this tree, it'll take a while to grow, but once it's grown it will produce one cherry every day all Spring long! Or if you plant it in a greenhouse it'll give fruit all year round."

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"Fascinating!  What do they cost, and what do cherries sell for?"

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"Just 3400G for a lifetime of fruit! You can sell each cherry for 80G and up, depending on quality."

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"There's a weird fashion going around for people planting huge fruit orchards, I've heard.  Wouldn't be too surprised if somebody wanders into this store and wants to buy 12 stacks of 999 cherry tree saplings, one of these days!"

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"Ha! You're quite a comedian!"

"Do you want to buy 999 saplings right now?"

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"I'm not actually joking!  But not today, I'm afraid, not me.  Was just looking around trying to get an idea of which stores sell what, around here."

"I heard about this one merchant in Zuzu City who had somebody coming into his store trying to buy 12 stacks of 999 apple tree saplings.  It wasn't even the one who wanted to plant the orchard, he wanted to stay anonymous, so he sent this other girl in to do it for him.  But the merchant didn't believe the girl was serious, she went to a competitor, they lost the sale... and then a bit later there was this mysterious enormous apple orchard appearing on a spot of public land, which is how the whole thing made the newspapers."

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Leah perks up at the mention of Zuzu City. She lived there, not long ago, and she did not remember reading any stories of mysterious enormous apple orchards. Maybe she was reading different newspapers, or maybe it happened after she left, or maybe Oliver is up to something.

She says nothing, but keeps listening.

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"Lost the sale, you say?"

"Well... just remember, JojaMart doesn't even sell saplings." The corners of Pierre's mouth are tight.

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"I wouldn't buy from them if they did.  It didn't take long at all after I got here for people to tell me about JojaMart, though I imagine you've got more to say than most."

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"Where do I even begin?!"

 

"They come into town with their bright fluorescent gleaming sterile floors and shelves and their boxed mass-produced chemical-laden GMO-filled 'produce' and they are destroying the lifeblood of this community! Sure, they offer some good deals, but once they've driven me out of business they're just going to jack up the prices and I don't understand how anybody can shop there in good conscience! It makes me sick!"

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"Everyone figures that their personal decision to shop there won't make the difference between you going out of business or not.  The future where Jojamart jacks the price hardly feels real to them, because it's the future and not happening right now.  Between those two factors, the good feeling of having a few more G today outweighs that distant maybe-worry about the bad thing that might happen in the future.  They won't think it was their fault even after it happens."

Oliver says it so reflexively that it only occurs to him afterwards that the people here aren't making decisions using metaphorical NPC algorithms, they're literal actual NPCs and don't end up with any more or less G at the end.  There may not even be any particular people shopping at Jojamart.

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"You really seem to get it. Thank you! Maybe you can explain it to a few more people around town."

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"Perhaps.  Does Jojamart have a glaringly obvious weak point?  Would there be an obvious start point to a quest to bring them down?"

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"I think what this town really needs is a rallying point, a place for everyone to come together to share resources and connection. We have an old run-down community center just north of here but it's in pretty bad shape. If you wanted to help fix it up, that seems like it would help this town out quite a lot. You could talk to Mayor Lewis about that if you're interested."

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"Thanks for that straightforward answer!  I'm glad I live in a world whose social problems aren't less straightforward than that!  See you around Pelican Town, Mr. Pierre!"

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"Wait! Don't you want to buy a bigger backpack before you go? It's so hard to do any foraging with just 12 slots!"

He points to a poster on the wall advertising a large backpack for 2000G and a deluxe backpack for 10000G.

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"It's a fine recommendation!  Might be back for it before too long!  But I'm very much still getting the lay of this town and its opportunity costs, which investments pay themselves back the quickest with the least ongoing maintenance."

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Leah is not sure she likes the sound of that, but continues browsing the vinegar.

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"All righty then! I'll be here when you're ready to buy more seeds or saplings or a bigger backpack! Open every day except Wednesdays and festival days. Have a good one!"

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Can he detect how many inventory slots the large / deluxe backpack confer by staring at them, by the way?

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The large has 24 slots and the deluxe has 36.

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Nice.  He'll head out of the store, hopefully to find Emily who hopefully hasn't waited long or gotten far.

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Emily is right outside the store.

"Oh Yoba, I'm so sorry about that. I really wanted that to work! Thanks for coming right after me."

Emily can tell that Oliver really cares.

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"Full disclosure, I didn't want to make it too obvious we were working together on that, so I initiated a conversation with Pierre and hoped that time wouldn't pass for you.  I am glad you weren't left waiting, though."

"And I did mostly guess it wouldn't work.  I just wanted to try it before I did the next obvious thing... I'm about to try to pass you 1G.  If it works, I'll pass you and Gus both 1500G, your shares of the 4500G we generated, and that turned out to initialize your bank accounts to being more real.  You both ended up being impacted; you should both get some of the benefits."

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"Oh wow. Okay!"

Now she's very very sure that Oliver cares.

She closes her eyes, takes a breath, squares her shoulders, and opens her eyes again.

"I'm ready."

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Can he... give Emily 1G?

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Yes!

"Oh wow! I have 1G! It worked!!!"

Emily jumps up on Oliver and wraps her arms around his neck and squeals.

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...he guesses it's the first money she's ever earned?  Like a 5-year-old getting her first allowance no, bad thoughts, possibly inconvenient thoughts.

Can he, like, spin around while holding her without falling over or twisting his ankles, now that he's running on somewhat different physics?

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Yes! It feels easy and natural and nobody gets injured in the process.

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That's actually a bit fun, then!  He'll spin Emily again and simultaneously give her the remaining 1499G from her share.

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"Wheeeeeeee!"

"Oh wow, I'm so rich!"

Emily is suffused with joy. She can't stop checking the location in her memory where her G balance is. It keeps saying 1500G, and it keeps being fun to check it again.

 

"I am SO GLAD you moved to Pelican Town!"

 

When the spin is over she reluctantly lets go of his neck and drops back to the ground, but continues beaming at him.

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He wishes he could beam back, but it'll come out as a horrible grimace if he does that without feeling it, and he can't help but think that the endless wealth in her balance is less than 15 baguettes.  Or a bit more than 15 cherries, apparently.

"Shall we report back to Gus, and give him his share?"

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"Okay!"

Emily grabs his hand and starts walking toward the saloon.

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He'll follow.

"There's a complicated conversation we ought to have, and I don't know any good ways to introduce it because it hasn't really... happened ever before in the history of the universe, so far as I know.  Can you let me just blurt out a bit about it, even if it sounds a little shocking or strange?"

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"Okay...?"

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"I'm aware that it probably feels instinctively like it would be a really wonderful thing if I'd bought you a piece of cloth, at Pierre.  Possibly at some point I will.  The reason I haven't, yet, is that--I'm wondering if the spark that's growing inside you has its own opinion about that, and if, for example, it thinks that a man should have to do something else to win your heart than just buying you a piece of cloth, or maybe that you want to buy cloth for yourself now instead of waiting for someone to buy it for you."

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Emily sure would love to get some cloth from Oliver, but that feels hard to say out loud, so she'll misunderstand the point of the question.

"Oh, silly, Pierre doesn't even sell cloth. Nobody in town does."

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"I'm glad to hear that, in a way.  It means that whoever carved the groove in fate where Emily's heart can be won by giving her cloth, didn't want it to be that straightforward."

"The question is whether you approve of that groove carved into fate, now that you're in a place above that fate--whether you want your heart to hang on cloth at all.  Maybe it's fine.  Maybe if you like someone anyways, you're fine with him putting in whatever effort it takes to find a piece of cloth, and then liking him that much more."

"But you have the power to question that, now.  The answer you give to yourself doesn't have to be 'no'.  But it's something where I'd want to hear that the question had been asked, before I walked down that groove in fate myself, and tried to use its power over you."

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Emily has never had a conversation anything like this before. Usually she knows exactly what to say, almost like reading a line. This... this is just confusing.

The main thing she knows for sure is that Oliver is talking about winning her heart. She likes that. She likes that a lot.

 

"I don't really know what to say! Is it okay if I think about it?"

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"You thinking about it is part of the idea, even."

He briefly considers saying that Emily is even allowed to change her mind, after her first answer... but Oliver then decides that he wants to think about that more, before he says it to Emily.

Humans change their mind too easily about relationships, in Oliver's opinion.  If he's teaching this one how to be a real person from scratch, maybe he won't go and say that it's her privilege to change her mind any time she wants.

Oliver doesn't much know what to say next either--too many half-formed thoughts, trying to warn her that Oliver may not be what the grooves in fate think of as normal, wanting to know how she feels about polyamory because Oliver is not particularly naturally monogamous, trying for that matter to find out if sex is possible here or if screens just fade to black... maybe first see if Emily can master the basic ability to reflect on the nature of her own relationship desires, before going that complicated...

Oliver would actually like for this conversation to have finished and for them to be at Gus's tavern, if that's an option.  He wishes he could match Emily's cheerful bright pure enthusiasm and it sort of hurts that he can't.

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Emily has bookmarked the idea that she really needs to think about what Oliver has said, but prefers to spend this moment enjoying her newfound wealth and that a boy has a crush on her. Or something.

She is okay with arriving at the saloon now.

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"Howdy, folks! Back so soon? It's still not time for Emily's shift. What can I get for you?"

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"Emily could not buy anything from Pierre with her balance of 0.  I've given one-third of the 4500G from the fish tacos to her, and plan to give one-third to you, because my guess is that you also cannot buy things now with a balance of 0.  You ended up impacted by our little test, so you get some of the proceeds.  Unless you object?"

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"Of course I don't object! That makes my day! That makes my whole week! Thank you!"

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Oliver will transfer 1500G using the power of his mind.  At least, Oliver assumes that is how he has been doing it.

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"Amazing! I see the money right now! It worked!"

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"But wait... we got this money because yesterday we could transfer goods around for free... and we can't do that anymore. Now what?"

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"So here's the thing.  I, on the surface of things in Pelican Town--I don't know how seriously to take that surface--can do things like buy parsnip seed packets, plant them, water them, and sell the parsnips for more than I bought the parsnip seeds for, a few days later.  That, I worry, may require somebody to still be asleep, like Pierre, so they can act as part of the system that turns G into seed packets and parsnips into G."

"In general, be careful who you wake up, if possible.  I realize it may not be easy and that Marnie for example might already be coming awake.  But don't point out to people that their balance is always zero G, if only because then they'll really have zero G and not be able to buy things and this will be your fault."

"You might be able to sell drinks to people who are still asleep, and then have G.  I really have no idea if that's going to work for you or not until you try."

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"But wait... what do we know about what wakes people up and what doesn't?"

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"I know I started to feel more awake when we were playing with buying and selling the salad and the tacos yesterday, and then more when Oliver and I were walking back to the farm."

"And... probably even more today."

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"It's a great question and we are, for the moment, limited in what we ought to rush out and try."

"My working theory is that there is a way that asleep Pelican Town works, and a way that asleep people believe Pelican Town works.  They wake up, maybe in pieces, as you point out pieces of sleeping Pelican Town that don't fit with the sleepy belief about Pelican Town.  It happens when you steer them to look at the way things are, and actually think about them, and see the contradictions and the incoherence and the way it doesn't fit together.  Then they start to think about what they're seeing, they can't just load in the usual prerecorded sleepy thoughts, and that means they're thinking."

"Or it could be as simple as, once you point out to somebody that they always have 0G, they look and realize it and then they can't buy things.  Does Marnie still have an infinite amount of hay or an infinite amount of chickens?  Maybe Marnie can still buy things because nobody's pointed out to her specifically that she has zero G, even if she's awoken to her infinite hay supply."

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"So... should I just not talk to anybody?"

Emily really wanted to talk to someone about Oliver's questions.

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"Depends what it is you want to talk to them about.  Previously having 0G?  That one seems unusually dangerous.  People being asleep and awake in Pelican Town?  They might think you're crazy."

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"What if I want to talk about... what I really want, and how I'm going to try to get it? If I suddenly seem to have... options about that?"

Emily does not particularly want to involve Gus in her love life.

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"...how much would you be asking them questions unlike anything you can ever remember asking them before?"

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"Hmmmm. I guess that's probably not a great idea, now that you put it that way."

 

Jeepers, being awake in this town is going to be really lonely if she only has Gus and Oliver to talk to, and she doesn't want to talk to Gus about very personal things. This romance with Oliver better work out, or else she might end up waking someone else up just out of loneliness.

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Emily has another thought.

 

"But wait... it doesn't really feel fair, not to wake everybody else up."

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"Point one:  It's not clear that they're really people at this point, to maybe be wronged.  They might be, Pierre didn't seem very much on repeat, but I don't actually know."

"Point two:  Let's see how happy or unhappy you or Gus end up, now that you're awake."

"Point three:  I don't think we can put them back to sleep, if we're hasty.  We can always choose to wake them up later."

"...does Marnie work as somebody for you to write to?  She's already at-risk and I don't think you'll wake her up much more, by talking about life goals, so long as you don't specifically point out to her that she seems to have 0G."

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Emily is mildly offended by the idea that she wasn't really a person until yesterday, but she can kind of see Oliver's point.

She is pretty sure she is much happier now than she was before, so that point is not very compelling.

 

Point three is something to consider, though. Especially since she can probably go ahead with it even if Oliver doesn't totally agree.

 

"I mean, if it's Marnie, I'll probably just go talk to her. If were going to write a letter, I'd write to my friend Sandy in the desert, but it sounds like I shouldn't do that yet."

Emily is not particularly interested in talking to Marnie about this. Marnie is much older and Emily thinks she wouldn't really get it.

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"If Sandy isn't here then she's not where we can help her if she wakes up and then something else goes wrong for her.  Unless the desert is just a false-hour's walk away."

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"No, the Calico Desert is a bus ride away, and the bus is broken down right now. But I usually only go visit Sandy on her birthday, the rest of the time we just write to each other. She's kind of lonely out there, I think."

"She runs the Oasis and they charge G there so I think she's in a different part of here."

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"Well, it's advice meant for different circumstances, but they do say that you should lean against awakening people to new parts of themselves if you can't be there in person to oversee any fun and interesting new problems that result."

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Emily wonders if Oliver is intending to be around for her while she wakes up, or if she's even allowed to ask that. She knows for sure she doesn't want to ask in front of Gus. She wonders if Oliver is already thinking about this or if he's going to need it pointed out.

 

She realizes she is not at all sure she wants to work at the saloon today. Or ever, really.

 

"Gus? Should I... keep working here?"

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"Oh gosh. I don't know. I sure will miss you if you don't! But now that you mention it... there isn't really so much to do here that you need to be here to serve the customers."

"We should figure out how we're actually going to generate money. I bet we can find another way to generate more money than both of us working here."

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"I don't know any particular reason why we'd need money quickly, but if we did, the obvious thing would be to walk through all of Pelican Town and its surroundings, singing 'Ten thousand bottles of beer on the wall' to each other so time didn't move, and gathering everything in sight."

"...that might possibly be tempting Fate, if it's Fate that made you unable to buy things without money after you woke up.  I think mostly I'm supposed to farm, in the start of things.  You could try helping with that.  Or if Gus can still sell beer, we could look into Emily working at other shops and see if she can generate income there that wouldn't actually exist otherwise."

"We don't know much about how anything works for us, right now.  For you even less than for me, because everyone knows what I can farm and how much it sells for."

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If Oliver's the only person she's allowed to talk to, she probably wants to help with whatever Oliver is doing.

"I don't think there's really all that much stuff to gather around town? But I would try farming. I doubt I like it as much as sewing, but if we could work our way up to producing cloth at the farm then I'd be pretty into it."

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"What's that production line look like?"

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"So, we could have a flock of sheep that produce wool, and then weave that wool into cloth on a loom. Though... I think we'd need to make the loom, and I don't know how."

"Some people make cloth out of old, soggy newspapers. You can get those from fishing, I think. But then you need a recycling machine, and I don't know how to make that either."

"Do you know how to make either a loom or a recycling machine?"

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"That would require me to have Internet access, and if I had that I might be able to use my old bank account to order cloth from Amazon.  But someone in town will know, or be able to sell us a loom, or a loom recipe.  You wouldn't have been created with an unsolvable quest."

Oliver silently wonders if reality is realistic enough that soulless Jojamart has cheap cloth.  Having enough cloth for everyone was the original reason why humanity adopted soulless mass production in the first place.

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"I think a couple of people in town have internet. Sebastian does for sure."

And Leah was thinking of getting it to sell her art online, and Maru probably has it for her science projects, and Abigail for playing video games. No need to volunteer any of that though.

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"I admit, I'm not very hopeful that your Internet is the same as my Internet.  Who's Sebastian and where does he live?"

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"Sebastian is Robin's son. I think you met Robin, the carpenter? They live up on the mountain north of town. Sebastian writes computer software."

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Now there's somebody who'll either be very easy to wake up or impossible.  "Noted.  Shall we away to farming?  Or maybe gathering.  I admit, I'm still tempted to go gather a total of 50 wood, for having-storage purposes.  Seems like the sort of thing that could suddenly matter at any random time, and I don't want to be tempted to eat the salad."

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"I'd like that!"

"Gus... would it be okay if I try quitting my job? And... if farming doesn't work out... could I maybe come back again?"

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"Of course. I will miss you. I'm going to have to think about how to run this place better. There are a lot of times there's nobody in here, maybe there's something better I could do with the time. I'll have to think about what that would be."

"Could you guys imagine me mining part-time? Or maybe fishing. Fishing sounds safer!"

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"Awww, thanks Gus. I'll miss you too. And I'll come by a lot! You're one of the only people around here to talk to, after all!"

"Maybe we should have little committee meetings or something."

 

"Anyway, I'm ready, Oliver! Show me how to farm?"

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"Sure thing.  Oh, and Gus?  When I'm outside the tavern I'll see if I can still transfer 1G to you when I can't see you.  If that works, send it back to me.  If that works, you can send me 3G to signal me if there's some emergency that needs my presence, like everyone in your tavern suddenly seems to be waking up, or something.  If Emily's with me I should arrive here almost immediately from your viewpoint, time doesn't pass while we're having conversations and it works for effective teleportation from the standpoint of anyone not inside the conversation."

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blink

 

not blink

not blink [1]

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"Golly. All right. We're gonna have tee-lepathy!"

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"Sometime I'll have to tell you about the world I'm from and some fancy inventions called cellphones!  Trying it now."

Oliver steps outside the tavern, and then tries to send Gus 1G.

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Gus has 1501G!

Gus sends back 1G.

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He'll step back into the tavern.  "Excellent!  It worked, Emily, in case that wasn't clear from context."

"Quick amendment, though, it occurs to me that until we have time to cook up a fancier code, we can't really signal 'come to this person' so much as 'come to this location'.  So if you're suddenly 3G richer, that means, come to Gus's tavern.  And if you're suddenly 2G richer, that means, come to my Grandpa's farm.  Emily, do you want a separate code for your house, or is there any other location we should add?"

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"Let's use seven for my house. Seven is a mystical number, connected to the chakras!"

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"Seven it shall be!  Shall we be off for real this time?"

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"Yes! Let's farm!"

Emily has the enthusiasm of a person who has not yet begun to toil.

 

The pair sets off.

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'Toil' as a concept is related to sweat, or something you've done enough that it's started to be boring.  Neither of those apply to farming, yet!

"You can nominate your own topics for the walk-topic if you like, but I'm interested in the Wizard and the mining-related Adventurer's Guild!"

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Emily's head is swirling with thoughts about her own future, wanting to wake up Sandy and maybe Haley, the fact that she just QUIT HER JOB for Yoba's sake. But she doesn't really know where to begin with all of that, and she doesn't want to be annoying about it, and so talking about other subjects suits her fine for the moment.

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M. Rasmodius, better known as the Wizard keeps to himself in his tower west Cindersap Forest.

The older townsfolk can remember that the Wizard used to be married, but that the marriage went sour when he took up a relationship with one of the other villagers. Even the dalliance might have been tolerable, until he fathered a child with his lover -- or maybe she just happened to get pregnant by her own husband, the townspeople aren't sure. They are also divided about the identity of the girlfriend and the child.

The Wizard's wife turned green with jealousy and left him. The Witch is seldom seen around Pelican Town these days, though sometimes her eerie cackle rings out over the land, and Marnie sometimes complains that some of her eggs have been turned into void eggs.

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The Adventurer's Guild is far up in the mountains, northeast even of Robin's house, near the entrance to the mines. Marlon and Gil live there. Marlon will buy and sell weapons, armor, and adventure loot; Gil mostly naps in the rocking chair, but wants to hear stories of your exploits and will occasionally share a trinket from his own past adventures.

Rumor has it that if you get into a lot of trouble in the mines and drop all your loot, Marlon will retrieve some of it for you, but he's a cranky old coot and won't retrieve everything, so you'll have to prioritize. Oh, and it'll cost you.

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That's enough time to arrive at Grandpa's farm, Oliver thinks?  He'll arrive, and then look it over to see how much land-clearing remains to be done, and in particular if there's enough wood-stumps to make a storage box... actually, is he allowed to cut down trees?  Do they yield more Wood?  He'll ask Emily that.

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As he forms the question in his mind, Oliver finds that he doesn't need to ask Emily.

 

Most regular trees can be chopped down for wood! If you chop down a mature tree you'll get 12-16 wood, or even more if you take the Forester profession. You might also get sap or tree seeds. Make sure to chop in a good direction; you don't want the wood to fall into the pond or on the other side of a fence!

When you've chopped a tree, there'll be a stump. You can chop that too for another 5-9 wood.

 

Looking around the farm, there's really a lot of land left that could be cleared; Oliver has barely made a dent. There is definitely enough deadwood and trees to make several storage boxes or even chop the wood for a house upgrade.

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"Time to see if the laws of physics allow you to Farm, Emily!  Do you want to try the axe for chopping trees or clearing stumps, the scythe for cutting weeds, the hoe for preparing ground - though we haven't seeds for it, I think - or the pickaxe to.. break the rocks?"

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"Jeepers. The pickaxe sounds really intimidating! I think I'll try the scythe."

After all, a long, wicked, curved blade at the end of a pole taller than she is -- that's not intimidating at all.

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He'll take the scythe out of his 'backpack' and demonstrate on a patch of weedy ground!

Now that they're both awake, is he allowed to hand the scythe to Emily, or does he need to drop the scythe and let Emily pick it up?  For that matter, is it possible for the scythe to pass out of Oliver's possession at all?

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Dropping tools works. (Putting tools in chests also works.)

When Oliver tries to hand the scythe to Emily, he instead swings it directly at her.

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"Eeeeeek! Watch out with that thing!"

Emily jumps back just in time.

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Oliver will probably let out some kind of involuntary scream as soon as he feels his hands start to swing the scythe toward Emily, if that's an event that doesn't happen instantaneously, and try to let go if there's enough time to try to do that, and then regardless of the result he'll drop the scythe as soon as it finishes swinging.  Then stare at the scythe, maybe a glance at Emily, and then back to staring at the scythe again.

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"Oh Yoba, that was scary! I'm sure you didn't mean to do that!"

"Maybe I should have asked to start with the watering can instead!" Emily giggles weakly. She's shaking a bit.

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"I absolutely did not mean to do that holy shit.  I--tried to hand it to you--it's a way that my kind of people had of giving things to one another directly without dropping them on the ground first--and then the scythe did that, I couldn't stop it--shit."

"...anyways.  You have a point.  Let's check if you automatically know how to use a watering can--no, there's nothing to water yet--well, we can check if you can refill the watering can at the pond--and then we'll try the hoe and then we'll try the scythe.  You could actually hurt yourself with an axe or a scythe or a pickaxe, if you don't just know how to use it the way I did."

Oliver drops the watering can.

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Emily is feeling a little steadier now. She manages to smile at Oliver. He seems more freaked out than she was!

She picks up the watering can, carries it to the pond, and dips it in. It fills!

"There! I did it! I'm officially a farmer. I farmed."

She looks up at Oliver to see if he seems to have settled at all.

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Oliver will have been testing whether anything happens if he swings his pickaxe at a patch of ground with no rocks, or tries to use his axe-blade as a hoe.

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Nothing in particular happens! He makes a swinging motion but it doesn't seem to have any effect.

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"It's possible this wouldn't have done anything to a person even if it hit.  The pickaxe doesn't do anything to the ground if there's no rock there."

"I can't think of any good way to ever test it, and we probably shouldn't."

"Sorry anyways."

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"Maybe we can test it with one of the less dangerous implements, like the hoe... on somebody we don't like, like Morris. Just kidding."

 

"Mostly."


"No, actually. I don't actually want to hurt anybody."

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"That's the spirit.  Hopefully nobody ever hurts you badly enough to change it."

"Want to try the hoe next?  On the ground, I mean."  Oliver drops it.

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"Okay. I guess I need to find a bit of ground that doesn't have any debris on it and also hasn't been tilled yet."

She does so.

 

She tills the ground successfully!

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"Next test, see if we can just... sing some farming chanty together, and have that count as a conversation for purposes of not having the clock advance while we farm?"

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"Farming chanty?"

"Do you actually know any of those?"

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"No!  But I'm going to sing one anyways!  To the tune of Wellerman, if anyone around here knows that!"

"Once spoke Shennong, the Ancestor, to all who'd follow afterer, Till the land, fell the trees, oh work my children all!"

"Soon may the harvest come, to reap the sowing we've begun.  Four more days till the parsnips done, we'll fill the crate and sell."

"Divert the waters, break the rocks, sow the seeds and darn your socks, sing a song to stop the clocks, answer the farm's call."

"Soon may the harvest come..."

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"Ohhhh, I like it so much. Here, I made one too. It's a call and response sort of thing:"

Emily sings both parts, as a demonstration:


I clear the grass
(....... you clear the grass)

I chop the wood
(....... you chop the wood)

I break the stone
(....... you break the stone)

To make our home
(...... to make our home)

 

I till the soil
(....... you till the soil)

I plant the seed
(...... you plant the seed)

I water our plants
(...... you water our plants)

To increase the chance
(...... to increase the chance)

 

That I'll grow on you
(...... you'll grow on me)

You'll grow on me
(...... I'll grow on you)

We'll farm this land
(...... we'll farm this land)

Concurrently
(...... concurrently)

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"Your format seems like it'd be better for making the world believe we're having a conversation, plus you might be better than me at making things up as we go, it sounds like.  Let's try it your way; you call, I respond."  Starting time?

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Oliver has been very dedicated to being in conversation almost constantly and it is now 2:10pm.

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Emily is tickled by Oliver's compliments!

She wields the hoe as expertly as she can manage, after only one previous attempt, and begins calling out the song.

"I clear the grass..."

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"You clear the grass!"  Oliver will take out his axe and start to chop stumps... does his mind think there's anything to be done with trees besides turning them into Wood?

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Sure! You can shake them to get seeds, or put a tapper on them and get some kind of syrup. The kind of syrup depends on the kind of tree.

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"I chop the wood!"

Emily is not strictly telling the truth, here, as actually she is continuing to till the soil.

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"I chop the wood!"  He'll shake a tree instead of actually chopping wood, then, and see if he can Inspect what sort of seeds he gets.  Can he shake a tree more than once?  Do they have cooldown periods?

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The tree Oliver shakes is a maple tree, but it does not actually drop a seed at this time. (Oliver suspects he may not be skilled enough in the relevant way to know how to shake trees properly, so that they might yield seeds.)

Shaking the same tree more than once feels pretty pointless, over and above the lack of skill.

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"I break the stone!" Emily giggles.

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Does it slow him down to unlimber the pickaxe and actually break a stone, versus continuing to axe?  "Break the rocks!"

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Nah, that's fine.

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"To make our...    Oh!!!"

"I found... a book!"

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"You find a book!"  "I'll come to look!"  (Sung in the same tune.)

He heads over to Emily.

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"It's... not here anymore."

 

"I was digging on a spot that had some little wiggly worms on it, and my hoe hit something, and I could see that it was a book with a blue cover, and then... it was just gone."

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"There once was a lass named Emilay, she found a book but it went away, the cover blue but then it flew, soon it was just gone..."

Can Oliver see any trace of the book, if he looks where Emily was digging and maybe tries to shove some dirt aside using his actual hands?

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Nope. This is now an ordinary square of tilled soil.

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"I think we should probably go check at the Museum -- it doubles as a library. If anybody knows anything about books, Gunther will."

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Does Oliver know anything about blue books?  Like how much they sell for?

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Oliver knows that you can't sell what you don't even have, and Oliver and Emily do not actually have any books!

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"Think the main lesson is, don't do farming to any area that looks weird or anomalous.  Like having wriggly worms on it, but also anything else that seems special or weird."

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"All right!"

Emily is running out of clear land in the immediate vicinity to till anyway.

 

"I'm feeling brave... can I try the scythe? I'll do it far away from you."

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Have Emily's hoeing movements looked like the smooth, perfect, insta-land-altering thing that happens when Oliver himself has tried it?

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Yes! Emily looks just as competent at farming as Oliver.

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"You look about as competent as me, so sure, go for it."  Oliver drops the scythe.

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Emily takes it ten squares away and begins attacking some weeds with it, and calling out her lines as she goes.

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Oliver sings back!  It's amazing how he doesn't particularly need that breath in order to destroy wood stumps with one mighty axe chop!

...how's the world-clock?

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Still 2:10pm!

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Then he'll go on singing and farming, and shake a few more trees in case that goes better, and inspect any section of Farm that looks weird!

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Tree-shaking does not particularly seem to be getting him anywhere.

The farm looked like this last night; Oliver cleared a bit of it late last night and planted the parsnips this morning, and he and Emily have made a little headway this afternoon.

What about this looks weird to Oliver, that he wants to investigate more closely?

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There's all kinds of things there to investigate!  What's that broken-looking structure?  What's that doorlike dark gap in the fence nearby it?

Does anybody who's not him own those pink trees, such that they couldn't be cut down or maybe picked for some sort of fruit?  Does Oliver know already of a way to expand out his farm's borders?

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Oliver will need to walk close to each of those things to investigate them. Does he do that?

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...sure.  "I go to look..." he sings.

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Emily is swinging the scythe with greater and greater abandon, laughing to herself as she does so.

"You go to look!" she echoes, but she doesn't follow.

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Oliver first approaches the broken-down looking structure. It clearly used to be... something... and now it's in ruins. It will be a major project to repair it.

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Perhaps the mayor will know, or Robin.  The wall-hole, if that's what it is?

"I examine the wall..."

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It's a dank, musty cave!

Emily sings back, faintly. "You examine the wall..."

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Uh... huh.

"I examine the cave," Oliver calls, and tries shining cellphone-light into it.

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Inside, the cave is dank and musty with no other distinguishing features. It drips a little bit, maybe. It's about six by nine meters inside.

Emily does not seem to be singing back.

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If possible, he rushes back out to the farm and looks for Emily.

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Emily is fine! She's pretty close to where Oliver left her, still happily weeding with the scythe. She seems to be enjoying what she's doing.

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"I stopped hearing you sing back when I stepped into the cave.  Did you stop singing, or stop hearing me sing, or...?"

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"Oh, yeah, sorry, I couldn't hear you sing, I figured you wanted to go explore?"

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"There is not obviously anything to explore, though I agree this seems rather suspicious from a plot-oriented perspective."

"Do you happen to know if there's anything that prevents me from cutting down trees beyond my own property for wood?  Does somebody else own those, that you happen to know of?"

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"I think you can chop down trees almost anywhere you can get to? Though you might want to avoid any that seem especially scenic or like somebody in particular might miss them."

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"...I'll avoid chopping down all the trees on this property, until I've verified that I have other sources for wood and maple syrup. Maybe with the mayor, or somebody.  I suspect we can't afford, or shouldn't afford, enough seeds to plant all over here anyways, and we'll have to buy them somewhere unless you know a better source of seeds."  Or if Oliver himself knows a better source of seeds.

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"The two sources of seeds I know of are Pierre's store and JojaMart. Oh, and I guess the traveling cart."

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"Traveling cart?"

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"Oh, yeah, the traveling cart is a hoot! It's fun to see what they have, even though the prices are mostly pretty ludicrous. It comes through the forest south of here twice a week, on Fridays and Sundays. Sometimes they have some really good stuff."

...

"I have a funny feeling you're going to like the aesthetic of the cart, but I kind of don't want to ruin it for you."

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"We'll save some room on the farm, if the question arises."  Today's Monday, so parsnips should be done by Friday, or other things they can sow with a four-day growth period.

"I'd be pretty content to go on singing with you until we'd cleared the whole farm - except for the trees - but I'm reminded by this topic, we should talk about money at some point."

"The way they'd think about this in the outside world, the fact that I owned this land would count for a lot in getting a share of what grows on it, even if you bought your own seeds from Pierre and planted them on a square you'd cleared yourself.  But I'm not sure if you couldn't just - find your own land and farm that?  Or buy it for a couple of hundred G?  I don't know to what extent this land is actually a valuable or even a unique resource, vs. something just not that hard to come by if you wanted it for yourself."

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"Jeepers, let me think about that."

Emily goes through her mental map of the town, section by section.

"Y'know... I think this might actually be all the farmland in town!"

 

"But it sure does seem like we get a lot more done a lot faster when we work on it together?"

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"Definitely faster by the world's clock, though I don't know how valuable that is, really--it's not like it costs us less time, we just get more done faster relative to the outside world."

"I'm pretty sure I'm having more fun doing this around you, and singing made-up songs as we go, to be clear."

"Is there a way to expand this farm?  Clear more land around it?  If you don't know, we should maybe go ask the Mayor in the same trip where we go to buy seeds from Pierre; it affects how valuable the land on it is."

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"I don't know for sure. I know I've never heard of anybody doing anything like that... but I also never heard of anybody sending money to each other as a way of sending a telepathic distress signal!"

Emily suspects that Oliver can probably fly to the moon if he wants to.

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"Exploiting the laws of reality is one thing.  Breaking them is quite another, and I wouldn't rely on my ability to do that if Reality is of the firm opinion that this area of farmland is all of the farmland that should ever exist."

Oliver has been clearing a few squares for some little time now; is he tired?

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Yes, but not completely out of energy just yet.

Also, it is now 2:40pm. A little time went by when Oliver was in the cave and out of singing touch with Emily.

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He wishes he knew of a way to ask Emily if she gets tired, at all, but maybe she won't have a stamina bar for exactly as long as he doesn't point out its existence to her.

He'll go on clearing farmland until he's almost out of energy, slowing on his own swinging (but not his singing) while Emily is not looking--and see if Emily notices herself running out of energy before he does.

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Emily continues merrily swinging the scythe, apparently completely undaunted by her efforts!

"Oliver? What do you want me to do with all this fiber and mixed seeds I'm gathering?"

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"Plant the seeds, in the land you've hoed!  ...though we haven't worked out a division of profits from the seeds, reaped from my land and planted on my land that you cleared and hoed, because I don't know whether farmland is limited and valuable or not."

He makes a mental note, to be kept in mind during future negotations, that Emily can potentially far outwork him so long as nobody points out to her at any point that she has a stamina bar.

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"Could we just... figure it out later? Or does that not work for some reason?"

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"I mean, I think we're going to have to, like I talk to the Mayor about whether my farm can be extended and maybe we keep out one unit of seeds to try planting somewhere that isn't the farm, and then we figure out the division.  But that does mean, we explicitly agree to figure it out later."

"Should probably head off toward the Mayor soon anyways."  Oliver doesn't mention out loud right now that this is because he's tired.  He also needs to test if he regains stamina by means other than sleeping, and whether that goes by subjective time or World Clock time.

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How novel that they could not know a thing now, but agree to figure it out later!

Until now, Emily has only known two kinds of relationships: people who were getting along and people who had some kind of resentment between them. Relationships and agreements, like everything else, were static. This new dynamism is refreshing, but requires a lot of tracking.

"Okay!" is all she says, because she doesn't really know how to put the rest of it into words.

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"I'll wait for you to plant all but one Mixed Seeds, and then we'll go!  Just so that you can be Officially A Real Farmer who Planted Things."

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"Why am I not planting the last seed packet?"

She asks this as she places the seeds into the soil and waters them.

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"Because even if the Mayor says that it's impossible and unthinkable to extend this farm out beyond its borders, we can still see whether we can plant seeds outside and reap them and sell them.  How things actually work may not be the same as how people think they work.  Gotta test it all."

"A seed packet we bought from Pierre would be more reliable for testing, because maybe the random seeds don't grow into something saleable.  But who knows, maybe something will go wrong with trying to buy seeds from Pierre."

Reality refused to let Oliver immediately make millions of G.  This shows that REALITY cannot be TRUSTED anymore.

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"Gotta test everything, yikes! I wonder how you keep track of all of these things that you're testing!"

"Do you have a list of things you are still planning to test? How many questions are on it right now? Maybe I know the answers to some of them."

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Can't talk about stamina bars, that's an infohazard.  Can't talk about his next planned run at cherry tree saplings, he's not sure what sort of ethical objections Emily has about what things.  Should probably not talk about his concerns about whether all the bedroom scenes around here fade to black.

"Having trouble really recollecting things in order.  I probably should keep a list at some point..."

"Oh, right.  Julinos for fixing the bus?  That was on my list of things to ask about, can't test anything until I ask about them first.  That'd be a good conversation subject for while we're heading to... the Mayor's house, I assume, unless you think he'd be elsewhere."

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What unethical things can you even do to a cherry sapling?

(Never mind, maybe asking Oliver to expand on that would be like asking Emily if she has a stamina bar... it might cause more of reality to exist where it shouldn't.)

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Emily shares the following information about Junimos:

1. They are called Junimos, not Julinos
2. They are adorable
3. They are real, no matter what anybody else says
4. Emily has never actually seen one
5. But despite that, she is pretty sure they look like this

 

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Oliver wishes to know (a) why Emily believes the junimos can fix the bus and (b) how Emily is conveying that visual information to Oliver.

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(a) The fables and fairy stories about junimos involve them cheerfully doing good works for worthy people; if you are good, junimos will be good to you. And the kinds of things they can do seem big and difficult, but the junimos use some combination of magic and relentless joy to solve problems. Fixing a broken-down bus sounds right up their alley.

(b) Oliver experienced the image transmission as Emily speaking words and then a picture forming in his mind. Didn't he?

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Oliver's not going to push it.

Does Emily happen to already have an exact idea of what sort of good deeds would get junimos to fix a bus?  Or, perhaps, a notion of a book about junimos that you can only take out from the town library after ridding their basement of rats?

Also how does Emily know what junimos look like, if she's never seen one?

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"I feel a little bit out of my depth when it comes to actually trying to interact with junimos on purpose! I realize now that although I believed in them, maybe I didn't really believe in them, because when I try to make a plan to work with them, I don't know how to start, and it feels like it won't work before we've even started?"

"If I push through that doubt, I think we need to ask somebody who knows more about how this town works. Maybe Mayor Lewis, or maybe Gunther at the museum."

 

"I know what they look like from books of fairy stories!"

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"Gunther or the Mayor it is, then!"  Are they perchance at the Mayor's house now?

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Sure! Why not!

The Mayor's Manor is a stately white wooden home just southeast of the saloon. It has a small garden plot out front.

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What an excellent way to know whether a conversation is reaching a natural end!  Oliver knocks upon that door.

(Also, does the garden plot look just like a section of his farm but smaller?)

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"You know, you can just go in? It's fine just to go into people's houses during the day."

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The garden plot visually resembles a small section of his farm, but is inaccessible.

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"Not in my section of the universe!  New customs understood however!"

What exactly is meant by the garden plot being inaccessible?

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Well, there's a weed in it. If you were holding the scythe you could try to cut the weed, but it wouldn't work for you. Because it's not your garden.

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You know, he's just going to walk into this other guy's house and leave all the Additional Questions there for later.

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Fantastic.

As per usual, the house is a lot bigger inside than outside. There's nobody inside.

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"So in my corner of a larger reality, you're not supposed to just take interesting things that you find in other people's houses.  How does that custom stack up here?"

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"What would you take?" Emily giggles. "Theoretically."

"I've never tried to take anything that wasn't mine. I don't even know if it would work!"

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"...huh.  What would local customs say if I tried opening up this guy's refrigerator and looking inside?"

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"Oh that would be totally fine. Go ahead."

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...he'll look inside the refrigerator then.

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It's empty.

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"Suppose one were to ask why the Mayor owns a refrigerator when there is nothing inside that refrigerator..."

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"Um. Well. Let's see."

Like every question Oliver ever asks, Emily has never thought about this before.

 

"So, a fridge is like a storage chest, except it's special for cooking. And Mayor Lewis likes to cook. But maybe he doesn't keep extra ingredients lying around. Maybe he just shops, puts the ingredients away, and then cooks them pretty soon after. And we didn't come at the right time to see the ingredients."

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Oliver will try to put 1 Hay into the refrigerator!  For SCIENCE!

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There is one (1) hay in the refrigerator.

Science gives no indication of being pleased or displeased by this.

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And, then he'll try to take 1 Hay OUT of SOMEONE ELSE'S REFRIGERATOR.

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It works!

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Then he'll put 1 Hay back into the refrigerator and maybe come back in a week to see if it's still there.

Separately, what's up with that large question mark?

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That's the Lost & Found box! It is currently empty.

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"Emily, do you know anything about the box under the question mark?"

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"Huh, I don't. I've never lost or found anything ever, until that book on your farm! But it doesn't seem to have shown up here."

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"What do you think would happen if I put 1 Hay into the box?"

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"Then I think there would be one hay in the box?" Emily sounds uncertain, like maybe Oliver is going to pull a slime out of the box instead.

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"I mean, do you think it would mysteriously show up back in my backpack overnight?"

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"Nooooo?"

Okay, not a slime. A dinosaur? She doesn't seem to be getting the right answers on the quiz.

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"I feel like I ought to be able to mess with this somehow but I haven't figured any good ways yet."

"Any idea where we find the Mayor at this time of day?"  Oliver isn't going to actually try stealing objects from this house; the relationship with the Mayor seems potentially crucial.

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"Oh, sure, he likes to make the rounds of the local businesses. We were at Pierre's earlier and didn't see him there, so he's probably either at Willy's fish shop or Robin's carpenter shop."

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"Guide me there while singing cheerful songs?  Whichever one is closest, first."

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"Golly, they're both pretty far away, and in opposite directions. It's a beautiful day, let's go down to the beach!"

Emily sets off, making up a very silly nursery rhyme about ostriches that twitch and snitch.

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As the pair approaches the river, they cross paths with a young boy with messy reddish hair.

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"Who's that?" Oliver will say to Emily, after the boy comes visible and hopefully at a natural break in the rhyme.

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"Oh, that's my neighbor Vincent. He's Jodi's little boy."

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"Does he have any sort of obvious role in the universe?  Is he good?  Evil?"

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"Uh... he's a kid? He goes to school at the museum. Penny teaches Vincent and Jas together."

"I haven't seen any sign that he's evil! He likes kid things, like ice cream and cake and hanging out at the beach. He misses his dad a lot, I think."

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"I'll put him down as 'probably not an immediate danger' for now."  Oliver will give a cheery wave to Vincent as he passes!

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"Uh... sure, that seems entirely sensible."

"By the way, do you mind if we just talk while we walk? I'm having trouble thinking of more words that rhyme with ostrich."

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"Sounds reasonably vaguely valid.  What's up with Vincent's dad?"

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"Oh, he's deployed in the war. Jodi and Sam and Vincent miss him terribly."

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(...does Oliver already know anything about a war to which Ferngill Republic soldiers would be deployed?)

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No, this is the first Oliver is hearing of it.

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"...there weren't any noticeable wars involving the Ferngill Republic in my own version of reality.  What war do you speak of?"

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"Really? That's so strange. Zuzu City is part of the Ferngill Republic. I can't believe you wouldn't have heard of the war with the Gotoro Empire."

 

"We've always been at war with the Gotoro Empire."

"... I think?"

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(has Oliver in fact heard of the Gotoro Empire?)

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No...

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"I haven't, actually, heard of any such place as a Gotoro Empire."

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"You're kidding! That's very surprising! They are our nearest neighbor to the south, just across the Gem Sea. What do you think is just across the Gem Sea?"

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(...has Oliver ever heard of a GEM SEA ever?)

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Oliver previously lived in Zuzu City, the biggest city in the Ferngill Republic. Which, as previously described, occupies the northern island of what might be called New Zealand on another version of earth. But in the world Oliver remembers, New Zealand was just smaller. It only took up the southern island.

 

The body of water Emily is calling the Gem Sea would be known, in Oliver's memory, as the Cook Strait, and it would not feature the pleasant archipelago Emily knows as the Fern Islands.

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"In my reality--which, be it clear, I am not claiming was ever your reality, or the reality we're in right now--the waters to the south of us are the Cook Strait, and on the other side of it is a normal and pleasant and peaceful democracy known as New Zealand.  No one in my memory has ever spoken of an Old Zealand, and perhaps there was never such a place."

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"So... you're not at war? You don't have to send troops? You just... live?"

"Before I thought we had it better here, because nobody here starves, but now I'm less sure."

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"There's always some war on or other but not here."

"Does Gotoro send airplanes that occasionally bomb Ferngill cities, in this version?  Or is it--people with guns, or spears, having infantry battles on the borders and naval battles on the seas?"

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"You know... I'm not really sure? We don't think or talk about it much here, it's such an unpleasant topic. I guess I sort of imagine it's people with guns. Definitely nobody ever bombs us."

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"Well, with any luck, it's not really happening or nobody involved is awake enough to hurt."

"I can't promise that's actually true, and if Gotoro is said to not be a local threat but just the reason why a kid misses his father, then there may be no direct way set up to end the war from inside of Pelican Town."

...Oliver wonders if he could call the Gotoro Empire on the phone and wake up a series of secretaries by talking to them until he wakes up the Gotoran Emperor, but he is not going to try this on Day 2.  It doesn't sound like he's due to get bombed or drafted.

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By now the pair has crossed the bridge across the river and are walking down the beach. They've passed a small cottage on the left, and Emily is angling them across the beach to the pier. Oliver sees a couple of clam shells lying on the beach that look pick-up-able.

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Oliver will be taking ALL the 20-G bills that lie on any visible street!

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"Wow, do you think we could try to end the war? I thought you were just going to come up with wild new ways to make money and help me become a fashion designer, but you seem to be thinking bigger than that."

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"I'm not ruling out this early that there's a way to become God!  It worked in--actually I shouldn't say the title, it's a spoiler and I've got it on my Kindle and that means people could possibly read it."

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"If by become God you mean like competing with Yoba, that seems pretty arrogant! Maybe you mean something else!"

Emily's face looks like he'd better mean something else.

She wonders what a Kindle is but doesn't want to let Oliver's extremely questionable statement slide past.

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"Yoba can totally keep his job if he's been good at it!"

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Emily feels like something is deeply wrong with this line of conversation but really can't think where to take it next.

Fortunately, they've arrived at Willy's shop!

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Oliver, cheered by thoughts of apotheosis as always, will stride gainfully in!

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"Ahoy there! It's nice to see young folk movin' in to the valley. It's not very common these days."

Willy's shop is wood-paneled and features a variety of bait and other fishing-related items.

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But no Mayor?

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Alas, no.

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"Young people themselves aren't too common, I'm afraid.  People in the outside world mostly gave up on having kids."

"How would I go about making money fast by fishing?"

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"Eager one, aren't you! I was going to give you a day to settle in and then send you a note to come on down and see me about a fishing pole, but you beat me right to it!"

Willy slaps a bamboo fishing pole down on the counter.

"There you go, in honor of yer grandpappy."

 

"As far as making money fast, a true angler knows that patience and a light touch are the key. If you try to rush it, the fish'll just give you the slip."

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"And I fish in the pond behind my house?  How many fish would you say I'd expect to catch every, ah, hour, and how much does a fish sell for in the crate?  I assume there's no such thing as there being no fish left in the pond?"

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"Oh, there's lots of places to fish, including right outside this very shop, in the ocean!"

"Let's see, there's also the river that runs through town and into the forest, the pond in the forest, the mountain lake, and, well, lots of other little secret spots that I don't want to spoil for you. Basically, if you see something wet, just go ahead and dip yer rod in, that's what I always say!" Willy winks at Oliver.

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"As far as fish per hour, I can't rightly say, but I guess when I fish all day long I might come home with about three dozen fish, give or take? And the sale price varies from 30G up to 2100G, depending on the type of fish, the quality, and whether you've taken the Angler profession. Which of course I encourage you to do!"

"Don't expect to get forty iridium lava eels in one day, though, heh!"

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That's... possibly encouraging about anatomy still existing around here.

"Do you both buy and sell iridium lava eels?"

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"Naw, I don't sell fish, except for little tiny ones for bait. I'll buy fish, though."

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"Well, thanks immensely for that fishing rod!  I'm sure my Grandpa would've appreciated it.  I'm still trying to understand exactly what sort of wet things exist around here, really, but I'm hoping to give some rods a try."  Oliver picks up the offered fishing pole.

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"Have a good one! If you can't figure out how to use yer rod, let me know and maybe I can give you some pointers!"

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Emily doesn't seem to have followed him in, so... actually Oliver is going to go for it.

"Actually, sir, if it's not an overwhelming amount of trouble... I'm wondering how metaphorically you mean that pointers offer, there."

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"Uh... Well, people do often find fishing confusing at first..." Willy offers, in the way of a person who doesn't want to make the first wrong move.

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"I've led a sad life, sir, and lack experience with more than just fish."

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"I find that hard to believe, strapping young farmer that you are. I keep callin' you young, but if you're a day under thirty I'll eat my hat, and I ain't hungry."

"What's yer story, son?"

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"My father was a strict man, sir, very strict."  Everyone who has ever known Oliver for longer than thirty seconds has said 'Clearly not strict enough' to him at some point.  "He told me a number of stories which I now suspect to be less than entirely veracitorious, aimed at discouraging me from getting into trouble, with the result, I'd say, that I've not had enough trouble to be nearly as strapping as I look."

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"I see." said Willy.

Willy has decided to swallow this tale, because why not.

 

"So... you're looking for advice about the ladies of Pelican Town, is that it? Or is it the gents?"

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"More like... I need to confirm in a very general way that some scary things my father told me are false.  I'm sure the lady in question would be able to handle the rest of matters herself, so long as it's not true that beneath her clothing is a... giant spider mouth."

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"A what?"

Willy spits out his pipe.

"Good grief, man."

 

Willy squints at Oliver. "Yer havin' me on, aren't you. You've known me for... zero minutes. Why'd you pick me for yer little heart to heart about SPIDER LADY PARTS sweet Yoba's necktie."

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Why did they have to pick NOW to upgrade the NPC model from GPT-3 to GPT-4?

"Because you're the first person here who has hinted that they can provide advice about man parts and lady parts, and I admit my father didn't tell me that but I also wanted to check whether you'd play along with anything my father told me the way some other people in my life have."

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Willy heaves a deep sigh. This conversation has fallen to him, somehow.

 

"All right, all right!"

"So. When one little fishy loves another little fishy very much..."

Willy shakes his head. Fish stories are not actually going to help here.

 

"What is it you actually want to know, son? Spit'er out."

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The conversation has frankly gotten kind of agonizing for Oliver too.

"Is sex in fact an act where a man has a part which grows into a shape like a rod, which then gets inserted into a correspondingly shaped and wet place inside a woman, and then there is a lot of motion which people are alive and alert and aware for, and nobody suddenly blanks out and finds themselves in a different mental state afterwards without a very detailed memory of what happened?  Or is there something else that goes on instead?"

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"Yep that's about the size of it. I'd say you're all set."

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It doesn't actually prove that reality won't fade to black because Willy would not necessarily remember things that way.

Still, it's at least an overtly good sign.

"Thank you, sir.  I owe you one agonizingly awkward conversation on the important topic of your own choice."

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"It's going to be about The Legend and how I allllmost caught him and you're going to act interested for the whole thing."

 

"Er, uh... good luck. With everything."

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"Fair.  I'll endeavor to have good luck."

Exit Oliver, kind of quickly.

"So, Emily, Robin's up next, right?"

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Emily has been standing on the pier looking out over the ocean and enjoying the salty sea spray on her face for the last twenty minutes while Oliver was in the shop.

"Oh, the Mayor wasn't in there? Bummer. Sure, let's go to Robin's. It's a bit of a walk... we mostly have to retrace our steps and go completely the other way, up into the mountain."

 

"Can we talk about that thing you brought up before?"

Emily is in the mood for a Big Relationship Talk!

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"You mean the highly uncertain prospect of attaining vast powers?"  Oliver is ready for a change of subject too!

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"Noooo... not so much the vast power thing... though of course I want to talk about that too!"

"What I really meant was that thing where you asked me how I want my heart to be won, should it be about cloth, or should it be about something else? And I've been thinking about that, while I looked at the ocean."

 

"I care about animals and never like to see them suffer. I care about fashion and color and lighting people up by dressing them well. I believe in mermaids and dwarves and junimos and everything weird and wonderful. I want my life to be bold and bright. I want to look upon the world with wonder and know that what I see is a gift woven out of magic and fantasy and the miracle of Yoba's blessings."

"And I want to spend time with someone who cares about those things too, or at least some of those things, and who will be goofy with me. Somebody who wants to try Gotoran meditation. Somebody who wants to try to put on Elvish jewelry and play that we're enacting an ancient rite. Somebody who wants to try to find and hatch a dino egg, and then be kind to that dino forever even if it grows up big and scary."

 

"And... if that person also wants to give me cloth, I'm definitely going to like that too. I'm always going to need more cloth. But I don't think it's really the main thing."

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"It's not a bad start!  If you were a woman of the outside world, I'd probably warn you at this point that after going through your first three boyfriends you may find your top list of priorities shifting to 'Will not get angry with me every time I say anything suggesting he might possibly be wrong about something' and 'Is theoretically capable of not listening to loud music while I am trying to sleep' and 'Rich enough that our combined income suffices for a house with two bathrooms', and finding yourself increasingly willing to compromise about that Gotoran meditation part.  I'd also warn you that the first boy you meet who acts really enthusiastic about Gotoran meditation is probably just trying to sleep with you, and that you face a stark and awful choice between living your life inside a dreamworld he constructs and maintains to get into your pants, knowing deep down on some level that none of it is real; or alternatively accepting some boy who doesn't actually care about Gotoran meditation, even though there are boys genuinely enthusiastic about Gotoran meditation somewhere in the world, because you can't find them anymore since OKCupid sold out and nothing really replaced it and now true love is dead."

"In this situation, it's incredibly unclear what your options really are.  Cards on the table, I'd probably try Gotoran meditation once but if I didn't gain incredible powers from that I'd probably table it until I'd tested all the other means of attaining ultimate cosmic power.  I'd try Elvish jewelry if it looked cool but I'd only want to try the ancient ritual if it did something.  Raising a dino egg... man, depends on how much work it is, because I would not like to raise something like that and then abandon it."

"That's probably not perfect according to your standards!  So the question you want to ask yourself is maybe more like, do you want to hold out for the possibility of our gaining enough incredible cosmic powers that you can make your perfect man, and then also, do you want to maybe date any imperfect guys along the way?"

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"Make my perfect man? Out of what, exactly? I mean, the usual way of making people results in children and I don't think that's actually going to help, and can't possibly be what you mean?"

Emily's line of thought has taken a disturbing turn and she beats a hasty retreat.

 

"But yeah, I think I'd be willing to date some imperfect guys along the way." She looks up through her eyelashes at Oliver as they walk north through town.

Before stopping to think at at the beach, Oliver had racked up a pretty high score in her heart's old method of accounting, and has done nothing so far to lose any of those points. She's got a new scoring system on board now and she'll have to see how he fares. He seems game to try the things she cares about, at least, and that counts for a lot with Emily.

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"Good to hear because I do not like pretending to be perfect!"

"And, it really depends what level of power is available within this world, to people who are awake in it?  Maybe you can make your perfect boyfriend the same way Yoba would do it.  Or maybe, in the process of waking up a man, you can give him your own advice about what it means to be a man..."  Should he actually be saying this.  "But I wouldn't particularly advise testing that right away, you could mess somebody up worse than a dino egg."

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They're passing the old Community Center now. Emily doesn't have long to lock this in.

"Hey Oliver... can we stop walking, just for a second?"

She grabs his right hand in her left, and then, as he stops to look at her, reaches for his other hand too, so that they're standing, facing each other, both pairs of hands clasped.

She looks up at him.

"Will you... kiss me? I want to see what it's like."

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There's a lot of things that somebody more prudent than Oliver might say in reply to this!  But right now he's feeling kind of relieved that Emily got The Talk and doesn't want him to be perfect!

He says, "Small safe kiss or big scary kiss?"

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Emily just got done wishing for big and bold and bright. Time to put her tongue where her mouth is!

"Big scary!"

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He leans in and goes for it.  One hand with a nice strong grasp around her body, the other a nice strong grasp around her head, though more in a 'here is where I definitely want you' way than 'and now there is no escape'.  There'll be tongue involved, if Emily doesn't pull away in the first few moments; whether or not Oliver can get his oral appendage into her wet soft mouth, and actually feel that appropriately, may be a valuable sign about other things!

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At first the kiss feels to Emily like a small, atomic event, the sort of thing that could be described by the sentence "And they kissed." And Emily feels a wash of disappointment, is that all there is, oh well.

 

And then she wonders, does it have to be like that? What else could she say, if she wanted this kiss to be more complicated? How could she more richly describe it? And when she pays attention, there's quite a lot to notice, actually.

She notices that Oliver's arm is around her, feels the solidity, his arm circumscribing their small shared world.
That he's cradling her head in the palm of his other hand, his fingers twining into her hair.
That his face is very close to hers,
that she can faintly smell him,
that he smells pleasantly unfamiliar,
that his lips are touching hers.

That she has no idea what to do with her lips, but it doesn't seem to matter, because he seems to know what to do.


There is so much to notice.
She could write an entire letter just about the first few seconds of it. How did she ever think a kiss could be a three-word sentence?

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As far as Oliver can tell, this is a normal kiss that gets to include all the interesting wet parts without skipping over them!  Good, good.

Oliver pulls back once he's had his fun, rather encouraged about how the fun doesn't seem to have been censored.  There is always a pleasant feeling of incrementing by one the number of women you have ever kissed; it's the number of times you've won a game, the number of times that a woman has evaluated you and not found you too wanting.

Now, of course, to find out if that was the last kiss, which is also a figure of merit, but it doesn't do to get so focused on that part that you forget to savor the earlier triumph that's yours forever even if she immediately dumps you as a poor kisser.  Oliver doesn't try too hard, there, he knows what kind of kissing he likes, and either that's enough for a woman or it isn't; you don't want to form a bond where you're constantly worried about whether you're kissing correctly.

"How's kissing?" Oliver says, the better not to immediately offer any suggestion that other men could in fact be better.

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"Surprising! Complicated! There is a lot going on!"

 

Emily looks confused, and does not seem to be getting less confused as time passes. She's holding out her arms in front of her and looking at them, turning her hands over to look at the other sides.

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"That's usually a win!  Any kiss you don't walk away from immediately is a good one!"

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"This is really weird. I can feel so much, and I don't know how to turn it back off. How do I turn it back off?"

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"I'd say, don't!  Just keep feeling lots of things for a minute or an hour or a day until your mind sorts itself out again!  People who don't feel lots of things usually think they have it worse!"

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"Okaaay..." Emily is not sure this is actually going to work, but it sounds like Oliver either doesn't understand what she's talking about or maybe just doesn't care?

Emily feels overwhelmed, every feeling at once, wildly out of control, not sure how to process any of it, and can barely form words.

It is pretty clear that Oliver is not going to rescue her from this, and she doesn't quite know how to rescue herself.

 

She sits down in the middle of the path.

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That, combined with Emily's earlier looking at her hands like that, may actually be enough for Oliver to make a leap of sheer intuition about what Emily actually meant there!

"Oh.  Did you just notice you had a body?"

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"Is that what is happening?" Emily looks like she's about to cry.

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Oliver sits down beside her, feeling strangely like an imposter priest in a church ceremony.  "I do not actually know, because you have not said very much about whatever is happening to you right now, and I have never been in your exact position.  Talk to me?"

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"So... the kiss started out boring, small, nondescript, and I didn't want it to be like that. I was thinking about what I would say, if I wanted to say something longer about it. And then I started... noticing. Noticing lots of things about the way you were touching me and the way it felt and there was just so much and now it won't stop and I'm so confused."

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"Well, not to be too reassuring or anything, but I actually have no idea how to handle this."

"But I'd guess that the first step is that you sit quietly and let yourself experience everything and remember that people like me have always had bodies, worse and more painful bodies than yours, and we've survived.  It will be okay."

"The next step after that will be learning to focus your attention on one thing at a time, like, can you just pay attention to your right thumb more than to everything else."

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Emily holds out her right hand and makes a thumbs up sign with it, and then stares intently at her thumb and wiggles it. She pokes it with the index finger of her other hand.

"Mostly I just want to scream because it's REALLY A LOT."

 

"Wait."

 

"I decided to feel more, during the kiss. Maybe I can decide to feel less again."

 

Emily closes her eyes and furrows her brow.

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"There!" she says brightly.

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That was fast!  Much easier than he was afraid that was going to be!  The sense of being present at a church ceremony completely vanishes, leaving only a small faint remnant of sadness.

"Oh, wow, that would not have worked for my kind of person.  I wonder if now I could learn to do that?"

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"Try it?"

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Oliver attempts to order his body to stop delivering sensory inputs from his ankles.

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What kind of sensory input do you generally receive from your ankles, that you could now stop? Hmph.

Well, anyway, no more sensory input from your ankles. Do you even notice?

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Oliver is among the ranks of people who have many times wished, maybe not in exactly those terms, to be simulated at a level of detail that does not include ankles.

"I'll be darned like a pair of worn-out socks, that actually worked."

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Glad to be of service.

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"What did you try?"

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"I tried existing at a level of detail that doesn't include ankles and now I don't have to worry about the state of my ankles at all!"

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"Did you previously spend a lot of time worrying about your ankles?"

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"You have absolutely no fucking idea.  Imagine a world where you could try to run, and then suddenly your body twists around and you are writhing on the ground because your left foot does not work anymore and there is PAIN and you are worried that you have actually PERMANENTLY fucked up your left foot and then you HAVE and that is the end of your experience with recreational running.  I recommend not having ankles unless there is specifically a reason why having ankles for you is better than not having them right at that second."

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"That sounds awful! I can't decide which world is worse, your original world or mine when I wasn't awake yet!"

"I will make a note to continue not having ankles."

 

"What do you recommend actually paying attention to, body-wise?"

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"That's an excellent question that I haven't considered before!  I think in your case you should try paying attention to particular pieces of your body one at a time, decide which piece is the most fun right now, and then switch that one on so you can get used to existing in a little more detail than before.  Once you're used to it you can switch the next most fun piece on.  If you're kissing you probably want to activate your mouth and we can maybe experiment later with activating lots more things at once."

"I am probably going to ask what I want to get rid of, not what I'll keep.  I'll keep the air going through my lungs and the sense of wind on my face and enough of my skin that it makes me feel like I know where I am in the world.  And not keep my intestines, unless I get rid of them and realize afterwards that there was anything good that ever happened to me as a result of having intestines.  But really I'm just thinking about this for the first time too.  I used to get everything and have no choice about it."

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"That sounds reasonable... though if I only turned on my mouth for the kiss I would have missed what you were doing with your arms!"

Now that Emily is no longer drowning in sensory input she doesn't know how to process, she realizes she actually really liked the kiss a lot.

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"We'll have to mess around and see how it all works!  I also wouldn't want you to miss what I was doing with my arms on account of you suddenly paying attention individually to all of your toes."

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Emily wonders if there's anything interesting to be done with toes but is definitely not ready to broach that subject.

"Do you want to keep going and see if Mayor Lewis is at Robin's?"

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"If it works for you!  Actually, hold on, let me see what happens if I try having my body exist in much less detail, I'm really curious but if something goes wrong there you might have to yell at me to start existing again or something..."

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...Does this seem to affect his internal state of mind?

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Well it doesn't seem to, but what are you using to do that evaluation?

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Okay, well in retrospect did that seem to have affected his state of mind?

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You were probably a little less clever, yes. Hard to measure, though.

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"...huh.  I'm not sure and your own mileage might vary, but I think my mind actually did get simpler when I made my general existence a lot simpler.  There might be some reason for you to learn how to maintain at least the fun parts of having a detailed body."

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"Hmmm. Well, I'm going to have to work up to it, because I definitely did not feel smarter when I was noticing my whole body!"

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"Very reasonable!  It would definitely be distracting and mind-filling the first time around!  But imagine that your mind expands to a generally greater level of detail and can handle that and then it turns aside from there and considers a complicated question instead... or maybe it's more metaphysical than that, simple detail and complex detail.  I don't actually know.  Really I know a lot less than I'm used to knowing about the nature of existence right now, I'm accustomed to walking around knowing that I have ankles and knowing that I'm just stuck with them!"

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"My mind has expanded considerably since yesterday at this time and I hope it doesn't pop."

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"If you just keep going at the same speed and don't pop that sounds like one good way to end up as a god!  Please be nice to everyone if that happens, you seem like a generally nice person but I'm saying it anyways."

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"I am really not sure what to do with all of this casual talk of you being a god or me being a god!"

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"Well, it's about rules, right?  We don't know if there are any."

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"If I'm not supposed to take comfort in my faith in Yoba anymore I really am going to cry."

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"I don't see how what I said contradicts anything there.  Maybe Yoba will always be more powerful than you and will always help you and that's fine.  Or maybe someday Yoba is in trouble and you turn around and help him and then that's fine.  Friends are allowed to help friends."

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Hanging out with Oliver is an emotional whirlwind.

It's blasphemy one minute, sincere concern for her well-being when dating self-interested guys in the next. Then he kisses her and really turns on her body in a way she couldn't process at all, and now he's back to the blasphemy again.

She had all but given up when she couldn't figure out what to do about her body. She thought he couldn't understand, and then suddenly, he did, and he helped, at least a little.

She decides to try again.

 

"So, Oliver, listen. You joke about Yoba a lot, but it's not actually funny to me. I know I've changed my mind, or opened my mind, about a bunch of things since I met you. The world is way more complicated than I thought. And I guess I can't say for sure I'll never change my mind about this. But if I had to guess, I don't think I'm going to. I think I'm always going to like animals and be a vegetarian, I think I'm always going to love bright colors and fashion, and I think I'm always going to believe in Yoba."

"So... could you please... not say stuff like that? Or at least not be so... jokey about it?"

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"Okay."

"I have a non-joking question that I don't know, fundamentally, how to ask.  Is Yoba the sort of thing that's going to do stuff to my life and Pelican Town in a way where it doesn't matter if I believe in him or not, or do junimos only exist as a possibility for fixing the bus for somebody who believes in junimos but then they can fix the bus and everyone sees the bus get fixed, or is Yoba the sort of thing where from the perspective of anyone who doesn't believe in him they're never going to be whacked over the head with Yoba suddenly showing up in person?  If you don't know, it's okay to say so.  But to me it matters a lot whether Yoba is just out there as a big powerful force in Pelican Town the way that Gus's tavern is there, or something that I need to relate to emotionally in a particular way so the bus gets fixed, or if Yoba is something to believe in and that's all.  I'd been assuming the first one, based on how your sign glows when you pray to him."

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"I don't really know the answer to any of that. I just woke up a day ago! There's a lot I don't understand about how the world works."

"But I'm pretty sure that there's something that's a lot more powerful than you or me, something that made this world and decided how it would work."

"And I am in awe of their creation. There's so much beauty, so much to look at, so much to wonder about."

"Whoever that is, whoever made this place and made us and made it beautiful and coherent, that's who I call Yoba, and I believe in that."

 

"I don't know if it matters if you believe in Yoba or not, but don't you want to believe in true things?"

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"Would you rather I answer, or leave it for later?  You've got a lot going on right now."

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"It was meant to be rhetorical, and I'm a little surprised you think it's not! Maybe we better just leave it there."

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"To Robin's place, then?"

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"Yes, let's go."

Emily keeps holding one of Oliver's hands as they continue north along the path up into the mountain area and on to Robin's house.

 

Soon they arrive at Robin's blue-roofed house. It's bigger than most of the houses in town, with a garage, an outbuilding, and a fenced area enclosing a big telescope.

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"And now we just walk into her house, in accordance with normal standards of etiquette, yes?"

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"Yep! After all, it's also the carpenter shop, and she's open right now. But that's kind of the standard anywhere you go."

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"Starting to see one possible reason my home might've included a handy cave."

Oliver enters, not particularly dropping Emily's hand.  If other characters have comments on this relationship he does, actually, want to know their opinion, a strange and unfamiliar feeling.

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Inside the front room of Robin's house there's a desk with a cash register. Robin is standing behind it. Light streams in the windows behind her. There's an axe leaning against the wall and an ornate golden rug.

Off to the right is a hallway, and if you peer that direction you can see a bright, clean, tiled kitchen.

Mayor Lewis is here.

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"Hello, Robin.  Hello, Mayor Lewis.  Fancy seeing you here!"

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"Hey there, great to see you, Oliver!"

"Emily! Surprised to see you all the way up here! It's so nice to have a visit!"

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"Hello! How are you settling in at the farm?"

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"Why, surprisingly well, all things considered!  In some ways it's not what I was expecting but that was just because my entire understanding of all of reality was completely wrong.  I was just wondering, even, if it's possible to buy more land, or stake more land, in order to make my farm even larger, at some point in the future?"

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"Larger! Hoo-boy! You're out to take the world by storm, I see!"

"No, the farm is as big as it gets. I think you'll find you can make a very tidy living on that plot. It's plenty big enough to support a very nice lifestyle... even if you get married and have a family!" Lewis waggles his eyebrows at Emily.

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"Are there any more farms anywhere around, by the way?  Might be nice to meet another farmer sometime!"

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"Hmmm. Evelyn tends the flowers around the town square, but I can't think of anyone else who grows crops as such."

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"Fascinating!  I'm curious if you happen to know who owns the land beyond my farm."

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"Let's see... north of your farm, there's a path that leads up here to Robin's... maybe you even took it to get here today?" He looks at Emily, who shakes her head no. "Apparently not! Well, possibly you haven't seen that path yet, but you will."

"West of your farm are hills and thick woods, pretty impenetrable."

"Southwest of you is Cindersap Forest. There's a lake there, and the Wizard's tower. And directly south are some islands across the river."

"And then of course east of you is town."

 

"Nobody in particular owns most of the land outside of town, I think, except for the land right around the Wizard's tower."

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"I see, I see.  Well, not to be premature, or anything, but I might want to expand my farm--or Emily might want a farm of her own--so if that happy event comes about, I'd like to know where to file papers for homesteading additional, unclaimed land beyond my own farm.  Of course it is logical that such a place to file papers would exist, and it's logical that you'd know about it!"

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"Well, that does seem a little premature, though, don't you think? Haven't even been here a whole day yet! Why don't you get all the way settled in first and work the land you've got, and when you've sorted that out, then we can talk more about expansion."

"If you're looking for more to do, I could really use some help restoring the Community Center! Now that would be a fine way to contribute to the community!"

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"Indeed, Pierre told me!  Was already considering it!  But you know, when it comes to coops, and folds, and all the other things you can do on a farm--planning out that whole future and business plan, you see--it would be nice and helpful for me to know in advance that it was possible to properly expand the place.  That's why I'd like to make sure the land beyond is unencumbered, and be clear on where I go to file papers and what the bureaucratic response timeline looks like!"

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Lewis, now considerably less jolly, shoots a look at Robin.

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"I have a thought! Why not have a look at my catalog and think about how you can build up the land you've already got? You'll be so much more comfortable once you've built up your house, don't you think?"

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"Why, I'd be happy to look at the catalog!  And it's no problem if Mayor Lewis has forgotten the procedure for filing homesteading papers, or even if the town's legal process finds itself a mite confused about where its laws are written down.  I would be happy to check the legal books myself, or even devise some new laws for it if nobody can remember what the old laws are!"

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Robin passes over the catalog. It lists:

- basic materials such as wood and stone
- a variety of improvements for your house, such as windows and fireplaces
- appliances such as televisions, refrigerators, and a telephone
- furniture such as beds of various sizes
- recipes for crafting your own lighting and flooring of various types

Robin can also upgrade your house and build various farming outbuildings. The stable comes with a free horse!

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"We do not at present have a mechanism for granting or selling land."

"Luckily, we do not at present have any need of one!"

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"Why, that does sound like a bit of a future cucumber being brined and turning into quite the future pickle!  But I expect that if I can get a petition signed by five residents of Pelican Town, it'll pass into law after a four-day period to see if anyone objects.  That would be sensible, if you don't have any pre-existing mechanism for adding new mechanisms.  In time, it'd give me a lot more stuff to sell to all of you and buy from all of you, after all!  I'd wager it's been a while since Robin has sold a coop, and there's only so many coops you can put on just a little bit of land!"

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"That... that actually suits me just fine, but make it twelve residents, not five, and you have a deal."

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"...Emily, how many residents does Pelican Town have total?  Whose names you can remember."

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"Hmm, about 25 or so, I think? I'd have to sit down and list them out to be sure."

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"Sounds fairly reasonable, then, so long as they're not half kids who can't sign... do you spot any reasons why there'd be no way to get twelve signatures?"

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"You'd have to talk to a lot of people, and some people might not agree, but no, I don't immediately see any reason why you'd be doomed to failure."

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"Well, I'm not actually going to object if the Powers That Be want to make a fair, solvable quest out of it."

Does Oliver already know what the Telephone from Robin's catalog will do, or does he need to ask Robin about that?

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Better ask Robin!

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"Robin, might I inquire as to what can be done with a telephone, in Pelican Town?  Your electronic-informational infrastructure is not quite what I'd been accustomed to."

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"You can call any of the shopkeepers in town to find out their hours and what they have in stock. It can be nice if you want to know Gus's dish of the day, for example."

Robin does not mention the frequent crank calls. No reason to bring that up.

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"Oh, interesting.  I realize, of course, that I have no way of using the information now, but would you happen to know Pierre's telephone number?"

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"Oh, you just push the PIERRE button."

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"I heard rumors that somebody in this town has Internet access.  Don't suppose you know who sells a cable modem?"

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"My son Sebastian has internet! He's a computer programmer and he needs it to do his work online. You could go down to his room and ask him about it. I don't know how he got it set up."

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"...thank you."  That was a more straightforward promise of future enlightenment than Oliver was expecting, though who knows if that promise is to be fulfilled.

Does Oliver now just know all the material that was in Robin's catalog?  Can he, for example, remember the cost of a structure that contains sheep?  Does he know its area in terms of land-square-footprint?  What was the cost of a regular and a large chicken coop?

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The structure that contains sheep is a Deluxe Barn. The Deluxe Barn is the biggest size of barn and takes up a 7x4 footprint, though of course it's much bigger on the inside. It costs 25,000G plus 550 wood and 300 stone, but that's as an upgrade to a Barn and then a Big Barn, which cost {6,000G, 350 wood, 150 stone} and {12,000G, 450 wood, 200 stone} respectively.

A Coop costs 4000G, 300 wood, and 100 stone. It houses four chickens.


You can upgrade it to a Big Coop and then a Deluxe Coop for {10,000G, 400 wood, 150 stone} and {20,000G, 500 wood, 200 stone} respectively. The larger structures house 8 or 12 animals.

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"Robin, would you happen to know what, besides a Deluxe Barn, one would require in order to have and shear sheep, or spin their wool into cloth?  Or make cloth any other way, for that matter.  Or Mayor Lewis, if you know."

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"Hmm, Marnie's the expert, but as I recall you can buy shears from Marnie to shear the sheep. Or of course you can install an Auto-Grabber! That's quite a piece of technology! It automatically milks cows and goats, shears sheep, collects eggs, and everything else you can imagine! And it's just one compact machine that sits in the corner of your coop or barn! Isn't that amazing?"

"And then to get cloth from wool, you need a loom."

"You can also get cloth by recycling soggy newspapers with a recycling machine."

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"Or by slaying a mummy in the mines and picking up its dropped wrappings!"

 

"Ahem."

Lewis collects himself after that exuberant outburst.

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"And where do I get a loom, a recycling machine, or an Auto-Grabber?  And how deep in the mines is a mummy, and what level-or-whatever does somebody need to be in order to take one down reliably?"

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"To get a loom, you need to make it yourself, and you won't figure out the recipe for it until you've done quite a bit of farming."

"To get a recycling machine, same thing, except you'll need to focus on fishing. That makes sense because most of what you put into the recycling machine comes from fishing in the first place."

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"I can't rightly say exactly how deep you'd need to go to fight mummies... I've never actually been down in the mines myself, just heard the tales from Marlon and Gil. Now that I think about it, I'm not even sure we have them in the mines in town proper, you might have to go out to the desert... and of course the bus to the desert is broken down at the moment."

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"What, according to you, are the available methods for fixing the bus?"

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"Well, see, I really am hoping you're going to let me give you a tour of the Community Center and show you what's been going on there."

"I realize that might not sound connected to fixing the bus... but I have a belief that when we work to build up our community, our community gives back to us."

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"Why, no, sir, actually, I completely believe you and can see how those things would be connected, whether you believe me that I believe you or not.  What needs to be done over at the Community Center?  Or what needs to be done first?"

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"I just need to give you a tour."

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"How supremely logical!  How would we go about scheduling that or arranging it?"

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"We can go there right now, if you'd like!"

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"Emily, we were in the middle of potentially getting you seeds from Pierre, how do you feel about this here diversion?"

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"Seems to me we could go look at the Community Center and then still go to Pierre's after that, and then back to the farm. That all makes sense."

"... I had actually lost track of the idea that we were going to buy seeds... this is a very long day, compared to what I'm used to, just tending bar at the Saloon and having time pass by quickly."

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"You doing okay?  Your mind holding up, no need to sleep or anything like that?"

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Emily stops to think.

"I seem to be okay? I don't notice any sleepiness or anything. How about you? Is this a normal length day for you? This day feels like it's been going on for weeks."

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"Been a pretty short day by my standards, believe it or not.  I spent the morning planting and watering parsnips without talking to anyone, and by my standards, that should've been more like--a hundredth of a day, not half of it."

"I'm going to go talk to Sebastian-who-might-have-Internet before we go.  Try and get the Mayor and bring him to me, or vice versa, if he starts to wander off."

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"I'm right here, you know! I'll wander where I please! Heh!"

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"Sure, I'll hang with Mayor Lewis."

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Oliver will forebear to point out to Mayor Lewis that what he pleases is predictable enough for Emily to know in advance that he's in one of three places; that seems like the sort of comment that maybe wakes somebody up.

Off toward Sebastian, if that's a direction he already knows!

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"You'll find Sebastian right down those stairs." She nods in the direction of the kitchen, and then off to the right.

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He'll move at Run Speed actually, since he's not talking to anybody right now.

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At the bottom of the stairs is a closed door.

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Does it open to ordinary means of door-opening?

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Nope. It's locked. You're not friends with Sebastian.

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Is knocking a meaningful act within the new ontology of reality?

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Sebastian hears a knock at the door.

"What? Mom, I'm busy."

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"Oliver Greenfield, new in town, interested in getting Internet access, Robin said you might know something!"

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Sebastian opens the door and gestures Oliver in.

"You're new in town? Why did you pick Pelican Town of all places?"

There's a desk in the corner with a couple of computer workstations set up. Both have giant CRT displays.

Across from the bed is a table with three chairs and a Euro-style board game, the kind with a 32-page rulebook.

There are posters of anime characters on the walls.

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He steps in, if permitted by physical law.  "Grandpa Greenie died and left me his farm.  I figured I'd at least see the place.  Bus is now broken down and also my life has become all sorts of complicated."

(Oliver is not particularly likely to recognize anime characters in his home universe or any other.)

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"Bummer. Quite a place to get stranded."

"Well, as far as internet goes, I just have a VPN into the corporate intranet of the company I'm programming for at the moment. They sent me a piece of hardware and told me to plug it in and it just worked."

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"Interesting.  What language do you program in?"

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"Tcl/Tk. Why, are you a programmer?"

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"Not by the standards of actual programmers, took a couple of college courses on it.  This does let me know enough to ask whether you have the ability to search the wider Internet for Tcl/Tk-related questions?"

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"Nah, I don't really need to, I just look stuff up in this book. There are some resources on the intranet too."

Sebastian brandishes a book the size of a toaster.

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Oliver examines the book!

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"That... does make it look like getting Internet access... might be a bit of a project and maybe not have quite the results I was hoping for."

"I'll probably be back around later, Sebastian.  Any sort of favor you're hoping somebody does for you, at some point?"

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"I mean, I guess it would be nice if I could figure out a way to move out of my mom's basement at some point. It's kind of oppressive here. But I don't really see how you'd help with that."

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Word, young man.  Word.  "Is there something like an amount of G that you'd need to accumulate in order to move out?  Or a project to build a house for you, that needs wood and stone?"

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"Huh, I hadn't really thought that much about it. I guess I'd probably need to earn enough G to afford an apartment in Zuzu City? But I don't know what that costs, probably a lot. At least it's free here."

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Oliver is getting the impression, somehow, that there may not be a pre-existing quest chain here.  But Sebastian also strikes Oliver somehow as being unusually likely to wake up if poked, and come that day, it'd be nice to have some way to bind Sebastian into the Awokened Alliance.  "I'll keep a look out for possibilities.  Thanks for letting me bother you!"

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"Later."

Sebastian sits back down at his workstation.

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Oliver races back upstairs at Running Speed.

...actually, how's Oliver's stamina?  Recovered from his afternoon of farming and singing, visibly, now that they've let some objective time slip?

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Nope, exactly the same energy level as when last Oliver checked!

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At least running doesn't exhaust it.  But, getting it back would apparently be the point of food, Oliver is guessing.

Mayor still there when he gets back up?

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"Any luck down there?"

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"Definitely some kind of luck.  Don't think I'd call it good luck."

"Shall we away to tour the Community Centre?"

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"I thought you'd never ask! Let's go!"

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"Jeepers, it's been ages since I've been in there. I wonder what it's even like these days."

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"Vell, let's go then."

Oliver is wondering if they're going to suddenly appear in the Community Center cutscene-style.

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Oliver's subjective experience is that he arrives at the Community Center, remembering that he definitely did walk there and definitely did have a conversation with Emily and Lewis on the way and cannot actually remember what anyone said or anything about the walk.

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And now they're approaching the Community Center! It's a dilapidated old ivy-covered building. The large clock on the face of the building is stopped.

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Oliver is capable of performing BASIC CONSISTENCY CHECKS on his memory if he is SPECIFICALLY ALERT FOR ANOMALIES and he is PRETTY SURE THAT WALK WAS NOT COMPUTED AT A HIGH LEVEL OF DETAIL thank you very much.

Anyways.  "Looks like it could be a pretty place if we added a few more vines," Oliver will say.

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"The place is a little run down, it's true. It needs some love. And that's where I hope you can help!"

Mayor Lewis unlocks the front door and shoves it open with some effort. The door creaks as it swings open. The party enters.

As Mayor Lewis is fumbling around for the light switch, there's a rustling and squeaking, and Oliver and Emily can see some small dancing creatures scuttling around him.

Lewis turns around.

"Eh? What was that?" He sniffs the musty air. "I wonder if we got some rats in here?"

 

 

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"Eeeeee!" Emily shoots a delighted look at Oliver but doesn't actually say anything about what she saw.

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"I literally never doubted it for a second," Oliver says to her truthfully.

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Emily beams at Oliver, grabs his hand, and squeezes it.

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"Anyway, this place used to be the heart and soul of this town, and I think it would do us all good if somebody would put some elbow grease into it. I shoulder the blame in letting it fall to pieces like this on my watch. I guess I just could never figure out who would foot the bill for fixing it. I'm hoping you can head up the effort to get it repaired, Oliver, and maybe Emily can work hand in hand with you. What do you say?"

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"I'm left speechless by the sheer depth of logic in your reasoning, good sir.  I can hardly imagine trying to argue with it.  Of course a total newcomer--"  Oliver cuts himself off here because he doesn't actually want the Mayor to realize that what he's saying makes no sense, and wake up, and be unable to trade objects in the crate for money.  "Anyways, yes, it indeed seems impossible that a job like this would ever, ever get done without somebody like myself or Emily to do it.  Do you have a labor estimate and a cost estimate, by any chance?"

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"I'm so glad you're willing to help!"

"I think the best thing to do is just to have a look around. Surely you know best what you can do and how long things take you."

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"Surely!  If I asked if there was any sort of obvious deadline or time counting down...?"

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"Oh no, it's been broken down for years, a few more seasons isn't going to hurt! You take your time and prioritize your own farm as much as you need to!"

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"Oh, I will."

Does Oliver in fact feel like he knows how to expend an action and cause an event to happen to any part of this structure?

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Mayor Lewis suggested looking around! Oliver knows how to look around!

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EXAMINE ROOM

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This room is in pretty rough shape, with floorboards missing and vines creeping across the floor. There's a hut in the corner - that's where the Junimos went before Lewis got a look at them - and a cracked old fish tank in the corner. Some of the windows are boarded up. There's a panel with six outlines of stars over the fireplace.

There are hallways to the left and the right.

 

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Oliver refrains from asking if the Mayor has noticed the hut at all, but it takes a lot of effort.

Does Oliver know how to use 1 wood to repair a segment of missing floorboard, or anything like that?

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Nope, that's not a thing.

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Is there any thing that is a thing?

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Maaaaybe Oliver could be a little more flexible with the phrase "look around" and actually move his body to other locations within the Community Center rather than simply swiveling his eyes in their sockets.

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All right then, Oliver will march over to the fireplace and poke one of those six stars to see if they light up.

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Nope!

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Sure doesn't seem like any things in here are things.  "Emily, can you hand me... can you drop the scythe so I can try clearing a bit of vine?  Or you could, if you want to."

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Emily moves to a corner of the room unoccupied by other humans and begins merrily swinging the scythe, to no effect.

She also surreptitiously peers into the hut when Mayor Lewis isn't looking, and looks rather pleased with herself, but does not comment.

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"Well, folks, have fun exploring, I'm going to head out! Good luck!"

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"Good luck!  Though also do you have any idea how to remove the bits of vine on the floor?  A scythe is totally unable to have any effect on them in any way, as one might expect."

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"Sorry! I trust you'll figure it out -- you seem like quite the clever one!"

Lewis calls this over his shoulder as he goes out the front door.

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"This is probably what it's like to take an IQ test when you in fact have no IQ.  Any ideas welling up from your own subconscious or equivalent thereof, Emily?"

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"I'm trying to remember what all the rooms are in this place. I'm pretty sure I've been in here when it was in better shape but I can't actually form a specific memory about it. Huh."

"Anyway, shall we try going this direction?" Emily points off to the left.

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"I can but follow where you lead."

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Emily shoots a mischievous look over her shoulder as she heads down the corridor to the left.

When she's partway down the hall, she turns and looks to the left.

"Uh, Oliver? Yeah, you are definitely going to want to look in this room."

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"Your prediction is noted," he'll say with some minor nervousness, and follow.

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The corridor has one door on the left and two on the right. Emily is standing in front of the door to the left, peering into it. The hallway and rooms are dark, but there's a faint eerie light coming from the room and illuminating Emily's face.

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Maybe he'll sort of peer in around the edge of the door?  There's very few threat models that'll stand up to a minor display of caution like that.

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The room was once a craft room, perhaps, but now it is covered in vines and cobwebs like all the rest.

In the middle of the floor is a glowing square object.

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...like, what size, what dimensions, if his eyes are still reporting that to him?  Is this a golden altar or a glowing golden button?

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It appears to be a piece of paper, somewhat curled along two opposite edges, as if it had perhaps once been rolled up.

Oliver has perhaps noticed by now that many things in Pelican Town seem to fit on a grid; this object fits within a single grid square.

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"Emily, what is this object that I definitely want to see?"

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"I don't know yet, but it's glowing! Isn't that exciting? It's got to be something good!"

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"At some point I need to tell you a tragic story about a couple named Marie and Pierre Curie."

"I... suppose that if this reality has the general style it seems to have, a glowing object you can find early on is unlikely to kill you immediately."

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"Let's see what it is!"

Emily skips into the room and kneels by the glowing scroll.

"Huh. I can't read it!"

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He was actually sort of hoping she'd do that!  In a way which didn't create any future relationship issues about him not having warned her at all!  Oliver will follow and take a look himself.

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Oliver clicks the X at the upper right

"Can't read it either."  Does Oliver seem to have any means about him of writing down the letters, or perfectly remembering them as if his mind now contained some perfect camera for clues?

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You previously wrote things down on the back of Emily's letter, using a pen from your luggage! But you left those back at the farm. So nope.

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...actually Oliver has a cellphone.

Is the protagonist of this story supposed to have a cellphone?  Maybe a different cellphone?

...either way, Oliver will snap a picture of the glowy scroll using his cellphone, then check if the image showed up.

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Yup, that worked.

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"It's possible that a smart person could decode this to English," Oliver says after a long stare, "there's a two-letter word that gets repeated and that might be 'of' or 'to', for example.  But I'm not getting it at a glance.  Probably we are not supposed to be able to read it right now."

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"Let me just see if Yoba will decode it for us!"

Emily hums to herself.

 

 

"Did it work? ... Awww, it didn't work. I guess Yoba has other plans for us."

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Does the object look like it's meant to be pick-uppable?

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Nope, it's a fixture and not going anywhere.

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Anything else interesting in the room?

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Not especially? It looks like it was once a place where people sat together and worked on craft projects. There's nothing else that looks plot-relevant.

 

 

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Emily leads Oliver through the rest of the Community Center. As they explore, they find:

- a kitchen;
- a pantry;
- a boiler room;
- the fish tank in the main room;
- a vault; and
- a bulletin board.

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Stuff in the vault?  Anything worth reading on the bulletin board?  Living fish in the tank?  Boiler room set to explode?  Fish tacos in the pantry?

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The vault has a big safe in it, with the door hanging askew on its hinges and nothing inside but rat droppings.

The bulletin board has a few old cards stuck to it, but the ink on them is faded to illegibility.

The fish tank is cracked and dry.

If the boiler room was set to explode, the fuse long since rotted away.

The pantry is empty.

 

This place is bleak.

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Oliver is too fresh from the big city to consciously notice such a small level of bleak.

Was there anything that looked repairable or for that matter modifiable in any obvious way?

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The GLOWING GOLDEN SCROLL with the MYSTERIOUS RUNES was probably the thing to pay attention to.

Nothing else seemed modifiable at all. Everything is just inert, lifeless, dead.

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"Emily, have you got any ideas about how we'd physically or for that matter metaphysically go about repairing this building?  I don't even see how we pry loose a vine."

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"Oh, Oliver, you're looking at this all wrong! This is not a problem to be solved, this is a glorious, mysterious, adventure!"

She giggles and grabs his hand in hers and kisses it.

"We have a clue! We just have to figure it out! And we saw JUNIMOS! I've been waiting all my life for that to happen!"

"I have a good feeling that one thing will lead to another and then another and the vines will take care of themselves along the way."

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He wishes he could reflect her enthusiasm, but doesn't, really, and doesn't want to get into the sort of relationship where he has to pretend about that.  "Hope you're right!  Sebastian would probably be good at figuring out the scroll's code, if it's a real code, not sure if we could get his help without waking him up.  You have any idea how to ask junimos for help, either with this place or the bus?"

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"We could go and look in the hut and see if they're in there, I guess?"

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"...I'll probably be up for a glorious adventure at some point, Emily, I'm just--adjusting, still, and somebody throwing a job at me where I don't know how to get started still feels like maybe something awful happens because I was too stupid to figure it out."

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"Well, do you mind if go and try to talk to them?"

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"Not at all."

He realizes a few moments after he speaks it, that it's a lie, he minds a lot if Emily screws up whatever game this is and condemns him to a Bad End, but he doesn't take the words back or let it show on his face.

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"Great! Let's go!"

Emily grabs Olivers hand and pulls him gently with her back to the main room of the Community Center. She drops his hand, gets to her elbows and knees, and peers in the door of the little leafy hut.

"Hello? Hello in there?"

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There is a cheerful chittering and cheeping from within the hut.

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Oliver doesn't intervene on this yet, he's too busy noticing how much he does not react well to very cheerful people telling you that everything will be fine, probably because they're almost always lying--or rather bullshitting, they don't care whether their words are true or false, which is different--in order to shut you up and make you go along with things.

This is probably not totally germane to Emily and maybe not even to his new version of reality but it would help if he was sure.

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Emily is so entranced by TALKING to JUNIMOS that she completely misses her boyfriend's fairly evident distress!

"Oh my gosh! They're talking to me! I have no idea what they're saying!"

She gets down lower and tries to see what's in there, but it's dark.

"Can you help us clean this place up?"

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There is more cheeping, but nothing emerges from the hut.

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"Can you cheep exactly three times if you understand English and are interested in communicating at all?"

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There is again a response, as though in conversation with the humans, but it's an undifferentiated mess of chittering and there is no three-ness about it.

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"Well, I had plenty of ideas but they sort of required that idea to work first."

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"I wonder if they're hungry. Do you have any food in your backpack? I don't think I have anything."

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"Only if they eat Hay the same as chickens.  The salad stays."

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"I mean, I wish we had something nicer than that, like an apple, but let's try the hay. How many do you have?"

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"3, after the hay I left in the Mayor's refrigerator.  You were the one wielding the scythe this afternoon, so the day's harvest of hay ought to be in your own possession, unless it's not which would be a very important fact."

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"Oh yeah, I do have some too! Okay, let's give them some hay. Put your three down and I'll add my twelve."

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"...should we possibly try 1 hay first?  Or, like, half rather than all."

"Also I've got a leek on me, come to think, if raw ingredients count."

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"Oooh, I think a leek is much nicer than hay. Can we give them your leek?"

Emily is vibrating with excitement.

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"Sure.  It'll be an adventure."  He is PROBABLY not letting an important quest item get eaten, here, you can almost certainly buy a leek at Pierre's.

He puts it down.

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A wild Junimo appears!

It is waving its tiny little arms and cheeping!

It picks up the leek and skitters down the hall toward the room with the glowing scroll.

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Having anything possibly work at all is actually kind of cheering!  Oliver will race off after.

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As Emily and Oliver round the corner into the room, they're in time to see the Junimo toss the leek at the golden scroll. The leek is no longer immediately apparent: it is not in the Junimo's hands, and it is not on the floor, and it is not sitting on top of the scroll.

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"Huh!  Well, that's a start on the thesis that things will work out so long as we yolo blindly into adventure.  Do you think we need to... feed the scroll until it wakes up?"

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"I don't know! Maybe! Should we give it some hay?"

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"I'll definitely try 1 Hay..."  He drops 1 Hay on the golden scroll.

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The hay is not... absorbed... or whatever... into the scroll. It just sits there.

The junimo chitters brightly and waves its tiny arms.

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He picks up the Hay.  Doesn't offer it to the junimo, in case that offends it.

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The junimo chitters cheerfully one more time and then skitters around Emily and Oliver and turns down the hall in the direction of the hut.

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"Well, we've got a thread to pull on, which is sorta better than I was expecting!  But I'm feeling increasingly like I want to buy some seeds from Pierre, see if we can sow more things today before today ends, build a crate to hold the salad so I don't lose it on an adventure..."  Actually does Oliver know how to build a crate?  He should have thought of that while at Robin's.

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Oliver knows how to build a crate, or rather, a chest! It takes 50 wood and it's pretty obvious how to do it.

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"Sounds good to me! We have a project!" Emily beams at Oliver.

This is the best day ever, and that's not really an exaggeration at all.

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Oliver's brain has already been trained out of the painful act of asking how his current day compares to his best one!  Unlearning this habit might take a while!  But it's in fact not a terrible day.  It's even nice that he knows how to make a crate!  Previous Oliver didn't know how to make a crate!

"To Pierre's, then?"

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Emily has started to make it a habit to grab Oliver's hand whenever they're going somewhere, and he hasn't objected, so she does that again. She takes a minute to turn up the sensations coming from her body and notices that she feels warm and tingly in her chest, and like her rib cage is barely big enough to hold her heart and lungs. It feels good, but so distracting she's going to have trouble walking and feeling all that at the same time, so she turns down the sensations again.

She smiles at Oliver and leads the way to Pierre's.

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He'll take her hand and follow.  He still feels weird about how she looks so much younger than him, and is actually in some important sense 1 day old, but it's not like any other woman in town is going to be older.

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And they're at Pierre's! They go through the front door of the shop.

"Hi, Pierre! Hi, Leah!"

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Leah narrows her eyes at Emily, but then smiles.

"Oh, hi, Emily. Surprising to see you here this time of day! Second time today, actually!"

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...Oliver is suddenly worried about just how little it might take to wake somebody up.  Or, for that matter, if they're all already awake in some sense, just waiting for the inertia of false-remembered habit to wear off them, pieces of it exploding away every time something unexpected happens and forces them to think a new thought.

He looks to Pierre.  "Any advice about what sort of seeds quickly turn into profitable plants?"

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"Well, let's see. Parsnips grow the fastest - they only take four days. Beans take a lot longer at ten days, but they keep producing the rest of the season after that. And good news, today is Spring 1, so it's a great day to plant something that's going to produce all season long! As far as most profitable in one go, that's probably cauliflower. It takes twelve days to grow, but it fetches a good price when you sell it!"

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Does Oliver already know buying and selling prices there?  If not, he'll ask out loud.

Though he's probably going with Parsnips either way, it ties up his investment for the least time.

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Oliver seems to know the following information about spring crops.

Crop Days to mature Repeats? Seed purchase price Crop sale price
Parsnip 4 no 20 35-77
Bean 10 yes, every 3 days 60 40-88
Cauliflower 12 no 80 175-385
Potato 6 no, but sometimes yields multiple 50 80-176
Tulip 6 no 20 30-66
Kale 6 no 70 110-242
Jazz 7 no 30 50-110

 

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"I don't quite see why anyone would grow anything besides Parsnips... nothing obviously increases in price more, from seed to crop, and they have longer gestation times.  Well, Cauliflower, but it doesn't double three times in 12 days."

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"Oliver." She sounds pinched. "I know we don't really know each other, but can I talk to you please? Right away? Privately?"

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Quick glance in Emily's direction in case she's about to say something about Leah being a known serial killer.

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Emily is not pleased about this, that much is clear, but she doesn't say anything out loud.

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"5G says to bail me out," Oliver says.

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Emily nods sharply to Oliver and then goes back to glaring at Leah.

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"Lead on," Oliver says to Leah.

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Leah takes Oliver out the back door of the store area into a hallway, through a large open room, and into what looks like a church to Yoba. It's very golden in this room, with ten giant pillars surrounding an altar to Yoba. There are benches where, presumably, the congregation can sit, and red banners lining the back wall.

"We probably won't be heard here, but we should still keep our voices down," Leah hisses at Oliver.

"Could you please. Stop. WAKING THEM UP."

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"Okay, I was not expecting to hear that. "

"In my version of reality, Zuzu City has an economy completely unlike this place, and everyone is awake.  Some more than others.  Computers way more advanced, nobody has an infinite supply of hay to feed infinite chickens."

"My grandfather died and left me his farm, I got here and found this version of reality which promptly absorbed me into itself, I wasn't expecting that and didn't know anyone besides me was already awake here."

"What's your story."

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"That was my version of reality too. I moved here from Zuzu City a few years ago, and when I realized how this place worked, I was delighted. Life is so easy here, everything just works, nothing ever goes wrong. I can just focus on my art."

"UNLESS you mess it all up."

"So... don't DO that."

She softens a little bit.

"Please."

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"That would have been a good deal easier if you'd left some sort of helpful sign at the bus stop and I had known about this preference of yours before I woke up Emily."  He decides in a split second not to mention Gus, yet.

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"I had no idea you were coming, I didn't hear in advance -- I don't really talk to the other villagers all that much, they're very stupid. And I just saw you in here a few hours ago and I thought there'd still be time to catch you. I didn't want to do anything weird in front of Pierre. But then when you came back in with Emily, who is supposed to be working her shift at the saloon right now... I realized I had to speak up, even though it would look strange."

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"Have you worked out anything about the structure of reality here--what's happening, why, who."

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At this moment, Oliver's balance increases by 7G. And then another 7G. And then another 7G.

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"Scuse me, batsignal," Oliver says, and races for where he left Emily.

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"Oh thank Yoba you're back. Can we please just get out of here, or I dunno, buy as many parsnip seeds as you can afford real quick, if that's important, but..."

Emily looks like she's about to cry, or maybe punch something, but probably cry.

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"Emily, let's step outside a moment, while talking continuously."  Leah may or may not have developed a solo timeslide technique.

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"Okay." Emily grabs Oliver's hand again.

Emily's hand would be clammy except she really can't afford the sensory for that right now, the emotions are enough.

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"Fourscore and seven years ago, our grandparents multiplied four by twenty and added seven," Oliver says, while pulling her outside.  Are there any obvious eavesdroppers there?

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Nope, just the two of them on the doorstep of the general store.

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"I just... couldn't take it! I'm sorry! She... wanted to talk to you! Alone! And I wanted to know how long that was taking, so I talked to Pierre, and it was taking forever, and I just don't trust her!"

Emily sniffles.

"I'm not really sure I should have interrupted you. I feel kind of weird about that."

 

"What did she want, anyway?"

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"Emily, you were timesliding by talking to Pierre.  I'd gotten to talk to her for maybe thirty seconds before I got your emergency summons."

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"Oh," she says.

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Oliver gives a quick hug to this young girl who likes him, in distress, before he's actually had time to think about the implications of that.  Stupid malebrains.

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Emily sniffles a bit more but this hug sure does feel good.

Maybe her new life is not actually crumbling around her. Maybe Leah didn't steal her boyfriend. Yet, anyway.

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"I can give you some time to recover," Oliver remembers to say, before seven full seconds have passed, "but we do need to keep talking if we don't want Leah to notice the pause.  You could just count, like, one, two, if you can't think of other things to say."

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Emily tightens her grip around Oliver and counts softly under her breath.

 

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He'll throw in the next number himself now and then.  He's not sure if it still counts as Time-Pausing Conversation if he doesn't.

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Emily's sniffles space out and she seems to be breathing more easily.

She loosens her grip and pulls back a bit so she can look at Oliver.

"Thank you," she manages, with a tiny smile.

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"I want to say it's okay, but I don't actually know what happens to the interrupted interaction with Leah."

"Emily, you know, right, that--actually question not statement.  My understanding of how awake people work suggests that you were feeling jealous and afraid of Leah making moves on me, does that sound true?"

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"Yes? I think? Feelings are confusing."

Emily bites her lip and thinks.

"I know I just didn't like it that she seemed so fierce and like she had the right to just tell you what to do, and that I wasn't supposed to come along."

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"I figured.  My telling you to bail me out if you got the 5G signal was also meant as emotional reassurance that we were still on the same side that way."

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"Yeah. I did like that you said that before you left. But then... well... you know. It felt like almost an hour."

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He's going to avoid asking any dumb questions about how a Pelican Town native even knows what an hour feels like.

"Leah didn't make any moves on me in the half a minute that passed for me."

"...We probably need to talk literally at all about what happens if she does."

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"Can you just tell her not to? That it's not welcome?"

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If he was sure it was unwelcome, then yes, that would be a very straightforward solution!

What Oliver actually says is, "I wish I'd been smart enough to discuss this earlier before it became an immediate issue.  But, Emily, there's a very real sense in which you're one day old, and deciding who to be and what to make of yourself.  I don't know what sort of person you'll become because you don't know either.  My life up until this point has made me scared of rushing right into things.  If you decide to go on the glorious adventure of falling in love with me much faster than I'm courageous enough to let myself fall in love with you, that does run the risk of my having not decided on you at the point that you've decided on me.  I have my own equivalents of daffodils and it would not be fair to ask you to cough them all up to me immediately while you're one day old."

(To be clear, Oliver totally would ask her to cough them all up on day one if Emily was the prettiest girl in town and looked somewhat older.  Furthermore his daffodil list would include him being allowed to sleep with other women, although Emily would be allowed to sleep with them too.)

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Emily's head is swimming. There's a loud rushing sound in her ears and her stomach is in knots and WHY IS HER BODY HAVING ALL THESE FEELINGS she forcibly turns off the sensory processing again. Why does it keep flipping on when she's not looking?

She kind of didn't hear all of Oliver's words, because there were a lot of them and she couldn't figure out where he was going exactly but it sure sounded like he was saying I DON'T LOVE YOU which, okay, that's okay, it's been one day, it wouldn't be fair for Emily to expect Oliver to love her already, but she did kind of wish that, more than kind of, and...

She's going around in circles.

"I want to give you daffodils!" is all she manages to say, in a strangled voice.

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"In the land of sort-of-awake people it's widely considered a good idea to know who you are, before you consider changing that for someone else's sake.  They'd probably look at me at least a little sideways if I told you everything about who I wanted you to be, before you knew who you already were."

(Though this is not something Oliver would say if Emily were much prettier; he'd try just telling her who to be.)

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NO STOP IT STOP HAVING A BODY IT'S NOT HELPING

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Emily squishes herself back down into low resolution mode, and then squishes a little more, until she feels much steadier again.

"So... what are you going to tell Leah, then?"

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"Only had thirty seconds, but Leah was shaping up into a possibly weird issue, and one that didn't look so far like she was about to try to steal me from you... actually, can you possibly do the counting thing so I have some timeslide time to think about the Leah situation, like, at all."

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Counting, Emily can do. That requires very little resolution or cohesion on her part.

"One, two, three..."

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And Oliver thinks.

And then thinks some more.

Oliver has not, at this point, mentioned in front of Emily that Leah was awake.  Even without the jealousy thing--and Leah being awake and coming from Oliver's own reality would obviously make Emily even more worried--Oliver wouldn't just pop out with that fact, because Leah asked for a private conversation, and by default, you don't repeat facts from private conversations.  Oliver might, but he'd need a reason.  Oliver prides himself on being an unusually honest and exceptionally ethical human being that way; he'll only do unethical things for reasons, or by accident because he didn't notice, which he's pretty sure puts him in the top 5% of all human beings ethics-wise.

It's like how Oliver didn't just lie to Emily that he wouldn't sleep with Leah.  Leah is pretty and looks older and also is the other person here who's already a complex realized adult.  Oliver might, in fact, hit that.  So Oliver will only lie about that to Emily if he decides to.  He's a great human being that way!

...but before Oliver hit that, he'd first consider the question of whether he was sticking his dick in crazy.

"Stop.  WAKING THEM UP!"

Now that Oliver thinks about, somebody who is otherwise leading a really comfortable life that they want to keep... is a pretty good candidate for somebody who'd go to very dangerous lengths to preserve that very comfortable life.

And if Oliver goes back and tells Leah that he has been getting what look like the start of quest chains, that his coming here coincided with JojaMart opening and the bus breaking down and the Mayor giving him the Community Center to repair?  That this world may be a game, and with Oliver here, that game is starting and may not have a keepable status quo?  Well, Leah could easily be the sort of person who tries to shoot the messenger about that, and just refuses to believe that it's not Oliver's fault, because Oliver is right there to be blamed, right.

Stop waking them up...

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"Emily.  How long ago did Leah come to town?"

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Emily stops counting and looks up at Oliver and thinks.

"Time and memory are fuzzy, but I think it was around the same time my parents left to tour the world, so about two years ago I guess? It was right around when Haley was graduating from high school. My parents decided I was old enough to look after her, given that she was technically all grown up... emphasis on technically."

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"Do you remember who it was that died, or maybe just disappeared, shortly after Leah arrived in town?"

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"Died? Disappeared? Huh. Well, like I said, my parents left right around then. I'm trying to remember when Kent got deployed... I think it was before that."

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"And you saw your parents leave?  They didn't just leave you a note?"

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"I remember them packing and telling Haley to stay out of trouble. I don't remember them actually getting on the bus or the train."

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"Would you remember if anyone else who'd been in Pelican Town, wasn't in Pelican Town anymore, for any reason, shortly after Leah arrived?"

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"I don't know... would I? Seems like if I didn't remember a thing, I wouldn't know I didn't remember it!"

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"It's more that I'm asking if the town is small enough, and gossipy enough, that you know everyone in it, and would expect to notice anyone going from there to not-there..."

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"What are you trying to say?"

Emily's eyes narrow.

"Do you think Leah murdered someone and took their place?"

Emily looks completely ready to believe it.

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"Leah's awake.  It sounds like she's from a reality like mine, though there might be more than one reality like that."

"She likes Pelican Town the way it is."

"She asked me to, quote, stop waking people up."

"For Leah to already know what that means, you'd expect her to have done it to somebody else already."

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"WHAT?"

This is worse than Emily imagined. If Leah is awake, then who knows who else might be awake too? Maybe Emily is one of the only stupid non-people in this town.

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No, wait, Haley is definitely not more of a person than Emily. So at least there's that.

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"I don't understand what is even going on here. Why does she want things the way they are? Why wouldn't she want us all to be alive for real?"

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"Because reality as I know it is horrible and unpredictable and your ankles might suddenly stop working, and sometimes somebody hands you an enormous complicated form to fill out and if you don't fill it out right your life is over.  Here Leah can just work on her art and get paid for it and nothing and nobody bothers her.  She's terrified of anything that might make her life more complicated than that.  This would be completely totally utterly understandable if you'd ever lived in my reality's version of Zuzu City."

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It sure seems like Oliver and Leah have a lot in common.

Maybe they should just go be not-alive with not-ankles and not-paperwork together forever and leave Emily out of it.

 

Emily's strongest impulse is just to run away and hide and cry and then figure out her own new complicated life without so much complication in it.

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But she's not quite ready to give up on Oliver yet. She's wildly unsure about him, but he's come through for her and been kind to her a bunch of times by now, and she wants to try kissing him again, and being around him has made her life so much richer and better.

Maybe she can get him away from town, where she can think about how she wants to play all of this without being afraid that Leah's going to pop out the door at any moment.

"Can we just buy our seeds like we came here to do and go back to the farm and think about all of this? Together?"

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"That would work better if, one, I hadn't just run out of a conversation with Leah right in the middle, and two, if I wasn't worried she was going to kill you.  Also me."

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"KILL US?"

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"Leah knows what it means to wake people up.  It seems hard to figure that all out just from her observing you while you were both in Pierre's store.  The obvious way for Leah to obtain that information would be by waking somebody up, accidentally, before she realized what it would mean."

"Where are they?"

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"Though, uh, to be fair, there's also a totally innocuous version of this where they got on a bus to Zuzu City to try being around other awake people and politely not disturb Leah."

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"Are you completely sure people can't just go back to sleep? Why do they have to be dead?"

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"I guess Leah could've persuaded them to go back to sleep by telling them a horror story about the monster in the woods that eats and slowly digests awake people.  This would also be sort of bad, in my book, and I'd worry that she'd kill someone it didn't work on."

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"I have no idea why a horror story would make people go back to sleep. That sounds terrifying and if someone told me a story like that and I believed it, I would not go back to sleep, I would start hunting monsters and laying monster traps."

"What if she just... didn't keep talking to them, and then they forgot?"

"Or maybe my parents are the ones she woke up."

"Or maybe other people in town are also awake. You haven't met everyone yet."

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"Those sure are some very nice things that could be true!"

"Well, except that I doubt awake people need to be talked-to, to stay awake.  When you're awake you can talk to yourself like that.  It's sort of one of the defining features of self-awareness, having conversations entirely inside your own head."

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"I dunno, maybe. I'm not sure there's enough time in the day to think very well if you're not talking to someone else. And if Leah won't talk to you, and everyone else only says the same boring things they always say... I think maybe it could be hard to get very far in your thinking."

This is something Emily has been worried about. She managed to do a little thinking on the pier by the ocean when Oliver was in talking to Willy, but not much; from Emily's perspective, he wasn't gone very long at all. If she can't talk to Oliver, she might have to do all her thinking with Gus, and she would really like to avoid that.

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"Proposed next actions.  Go to Gus's tavern while maintaining timeslide.  Warn Gus that if you or I end up dead or disappeared it's because Leah is awake and she killed us, and he needs to hide his own awareness until he's ready to take her out.  I haven't mentioned Gus to Leah and I don't think she's seen him."

"Come back to Pierre's.  I talk to Leah and resume asking her questions where I left off, acting if possible like very little time has passed."

(By the way, Oliver's currently looking all determined and emergency-managy if anyone finds this a sexy attribute in a male.)

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Oliver's commanding competence is lost on Emily, who still wants a boyfriend who's into exotic meditation and frolicking in rainbow mist and being kind to animals.

"Take her out? Jeepers. Can't we sit down and talk to her, or maybe in the worst case imprison her or exile her from Pelican Town or something?"

"But yes, we can definitely go talk to Gus."

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Then he'll start walking.

"Mercy is for people who are sure they're going to win even if they're merciful.  But sure, Gus could proceed by waking up everyone who came to your tavern anytime Leah wasn't there, warning them to go on following previous behavior patterns so Leah couldn't spot them, but wake up whoever they came in contact with in private.  And then when you had overwhelming force, you could try fighting Leah in a way that didn't take her out in one shot, and then try to keep her prisoner, despite the fact that she's had two years to prepare and figure out clever tricks like the G signaling system."

"Though I guess it's not actually two years, as I think of that, if she's had nobody to talk to... but then how would she be completing art pieces fast enough to sell them?  That's one of the things I ought to ask her about."

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Overwhelming force? Who even is Oliver? Maybe he has a point that he's not sure yet about this relationship.

He mentioned something about making a new boyfriend. Emily wonders if he was serious about that.

 

"Why would she need to sell very many art pieces at all?"

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"Fair enough.  I was still thinking in my reality's mode, where you've got to sell a minimum amount of your work every month or you run out of money to buy food."

"Anything else obvious like that I'm missing, here?"

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"I guess I just think you're really way too many steps ahead here. You said you talked to her for thirty seconds and then you jumped straight to 'we need to take her out.' Can't we give peace a chance?"

"What if she's exactly what she says she is: a person who wants a simple life? We can think of lots of ways she could have learned about waking people up without resorting to murder afterwards."

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"No, I jumped straight to 'we need to make a plan for if she tries to kill us'.  I didn't propose to attack her without first going to the librarian or Mayor and checking to see if, in fact, anybody was found mysteriously dead around that time, and then, yeah, I agree that it'd be more civilized to wake everyone up and hold a trial for her."

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Emily did not expect to be on Leah's side about anything this afternoon, but here she is.

They arrive at the Saloon and go in.

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Anyone else present besides Gus?

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Gus is behind the bar and Pam is seated on her usual stool down at the end.

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"Gus, may I borrow you for a private conversation for a moment?"

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"Only if Emily will pour me beers while he's gone!" Pam cackles.

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"Sure thing!" Gus puts down the clean beer mug he's polishing with a cloth and trundles around the bar.

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"Pam, sorry, Emily also ought to hear this.  We should only be a moment," from your perspective.

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Gus leads Oliver and Emily through the billiards room and back to a storeroom full of barrels of varying sizes.

"What's going on? Did you find a way to make us all incredibly rich?"

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"Glad to see you're asking the important questions!  Not yet.  Probably not today.  Working on it.  I'd ask if you were able to gain G by selling beers to Pam, but there's a secondary issue of greater importance."

"Leah is awake.  I think she's from my reality or a reality like it.  She likes Pelican Town the way it is.  She asked me to, quote, stop waking people up."

"That Leah knows what awakening is may imply that she's already woken somebody up, probably by accident, because she likes Pelican Town the way it is."

"We now face the question of where this awakened person is."

"Optimistically, they're leading their own life of quiet happiness here in town, or they left for Zuzu City to be around other awake people, and Leah is a nice person who wouldn't have done anything bad to them even if they'd gone around waking up others and disrupting her nice quiet life."

"Pessimistically, Leah figured out how to kill them using a sharp dinner knife from my reality where sharp things can actually kill people, and their body is still in her refrigerator because she can't dig a grave without a hoe."

"Leah knows Emily is awake.  Leah does not know you are awake.  If Emily and I mysteriously die or disappear then probably Leah did it and you need to be ready to take her out while she's not expecting it; or alternatively, carefully wake up as many people as you can without Leah noticing any of you and then take her prisoner and hold a trial for our murder.  Keep in mind that she's had a longer time than I have to think of clever ideas like using G transfers for emergency signals oh that reminds me Emily have your G back."  Oliver transfers the 21G she sent back to her.

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"Leah? Kill someone? You must be joking. Leah's a sweet girl. Quiet, keeps to herself. Spends a lot of time foraging in the forest."

"Are you absolutely sure you and Emily aren't going to leave Pelican Town? If you do, for Yoba's sake, leave a note, because I sure don't want to organize a posse to take Leah down, no sirree."

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"That's an excellent point, actually.  We're heading into weird territory here, and there's all sorts of other reasons both of us might vanish."  Oliver would totally have thought of this on his own, in just another second, he's very sure.

"If one of us sends 23G, that means we think we might be about to vanish for reasons having nothing to do with Leah.  46G would mean that we both ended up sending you that signal independently."

"If either I or Emily sends 1500G, or somewhere near that amount, it means Leah killed us.  Or if you get double that amount, it's probably because one of us sent that signal to the other, and then Leah got that one too."

"If we both vanish and there wasn't any signal... judgment call.  If I were in your shoes I'd maybe stealth it for a week and then start waking up the other townspeople, and not letting Leah know early about that, but also not assuming it was her."

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"Do you have any evidence that she's actually killed anyone, or wants to kill anyone now?"

"Or, did anyone try to kill you back in Zuzu City?"

"Or, are murder plots just really common where you come from?"

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"Pure attempted detective story thinking.  I infer that Leah woke somebody up, we don't see them, neither you nor Emily seem eager to leave Pelican Town or to leave the status quo undisturbed or to not wake anybody else up, what happened."

"People where I come from don't usually kill, but maybe Leah convinced herself that you weren't real people, or hadn't finished turning into real people.  She had a lot to lose, the way she sees things.  People don't usually murder where I come from, maybe partially because most people don't want to--but, I bet much more so, because it's hard to be sure you'll get away with it.  Pelican Town, I bet, doesn't have police who can run DNA tests on stray hairs around the site of a murder scene or disappearance.  I never considered killing you or Emily, but I think I'm probably unusually ethical for a person from my world."

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"The reason you didn't consider killing us is because you're so ethical?"

"Why in the world would you even want to kill us in the first place?"

Emily's enchantment with Oliver is fading by the minute.

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"I don't!  Both you and Gus seem like good people.  I split evenly the one dose of 4500G that we managed to get out of the system before it closed up on us.  I look at you, and I see people who just got to be real and just got to be born and who deserve your chance to go out and look at the world and make something of yourselves."  (This was sorta true even before Oliver said it, but now that it's part of a political defense he's making, it's definitely true!)  "Other people from my world might look at you and see complications, inconveniences, competitors, somebody else who wants to make money off of a limited amount of farm--though I've set something up with the Mayor that will maybe let us expand the farm, if we need to, Gus, and I think you can go fishing with a fishing rod even if there's only the one farm--"

"Not everyone from my world is like that.  People from my world vary widely.  If Leah is a nice person, well, there's a reason she didn't go back.  And if somebody thought the whole thing was a game--that's one of the things I have queued to talk with you about, this world looks in some ways like something that my world might think was a game--even though, I know, you're as real as I am now, whatever this world is made of--"

"Leah is innocent until proven guilty.  I get that.  But you can't assume it!"

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Emily looks at Gus.

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Gus looks at Emily.

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Emily sighs.

"All right. That's fine. We can plan for the possibility that Leah is a murderous psychopath. We can agree to the signals you just said. None of that hurts us at all."

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Gus nods.

"But don't you go and accuse Leah of murder, you hear? She's a nice girl. I don't know what's going on here but it'll hurt her a lot if you come in hot with this."

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"Noted.  I will try to remember that real people from my own world have feelings too."

"But, Gus--if you actually wake up others in this town, they may end up a lot less stable and predictable and simple than they used to be.  Some of them may end up less nice than they used to be.  Maybe the ones who were already not perfectly nice get much more unpredictable and destructive.  I genuinely don't know.  It may or may not be part of the price of waking people up."

"The world where people are okay and the town is okay and everything always stays okay--I don't know if it survives events already starting up anyway, like Jojamart, but waking people up is another layer of risk to that okayness on top of that.  It's what scares Leah, and an obvious reason for her to ask me to stop waking people up.  Which is why I haven't been telling you that Leah must be a bad person just because she asked that."

"I'm saying this because you have a very strong belief that everything will be okay, and I want you to be right, but the world of awake people--might, or might not, still be like that."

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"That's a lot to gnaw on. Can't say I really feel prepared to grapple with all that and come out with the right answers."

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"I still think it would be better to try, though. It's not fair if I get to wake up and the other people don't."

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The issue is that defending his ethics has made Oliver be, in fact, temporarily more ethical!  And now he's thinking about how it would be sensible to propose waiting on waking up more people, until they know if Emily and Gus turn out to enjoy being alive.  The problem with blurting out this policy is that, if he and Emily don't get along, he needs to wake up somebody else to date them--it's an obvious guess that Leah does not need a man all that much.  And this is running into his recently poked Ethical Part noticing how big of a fucking deal it is to wake somebody up.

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No, wait, that's okay, he has a rationalization that ought to sound good to Emily and Gus.  If that isn't exactly the same thing as "being ethical", the difference is beyond the level of mentation that Oliver currently cares to throw at it.

"I'm not saying the two of you ought to stay alone, that is a little too few awake people to be around each other.  But let's at least take it slowly and carefully and maybe wait a little to see how things develop with the two of you, and not run out and wake up everyone unless it's an emergency that only awake people can deal with."

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"I would really like to wake up my friend Sandy, but I'm not sure I can actually do it with the bus broken down - she lives out in Calico Desert. So that might have to wait."

She could wake up Haley but would you even be able to tell the difference? Haley does not seem to be made out of very promising raw materials.

 

"Maaaybe I want to wake up Penny? I'm not sure. I can't tell if she'll turn out to be interesting, but I'm really pretty sure she won't turn out to be evil."

...Or someone to date. Who is the best person to date? Emily's not really sure.

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"I think I might like to be able to talk to Marnie. About shopkeeper things. I'd like to get a better handle on how money actually works. How much of it do I need? How do I get it? What do I spend it on? I've spent all these years fretting about it and now I can do something about my worries -- but I'm more confused than ever."

"No rush, though. It's not like I'll starve!"

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"Emily, to put this a bit bluntly, are you volunteering to talk Penny through the process of discovering that she has a body, figure out how to get her a farm or a fishing rod or some other way of making a living, talk her through the process of figuring out who she is and whether or not she wants to rethink her innate tastes in men, and give her a bunch of G to get started?  What if she runs into a problem that's different from the ones you've run into so far, and your own experience with being real doesn't cover it?"

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"You are only a day ahead on being an expert at this. I am pretty sure I'll be able to figure it out."

"The body stuff is going to take some experimentation, but keeping it turned down low works pretty well. I am not yet sure that making a living is mandatory. I think you only need money if you want to pursue some kind of dream. I might need money to become a fashion designer, but I'm going to be okay either way. I'd be happy to share the G I have with Penny given that I don't know what I'm going to do with mine yet."

 

"You might have a point that it's tricky to figure out taste in men."

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"I'm worried you're underestimating how much I've been drawing on several decades of experience in having a complicated internal life, in order to help with some of the internal crises you've been running into, and I am a little bit worried about what happens if Penny runs into a crisis like that and you make up something that sounds totally reasonable to you in order to handle it.  The stuff you've already handled, sure, there may be stuff that you already understand better than I do, but one day is really not a large amount of time at all in which to get practice with existing."

(If they're only going to wake up a few people, Oliver definitely wants enough of a veto to check if Penny is pretty first!)

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Emily thinks back over their day to see if she believes Oliver about this or not.

It's true that he's the one who figured out that she was experiencing having a body, he gets the credit for that. But she's the one who figured out how to turn the sensation back down again. Admittedly that's still a work in progress and she doesn't have complete control, but she doesn't think Oliver should get any points for life experience with that; it sounds like he's never had control over that dimension either.

Oliver's the one who brought up criteria for liking men. Before she noticed that it was even a question, she liked Oliver for talking to her a lot and for giving her a daffodil. But once Oliver had raised the question, Emily was the one who had to do all the tricky thinking about what really mattered -- Oliver couldn't do it for her. Probably a lot of things in life are like that. Someone else can point out that there's a question, but once you've noticed, it's up to you to figure out the answer.

 

"It seems to me that it's mostly about noticing when there's a question, or an option. You can't just take for granted that things have to be the way they are. You have to think about what you want. And yes, you've had a lot more practice at that than I have, but I don't think that means you just get to be in charge."

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"Yes, I've been carefully not telling you firmly all of the Correct Ways To Do Things.  Because I have life experience with that being a bad idea.  One of the things I was worried about--and I realize you may not have been about to do this at all, but from my own perspective, I don't know that--is maybe you get into your head that you know exactly the correct way of doing something and telling that firmly to Penny and carefully explaining how she's wrong if she tries to contradict you about how her own internal experiences work."

"There's just so many things like that.  I couldn't write them down if I had a year."

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"No, that's not what I meant. I mean you don't get to be in charge of whether I wake Penny up or not. It's not up to you."

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"Maybe Penny decides that her way is the right way, even if you don't think that you should tell Penny all the Right Ways yourself.  Penny goes and wakes up some kid, and firmly instructs him that everything he thinks is wrong and what he really ought to do with his life is whatever Penny tells him.  You're responsible for that, because you decided to wake up Penny, and then didn't teach her rightly enough.  What is your responsibility toward that kid that Penny woke up?  Should Gus do anything about it?  Should I?"

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Emily starts to formulate her direct response to that, and then switches to a meta-response, and then realizes that she doesn't expect any of this to work. Oliver's dodged her main point -- that he's not in charge -- and there's no reason she needs to engage with his main point either.

She is feeling pretty done with this conversation.

 

She wonders what will happen if she storms off, though. Will Oliver keep talking to Gus, while Emily is just frozen in the hallway, losing time? That's not going to work.

Gritting her teeth, she's going to need to stick with Oliver until she can find someone else who'll walk around town with her, and she doesn't have that set up yet.

 

 

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"Huh. I guess you're right. It's more complicated than I realized. Thanks for pointing that out, Oliver."

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"I don't, actually, know the answer to any of those questions either.  I know that you don't have the right to wake up Penny, and I don't have the right to wake up Penny, because the only person who has a right to anything to do with Penny, is Penny herself.  So maybe we wake her up anyways, because if we just stay frozen, because we can't ask Penny, that's the same as deciding for her not to wake up, and it's not like anyone has that right either.  But if we do a lot of that, I'm pretty sure everyone in this town will be awake pretty fast, and you know, for all we know at this point, Leah was actually about to explain some excellent additional reasons why we should not do that, before I ran out on her thirty seconds into that conversation."

"I know that I can't stop you from waking up Penny, without turning into the sort of person I'm afraid Leah might be in the worst case.  If that seems to you like a fun thing, that you have power and that nobody can stop you, then--that wouldn't be a particularly good way to look at reality.  I won't tell you the Right Way but I'll tell you that one is wrong."

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"Hearing you say that you know you can't stop me helps. You just kept telling me allll the reasons not to do it, like I didn't get a say at all."

Emily takes a deep breath.

"I think you and I have pretty different outlooks on life overall. I tend to think things are going to work out, and that we should just try things and see what happens. You tend to think six steps ahead down a very bad path and then fixate on that."

"And sure, you've been alive a lot longer than I have. Maybe when I'm as ancient as you are, I'll be that gloomy too."

"But I kind of doubt it? I think this is who I actually am? It feels pretty fundamental to being me."

 

"Anyway. I am not sure I agree with you about any of your logic. I think waking people up might be the right thing to do, and waiting is denying them something important. But I also see that it might be irreversible and that we might do a better job of it with a little more information. So I'm willing to wait, for now."

Emily doesn't say how long she's willing to wait.

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"I'm sorry about dumping my gloom on you.  Hearing you already be that self-aware and doing correct psychological analysis helps with the awful feeling of impending doom I'm getting right now."

"I'd probably feel a lot more maybe-awful about all of this if I'd decided to wake up you and Gus on purpose, because then, see, if you just went around waking up everyone in town, or waking up people who woke up people, and it turned out terribly, that would all be my fault.  As it stands?  I didn't mean to do any of it!"

"I sort of want a hug, now, and I have a feeling that I don't get one.  I am the responsible source of hugs for other people."

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Does Emily want to give Oliver a hug?

It was not very long ago at all that she wanted to know what was on his daffodil list so she could make him happy. Now he just wants a hug, and she's not sure. He's been so... weird and difficult... ever since he met Leah. Right before that, they were about to go plant a bunch of seeds and try to figure out the Junimo mystery (eeee, Junimos!) and everything seemed so magical and good.

But then he started suspecting Leah of murder and saying that he wouldn't murder Emily because he's so ethical and then the fight about whether Emily is too foolish to make her own decisions or not. It was maddening.

 

Why is he like this?

 

Emily begins to suspect that maybe Oliver is not really okay at all. He came from a very different world, and now he's here, and he seems pretty overwhelmed. She's not sure she actually likes him but she finds that she does care about him.

 

She gives him a hug.

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"I want for Leah to be a nice person who never even considered killing anyone, and for nobody to get hurt in any way if the Pelican Town economy shuts down because everyone woke up, and for the whole Jojamart thing to be something that just hangs around not actually exploding until we fix the Community Center no matter how long we decide to take about that, and for the Wizard to be good or at least not a dangerous threat, and for nothing to go wrong because people are awake and quest lines involving them shut down, and I want to be safe and know I'm safe and maybe then I'll be able to live happily ever after."