The first thing he thinks is "The moon is beautiful".
The second thing he thinks is that something has gone terribly wrong.
The moon above him is pale lavender, striated with bands of darker blue and vortices of white cloud. The night around him is quiet, and dark, and damp. The grass under him is scratchy and -- importantly -- not where he remembers going to sleep.
Eventually, though, the damp gets to him. He stands, and for lack of any better idea, begins to walk.
He has never been the outdoorsy type. Nature seems, to him, so disorganized. Nonetheless, he recalls words he's read in too many self-indulgent adventure stories.
What is it? he thinks. Two minutes without shelter, two days without water, two weeks without food?
He knows he should stop and think of a strategy more well thought out than just following wherever his feet take him, but he doesn't.
In stories, the people who are carried away to different worlds are ready to go. They have no lives, or if they do they accept the loss of them in exchange for the promise of adventure.
But he wasn't ready to go. He didn't want to go.
The thought strikes him suddenly, like the answer to a math problem that has been eluding him for hours. Information doesn't come from nowhere. If he ended up here, then whatever force brought him here must be able to see Earth.
And that means he can go back. He knows what he has to do.
They're not bothering to stay hidden now. Long, low shapes follow him, keeping to the corner of his eyes. If he were able to take a moment to think, rather than scrambling in blind panic down one steep hillside and up the next, driven on by hunting cries like a knife sharpener with a bugle every time he hesitates a moment too long, he might realize that they're herding him.
Once he's caught his breath, Çet helps him to his feet, gesturing towards their farmhouse. "Qu pihor gyenit," they repeat.
The farmhouse is unfinished timber with a thatched roof. Soft red lights glow from under the eaves, although they're quickly becoming less apparent as the sky lightens.
Sable lets himself be led into the farmhouse. If he were more aware, he might notice that the abandoned cart on the path to the barn seems to lack wheels.
As it is, he welcomes the dry warmth of the farmhouse, and lets himself be pushed into a chair at a large wooden table.
"Pihoror. Nat wapuş gyanarara," they explain, gesturing for Sable to remain in the chair, and then gesturing between themselves and the door.
After looking to see that Sable does not appear to be going anywhere, Çet leaves, their footsteps fading quickly as they move away from the house.
The inside of the farmhouse, now that Sable has time to examine it, more or less resembles the outside. The walls are also unfinished wood on the inside, although he doesn't know enough about wood to guess the type.
Surprising in its absence is a fireplace -- the role of stove seems to be played by a large, rounded block of stone emitting sourceless heat. A kettle sits on top of it.
Light is provided by several long, thin tubes that hang from beams down the length of the house. Right now, they are matching the sky outside and slowly brightening, tiny carvings on their surfaces flickering as they do.
:They must be from one of the other moons, then,: Zeterse says to Çet.
Turning back to Sable, she adds :Okay, well you showed up somewhere in the Haşarlands -- a dangerous runewaste guarded by Haşar. We're sort of out in the middle of nowhere, but I'm sure we would have heard if someone had figured out how to travel from one of the other moons, so I'm afraid I have no idea how you could have gotten here.:
:Çet says you're welcome to stay with them for a while while you get things figured out, or we can probably find you a place in town, whichever you prefer. I'm dispatched to deal with this all morning, so if you have some questions, or if you want basic language lessons, we can do that now. Does that sound okay?: