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He sighs. "Yeah."

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"It's only - I'm a new factor in the situation. Why do you think he gave me to you?"

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"...Do you want me to answer that?"

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"So the obvious thing, then. And nothing else? I'm literate, he could have gotten twenty-five percent off if that was all he wanted and he'd take a girl who can't read."

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"If I had to guess, I'd say he waited until the last minute and you were just the first girl he saw that he liked the look of. He absolutely loathes shopping."

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"All right then."

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Shrug.

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"I barely remember the last time I was sold. I was six and the obvious thing was dramatically less of a concern."

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"Not that that never happens, but at least it's not usual."

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"Exactly."

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"Yeah."

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"And instead I got bought by a retired old lady who wanted me to take dictation because she was getting arthritic. I've been about as absurdly lucky as I could get without manumission papers wafting out of a magic into my lap. Or her doing what she let me think she would."

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"Guess so," he agrees.

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Aya... is out of things to say. It feels weird to be talking about herself this much, and she's pretty sure she's addressed all his expressed curiosities.

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He is out of things to say too.

He waits another moment, though, to see if she comes up with anything.
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Nope.

She picks up a pastry and bites it, breaking eye contact.
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Then - yeah. Back to his room he goes.

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Aya eats pastries. She adds a border of further detail to her butterfly's wings. She picks up the book she's in the middle of and reads on.

She undergoes a sort of emotional unfurling over the next several days, when everything continues to be exactly as it was presented to her. She takes the colored inks and experiments with using them in coded drawings; preliminary results are promising. She finishes the history book, its companion volume, several plays, a novel, and a catalog of case studies of people who've wandered into magics and successfully come out with this or that deformity, drawback, arguable enhancement, or crippling condition - instead of dying instantly, vanishing, or becoming permanently stuck to something inside the magic until dying less than instantly. She eats the excellent household food, three meals a day. She gets her change of clothes, finds out where laundry gets done, and thereafter has a suitable schedule of personal and fabric-related cleanliness. She finds a little box of decorative tacks in the attic, puts up her lizard on the wall, confirms that Hal isn't going to make a face at there being a tack hole in the wall, and then puts up the other drawings and the new ones she's drawn since the first day. She thinks she'll take a stab at actually organizing the attic - pretty much entirely for her own convenience - one of these days.
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And then...

Dinner with the family is a thing in this household. Hal can freely avoid his parents at other meals, and invariably does, but his presence at dinner is required. So dressing up and going downstairs in the evenings is an unremarkable event.

Usually, though, he's back in less than an hour. Today it's more like three. And while he's been known to head straight for his room after dinner and not come out for a while, today he doesn't even make it that far. He comes into the little front room and shuts the hall door behind him and then can't manage the minimal coordination necessary to detour around the couch that is in his way. Instead he collapses across it, sobbing into his hands and bleeding through the back of his shirt.
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Aya was starting to wonder where he'd gotten to after a couple of hours, but hadn't gotten nervous enough to go ask Berete if she knew anything.

Now she knows.

She creeps out of her room, waiting to see if he'll snap at her or even just ask her to go away.
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It is debatable whether he even notices she is there. He certainly doesn't give much sign of it; he just continues to cry.

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Aya goes to the side of the couch, on the end where his head is.

"Do you need help?" she murmurs.
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He shakes his head.

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This seems pretty obviously false, but it might be the kind of false where she can call his bluff, or it might be the kind of false where he most of anything wants her to pretend it's true.

She thinks, trying to figure out which it is.

Eventually she decides to try: "There's gauze in the kitchen. I could get you some of that and hot water."
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He nods.
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