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why don't you reach heaven through violence and maybe you'll calm down
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It tastes vile, and the consistency is even worse. As soon as it's imbibed, there's a weird double-vision effect in her hearing; the faint bustle outside is still alien jabbering, on one level, but she understands it as well.

The angel shrugs. "I am willing to remain on task for the duration agreed upon," he says in the same solemn, crystalline language he used to speak with the pawnbroker.

"Ah, drinken tha devilflask quickwise," cackles the devil. "Knows tha thon drinksmonger's ways! Seeks tha aught else in us's ickle shopfront?"

"You may, for instance, still require help with the Black Speech," the angel adds neutrally.

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"...I see what you mean," she says to the angel, still in English.

And to the shopkeeper, in the language the angel has been using, "I don't have the time for idle browsing at the moment, but maybe you can help me anyway, if you happen to deal in books. I'm looking for a copy of Meti's Sword Manual."

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She grins. "Us's got one. Ben't worried, us can talk fine pretty when us wants..."

She mumbles to herself as she sifts through various objects. "There's tha!" she crows, coming up with a vellum scroll, neither mint-condition nor terribly abused. "Us wants three shins for it, haggle us not. - thon little glass bits in thon sack."

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"It's a deal." She opens the sack to extract three little glass bits.

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And the proprietress hands over the scroll. "Hast tha fun. Aught else? Us's got needlers, bleeders, cutters..."

"She refers to different varieties of dagger," the angel notes.

"And swords!" she adds. "Finely swords, all kinds, wicked choppers and slashers and puncts."

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"No thanks," she says cheerfully. "My next order of business is to find somewhere nice to sit and read this. After that, if I want a sword, maybe I'll come back."

She heads out.

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The devil waves cheerily. The angel follows her.

Finding a place to sit isn't so difficult. Finding a nice place to sit might be harder.

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She'll take a place to sit that has decent light and isn't actively sensorially upsetting.

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More plausible. The angel sits beside her.

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She opens the scroll and reads attentively.

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Meti's Sword Manual

Argument

  1. Glory to the Divine Corpse, o breaker of infinities.
  2. I am Meti, of no house but myself. In my 108th year I am surrounded by fools. My compatriots cling obsessively to their destiny, and my only apprentice is an idiot speck of a girl with more talent for eating than skill with the blade. Therefore I have decided to die drowning in the boiling gore of my enemies, of which there are many.
  3. My master was the greatest lord general to the king Au Vam, Ryo-ten-Ryam, who first coaxed me into learning the ways of turning men into ghosts. As his interest quickly turned to the wholly uninteresting and most useless parts of my body, I returned the favor and relieved him of his.
  4. It is my personal opinion the straight sword is best if you can obtain one, but I also favor the sabre. The spear, stave, or club are peasant's weapons of which I am wholly unfamiliar and so will not speak on them.
  5. Upon meeting me, you might find that my appearance is quite dreadful and unkempt. I have been spat upon by priest, king, and merchant alike. I have no retainers, and possess nothing except a straight sword six hand spans (five and a half kret) long (this is the proper length). This is because I am Royalty and the undisputed master of the principal art of Cutting. I will fight naked with ten-thousand men.
  6. From the age of thirteen I practiced every day with the straight sword. I followed a strict vegetarian regimen, and harsh training of barefoot sprints (five) between cities, squats and breathing exercises (two bells), and sword drills and resistance training (three bells).
  7. By the age of sixteen, my body was a steel edifice. I was so often mistaken for a man I began to wear my hair long with no pins and unbind my breasts. I could break stone with my hands with no effort, I could sprint between the Yellow City and the Lunar dominions in a day or less and barely strain my breath. My mastery of the sword complete, I enlisted in the Middle Army's third legion, where I was widely respected as a swordswoman of incredible power.
  8. When it came time to face my first real opponent, the Colossus of Pardos, in my youthful pride and immense skill, I brought all my training and mastery to bear. Scarcely half a day passed before my sword was shattered into thirty pieces, my right leg was almost torn from its socket, and my honed body was broken pathetically in a hundred and forty places. I defeated him by gouging his brains out through his breathing valves. My thumbs, in this case, proved far more useful.
  9. At that moment, with my thumbs in his brains, I had a revelation. I had trained far too broadly. Existence and the act of combat are absolutely no different, and the essence of both, the purity of both, is a singular action, which is Cutting Down Your Opponent. You must resolve to train this action. You must become this action. Truly, there is very little else that will serve you as well in this entire cursed world.
  10. I hope that by reading this manual, you will be thoroughly encouraged to become a farmer.

Mastering the Sword

  1. YISUN's glory is great, and you may know this by two paths, the sanctioned words, and the sanctioned action.
  2. The sanctioned words are YS ATN VARAMA PRESH. The meaning of these words is YISUN and their attainment is Royalty.
  3. The sanctioned action is to Cut.
  4. To Cut means division by the blade of Want, that parer of potentials that excises infinities.
  5. To train with the sword, first master sweeping. When you have mastered sweeping, you must master the way of drawing water. Once you have learned how to draw water, you must split wood. Once you have split wood, you must learn the arts of finding the fine herbs in the forest, the arts of writing, the arts of paper making, and poetry writing. You must become familiar with the awl and the pen in equal measure. When you have mastered all these things you must master building a house. Once your house is built, you have no further need for a sword, since it is an ugly piece of metal and its adherents idiots.

The 18 Precepts

  1. Consider: there is no such thing as a sword.
  2. Your stance must be wide. You must not be spare with the fluidity of your wrists or shoulders. You must have grip on the handle that is loose and unstrained. I heard it said you must be tender with your sword grip, as though with a lover. This is patently false. A sword is not your lover. It is a hideous tool for separating men from their vital fluids.
  3. Going onwards, you must adjust hands as needed, do not keep the blade close to your body, keep your breathing steady. This is the life cut. You must watch your footwork. Your feet must be controlled whether planted on fire, air, water, or earth in equal measure.
  4. Breathing is very important! Is the violent breath of life in you not hot? Exhale! Exult!
  5. You must strive for attachment-non-attachment when cutting. Your cut must be sticky and resolute. A weak, listless cut is a despicable thing. But you must also not cling to your action, or its result. Clinging is the great error of men. A man who strikes without thought of his action can cut God.
  6. To cut properly, you must continually self-annihilate when cutting. Your hand must become a hand that is cutting, your body a body that is cutting, your mind, a mind that is cutting. You must instantaneously destroy your fake pre-present self. It is a useless hanger on.
  7. A brain is useful only up until the point when you are faced with your enemy. Then it is useless. The only truly useful thing in this cursed world is will. You must suffuse your worthless body with its terrible heat. You must be so hot that even if your enemy should strike your head off, you shall continue to decapitate ten more men. Your boiling blood must spring forth from your neck and mutilate the survivors!
  8. You must never make 'multiple' cuts. Each must be singular in its beauty, no matter how many precede it. You must make your enemies weep with admiration, and likewise should your head be shorn off by such an object of beauty, you must do your best to shed tears of respect.
  9. When decapitating an enemy, it is severe impoliteness to use more than one blow.
  10. A man who finds pleasure in the result of cutting is the most hateful, crawling creature there is. A man who finds pleasure in the act of cutting is an artisan.
  11. Man always strives to cut man. Therefore he who draws his sword the fastest is the survivor. To pre-empt this, you must live, eat, and shit as a person who has their sword drawn. It doesn't matter whether your blade, in actuality, is always out of its sheathe, though you will look like an idiot if it is.
  12. Consider: The undefeated swordsman must be exceptionally poor.
  13. The weak swordsman reserves his sword strokes. He clings excessively to his blade. His footwork is unsteady. His grip is too hard and he is afraid to crack the earth with his step. He has a shallow and wandering gaze, his tongue is sluggish and pale. He refuses to exhale the hot breath of the Flame Immortal.
  14. The weak swordsman clings to victory. He thinks of his life, his obligations, the outcome of the battle, his hatred for his opponent, his training, his pride in his mastery. By doing so, he is an imperfect vessel for the terrible fires of Will. He will surely crack. He will not laugh uproariously if he is cleft in two by his opponent’s blade. When his sword is shattered, his hands will be too reserved to tear his enemies’ flesh.
  15. The weak swordsman strikes his enemy down and thinks his task done. He relishes in victory. He casts away his sword and returns to his lover. Little does he know his single cut will encircle the world five times and strike him down fifty-fold.
  16. The weak swordsman clings to his instrument. It is better you have a sword, but death must lie under your fingernails, if need be. Learn death with your elbows, death with your knees, and death with your thumbs and fingertips. It is said death with the tongue is useful, but I find words too soft an instrument to smash a man’s skull.
  17. In manners of terrain, you must learn to cut yourself from it. You must cut even your footprints from it, if need be. Have complete awareness of each crawling thing and each precious flower, each blade of sweet grass and each clod of bitter earth, each beating heart and each being that thrums with love, hope, and admiration. Only then are you qualified to be their annihilator.
  18. Excess heat and excess coldness are undesirable. Learn to read the weather.

Closing

  1. It is said the greatest warrior-kings may sublime violence and forget all they learn about the sword. This is true. But the only true path to kingship lies through regicide.
  2. Moreover, only the worst kind of idiot strives to be king.
  3. My extreme hope is that some measure of wisdom will penetrate the thick skull of my apprentice. If not, may reading this manual demonstrate your powerful disinterest in it, and may its true value die with me.
  4. Reach heaven by violence.

It's... an interesting read, despite its brevity. It is almost entirely unconcerned with swordsmanship techniques; it is, at its core, a philosophical text, and a message - a message to one woman, who is not Alice.

"Meti ten Ryo is a figure of some historical interest," notes the angel when she seems to be done. "She did not know how to be a person, and so she became a great warrior instead. But in her unrivaled strength, she found that she could not live without threatening everyone around her. Thus, she made herself nothing, that she might live beneath notice."

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"I can relate," she says, thinking of Tarn again.

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The angel nods. "We-"

There's something of a ruckus through a nearby window. "-forgive me for the violence I am about to inflict!" calls a strident voice.

"-hmm. That is a thing I have not heard recently," the angel says.

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...her instinct is to decide this is not her problem, but perhaps this is not a good instinct for her current circumstances. She peeks in the window, from off to the side in case something or someone is about to come through it.

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Inside, violence is being inflicted!

There is another angel, slenderer than Alice's, beating the living shit out of an alien twice its size. There's another alien sneaking up behind it, surprisigly stealthy, with a mace the size of a flagpole.

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This looks like a situation that she does not need to intervene in. Gawking seems fine, though.

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The angel hears the mace moving through the air before it makes impact, but after the window to dodge it fully has closed; the mace sends splinters of angel-flesh flying. Still, despite its injuries, it crushes its first opponent's ribcage and sends the second flying through Alice's viewing window.

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How'd she know! How'd she fucking know!

She moves back from the window and asks her translator, "Got any interesting cultural context for me?" over the sound of breaking glass.

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"Oh, yes," says her angel. "Given his recitation of the Prayer for Forgiveness, my brother there is a traditionalist. A traditionalist would not engage in combat if he had another choice."

As he speaks, the alien is standing up and looking around groggily. Its eyes alight on Alice.

"And for the record," says her angel, "you did not pay me for defense."

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Realistically, if she tries to fight this fight, she will get her ass kicked and possibly die.

She can feel April's Barbarian Fairyland instincts complaining about that, though. And hesitating isn't doing her any favours either.

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As she hesitates, the giant moves with implausible speed and puts her through the wall.

She feels... kind of okay about it, though. Not nearly as pulped as she should be. Is this what the head meant when he said the Key had strengthened her body?

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...fucking fine then, time to go full Barbarian Fairyland.

"That," she snaps, rising from the rubble, "was rude."

She stalks back out into the street, but doesn't immediately make another aggressive move, mostly because she is taking a moment to figure out how, mechanically, to hurt this person. It would look silly if she took a shot that failed to connect, but neither aliens nor giants were covered in Tarn's basic 'how to hurt someone who is trying to hurt you' crash course, and April never got the chance to progress to the independent study on megafauna.

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In that case, the giant will make a move for her.

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Dodging: totally covered in the crash course.

Taking advantage of the overextended enemy you just dodged: also covered, in principle, though she's a little shaky on exactly how to adapt the lesson to someone this... large. Whatever, she'll give it a try.

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The giant howls as its leg snaps, and flails at her as it collapses.

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