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Aya relaxes a little when he returns unmaimed from dinner. She works her way through an encyclopedia of geography.

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The following day, however...

It's not as bad as what she saw before. But if she keeps an eye on the door into the hall when she notices that he is a little late coming back from dinner, she will be able to catch him coming in with tears in his eyes, moving a little stiffly.
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(She brought plenty of gauze up, after the first time. She still has it.)

"I'm sorry," she whispers.
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"You could hardly argue I didn't bring it on myself," he points out, rubbing his eyes. "I'll be fine. I'm not sure I'm even bleeding."

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"Do you want me to check?"

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"Sure," he says. He takes his shirt off and turns his back to her.

Bleeding, no. Bruised, yes. And very heavily, if this is what's showing so soon.
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"You're not bleeding," she confirms.

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"Thanks," he says wryly. "I'm going to go... cry, probably."

And he heads into his room.
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"It's - let me know if there's anything I can do," she says, only just loud enough to carry.

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He glances back at her, and then steps into his room and closes the door behind him.

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Well, that's... whatever it is.

Aya doesn't usually draw people, but she can make a creditable try.

She draws a young woman with silver ink woven into her hair and tucks it under his door.
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Aww.
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She otherwise leaves him be.

She (carefully, carefully) goes up into the attic and starts looking for things-into-which-other-things-might-be-organized, eventually: shelves, containers of any kind.
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There are shelves, and cabinets, and boxes, and chests. Some have things on or in them; many don't.

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She finds some that don't have any things on them, drags them to a relatively clear area close to the door into the place, and starts attacking piles, sorting them into categories as best she can.

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Most of the things in the attic are relatively easy to haul around - heavy or unwieldy or both, but workable.

And then there is the massive set of tower pipes located in a small cluster of musical instruments between a drift of assorted bronze sculpture and a stack of intricate wooden puzzles. It rises from amid several more normally-sized pipe towers, fully three times as tall as any of them, and twice as wide. It's beautiful, but strange - an overabundance of pipes, arranged in an asymmetrical double spiral, with a tangle of keys that it's hard to imagine someone managing to play. It's not even immediately clear whether or not they all work.
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Well, that's - enormous. Aya doesn't think she wants to try to move it. Musical instruments can remain sovereign over this corner.

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When she passes close to it, it sounds a low, soft, mournful note.
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Aya - stops.

"If there are any singing ghosts or other entities that might sound like singing ghosts in this attic," she says, "they could save me a lot of trouble by singing the opening bars of Hail The Queen Of The Spheres."
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The standing tower starts playing that song. If she looks, she can see its keys pressing themselves.

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She looks.

When it has stopped, she says, "And now I would like to confirm that you aren't just reacting to song titles. Do you know the one that starts, Above the magic valley Yine?"
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It replies with a blatted chord that sounds remarkably like a snort.

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"You are clearly magic, but I would like to be able to distinguish between 'magic human, retaining all reasoning faculties' and the possibilities between that and 'magic trained mynah bird'."

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A little sequence of high fluttering notes that you could imagine might be a laugh, and then it plays the requested song, although only the line she named and one more after it.

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"Okay. I'm going to go get some paper and a pen and come up with a code so you can talk to me without reference to my relatively limited song vocabulary. Back in a minute, possibly with a companion."

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