Jan Zima's marriage does not need fixing. This is not because it is not broken. Lots of things are broken in this world, and marriages have the nearly unique property that you can, in principle, fix them in the next one, and if as a consequence of this fact about marriage they break more often, and often by the time their participants reach the next world there isn't anything left to fix -
- well, that sounds like a not very important problem, in the grand scheme of things.
Jan Zima does not beat his wife. He would never dream of betraying her, though she spent five or so years in there wishing he would, because then everyone would agree that she had been horrendously wronged and humiliated, which would be quite different than having merely failed in some complicated confusing way that involved no wrongdoing, and for those five years her greatest and most passionate yearning, in the world, was for things to be quite different, in any way, even a terrible one.
Jan Zima cannot afford to keep his wife in the style to which she is accustomed, but she knew that the moment he gave his name, at the officer's ball where they met in Vellumis, and she didn't care then, and she doesn't think she cares now, either, except that the house would be less empty if she could afford to staff it.
Jan Zima is not a jealous man (she wishes he was, though she is possessed with common sense and good character and would never stoop to trying to provoke him to it), and he does not drink, or gamble, or raise his voice. Indeed he never argues with her at all; if she is dissatisfied, he apologizes, and then he comes home less often so as to not encounter the situation in which he brought dissatisfaction. By the time she realized that was the pattern they were too far into it, and now she is always satisfied when he comes home, but he almost never does. His work is very important, and keeps him very busy, and if he comes home to more work he will diligently and grimly do it, and if he comes home to no work at all he will be relieved that he is not needed.
But for all of this, Iolanda Zima has not wished in several months for things to be quite different in any way even a terrible one; she has not kept track, even, of when he comes home or whether he remembers to kiss her on the forehead as he goes directly to his study, or whether he pats her fondly or grunts at her if she encroaches on his side of their shared bed. And this is because Iolanda Zima has been granted, by some merciful power of the universe which should be making more effective use of its powers of mercy, a fourth child.
They have three, all conceived in the space of five years when their marriage was new, and the youngest is twelve now, and Ioana is thirty-eight, and - she'd always wanted a great deal more than three, you know, wanted to hear someone say wonderingly "I don't know how you do it" as she sat surrounded by a proper flock, wanted a second son with which to privately console herself when the oldest one went off to be a knight of Lastwall like his father -
And now there will be four. Four is - enough. It will be many years before the house is empty and by then she will be old and it will be respectable for her to live with whichever friend she likes. No one wonders what is wrong with a woman of sixty whose husband doesn't want her because it's very obvious.
He looked bewildered, when she told him, like he'd forgotten that women could do that. If anything could have spoiled her happiness, it would've been that. But it didn't.